Jeremy Keith

I left Twitter in 2022. With every day that has passed since then, that decision has proven to be correct.

(I’m honestly shocked that some people I know still have active Twitter accounts. At this point there is no justification for giving your support to a place that’s literally run by a nazi.)

I also used to have some Twitter bots. There were Twitter accounts for my blog and for my links. A simple If-This-Then-That recipe would poll my RSS feeds and then post an update whenever there was a new item.

I had something something similar going for The Session. Its Twitter bot has been replaced with automated accounts on Mastodon and Bluesky (I couldn’t use IFTTT directly to post to Bluesky from RSS, but I was able to set up Buffer to do the job).

I figured The Session’s Twitter account would probably just stop working at some point, but it seems like it’s still going.

Hah! I spoke too soon. I just decided to check that URL and nothing is loading. Now, that may just be a temporary glitch because Alan Musk has decided to switch off a server or something. Or it might be that the account has been cancelled because of how I modified its output.

I’ve altered the IFTTT recipe so that whenever there’s a new item in an RSS feed, the update is posted to Twitter along with a message like “Please use Bluesky or Mastodon instead of Twitter” or “Please stop using Twitter/X”, or “Get off Twitter—please. It’s a cesspit” or “If you’re still on Twitter, you’re supporting a fascist.”

That’s a start but I need to think about how I can get the bot to do as much damage as possible before it’s destroyed.

Brighton is blessed with plenty of traditional Irish music sessions. You need some kind of almanac to keep track of when they’re on. Some are on once a month. Some are twice a month. Some are every two weeks (which isn’t the same as twice a month, depending on the month).

Sometimes when the stars align just right, you get a whole week of sessions in a row. That’s what happened last week with sessions on Monday, Tuesday, Wednesday, and Thursday. I enjoyed playing my mandolin in each of them. There was even a private party on Saturday night where a bunch of us played tunes for an hour and a half.

There’s nothing quite like playing music with other people. It’s good for the soul.

MSEdgeExplainers/PerformanceControlOfEmbeddedContent/explainer.md at main · MicrosoftEdge/MSEdgeExplainers

I look the look of this proposal that would allow authors to have more control over network priorities for third-party iframes—I’ve already documented how I had to use a third-party library to fix this problem on the Salter Cane site.

Plane GPS systems are under sustained attack - is the solution a new atomic clock? - BBC News

A fascinating look at the modern equivalent of the Longitude problem.

I really like Brad’s new project, Cold Album Drumming:

Brad Frost plays drums to the albums he knows intimately, but has never drummed to before. Cover to cover. No warm-up. No prep. Totally cold. What could possibly go wrong?

I got a kick out of watching him play along to Radiohead’s In Rainbows and The Decemberist’s The Crane Wife.

I was really into The Decemberists in the first decade of the 21st Century. I remember seeing them in a long-gone Brighton venue more than twenty years ago.

But I kind of stopped paying attention to them after they released The Hazards Of Love. Not because I didn’t like that album. Quite the opposite. I love that album. I think in my mind I kind of thought “That’s it, they’ve done it, they can go home now.”

It’s exactly the kind of album I should not like. It’s a concept album. A folk-rock opera.

When I was growing up, concept albums were the antithesis of cool. Prog rock was like an insult.

You have to remember just how tribal music was back in the ’70s and ’80s. In my school, I remember the divide between the kind of people who listened to The Cure and The Smiths versus the kind of people who listened to Prince or Queen. Before that you had the the mods and the rockers, which in hindsight makes no sense—how are The Who and The Jam not rockers?

Looking back now, it’s ridiculous. I get the impression that for most people growing up in the last few decades, those kind of distinctions have been erased. People’s musical intake is smeared across all types and time periods. That is a good thing.

Anyway, a folky prog-rock opera like The Hazards Of Love is exactly the kind of thing that past me would’ve hated. Present me adores it. Maybe it’s because it’s got that folky angle. I suspect Colin Meloy listened to a lot of Horslips—heck, The Decemberists even did their own mini version of The Táin.

Speaking of mythic Irish language epics, I really like John Spillane’s Fíorusice:

Fíoruisce - The Legend of the Lough is a three-act Gaelic folk opera composed by Irish artist John Spillane. It is a macaronic or bilingual work. The work is an imagined re-Gaelicization of the Victorian Cork fairytale Fior-usga collected by Thomas Crofton Croker in the 1800’s and published in his book Fairy Legends and Traditions of the South of Ireland (1828). The story is a surreal tale culminating in a drowned kingdom, which as lore tells us, becomes The Lough in Cork city as we know it today. They say, you can see the tops of the underworld towers on a clear day and hear the music of their big party on Midsummer’s night.

Yup, it’s another concept album. And funnily enough, past me was not a fan of John Spillane either.

I first heard him when he was part of a trad band called Nomos in Cork in the early ’90s (the bódhran player’s mother was friends with my mother). I really liked their tunes but I thought the songs were kind of twee.

Over the years, the more of his songs I heard, the more I understood that John Spillane was just being completely open and honest. Past me thought that was twee. Present me really respects it. In fact, I genuinely love his songs like Johnny Don’t Go To Ballincollig and All The Ways You Wander.

And then there’s Passage West. It’s a masterpiece. I might be biased because Passage West is the next town over from Cobh, where I grew up.

So yeah, Fíorusice is something that past me would’ve disdained:

1. a concept album by
2. John Spillane in
3. the Irish language.

Present me is into all three.

It’s Bandcamp Friday today. I think I know what I’m going to get.

Anchoring insights: Key learnings from Research by the Sea | Clearleft

This was a day of big conversations, but also one of connection, curiosity, and optimism.

Seeing it all laid out like this really drives home just how much was packed into Research By The Sea.

Throughout the day, speakers shared personal reflections, bold ideas, and practical insights, touching on themes of community, resilience, ethics, and the evolving role of technology.

Some talks brought hard truths about the impact of AI, the complexity of organisational change, and the ethical dilemmas researchers face. Others offered hope and direction, reminding us of the power of community, the importance of accessibility, and the need to listen to nature, to each other, and to the wider world.

Check it out—here’s the line-up for UX London 2025!

This is going to be so good! Grab a ticket if you haven’t got one yet.

UX London takes place over three days, from June 10th to 12th at a fantastic venue in the heart of the city. To get the full experience, you should come for all three days. But you can also get a ticket for individual days. Each day has a focus, and when you put them all together, the whole event mirrors the design process:

1. Day one: Discovery
2. Day two: Design
3. Day three: Delivery

Each day features a morning of talks, followed by an afternoon of workshops. The talks are on a single track; four consecutive half-hour presentations to get you inspired. Then after lunch, you choose from one of four workshops. All the workshops are two and half hours long and very hands-on. No laptop required.

On discovery day you’ll have talks in the morning about research, content design, strategy and evaluating technology, followed by workshops on discovery and definition and behavioural design.

On design day there’ll be talks on interface design, a healthcare case study, inclusive design, and typography, followed by workshops in the afternoon on data visualisation and ethics.

Finally on delivery day you’ll get talks on conversion design, cross-team collaboration, convincing stakeholders, and improving design critiques, followed by workshops on facilitating workshops and getting better at public speaking.

Every workshop is repeated on another day so you’ll definitely get the chance to attend the one you want.

Oh, and at the end of every day there’ll be a closing keynote. Those are yet to be revealed, but I can guarantee they’re going to be top-notch!

Right now you can get early-bird tickets for all three days, or individual days. That changes from March 15th, when the regular pricing kicks in—a three-day ticket will cost £200 more. So I’d advise you to get your ticket now.

If you need to convince your boss, show them this list of reasons to attend.

See you there!

CSS Form Control Styling Level 1

This looks like a really interesting proposal for allowing developers more control over styling inputs. Based on the work being done the customisable select element, it starts with a declaration of appearance: base.

Building WebSites With LLMS - Jim Nielsen’s Blog

And by LLMS I mean: (L)ots of (L)ittle ht(M)l page(S).

I really like this approach: using separate pages instead of in-page interactions. I remember Simon talking about how great this works, and that was a few years back, before we had view transitions.

I build separate, small HTML pages for each “interaction” I want, then I let CSS transitions take over and I get something that feels better than its JS counterpart for way less work.

Cold Album Drumming - full-album drum covers by Brad Frost

This is a great new musical project from Brad:

Brad Frost plays drums to the albums he knows intimately, but has never drummed to before. Cover to cover. No warm-up. No prep. Totally cold. What could possibly go wrong?

I really enjoyed watching all of The Crane Wife and In Rainbows.

Research By The Sea was last Thursday. I’m still digesting it all.

In short, it was excellent. The venue, how smoothly every thing was organised, the talks …oh boy, the talks!

Benjamin did a truly superb job curating this line-up. Everyone really brought their A-game.

As predicted, this wasn’t a day of talks just for researchers. It was far more like a dConstruct. This was big, big picture stuff. Themes of hope, community, nature, technology, inclusion and resilience.

I overheard more than one person in the breaks saying “this was not what I was expecting!” They were saying it in a very positive way, though I wouldn’t be surprised if there were a silent minority in the audience who were miffed that they weren’t getting a day of practical research techniques devoid of politics.

As host, I had the easiest job of the day. All I had to do was say a few words of introduction for each speaker, then sit back down and enjoy every minute of every talk.

The one time when I had to really work was the panel discussion at the end of the day. I really enjoy moderating panels. I’ve seen enough bad panels to know what does and doesn’t work. But this one was tough. The panelists were all great, but because the themes were soooo big, I was worried about it all getting a bit too high-falutin’. People seemed to enjoy it though.

All in all, it was a superb day. If you came along, thank you!

Gotta be honest, #ResearchByTheSea is one of the best conferences I’ve been to in yeeeeeears. So many good, useful, inspiring, thoughtful, provocative talks. Much more about ethics and power and possibility than I’d expected.

Loved it. Thank you, @clearleft.com!

— @visitmy.website

The web was always about redistribution of power. Let’s bring that back.

Many of us got excited about technology because of the web, and are discovering, latterly, that it was always the web itself — rather than technology as a whole — that we were excited about. The web is a movement: more than a set of protocols, languages, and software, it was always about bringing about a social and cultural shift that removed traditional gatekeepers to publishing and being heard.

Pluralistic: With Great Power Came No Responsibility (26 Feb 2025) – Pluralistic: Daily links from Cory Doctorow

Like I was saying:

The web is open, apps are closed. The majority of web users have installed an ad blocker (which is also a privacy blocker). But no one installs an ad blocker for an app, because it’s a felony to distribute that tool, because you have to reverse-engineer the app to make it. An app is just a website wrapped in enough IP so that the company that made it can send you to prison if you dare to modify it so that it serves your interests rather than theirs.