Rewatched the way it deserves to be seen - in 70mm, on a towering six story IMAX screen fit for a towering film like this. The way Jennifer Lame’s editing tightly balances so many different characters and timelines while moving with such breakneck momentum (which is also aided by Ludwig Göransson’s propulsive, near constant score) that it never once feels like a three hour movie is a miracle. A genuine cinematic triumph.
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