Peter Charney’s review published on Letterboxd:
Death has been personified in countless ways throughout storytelling history, but rarely as audaciously as in Tuesday, where it takes the form of a talking bird capable of changing sizes. The film blends a familiar grief narrative with elements of magical realism—tropes often reserved for family-oriented stories—but approaches them with a mature, mostly unsentimental tone. At its core is a poignant portrayal of a mother grappling with loss, initially resisting death’s claim over her daughter before coming to accept the inevitable. While this intimate exploration is compelling, the narrative ventures into some outlandish territory as the stakes escalate and the scenarios broaden. The film also lingers too long in its somber atmosphere, occasionally feeling weighed down by its own gravity. Nevertheless, its naturalistic performances keep the premise grounded and deliver moments of genuine resonance without tipping into overt emotional manipulation.
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