Reactions visible to anyoneReactions visible to owner’s Close FriendsReactions only visible to youDraft entryVisible to anyone (with link)Visible to the member’s friends (with link)Only visible to you
The Brutalist, the first film to be filmed on VistaVision since 1961, opens with a rare overture and a breathtaking opening that promises a "new American masterpiece," as many have already ordained it.
I admire Corbet's ambition in crafting a narrative about Lazlo Toth, a Polish architect whose story intentionally mirrors the struggles of an ambitious filmmaker. The discourse surrounding this movie has been nearly as compelling as the film's reception itself.
A medium-defining work, unlike any other film I've ever seen. Ramell Ross (former D1 point guard?!) perfectly captures the essence of memory with Nickel Boys, crafting an incredibly intimate yet visually expansive film.
The cinematography, score, and sound design are all award-worthy here and make every shot feel alive. Heartbreaking yet beautiful, it reframes how important stories can be told on the big screen.
It may not be for everyone, but I will personally not shut up about this movie for the next few months. Masterpiece
When Iron Man first came out, I was in 1st grade. I was captivated by this universe and the capabilities it stored. The first Avengers came at the end of my elementary school years, and it was probably my favorite movie of all time at that moment. Age of Ultron came when I was at the end of middle school and it's only fitting that the finale to this chapter of the MCU is coming at…