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Synopsis
Give your soul to the dance.
Young American dancer Susie Bannion arrives in 1970s Berlin to audition for the world-renowned Helena Markos Dance Company. When she vaults to the role of lead dancer, the woman she replaces breaks down and accuses the company's female directors of witchcraft. Meanwhile, an inquisitive psychotherapist and a member of the troupe uncover dark and sinister secrets as they probe the depths of the studio's hidden underground chambers.
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Director
Director
Producers
Producers
Writer
Writer
Original Writers
Original Writers
Casting
Casting
Editor
Editor
Cinematography
Cinematography
Assistant Directors
Asst. Directors
Additional Directing
Add. Directing
Executive Producers
Exec. Producers
Lighting
Lighting
Camera Operator
Camera Operator
Production Design
Production Design
Art Direction
Art Direction
Set Decoration
Set Decoration
Special Effects
Special Effects
Visual Effects
Visual Effects
Title Design
Title Design
Choreography
Choreography
Composer
Composer
Sound
Sound
Costume Design
Costume Design
Makeup
Makeup
Hairstyling
Hairstyling
Studios
Countries
Primary Language
Spoken Languages
Alternative Titles
Suspiria de Guadagnino, Суспирия, 서스페리아, Суспірія, סוספיריה, Sóhajok, 陰風陣陣, Suspíria: A Dança do Medo, 阴风阵阵, Suspiria: El maligno, Suspirija, 窒息, กลัว, サスペリア, სუსპირია, Vũ Điệu Tử Thần
Premiere
01 Sep 2018
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Italy
Venice Film Festival
04 Oct 2018
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Spain
Sitges International Fantastic Film Festival
11 Oct 2018
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Turkey
Filmekimi
16 Oct 2018
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UK
London Film Festival
22 Oct 2018
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USA
Beyond Fest
Theatrical limited
26 Oct 2018
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USAR
31 Oct 2018
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Germany16
05 Dec 2018
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Spain18
Theatrical
31 Oct 2018
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PhilippinesR-16
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Thailand18
01 Nov 2018
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GreeceK-16
02 Nov 2018
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USAR
09 Nov 2018
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Turkey18+
14 Nov 2018
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France16
16 Nov 2018
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Ireland18
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UK18
22 Nov 2018
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PortugalM/16
29 Nov 2018
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Russia18+
06 Dec 2018
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Iceland16
01 Jan 2019
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Italy14+
11 Jan 2019
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MexicoC
25 Jan 2019
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Argentina16
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JapanR15+
31 Jan 2019
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Hong KongIII
11 Apr 2019
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Brazil16
16 May 2019
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South Korea19
Digital
02 Nov 2018
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Poland18
15 Jan 2019
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USAR
26 Apr 2019
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UK18
03 May 2019
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USAR
Physical
15 Jan 2019
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Australia
29 Jan 2019
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USAR
03 Apr 2019
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France16
05 Apr 2019
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Netherlands16
Argentina
Australia
Brazil
Denmark
Finland
France
Germany
Greece
Hong Kong
Hungary
Iceland
Ireland
Italy
01 Sep 2018
-
Premiere
Venice Film Festival
Japan
Mexico
Netherlands
New Zealand
Norway
Philippines
Poland
Portugal
Russia
South Korea
Spain
04 Oct 2018
-
Premiere
Sitges International Fantastic Film Festival
Sweden
Thailand
Turkey
UK
16 Oct 2018
-
Premiere
London Film Festival
USA
More
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who needs to understand what the fuck is going on when the vibes are this good
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I mean, I’m not a dance expert, but I feel like these women might want to consider studying at another school.
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tik tok dances with the girls <3
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This review may contain spoilers. I can handle the truth.
"Ah, Lacan!"
out of all the gruesome, unforgettable images whirling around in my head after seeing Suspiria on halloween, i keep coming back to this offhand comment made by dr. klemperer. it's a bit difficult to tell if his, "Ah, Lacan!" is sneering or impressed, if the doctor rejects or regards the controversial french psychologist's work. either way, there is definite validity in applying it to the film, especially since directer luca guadagnino comes from an academic background.
so let's talk film theory, ladies and germs! i have a cinema studies degree and i swear to god i'm gonna use it for something!
Lacan's theory of the "mirror stage" refers to the moment that infants begin to recognize themselves in…
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olga sis just walk it off honey
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There are some scenes in this film that are so morbidly transfixing and artfully constructed that you can’t help but be slightly impressed. The problem is that there are also other scenes. Lots and lots and lots of other scenes.
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THIS is what girls do at sleepovers
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FUCK IT LMFAO LIFE IS TOO SHORT NOT TO GIVE LUCA GUADAGNINO'S "STEP UP 5: THE FUCKENING" THE 5-STAR RATING IT DESERVES. CULT CLASSIC FOREVER, LADIES.
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Almost certain to be the most polarizing film since “mother!” split audiences between rapture and embarrassment last fall, Luca Guadagnino’s “Suspiria” is a coldly violent seance for the evils of the 20th century, none of which are quite as dead as we might have once hoped. Based on the screenplay of Dario Argento’s giallo classic, Guadagnino’s radical new take is less a remake of the original than it is an estranged sibling — the fraternal twin sister who recognized herself as the black sheep of an already twisted family, ran away from home to become a fascist, and has dressed in gray every day since then. Only by drawing some blood can you tell the two are even related.
As…
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holy shit.
this movie is visceral, tense, haunting, nightmarish, beautiful, and goddamn outstanding. the makeup is incredible, the body horror is fascinating, the effects look great (save for one key moment of visual effects.. hmm) the camera movement and choreography are wondrous, tilda delivers MULTIPLE great performances– even the “lack of color” that people were worried about when the trailer first dropped is a non-problem. it’s great. great great. it’s better than the original. i can’t believe the guy that made A Bigger Splash and Call Me By Your Name also had this crazy shit in him.
that said, the one thing Suspiria has in common with those movies, is an incredible A-lister on the soundtrack making incredible music that...…
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"Today we have to break the nose of every beautiful thing."
What if there were witches that ran a dance academy? What if they were forced underground during wartime, what if during that time they became politically activated, resentful, hostile? What if they cared deeply about their art, their matriarchal, anti-facist, confrontational art, the very source and tool of their power? Is there a right way now to exercise that power? Is there a right way to exercise any power?
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tilda swinton said I’m not coming one supporting actor nomination, I’m coming for all of them