High Windows

When I see a couple of kids
And guess he's fucking her and she's
Taking pills or wearing a diaphragm,
I know this is paradise

Everyone old has dreamed of all their lives—
Bonds and gestures pushed to one side
Like an outdated combine harvester,
And everyone young going down the long slide

To happiness, endlessly. I wonder if
Anyone looked at me, forty years back,
And thought, That'll be the life;
No God any more, or sweating in the dark

About hell and that, or having to hide
What you think of the priest. He
And his lot will all go down the long slide
Like free bloody birds. And immediately

Rather than words comes the thought of high windows:
The sun-comprehending glass,
And beyond it, the deep blue air, that shows
Nothing, and is nowhere, and is endless.
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Analysis (ai): This poem depicts a cynical perspective on aging and the pursuit of happiness. The speaker observes young couples engaging in casual sex and interprets their actions as a sign of paradise. They contrast this with the beliefs and anxieties of their older counterparts, who have abandoned traditional values and now face the prospect of death.

The speaker's language is blunt and dismissive, reflecting their disillusionment. They describe sex with crude imagery, and dismiss religion and morality as outdated. However, the poem also contains moments of unexpected beauty and depth. The description of "high windows" suggests an escape from the limitations of human existence and a glimpse of something transcendent.

Compared to Larkin's other works, "High Windows" is relatively concise and straightforward. It lacks the elaborate imagery and extended metaphors found in some of his other poems. However, it shares a similar preoccupation with themes of aging, mortality, and the search for meaning in a seemingly meaningless world.

The poem also reflects the social and cultural changes of its time. Written in the 1970s, it captures the disillusionment and skepticism that prevailed in the post-war era. It also anticipates the rise of secularism and the decline of traditional religious beliefs. (hide)
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17  

 

EdwardStorm - This is the real deal.  He rus truly one of the best.
on Nov 22 2024 03:01 AM PST   x rate: , ,     skip edit  
Radu M - Yet to be unfolded in this present nows
on Feb 10 2024 02:43 AM PST   x  edit  
Poet46810 - This may have been my first post-modern poem. It felt like holding truth in your hands.

Enjoyed it.
on Oct 07 2023 02:18 PM PST   x  edit  
EdwardStorm - Very. TRUE!
on Nov 22 2024 02:52 AM PST   x  edit  
Peyrbupp77899 - Retrospective and atbpeace
on Nov 27 2022 01:31 PM PST   x  edit  
Paul Preston - Compelling, spare yet very descriptive.
on Aug 18 2022 01:54 AM PST   x  edit  
Roger Strong - Don't understand why poetry should be  burdened by the use of prophanity.
on Aug 12 2021 01:16 PM PST   x  edit  
EdwardStorm - Shut the f up, is that better?
on Nov 22 2024 02:53 AM PST   x  edit  
Minus 21Grams - Wow.  
on May 29 2021 10:49 PM PST   x  edit  
- Cursing just to curse
on Jan 25 2021 08:57 AM PST   x  edit  
Elgin McConnell - Agreed..  it's gratuitous
on Mar 11 2021 07:26 AM PST   x  edit  
Sean Heldens - amazing

Amazing
on Jan 06 2021 01:54 PM PST   x  edit  

Comments from the archive

- When Larkin suggest 'the long slide', changes the mood of the poem, symbolic for life journey perhaps the up and downs. last stanza suggest Larkin being a dettached obsevere however wanting to join in with the sexual desiers.
Could any1 help me even more to understand this poem in a little more depth.
on Oct 15 2007 08:02 AM PST   x  edit  
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