Synopsis
From the days of wine and roses, finally comes a night like this.
An alcoholic falls in love with and gets married to a young woman, whom he systematically addicts to booze so they can share his "passion" together.
An alcoholic falls in love with and gets married to a young woman, whom he systematically addicts to booze so they can share his "passion" together.
Jack Lemmon Lee Remick Charles Bickford Jack Klugman Alan Hewitt Tom Palmer Debbie Megowan Maxine Stuart Jack Albertson Leon Alton Don Anderson Lynn Borden George DeNormand James Gonzalez Kenner G. Kemp Harold Miller Bert Stevens Arthur Tovey Charlene Holt Mary Benoit Ella Ethridge Pat O'Malley Mel Blanc Gail Bonney Dick Crockett Russell Custer Mathew McCue Jennifer Edwards Chuck Hicks Show All…
Gegen alle Vernunft, Días de vino y rosas, Stärker als alle Vernunft, Vício Maldito, Hektiske dage, Viinin ja ruusujen aika, Le jour du vin et des roses, Meres krasiou kai louloudion, Míg tart a bor és friss a rózsa, Дни вина и роз, Le Jour du vin et des roses, Die Tage des Weines und der Rosen, I giorni del vino e delle rose, Μέρες Κρασιού και Λουλουδιών, 술과 장미의 나날, 相见时难别亦难, روزگار شراب و گلهای سرخ, Dny vína a růží, Дні вина й троянд, 酒とバラの日々, Dies de vi i roses, Dni wina i róż, Dagen efter rosorna, Escravos do Vício, Şarap ve Gül Günleri
“Days of Wine and Roses” is the closest that Blake Edwards ever came to being Billy Wilder.
It’s also the moment where their careers diverged - just as the ends of their respective works on alcoholism opposed one another in their endings.
After a string of films, including “Experiment in Terror” and “Breakfast at Tiffany’s,” which seemed to flit between the dark and light of city life in a way reminiscent of Wilder, Edwards - three years before Wilder’s “The Lost Weekend,” made “Roses.” Despite coming first, it exists now somewhat in the shadow of its thematically identical predecessor.
“Roses” stars Jack Lemmon and Lee Remick as a couple of office romantics who turn a partying habit into a downward spiral towards…
I've always been scared of alcohol. I'm scared not of its short-term consequences but of its ability to make one lose control in the long run. I'm scared of the long run and I'm scared of how easily it can turn into a habit. A habit that controls you more than you do the habit. In the first place, it's not about how much you drink – but how regularly, and, whether you can break that regularity every once in a while by saying: 'not now'. If not, you better look out for the habit–self dynamic and be aware of your tendency. Don't brush it off, and make sure the control won't ever tilt to the habit side.
Another important…
Men will literally find a nice girl and fall in love with her and get married and get her hooked on drink to justify his own addiction and become full-blown alcoholics together and watch her sharply spiral out of her own control & into a life of eternal misery instead of going to therapy.
...Sound of Metal by way of the 60s.
It was in an interview with James Lipton that Jack Lemmon revealed his disease. He was addressing the host of Inside The Actors Studio and the budding actors sitting in the audience waiting on his every word, discussing the moment his character in this film, Joe Clay, stood in front of an AA meeting and stated he was an alcoholic. "Which I am incidentally" Lemmon continued. Cue stunned silence.
Taking on the role of Clay was essentially a sideways move for a man who was struggling with the bottle in his own life at the time. According to director Blake Edwards, both Lemmon and Remick were heavy drinkers, shooting many of the scenes when they were inebriated. If true, that…
Gustav's #10 Film Selection for Edgar
"They are not long, the days of wine and roses:
Out of a misty dream
Our path emerges for a while, then closes
Within a dream.
– Ernest Dowson, from "Vitae Summa Brevis" (1896).
A screwball comedy in the first act, a jazzy account of addictive self-destruction in the second act, and a thought-provoking melodrama in the third act... It is somewhat justifiable that the world got extremely excited with a phenomenon like Dr. No, got disturbed by the claustrophobic dementia of What Ever Happened to Baby Jane? and the Academy got touchy with a meaningful social commentary against racism and intolerance featured in To Kill a Mockingbird, but hidden beneath the shadows of…
THE LOST WEEKEND (1945) BUT BETTER
"You remember how it really was? You and me and booze a threesome. You and I were a couple of drunks on the sea of booze, and the boat sank. I got hold of something that kept me from going under, and I'm not going to let go of it. Not for you. Not for anyone. If you want to grab on, grab on. But there's just room for you and me,no threesome." -JOE CLAY
This is one of the most tiresome message film ever made, the story of the two liveliest, most energetic alcoholics in film history. I have seen Jack Lemon in many Films, mostly comedies, but this unforgettable role establishes him…
Bill Withers wrote “Ain’t No Sunshine” after he saw Days of Wine and Roses and… yeah, this is one of the most depressing movies you’ll ever see. Jack Lemmon and Lee Remick star as a young couple who fall into a crippling battle with addiction; specifically, alcoholism and while Lemmon’s character is able to face his addiction through Alcoholics Anonymous and solid support systems, Remick’s character is unable to follow suit. She doesn’t believe she has a problem—a common issue amongst addicts, no matter the specificities of the addiction—and spirals deeper and deeper into the disease. It’s a rather downbeat film. Though incredibly well-acted, scripted and directed, it does come off as a little bit public service announcement-y. That isn’t to…
A man takes a drink; the drink takes a drink; the drink takes the man.
Cinematic Time Capsule
1962 Marathon - Film #87
”My wife got drunk and set the apartment on fire.”
Jack Lemmon and Lee Remick star in this hilarious Blake Edwards comedy about a young couple who decide to spice up their exemplary life by slipping a teeny-weeny bit. The next thing you know, ole Lemmon’s out in the rain on a drunken greenhouse treasure hunt and ends up hootin’ and hollerin’ in the local nut-house.
All kidding aside, this film is actually so massively depressing that it’s likely to drive a fella to drink. And even though most people see this as a cautionary tale of excessive boozing, I couldn’t help but notice that everything was fine until they had the…
"Magic time"
Discontented public relations man Joe Clay (Jack Lemmon) meets Kirsten (Lee Remick) and the two fall hard and fast in love. They marry and things go pretty well for awhile until Joe convinces Kirsten to join him in his overindulgences in booze. It doesn't take long for their alcoholism to set off a spiral of enabling that threatens to ruin both their lives.
Though the film can sometimes skew a little in the direction of what feels like a public service announcement, the strength of the performances helps avoid this pitfall for the most part. Lemmon and Remick are incredible here, and both are able to effortlessly range over the different elements of their characters, all the way…
I saw this about a week ago and I wished I reviewed it earlier but then again it really was a experience that was hard to put into words. I also only mean that in the best of ways, it's just my second Blake Edwards film and i'm very impressed with how he captured this film regarding such a damaged couple. Dealing with the effects of chronic Alcoholism, the way it affects the individuals and the people around them, especially the ones closest to them. Joe (Jack Lemmon) and Kirsten (Lee Remick) have recently gotten married, Joe has a great job but soon his life goes to a true downhill spiral, Kirsten doesn't drink at first but after they get…
“It’s always another bum.”
Jack Lemmon and Lee Remick are anything but in Blake Edwards’ raw examination of the disease of alcoholism. Both actors are exposed nerves, scratching kinetic waves off each other. This film also features some exceptional makeup work and lighting, puffing out visages and zapping out complexions. Drinking has never looked so hideous, so unpleasant as in here.