Synopsis
Snake is back.
Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken. His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device.
Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken. His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device.
Kurt Russell Stacy Keach Steve Buscemi A. J. Langer Bruce Campbell Pam Grier Peter Fonda Georges Corraface Robert Carradine Michelle Forbes Valeria Golino Leland Orser Jeff Imada Al Leong James Lew Breckin Meyer Ina Romeo Peter Jason Jordan Baker Caroleen Feeney Paul Bartel Shelly Desai Julien Cesario Cliff Robertson Thomas Rosales Jr. John Koyama Leo Lee Stuart Quan Wyatt Russell Show All…
Kathe Klopp Darrell L. Wight Nathan Crowley Richard F. Mays Patrick M. Sullivan Christopher S. Nushawg
Janet Brady Danny Epper Gary Davis Shawn Howell Maria Doest Tom Harper John Casino Jeff Cadiente George Cheung Freddie Jin Paul Crawford Rochelle Ashana Norman Howell Joe Greblo Matt Johnston Al Goto Damon Caro Clarke Coleman John Hateley John Ashker Mike Ceballos Steven D. Ito John Escobar Brian Imada Toby Holguin William H. Burton Jr. Gregg Dandridge Phil Chong Richard L. Duran Ramiro González Dan Inosanto John Koyama Jimmy N. Roberts Debbie Lynn Ross Tierre Turner Simon Rhee Kenny Searle Courtney Pakiz Brad Lackey Jimmy Ortega Vernon Rieta Nils Allen Stewart Gary Toy David Wald Al Leong Dwayne McGee Nancy Young Daniel Lee Ray Sua Nick Brett J.N. Roberts Wayne Montanio Dain Turner Danny Weselis Roger Yuan Peter Lai Gilbert Rosales Cris Thomas-Palomino Steve Martinez Ron Balicki Hugh Aodh O'Brien Danny Wong Stuart Quan Scott Waugh Marian Green Leo Lee Brad Martin James Lew Bennie Moore Mario Roberts Keith Tellez Steven Lambert Chad Stahelski Erik Stabenau Jeff Imada Thomas Rosales Jr. Annie Ellis Eugene Collier Barbara Anne Klein Rick Avery Jadie David Joni Avery Troy Robinson Laura Albert
John Carpenter's Escape from L.A., John Carpenter's Flucht aus L.A., Die Klapperschlange 2 - Flucht aus L.A., Evadare din Los Angeles, Flucht aus LA, Fuga de Los Ángeles, 2013: Rescate en L.A., Los Angeles 2013, แหกด่านนรก แอลเอ, Los Angeles'dan Qaçış, 2013: Rescate en Los Ángeles, Flucht aus L.A., Fuga da Los Angeles, Fuga de Los Angeles, Побег из Лос-Анджелеса, 洛杉矶大逃亡, Flykten från L.A., Menekülés Los Angelesből, Útěk z L.A., Απόδραση από το Λος Άντζελες, Ucieczka z Los Angeles, Flugtaktion Los Angeles, エスケープ・フロム・L.A., הבריחה מלוס אנג'לס, Los Angeles'tan Kaçış, Бягство от Ел Ей, Pako L.A:sta, L.A. 탈출, Втеча з Лос-Анджелесу, 洛杉磯大逃亡, 逃出洛杉磯, Escape de Los Ángeles, Pobeg iz Los Angelesa, Scăparea din L.A., Bijeg iz Los Angelesa, Bekstvo iz Los Anđelesa, Pabėgimas iš Los Andželo, Útek z L.A.
you know what, i view movies with my heart and not my head, the intellectual analysis of my feelings comes afterwards, i probe my mind and allow my thoughts over why i feel such adoration or hatred or even apathy to a work of art. now my first instinct is to tell you that kurt russell plays post apocalyptic basketball to save his life while being poisoned by The President of the United States of America and that a crowd of leather clad extras chant Snake over and over again when he fucking nails that shot, and that this sequence isn't even close to my favourite part of the movie, that the pure emotions that ran through me were overwhelming…
Escape from L.A. is a little bit goofy, but that's the intended effect. There's a scene where Snake Plisskin commands a CGI submarine only narrowly avoiding a shark before crashing into Universal Studios. So that's the sort of thing we're dealing with here. That Carp refashions one of his legendary movies as a satire shows a man who isn't afraid to make himself look foolish. This isn't to say L.A. isn't without bite though, because Carpenter's cynicism and his exhaustion with Los Angeles movie types is in full display here. That's never more evident than Buscemi who'd sell you out at any point to move up the ladder. However, The greatest asset here is the honest look at America, and…
"John Carpenter later reflected in 2015:
'Escape from L.A. is better than the first movie. Ten times better. It's got more to it. It's more mature. It's got a lot more to it. I think some people didn't like it because they felt it was a remake, not a sequel... I suppose it's the old question of whether you like Rio Bravo or El Dorado better? They're essentially the same movie. They both had their strengths and weaknesses. I don't know–you never know why a movie's going to make it or not. People didn't want to see Escape that time, but they really didn't want to see The Thing... You just wait. You've got to give me a little while. People will say, you know, what was wrong with me?'"
he's right.
Mostly decent rehash sequel with a good sense of humor about itself and some of the worst CGI I have ever seen.
Largely an expensive rehash with way more jokes (aimed at some very soft targets -- plastic surgery! phony talent agents!) and a hot dose of fan service, all of which i am completely down for, despite the frequently dreadful CGI, the clearly backlot-y texture, and Russell's creepy hair extensions. Carpenter was never a subtle guy, either, which occasionally muzzles the bite on his dipshit libertarian streak. It's not entirely toothless, though: Cliff Robertson's "700 Club" President scans as significantly (and scarily) less absurd now than it did 17 years ago (yes, this is that old), and I particularly liked a throwaway line about Valeria Golino's character being deported for being "a Muslim in South Dakota."
"It's insane!"
"It is. That's the point."
John Carpenter is endlessly pestered to direct a sequel he never wanted to make, so when he finally agrees, he delivers a huge GREMLINS 2 style fuck-you that is stylistically removed from the original, but thematically consistent and updated to reflect the times of its creation: Excessive, anarchistic and campy. I read Kurt Russell say they both thought it was one of their best collaborations, but the rest of the world "didn't get it." I agree!
"The more things change, the more they stay the same."
If you don't think that Kurt Russel shooting baskets, surfing with Peter Fonda, and hangliding with Steve Buschemi and Pam Grier is fun. I can't do anything for you.
Nowhere near as good as it’s predecessor, but who gives a shit?
This L.A. prison wasteland jam is big, bold, equal parts dumb/clever, gand it’s full octane camp In the most 1996 way ever. Feels like NY but hyper stylized with L.A. excess steroids that pulse throughout this weirdo movie that features a gladiator basketball scene and hippie surfers riding quake waves. Kurt Russell rules, his hair rules, and the whole cast is kinda great (Stacy Keach!!). This is just as fun now as it was theatrically in 1996, and I miss the days when studios gave John Carpenter 50 million smackers to make a movie.
I don’t care what anyone says... that ending is the purist Snake moment there is and No one can take that away, ever
“Welcome to the human race”
EVERY MORNING I WAKE UP AND OPEN PALM SLAM A VHS INTO THE SLOT. IT’S ESCAPE FROM L.A. AND RIGHT THEN AND THERE I START DOING THE MOVES ALONGSIDE WITH THE MAIN CHARACTER, SNAKE PLISSKEN. I DO EVERY MOVE AND I DO EVERY MOVE HARD. MAKIN WHOOSHING SOUNDS WHEN I SLAM DOWN THE BASKETBALL OR EVEN WHEN I MESS UP TECHNIQUE. NOT MANY CAN SAY THEY ESCAPED NEW YORK, THE MOST DANGEROUS PRISON. I CAN. I SAY IT AND I SAY IT OUTLOUD EVERYDAY TO PEOPLE IN MY COLLEGE CLASS AND ALL THEY DO IS PROVE PEOPLE IN COLLEGE CLASS CAN STILL BE IMMATURE JEKRS. AND IVE LEARNED ALL THE LINES AND IVE LEARNED HOW TO MAKE MYSELF AND MY APARTMENT LESS LONELY BY SHOUTING "CALL ME SNAKE"
A completely bonkers mad libs version of it's original predecessor. The barebones story template is the exact same but Carpenter, Hill and Russell pack a lot more wacky ideas into this one. Is it bad? Is it self-parody? Does it really matter? Nah, it really doesn't, because Escape From L.A. is big-budgeted, endlessly entertaining and just straight-up silly. Sure, it's a familiar trip but it's a gnarly one too. PLISSKEN, HE'S ON FIRE!!! FROM DOWNTOWN!!! BOOMSHAKALAKA!!!
🌆🚆🚗🔫🏍👨⚕️🌊🏄🏄🏼🤙🏀🚁🔥📀
An act of heresy fit for a rendezvous with the electric chair to some, but I'm here to tell ya'll that I liked this thing as much as NY... *whisper it* maybe more! Sure, technically it's not as good a film, and recycles a lot of story beats to boot, but who cares when you're having this much fun? It's the one where they hitch a ride on a terrible CG tsunami, undergo gladiatorial trial by basketball and take to the air on bat-winged hang-gliders that look like something Logray and Wicket stitched together one starry night on Endor. It's cheesy as all get out but also kinda golden. I love Big Trouble unreservedly, but how come that slice of…