your wife is happy?
oh yes. it doesn't take much to make her happy. a villa, swimming pool, champagne, simple things like that.
♡ ̆̈ ⋆.˚ㅤit is hard to keep the same level of intimacy as time passes, not because we don't love each other but because we have a responsibility to keep. two for the road shows how time affects the relationship between a couple from the moment they meet to the moment they question their love, burden, and freedom.
the two here are audrey hepburn and albert finney at their prime. the road is the bumpy road of relationships and marriage. as this couple travel this rocky road you, the viewer, observe how a charming, charismatic couple can change and evolve and hurt one another while still being in love. stanley donnen, director, does a masterful job in moving things along. the storyline is not linear. you get to see the couple a various times in their relationship revisiting them at crucial stages. the result is an engaging film that demands your attention. the european setting is romantic, the humor balancing the pathos of their life, and the viewer coming away with perhaps some universal truths of what it means to be connected. audrey hepburn is a class, missing her endlessly. 🤍
you haven't been happy since the day we met, have you?
ps: i NEED joanna's wardrobe so bad
]]>
rest in peace, david lynch. there will never be anyone else like you. 🕊️❤️🩹
]]>
texas chainsaw massacre if the family served cunt
]]>
david lynch make a film i understand on the first watch challenge
]]>
]]>“this whole world is wild at heart and weird on top.”
Watched on Saturday January 4, 2025.
]]>
Watched on Wednesday January 1, 2025.
]]>
“when you give me health insurance, workers' comp and a 401K, then you can tell me when i work”
I'm officially rooting for anora to win best picture... this film is the definition of a masterful character study. It works brilliantly as both a comedy and a drama. I love cinderella stories and anora is simply the best. mikey madison has a long career ahead of her! i cried at least four times, and this was my second viewing. also, the soundtrack is 10/10.
]]>
Imagine having Mikey Madison as your wife and not devoting your life to her???
]]>
Watched on Thursday November 21, 2024.
]]>
they didnt have to make pyramid head that hot
]]>
"They'll forget you."
It’s possible engaging with the songs through subtitles hurts their impact, but it’s more likely the songs are just bad. I won’t speak to the film’s success with the trans representation, except to say that I didn’t interpret it as phobic, but possibly underdeveloped. In fact that’s my main thought, that if the film took out all the boring singing and used the extra time to just delve deeper into each character, it might be an interesting narrative.
I feel for Zoe Saldana and Karla Sofía Gascón, who give great performances despite such a poor script. Selena Gomez, though, straight to jail. But for a film with such big ideas and big emotions, I felt almost nothing. I just didn't find the story to be that interesting, exciting, moving, or even engaging. In fact, as a trans story, it felt more like the film didn't want it to be about that. The film spends the first half building up this trans story, only to move on to something else completely different in the second half. I just didn't care about what's happening.
As a musical, this was a total failure. Incredibly dull and cringeworthy songs are made worse by, and I'm sorry to say, actors who cannot sing and incredibly poorly staged and choreographed musical numbers, with exception of Zoe Saldana's sequence in the red suit.
]]>
]]>in my restless dreams, i see that town...
silent hill.
gay people can’t ever get a happy ending huh
]]>
sally running around covered in blood and screaming for over 30 minutes straight! oh this will forever be my roman empire <3
]]>
two men talk about being gay for 90 minutes without any deeper substance. honestly, it sucks.
]]>
"What are girls for?"
"Woman of the Hour" marks Anna Kendrick's thrilling and masterful directorial debut, evoking a range of intense emotions. I felt genuine fear and crippling anxiety at times, yet found myself laughing at moments of irony. Kendrick tells a crucial story about the brutal crimes committed against women and how history often neglects them. The film doesn't shy away from showing the harsh reality—it's raw and unapologetically loud, reflecting the unfortunate truth of these events.
By portraying different women dealing with the same vile individual at various points, the film highlights their resourcefulness in the face of such inhumane situations. Some of these encounters end tragically, while others do not.
Several of the transition shots were particularly striking. It has similarities to 'Late Night with the Devil', though it surpasses it in many ways. Kendrick masterfully built suspense from one scene to the next, with the parking lot sequence standing out. I especially appreciated how she portrayed the female characters. Overall, a gripping thriller worth watching.
]]>
alexa play ‘the other woman’ by lana del rey
]]>
natalie portman wearing a pink wig in a strip club you will always be famous
]]>
this movie changed me forever
]]>
Watched on Saturday October 19, 2024.
]]>
unsettling but such a necessary message about how unforgiving the porn industry is
]]>
bodies bodies bodies but y’all are straight
]]>
Watched on Thursday October 17, 2024.
]]>
where do i get the substance to become margaret qualley?
]]>
🇧🇷 REVIEW
🇺🇸 REVIEW
Abordando uma trama cearense que explora e mistura gêneros de pornochanchada e thriller, "Motel Destino" se destaca em suas cores quentes e vibrantes, tentando e conseguindo (em pequenas doses) ser eufórico na sua própria maneira de construção narrativa.
Visualmente, "Motel Destino" é atraente. A cinematografia captura a atmosfera claustrofóbica do motel, refletindo a solidão e os conflitos internos dos personagens. A trilha sonora também merece elogios, complementando os momentos de suspense e reflexão.
No entanto, o filme enfrenta algumas limitações. A narrativa, por vezes, pode parecer arrastada, especialmente em certos momentos de desenvolvimento de personagens que poderiam ter sido mais dinâmicos. Além disso, algumas reviravoltas, que deveriam ser impactantes, acabam parecendo previsíveis, o que diminui o efeito surpresa.
A atuação do Iago Xavier infelizmente deixa muito a desejar, em algumas cenas ela se torna lamentável, principalmente por estar sempre em tela com a Nataly Rocha e o Fabio Assunçao, que desde o primeiro momento em que são introduzidos no filme estão espetaculares.
O que vou destacar aqui é o fato de venderem o filme como cinema erótico e LGBTQ+, mas as tentativas de eroticidade são falhas e os dois únicos momentos que se criam uma “tensão sexual gay”, um é fraco e o outro é para justificar a imagem do hétero valentão.
—————————————
"Motel Destino" tackles a plot set in Ceará, blending the genres of pornochanchada and thriller. It stands out for its warm and vibrant colors, attempting—and succeeding, in small doses—to be euphoric in its own way of narrative construction.
Visually, "Motel Destino" is appealing. The cinematography captures the claustrophobic atmosphere of the motel, reflecting the loneliness and internal conflicts of the characters. The soundtrack also deserves praise, complementing moments of suspense and reflection.
However, the film faces some limitations. The narrative can sometimes feel slow, especially during certain character development moments that could have been more dynamic. Additionally, some plot twists that should be impactful end up feeling predictable, which lessens the element of surprise.
Unfortunately, Iago Xavier's performance falls short. In some scenes, it becomes regrettable, especially since he is constantly sharing the screen with Nataly Rocha and Fabio Assunção, who are spectacular from the moment they are introduced in the film.
One point worth mentioning is how the film is marketed as erotic and LGBTQ+ cinema. However, the attempts at eroticism fall flat, and the only two moments where "gay sexual tension" is created, one is weak and the other is simply to justify the image of the macho straight guy.
]]>
"I don't think you're boring. You just haven't met your people yet."
Does anyone know where I can find a queer ranch like the one in this movie? The people there were so warm and welcoming; I wish I knew a place like that in real life.
An absolutely stunning debut. Thank you, Luke Giford, for this film, for the representation, and for the celebration of queer joy. I lost count of how many times I cried, starting from the moment Dylan arrives at the ranch and lasting until the credits rolled. The tears were partly due to the cinematography, which beautifully captured these intimate moments with close shots of the characters' faces. It felt almost intrusive, especially with the incredible chemistry between Dylan and Sky. I can't recall the last time I saw on-screen chemistry that powerful. I’d be remiss not to mention the soundtrack, which enhanced these personal moments—Perfume Genius!!!
]]>
samara weaving covered in blood in the year 2024 but at what cost
]]>
"Are you a serial killer?"
A striking achievement in horror filmmaking, JT Mollner masterfully subverts genre tropes with finesse. The visual storytelling is elevated by brilliant color coding: blue for the vulnerable moments, which feature some of the best dialogue I’ve seen all year; red for the steamy, cat-and-mouse game; and a draining of all color for a poetic, long-sequenced grand finale—simply brilliant. Filmed on 35mm, the movie is a technical masterpiece with flawless pacing, stunning framing, and exceptional cinematography. Add in one of the best soundtracks of the year, and Strange Darling stands as a true cinematic gem.
Willa Fitzgerald and Kyle Gallner completely earn the title of Scream Royalties. Every moment they're on screen, they give it their all. Their remarkable performances are sure to be remembered for a long time.
]]>
"If this child is born, God have mercy on us all."
Apartment 7A is a psychological horror thriller set before the events of Rosemary's Baby (1968). The film follows an aspiring professional dancer who, after suffering a freak accident, struggles to get new roles. One day, her luck changes when she crosses paths with an elderly couple living in the infamous Bramford apartment complex.
We are at a point where films about the Antichrist are becoming overdone. This year, we've already had Immaculate and The First Omen, both exploring the same theme. With so many similar stories released in such a short span, Apartment 7A becomes the third project this year to deal with the "birth of evil," making the experience feel somewhat repetitive and tiresome for the audience.
However, I can’t say I hated it. While I didn’t find it outstanding, it does a good job of achieving what it sets out to do. Although I feel certain aspects could have been better executed, overall, I didn’t have a bad experience watching it. Additionally, Julia Garner, who plays Terry Gionoffrio, delivers a strong performance in her role.
]]>
y'all are kinda mad for comparing this to longlegs. honestly, oddity is way better in every aspect.
]]>
the real flow is the friends we make along the way
]]>
ginger fitzgerald walked so jennifer check could run
]]>
i would’ve spent christmas with him
]]>
this movie will never fail to make me laugh no matter how many times i rewatch
]]>
gay being your last word before you turn into a zombie is so iconic
]]>
Watched on Thursday October 3, 2024.
]]>
now im scared im gonna be stuck in an infinite time loop on my birthday next year
]]>
what mommy issues does to a boy
]]>
Watched on Saturday September 28, 2024.
]]>
“how’d it go?”
“no idea. but it’s okay, it doesn’t matter. as long as you're with me… that's enough for me.”
I just wanted more of it. I could easily watch this film on repeat and never get tired of it. From the very beginning, all I wanted was for the characters to find happiness, and I wasn’t let down! Instead of breaking my heart, this movie filled it with joy. It's a simple takeaway, but I couldn't be more satisfied.
The film tells a beautiful, concise story in such a short runtime. The animation is minimalistic, and the plot never lingers longer than it needs to. It felt like a fleeting dream I wished would last forever.
What really surprised me is how much I cared about these characters. It didn’t take much for them to draw me in; from their first moments together, I was hooked. They care for each other and help each other grow, and honestly, I can't think of a single moment that I didn’t like.
]]>
“That was the summer of 1963, when everybody called me baby, and it didn't occur to me to mind.”
So, you’re telling me this random girl shows up, gets instantly attracted to a dance instructor like Johnny—who’s popular, totally opposite from her—and they just fall in love? Not to mention, there are multiple scenes where Johnny yells at her and treats her poorly, but she still loves him regardless? Come on, girl.
And then she admits she doesn’t even know basic dance moves, but thanks to some magical time-lapse, suddenly she’s an expert in all these different dance styles? Sorry, but that's absolutely unnatural.
I’ll give it to them—the final scene was fun, but the rest? Honestly, I found it pretty dull.
]]>
“We have come very far, enduring many hardships. But at last, we found a place where we can be safe. Together. At the other end of the ocean.”
Marrowbone is a film filled with twists and surprises. Along with an excellent cast, the story unfolds in an engaging way, with a well-crafted narrative that keeps the viewer hooked.
At first, it may seem like the film has a slower pace, even a bit calm, but as the revelations start to unfold, the plot becomes more captivating and complex. The film's real brilliance lies in how it’s seemingly simple but begins to gain depth as the story progresses, offering a new perspective and encouraging viewers to rethink the start, enriching the experience and potentially prompting a second watch to catch previously overlooked details.
George MacKay stands out as the film's anchor, skillfully balancing the script and the cast's performances. His acting not only drives the narrative but also adds an extra layer of intensity and authenticity to the film.
]]>
i used to wanna be catty noir so bad she was the inspiration
]]>
“Married a couple of crazy bitches, raised a few crazy bitches”
A sad, beautiful, tender and heartfelt movie, with a great script that features amazingly real, well-written characters. All three main actresses are perfectly cast and each of them showcases all of her huge talents and they all carry this movie together, which makes the whole experience stronger. The movie creates its own special visual language as well, and when you combine that with the brilliant script and the amazing performances - you get such a rewarding film experience.
]]>
aubrey plaza and kathryn hahn omg we gays keep winning
]]>
"I killed Liz. I killed the teen dream. Deal with it."
if mean girls and heathers had a baby it would be this movie
]]>
"Have you ever dance with the devil in the pale moonlight?"
Tim Burton paves the way for all future superheroes and delivers a great film about the dark knight.
Michael Keaton does a solid job, bringing an introspective and slightly awkward Bruce Wayne to life, while his Batman is both quiet and intense. Jack Nicholson, however, steals the show as the Joker. He’s the perfect mix of fun and terrifying, cracking jokes even as he electrocutes someone with his buzzer, just because he can. He’s outstanding. Michael Gough is also very likable, adding a touch of warmth to his role. Kim Basinger is adequate, though she largely serves as the damsel in distress without much depth.
The story is engaging with a consistent pace. I appreciate that it’s not a typical origin story; it jumps right into the hero battling crime. The film has a dramatic and epic atmosphere, far surpassing anything of its kind that came before. However, it still retains some comedic, even slightly absurd, moments—like when the Joker takes down the Batplane with a simple, oversized gun as if it were nothing. Somehow, it works just well enough.
The production design is impressive. Gotham City is portrayed beautifully—gothic, grimy, and full of atmosphere. The backgrounds are visually striking, and the film is packed with iconic moments, like the Batplane silhouetted against the moon and that unforgettable final shot of Batman on the rooftop with his Bat-Signal.
]]>
"Women have been taught to compete against each other when really we should be helping and supporting one another."
Zoë Kravitz, I owe you an apology for assuming this would just be another vanity project for a nepo baby. This was absolutely incredible—captivating, terrifying, and surprisingly hilarious.
I was zoning out a little during the first act, but it eventually grabbed my attention and kept me hooked. (I’m not entirely sold on the final tag, but that's a minor complaint.)
Blink Twice is daring, sleek, and self-assured. It respects the audience's intelligence, delivering its story without unnecessary hand-holding. Every moment demands your full attention—you won't want to blink even once, for fear of missing a single frame.
The whole cast delivers exceptional performances, but once again, Adria Ajorna steals the spotlight.
Am going to need Zoë Kravitz to make me some Spotify playlists please.
]]>"There is no forgiveness. There's just forgetting."
this is what i think would happen if i forgot my headphones at home
]]>୨୧ — A ranking of every film released in 2024 that I have seen.
- Anora
- I'm Still Here
- The Substance
- Dune: Part Two
- His Three Daughters
- Love Lies Bleeding
- Deadpool & Wolverine
- Lisa Frankenstein
- Strange Darling
- Blink Twice
...plus 41 more. View the full list on Letterboxd.
]]>ᯓ ᡣ𐭩 a running list of spooky movies I've never seen, but I've always wanted to see, that I'll endeavor to see this spooky fall season. 🧟♀️
- Inferno
- Misery
- Phenomena
- A Girl Walks Home Alone at Night
- The Invisible Man
- Happy Death Day
- Phantom of the Paradise
- Killer Klowns from Outer Space
- The Rocky Horror Picture Show
- Carnival of Souls
...plus 21 more. View the full list on Letterboxd.
]]>𐙚 ‧₊˚ ⋅ films where fire is used in symbolism or as major aesthetic feature.
- Portrait of a Lady on Fire
- Midsommar
- The Banshees of Inisherin
- The Hunger Games: Catching Fire
- Come and See
- The Dark Knight
- Carrie
- Furiosa: A Mad Max Saga
- Hereditary
- The Batman
...plus 14 more. View the full list on Letterboxd.
]]>- X-Men: First Class
- Logan
- Deadpool & Wolverine
- X-Men: Days of Future Past
- Deadpool 2
- X2
- Deadpool
- X-Men
- X-Men: Apocalypse
- The Wolverine
...plus 4 more. View the full list on Letterboxd.
]]>𐙚 ‧₊˚ ⋅ films featuring characters with mommy issues or mothers who leave their kids with issues.
- Lady Bird
- The Virgin Suicides
- Shiva Baby
- Uptown Girls
- The Lost Daughter
- Carrie
- Everything Everywhere All at Once
- Barbie
- Phantom Thread
- Black Swan
...plus 54 more. View the full list on Letterboxd.
]]>]]>
“i want to be defined by the things that i love.” ❤︎
- Spirited Away
- A Brighter Summer Day
- Black Swan
- Persona
- Prisoners
- Past Lives
- Paris, Texas
- Kill Bill: Vol. 1
- Amélie
- Lady Vengeance
...plus 58 more. View the full list on Letterboxd.
]]>1910s — 2020s
inspired by ele!
- A Dog's Life
- The Cabinet of Dr. Caligari
- Freaks
- Meet Me in St. Louis
- Roman Holiday
- Vivre Sa Vie
- Suspiria
- Paris, Texas
- Girl, Interrupted
- Amélie
...plus 2 more. View the full list on Letterboxd.
]]>