Synopsis
The many faces of a woman trying to find herself.
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
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Vivre Sa Vie
Cast
Anna Karina Sady Rebbot André S. Labarthe Guylaine Schlumberger Gérard Hoffmann Monique Messine Paul Pavel Dimitri Dineff Peter Kassovitz Eric Schlumberger Brice Parain Henri Attal Gilles Quéant Odile Geoffroy Marcel Charton Jack Florency Alfred Adam Mario Botti Gisèle Braunberger Jean Ferrat Jean-Paul Savignac László Szabó Jean-Luc Godard
Director
Producer
Writer
Original Writer
Editors
Cinematography
Assistant Directors
Camera Operator
Additional Photography
Special Effects
Title Design
Composer
Sound
Costume Design
Makeup
Hairstyling
Studios
Country
Language
Alternative Titles
Жить своей жизнью, 비브르 사 비, 자기 인생을 살기, Zijn Leven beleven, Vivre sa vie, Zouse ti zoi tis, Onna to Otoko no Iru Hodô, La corrupción, Viver a Sua Vida, Viver a Sua Vida. Filme em 12 Quadros, 隨心所欲, Жити своїм життям, It's My Life, My Life to Live, Jean-Luc Godard: Die Geschichte der Nana S., Die Geschichte der Nana S., To Live Her Life: A Film in Twelve Scenes, Questa è la mia vita, Vivir su vida, 随心所欲, Éli az életét, לחיות את חייה, Hayatını Yaşamak, Viver a Vida, Leva sitt liv, Żyć własnym życiem, Да живееш живота си, 賴活, Ζούσε τη Ζωή της, 女と男のいる舗道, Elää elämäänsä, Žít svůj život
Genre
Themes
Releases by Date
Premiere
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Italy
Venice Film Festival
04 Oct 2013
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USA
New York Film Festival
Theatrical limited
06 Feb 2006
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USA
Theatrical
20 Sep 1962
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FranceTP
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Sweden15
02 Oct 1962
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Germany18
29 Oct 1962
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UK
31 Jan 1963
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Netherlands18
21 Feb 1963
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Italy18+
23 Sep 1963
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USANR
19 Apr 1984
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Germany
03 May 1997
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South Korea18
23 Dec 2005
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South Korea
15 Feb 2017
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FranceTP
18 Jan 2018
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Netherlands
04 Apr 2019
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South Korea15
TV
23 Nov 2000
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Germany
Releases by Country
France
20 Sep 1962
- TheatricalTP
15 Feb 2017
- TheatricalTP Re-release
Germany
02 Oct 1962
- Theatrical18 West Germany
19 Apr 1984
- Theatrical East Germany
23 Nov 2000
- TV Restored Version
Italy
28 Aug 1962
- Premiere Venice Film Festival
21 Feb 1963
- Theatrical18+
Netherlands
31 Jan 1963
- Theatrical18
18 Jan 2018
- Theatrical Digitally Restored Version
South Korea
03 May 1997
- Theatrical18
23 Dec 2005
- Theatrical Re-release
04 Apr 2019
- Theatrical15 Re-release
Sweden
20 Sep 1962
- Theatrical15
UK
29 Oct 1962
- Theatrical
USA
23 Sep 1963
- TheatricalNR New York City, New York
06 Feb 2006
- Theatrical limited Harvard Film Archive
04 Oct 2013
- Premiere New York Film Festival
Popular reviews
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Clearly liked it a lot more than Breathless. At the end of the day I’m still pretty conflicted on how I feel. Like I love everything about this, the visual language, the editing, the performances, the philosophy in that 11th story. The only thing it’s missing is me giving any sort of shit about this woman. I will say, that final shot is absolutely tragic in the context of the entire film but that can’t be the only time I care about her. Ya know? Still though, I’m sure there’s a Godard for me that I’m gonna love, we’re getting closer.
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In Vivre Sa Vie we get to know Nana; a woman that dreams of becoming an actress and has one man for every occasion. She believes that mankind is free and are responsible for every action and emotion, and that's a belief that is put to the test as she starts to work as a prostitute...
Vivre Sa Vie has everything I love with Godard films. The melancholy, the fantastic dialogues, the innovative camera work, the social political commentary, beautiful music, beautiful women and last, but not least; tons of references to movies, literature and philosophy. In the case of Vivre sa vie Godard is very straight forward with what he's trying to say, what existential thoughts he's trying to…
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Jean-Luc Godard's Vivre Sa Vie bitterly shows the sad reality on what it's like to be a woman in a man's world.
The subject of this film: Anna Karina, Godard's own wife. She plays Nana, a young Parisian woman who leaves her unhappy marriage in an attempt to pursue a life of fame and acknowledgement. But over the course of twelve episodes, we see Nana’s spiralling descent into prostitution instead.
I liked how this film didn't treat its theme of prostitution in overly dramatic fashion; but then again, Vivre sa Vie isn't really about prostitution. This is about Nana and her search for existential truth and happiness.
Throughout its 84 minutes runtime, we are completely drawn to Nana, not just…
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Some men write poems for the women they love, some sing songs. Godard filmed a movie for her.
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All these people sitting around reading philosophy in cool Paris coffeeshops, cinematheques, and record stores... pure lifestyle porn. It’s a neat trick how every interior looks sexy despite the fact that they’re all drab and ugly.
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insane how much more bearable godard is when he doesn't edit his films like a 12 year old boy discovering premiere pro for the first time
but unfortunately he still writes female characters like a 12 year old boy :/
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