ボケ味を決ã‚ã‚‹è¦ç´ - ボケ味を決ã‚ã‚‹è¦ç´ ã¯çµžã‚Šã ã‘ã§ã¯ã‚ã‚Šã¾ã›ã‚“
被写界深度ã¯ã€çµžã‚Šç¾½ã®å‹•ä½œã«ã‚ˆã‚‹é–‹å£å¾„ã®å¤‰åŒ–ã«ã‚ˆã£ã¦å¤‰ã‚ã‚Šã¾ã™ã€‚ ã“ã¡ã‚‰ã® 『絞りã¨ã‚·ãƒ£ãƒƒã‚¿ãƒ¼é€Ÿåº¦ã€ ã§ã‚‚å°‘ã—触れã¾ã—ãŸãŒã€ã‚³ãƒ³ãƒ‡ã‚¸ã®å ´åˆã¯ã€ä¸€éƒ¨é«˜ç´šæ©Ÿç¨®ã‚’除ã„ã¦ã€ã»ã¨ã‚“ã©ã®å ´åˆã¯ ND フィルターã¨ã„ã†å…‰ã®é‡ã‚’減らã™ãƒ•ã‚£ãƒ«ã‚¿ãƒ¼ã‚’被ã›ã‚‹ã“ã¨ã§å…‰ã®é‡ã‚’調整ã—ã¦ã„ã¾ã™ã®ã§ã€ã“ã®å ´åˆã¯çµžã‚Šã®é–‹å£å¾„ãã®ã‚‚ã®ã¯å…¨ã変化ã—ã¾ã›ã‚“。 ã§ã™ã®ã§ã€ND フィルターå¼ã®ã‚³ãƒ³ãƒ‡ã‚¸ã®å ´åˆã¯è¢«å†™ç•Œæ·±åº¦ã¯å…¨ã変化ã—ã¾ã›ã‚“ã®ã§ã”注æ„ãã ã•ã„。 写真ã«èˆˆå‘³ã‚’ã‚‚ã£ã¦ã‚ã¡ã“ã¡æ¥½ã—ã見ã¦å›žã£ã¦ã„ã¾ã™ã¨ã€â€ãƒœã‚±ã‚’æ´»ã‹ã™â€ ã¨ã„ã†è¡¨ç¾ã‚’よãç›®ã«ã•ã‚Œã‚‹ã“ã¨ã¨æ€ã„ã¾ã™ã€‚ ボケã®å¤§ãã•ãã®ã‚‚ã®ã¯ã€çµžã‚Šå€¤ãŒå°ã•ã„ （被写界深度ãŒæµ…ã„） ã»ã©å¤§ãããªã‚‹ã®ã§ã™ãŒã€ã§ã‚‚ボケãŒå¤§ãã„ï¼ãƒœã‚±ã‚’æ´»ã‹ã™ã€ã¨ã„ã†æ„味ã‹ã¨ã„ã†ã¨ã€ä¸€æ¦‚ã«ãã†ã¨ã¯è¨€ãˆãªã„部分もã‚ã‚Šã¾ã™ã€‚ 例ãˆã°ã€ã€Žéœ²å‡ºã«ã¤ã„ã¦ã€ ã®ãƒšãƒ¼ã‚¸ã§ã”紹介ã—ã¦ã„ã¾ã—ãŸä¸‹ã®å†™çœŸã‚’ã”覧ã„ãŸã ããŸã„ã®ã§ã™ãŒ
ヲタã«ã¤ã‘ã‚‹è–¬ãªã— : ナノクリãªã‚‰ã§ã¯ã®ã‚³ãƒ³ãƒˆãƒ©ã‚¹ãƒˆãŒé…力？ AF-S NIKKOR 24-120mm f/4G ED VR 実写レビュー
2014å¹´02月23æ—¥01:23 カテゴリレンズ ナノクリãªã‚‰ã§ã¯ã®ã‚³ãƒ³ãƒˆãƒ©ã‚¹ãƒˆãŒé…力？ AF-S NIKKOR 24-120mm f/4G ED VR 実写レビュー ã¨ã„ã†ã‚ã‘ã§ä»Šå›žã¯ã€24-120 f/4Gã®ãƒ¬ãƒ“ューã§ã™ã€‚ ワンフェス統括ã®è¨˜äº‹ã§ã‚‚ãƒãƒ©ãƒªã¨ã¾ã¨ã‚ã¾ã—ãŸãŒã€ã‚„ã¯ã‚Šç‹¬ç«‹ã—ãŸè¨˜äº‹ã§ã‚‚ã¾ã¨ã‚ãŸã„ãªãƒ¼ã¨æ€ã„ã€ä»Šå›žè¨˜äº‹ã«ã—ã¾ã—ãŸã€‚ ã—ã‹ã—ã€ã“ã®ãƒ¬ãƒ³ã‚ºã€‚ 購入å‰ã«ã„ã‚ã„ã‚ã¨ä½¿ç”¨æ„Ÿã‚„写りãªã‚“ã‹ã‚’調ã¹ãŸã‚Šã—ã¾ã—ãŸãŒã€å‰²ã¨è©•åˆ¤ãŒæ‚ªã‹ã£ãŸã§ã™^^; 開放ãŒä½¿ã„物ã«ãªã‚‰ã‚“～ã¨ã‹ã€‚ 28-300mmã¨ç”»è³ªçš„ã«ã¯ã»ã¨ã‚“ã©å¤‰ã‚らんã‹ã‚‰ã€è²·ã†æ„味ãŒç„¡ã„～ã¨ã‹ã€‚ æªæ›²ãŒé…·ã™ãŽã‚‹ï½žã¨ã‹ã€‚ ã„やーã€ãªã‹ãªã‹è³¼å…¥ã«è¸ã¿åˆ‡ã‚‹ã«ã¯äºŒã®è¶³ã‚’è¸ã‚€æƒ…å ±ã°ã‹ã‚Šã§ã™ã・・・。 ãã‚‚ãもスナップ用途ã§ã¯ã€å†™ã‚Šçš„ã«ã‚‚画角的ã«ã‚‚自分的ã«ã¯å…¨ã困らãªã„24-85mm f/3.5-4.5Gã‚’æŒã£ã¦ã„ãŸã®ã§ã€ã‚ã–ã‚ã–è²·ã†ã»ã©ã®ãƒ¬ãƒ³ã‚ºã§
Visualizing Light over a Fruit with a Trillion FPS Camera, Camera Culture Group, Bawendi Lab, MIT
Video of a fruit illuminated by a femtosecond laser pulse and captured at an effective trillion frames per second. Light moves less than 1 mm per frame. We have built an imaging solution that allows us to visualize propagation of light at an effective rate of one trillion frames per second. Direct recording of light at such a frame rate with sufficient brightness is nearly impossible. We use a
Phantom Cocktails on Vimeo
Spent a day with the Phantom, creating opening credits for Nik Perleros' "How To Get Laid". Only parts of the shots were used, so I decided to do a little edit to show off more of what we shot. Most of the shots were around 5000fps, some of the martini shots were at 8900fps. Music by The Beastie Boys, "Here's a Little Something for Ya" To Watch "How To Get Laid" please visit: vimeo.com/32954338
How camera lenses are made
From the Discovery Channel How I make a part-time living from photography: shutterstock! http://submit.shutterstock.com/?ref=102530 I have some sports photos on there if you're a buyer. (btw, im a canon shooter)
DIY steadicam camera stabilizer
DIY Camera stabilizer steadicam design  WSCLATER   An evolving prototype, started August 2008.  Updated April 2010 Stabiliser #1 The dimensions of the stabilizer against a 5cm grid Close-up photographs This is a DIY camera stabilizer in form similar to the MERLIN. I used mostly scrap or surplus materials. A piece of 1/8 inch aluminium forms the camera platform. I started with some rough cutting o
1
リリースã€éšœå®³æƒ…å ±ãªã©ã®ã‚µãƒ¼ãƒ“スã®ãŠçŸ¥ã‚‰ã›
最新ã®äººæ°—エントリーã®é…ä¿¡
j次ã®ãƒ–ックマーク
kå‰ã®ãƒ–ックマーク
lã‚ã¨ã§èªã‚€
eコメント一覧を開ã
oページを開ã
写真ã®ç§˜è¨£ã€€PLフィルターã®åŠ¹æžœçš„ãªä½¿ã„æ–¹
Blackmagic Pocket Cinema Camera - Market on Vimeo
Engadget | Technology News & Reviews
Engadget | Technology News & Reviews
DIYã«æŒ‘戦・・・ステディカムã®è‡ªä½œ(No.1)｜山åˆã¡ã‚ƒã‚“ã¨SAIã®ãƒ–ãƒã‚°
{{#tags}}- {{label}}
{{/tags}}