' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_875a59c8-c2c6-47ce-b561-3bdd0c8702f4" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-875a59c8-c2c6-47ce-b561-3bdd0c8702f4'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-875a59c8-c2c6-47ce-b561-3bdd0c8702f4'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-875a59c8-c2c6-47ce-b561-3bdd0c8702f4'));
Synopsis
You see what it wants you to see.
A woman tries to exonerate her brother's murder conviction by proving that the crime was committed by a supernatural phenomenon.
' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_3a34fc63-6aa2-4d37-8943-f135a13b914d" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-3a34fc63-6aa2-4d37-8943-f135a13b914d'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-3a34fc63-6aa2-4d37-8943-f135a13b914d'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-3a34fc63-6aa2-4d37-8943-f135a13b914d'));
Director
Director
Producers
Producers
Writers
Writers
Casting
Casting
Editor
Editor
Cinematography
Cinematography
Executive Producers
Exec. Producers
Lighting
Lighting
Camera Operators
Camera Operators
Production Design
Production Design
Art Direction
Art Direction
Set Decoration
Set Decoration
Visual Effects
Visual Effects
Stunts
Stunts
Composers
Composers
Sound
Sound
Costume Design
Costume Design
Makeup
Makeup
Studios
Country
Language
Alternative Titles
奥核之眼, 鬼遮眼, The Mirror, Окулус, Oculus - Il riflesso del male, Ο Καθρέφτης της Κολάσεως, Göz, Oculus: O Espelho do Demónio, Oculus: el espejo del mal, השער, O Espelho, 오큘러스, Огледалото, Okulus, 冥鏡高懸, Oculus: El reflejo del mal, オキュラス/怨霊鏡, Ma Gương, ოკულუსი, โอคูลัส ส่องให้เห็นผี
Premiere
12 Sep 2014
-
PortugalM/16
MOTELX - Lisbon International Horror Film Festival
Theatrical limited
08 Sep 2013
-
Canada
Theatrical
03 Apr 2014
-
AustraliaMA15+
-
USAR
16 Apr 2014
-
MexicoB-15
23 Apr 2014
-
SingaporeNC-16
24 Apr 2014
-
LithuaniaN-16
30 Apr 2014
-
Thailand15
12 Jun 2014
-
UK15
13 Jun 2014
-
Ireland16
19 Jun 2014
-
GreeceΚ-18
03 Jul 2014
-
Brazil16
-
Turkey
27 Aug 2014
-
Germany16
13 Sep 2014
-
PortugalM/16
03 Jun 2015
-
Spain16
Digital
08 Sep 2013
-
Belgium16
03 Jan 2015
-
JapanR15+
Physical
23 Oct 2014
-
Greece
15 Apr 2015
-
France12
Australia
Belgium
Brazil
Canada
08 Sep 2013
-
Theatrical limited
Toronto International Film Festival
Estonia
France
Germany
27 Aug 2014
-
Theatrical16
Fantasy Filmfest
Greece
India
Ireland
Italy
Japan
Kazakhstan
Lithuania
Mexico
Netherlands
Portugal
12 Sep 2014
-
PremiereM/16
MOTELX - Lisbon International Horror Film Festival
Russia
Singapore
Spain
Taiwan
Thailand
Turkey
UK
USA
Vietnam
More
-
imagine you get released from the psych ward and the first thing your sister says is that she wants to revisit your childhood trauma
-
This review may contain spoilers. I can handle the truth.
i would’ve just bought myself a nice new ikea mirror rip to them but i’m different
-
i’d go crazy too if i had that ugly thing hanging in my house
-
just close your eyes bro lmaoooo
-
I want to say that this movie was a pleasant surprise, but it wasn't... not because it was bad, but because I was expecting something great, and that's exactly what I got. If you're familiar with director Mike Flanagan, it's probably because you were lucky enough to stumble across his 2011 film Absentia, which is in my opinion one of the finest low-budget horror films to come out in the last ten years or so (check it out on Netflix if you've yet to see it; there are some flaws in the performances, but every other aspect of the film is astounding). As soon as I finished watching Absentia - this was about a year ago - I looked up…
-
A lot of the individual beats here are sort of generic on their own (scary ghost lady especially) but the tricky structure and the story's internal logic recode them into something really precarious and fun.
-
“Mike Flanagan is not a one-trick pony!” – Mike Flanagan, professional one-trick pony.
A narratively creative story of familial dread and past trauma told through looming atmosphere, drawn-out dialogue, and snippets of parallel timelines where an unexplained supernaturally-endowed object may or may not be the cause of everyone’s problems—no, it’s not The Haunting of Hill House or Doctor Sleep or The Haunting of Bly Manor or [insert somber Flanagan dread piece], because THIS time there’s a giant ugly mirror involved. Duh.
He might only have one schtick, but idk, that schtick just continues to work for me, man. The writing is strong and flows naturally, the acting is on point (especially for all three redheads, Gillan, Sackhoff, and Basso),…
-
When Karen Gillan talks directly to the mirror and says you must be hungry, I immediately realized what I was in store for. Kind of a goofy movie, but it has its moments. Not sure why there are so many Oculus loyalists though, if there’s any hidden Flanagan gem it’s Ouija: Origin of Evil
Podcast- Oculus (Part of Flanagan month)
-
why was she so concerned when she ate a lightbulb? lightbulbs are my favourite low-calorie snack!
-
why would anyone want that hideous mirror
-
You know you are watching a horror film or miniseries directed and written by Mike Flanagan if it has:
- Characters traumatized by an event in their childhood.
- Those characters have issues with their parents.
- And most importantly features Kate Siegel.
-
i would be able to tell the difference between reality and hallucination basically without even trying