Tags: uk

Building a robust frontend using progressive enhancement - Service Manual - GOV.UK

Oh, how I wish that every team building for the web would use this sensible approach!

Updating GOV.UK’s crown - Inside GOV.UK

“Make the logo bi… exactly the same size.”

You know when a new boss takes over a company and the first thing they do is declare an immediate rebranding? It turns out that the monarchy has been doing that for generations.

It’s been another busy week of evening activities that ended up covering a range of musical styles.

Monday

On Monday night I went to the session at The Fiddler’s Elbow. It’s on every fortnight. The musicians are always great but the crowd can be more variable. Sometimes it’s too rowdy for comfort. But this week was perfect, probably because not many people are going out in late (dry) January.

The session, led by fiddler Ben Paley was exceptionally enjoyable. Nice and laid back, with a good groove.

Tuesday

On Tuesday night I stayed in and watched a film. Killers Of The Flower Moon. Two thumbs up from me.

Wednesday

On Wednesday evening it was the regular session at The Jolly Brewer. Jolly good it was too.

Thursday

On Thursday night I was back in The Jolly Brewer. My friend Rob roped me into doing a Burns Night thing. “It’s not a session, but it’s not a gig” was how he described it. I wasn’t sure what to expect.

We had been brushing up on our Scottish tunes, but we were mostly faking it. In the end it didn’t matter. I don’t think there was a single Scottish person there. But there was a good crowd enjoying their tatties and neeps with suitably-addressed haggis while we played our tunes in the background.

Some more musicians showed up: a fiddler and two banjo players. “Isn’t there old-time music here tonight?” they asked. We told them that no, it was Burns Night, but why not play some old-time tunes anyway?

So I passed the night jamming along to lots of tunes I didn’t know. I hope I wasn’t too offputting for them. It was good fun.

Friday

Finally on Friday evening it was my turn to leave my mandolin at home and listen to some music instead. The brilliant DakhaBrakha were playing out at Sussex Uni in the Attenborough Centre.

Imagine if Tom Waits and Cocteau Twins came from Eastern Europe and joined forces. Well, DakhaBrakha are even better than that.

I think I first heard them years ago on YouTube when I came across a video of them playing at KEXP. The first song caught my attention, then proceeded to mercilessly hold my attention captive until I was completely at their mercy—the way it builds and builds is just astonishing! I’ve been a fan ever since.

The gig was brilliant. I was absolutely blown away. I highly recommend seeing them if you can. Not only will you hear some brilliant music, you’ll be supporting Ukraine.

Слава Україні!

Putting growth at the heart of GOV.UK’s strategy - Government Digital Service

This may mark the beginning of Gov.uk’s decline. The top-listed priorities are the very antithesis of starting with user needs. Instead from now on it’s going to be about growth, shiny new technology, having a native app, and literally pivoting to video.

It’ll be interesting to see if they try to maintain their existing design principles while simultaneously abandoning them.

Accessibility Personas

Personas are often toothless, but these accessibility personas from gov.uk are more practical and useful than most:

Each profile has a different simulation of their persona’s condition and runs the assistive technology they use to help them.

You can use these profiles to experience the web from the perspective of the personas and gain more understanding of accessibility issues.

LukeW | Ask LukeW: New Ways into Web Content

I like how Luke is using a large language model to make a chat interface for his own content.

This is the exact opposite of how grifters are selling the benefits of machine learning (“Generate copious amounts of new content instantly!”) and instead builds on over twenty years of thoughtful human-made writing.

Accessibility strategy – GOV.UK Design System

The primary goals of this strategy are to inform decision-making and enhance the success of accessibility-related activities within the GOV.UK Design System team.

Interestingly, accessibility concerns are put into two categories: theoretical and evidenced (with the evidenced concerns being prioritised):

1. Theoretical: A question or statement regarding the accessibility of an implementation within the Design System without evidence of real-world impact.
2. Evidenced: Sharing new research, data or evidence showing that an implementation within the Design System could cause barriers for disabled people.

The impact of removing jQuery on our web performance - Inside GOV.UK

Following on from that excellent blog post about removing jQuery from gov.uk, here are the performance improvements in charts and numbers.

It may sound like 32 kb of JavaScript is nothing on today’s modern web with quick devices and fast broadband connections. But for a certain cohort of users, it makes a big difference to how they experience GOV.UK.

How and why we removed jQuery from GOV.UK - Inside GOV.UK

This is a great thorough description of the process of migrating gov.uk away from jQuery. It sounds like this guide was instrumental in the process—I love that they’re sharing it openly!

Removing jQuery means that 32Kb of JavaScript has been removed from the majority of pages on GOV.UK. GOV.UK is already quite fast to load and for many users this will make no noticeable difference. However, the change for users on a low bandwidth connection or lower specification device will be much more noticeable, resulting in significantly improved page download speed and performance.

February is a tough month at the best of times. A February during The Situation is particularly grim.

At least in December you get Christmas, whose vibes can even carry you through most of January. But by the time February rolls around, it’s all grim winteriness with no respite in sight.

In the middle of February, Jessica caught the ’rona. On the bright side, this wasn’t the worst timing: if this had happened in December, our Christmas travel plans to visit family would’ve been ruined. On the not-so-bright side, catching a novel coronavirus is no fun.

Still, the vaccines did their job. Jessica felt pretty crap for a couple of days but was on the road to recovery before too long.

Amazingly, I did not catch the ’rona. We slept in separate rooms, but still, we were spending most of our days together in the same small flat. Given the virulence of The Omicron Variant, I’m counting my blessings.

But just in case I got any ideas about having some kind of superhuman immune system, right after Jessica had COVID-19, I proceeded to get gastroenteritis. I’ll spare you the details, but let me just say it was not pretty.

Amazingly, Jessica did not catch it. I guess two years of practicing intense hand-washing pays off when a stomach bug comes a-calling.

So all in all, not a great February, even by February’s already low standards.

The one bright spot that I get to enjoy every February is my birthday, just as the month is finishing up. Last year I spent my birthday—the big five oh—in lockdown. But two years ago, right before the world shut down, I had a lovely birthday weekend in Galway. This year, as The Situation began to unwind and de-escalate, I thought it would be good to reprieve that birthday trip.

We went to Galway. We ate wonderful food at Aniar. We listened to some great trad music. We drink some pints. It was good.

But it was hard to enjoy the trip knowing what was happening elsewhere in Europe. I’d blame February for being a bastard again, but in this case the bastard is clearly Vladimar Putin. Fucker.

Just as it’s hard to switch off for a birthday break, it’s equally challenging to go back to work and continue as usual. It feels very strange to be spending the days working on stuff that clearly, in the grand scheme of things, is utterly trivial.

I take some consolation in the fact that everyone else feels this way too, and everyone is united in solidarity with Ukraine. (There are some people in my social media timelines who also feel the need to point out that other countries have been invaded and bombed too. I know it’s not their intention but there’s a strong “all lives matter” vibe to that kind of whataboutism. Hush.)

Anyway. February’s gone. It’s March. Things still feel very grim indeed. But perhaps, just perhaps, there’s a hint of Spring in the air. Winter will not last forever.

UK ICO: surveillance advertising is dead

Behavioral ads are only more profitable than context ads if all the costs of surveillance – the emotional burden of being watched; the risk of breach, identity-theft and fraud; the potential for government seizure of surveillance data – is pushed onto internet users. If companies have to bear those costs, behavioral ads are a total failure, because no one in the history of the human race would actually grant consent to all the things that gets done with our data.

Design System Day, Thursday 22 July 2021

This looks interesting: a free one-day Barcamp-like event online all about design systems for the public sector, organised by the Gov.uk design system team:

If you work on public sector services and work with design systems, you’re welcome to attend. We even have some tickets for people who do not work in the public sector. If you love design systems, we’re happy to have you!

Building a resilient frontend using progressive enhancement - Service Manual - GOV.UK

Using progressive enhancement means your users will be able to do what they need to do if any part of the stack fails.

What a terrific short guide to sensible web development!

• Start with HTML
  • Using interactive elements
  • Adding the extras
  • Building more complex services
  • Testing your service
  • Do not assume users turn off CSS or JavaScript
  • Case studies and related guides

Every day I’ve been recording myself playing a tune and then posting the videos here on my site.

It seems like just yesterday that I wrote about hitting the landmark of 100 tunes. But that was itself 100 days ago. I know this because today I posted my 200th tune.

I’m pretty pleased that I’ve managed to keep up a 200 day streak. I could keep going, but I think I’m going to take a break. I’ll keep recording and posting tunes, but I’m no longer going to give myself the deadline of doing it every single day. I’ll record and post a tune when I feel like it.

It’ll be interesting to see how the frequency changes now. Maybe I’ll still feel like recording a tune most days. Or maybe it’ll become a rare occurrence.

If you want to peruse the 200 tunes recorded so far, you can find them here on my website and in a playlist on YouTube. I also posted some videos to Instagram, but I haven’t been doing that from the start.

I’m quite chuffed with the overall output (even if some of the individual recordings are distinctly sub-par). Recording 200 tunes sounds like a big task by itself, but if you break it down to recording just one tune a day, it becomes so much more manageable. You can stand anything for ten seconds. As I said when I reached the 100 tune mark:

Recording one tune isn’t too much hassle. There are days when it’s frustrating and I have to do multiple takes, but overall it’s not too taxing. But now, when I look at the cumulative result, I’m very happy that I didn’t skip any days.

There was a side effect to recording a short video every day. I created a timeline for my hair. I’ve documented the day-by-day growth of my hair from 200 days ago to today. A self has been inadvertently quantified.