Citywide – Jason Santa Maria
A fun new font from Jason:
Citywide is a sans serif family inspired by mid-1900s bus and train destination roll signs.
A fun new font from Jason:
Citywide is a sans serif family inspired by mid-1900s bus and train destination roll signs.
Ah, this is wonderful! Matt takes us on the quarter-decade journey of his brilliant blog (which chimes a lot with my own experience—my journal turns 25 next year)…
Slowly, slowly, the web was taken over by platforms. Your feeling of success is based on your platform’s algorithm, which may not have your interests at heart. Feeding your words to a platform is a vote for its values, whether you like it or not. And they roach-motel you by owning your audience, making you feel that it’s a good trade because you get “discovery.” (Though I know that chasing popularity is a fool’s dream.)
Writing a blog on your own site is a way to escape all of that. Plus your words build up over time. That’s unique. Nobody else values your words like you do.
Blogs are a backwater (the web itself is a backwater) but keeping one is a statement of how being online can work. Blogging as a kind of Amish performance of a better life.
You can still have a home. A place to hang up your jacket, or park your shoes. A place where you can breathe out. A place where you can hear yourself think critically. A place you might share with loved ones who you can give to, and receive from.
This is absolutely wonderful!
There’s deep dives and then there’s Marcin’s deeeeeeep dives. Sit back and enjoy this wholesome detective work, all beautifully presented with lovely interactive elements.
This is what the web is for!
Many interactions are not possible without JavaScript, but that doesn’t mean we should look to write more than we have to. The server doing something useful is a requirement for building an interesting business. The client doing something is often a nice-to-have.
There’s also this:
It’s really fast
One of the arguments for a SPA is that it provides a more reactive customer experience. I think that’s mostly debunked at this point, due to the performance creep and complexity that comes in with a more complicated client-server relationship.
This is a great idea that I’m going to file away for later:
I like the idea of redirecting
/now
to the latest post tagged asnow
so one could see the latest version of what I’m doing now.
When haters deny HTML’s status as a programming language, they’re showing they don’t understand what a language really is. Language is not instructing an interlocutor what to do in a way that leaves no room for other interpretations; it is better and richer than that. Like human language, HTML is conversational. It is remarkably adept at adapting to context. It can take a different shape on any machine, from a desktop browser or an e-reader screen to a mobile app or a screen reader for the blind (so long as that device is built to present hypertext).
Hell, yeah!
Ultimately, even as HTML has become the province of professionals, it cannot be gatekept. This is what makes so many programmers so anxious about the web, and sometimes pathetically desperate to maintain the all-too-real walls they’ve erected between software engineers and web developers.
Hell, yeeeeaaaaahhh!!!
What other programmers might say dismissively is something HTML lovers embrace: Anyone can do it. Whether we’re using complex frameworks or very simple tools, HTML’s promise is that we can build, make, code, and do anything we want.
Another handy list of where you can get works published by A Book Apart authors.
A complete digital archive of the famous typography from the Sanborn Fire Insurance Maps
The lettering really is lovely!
In 2024, A Book Apart closed its doors after publishing a much-loved collection of more than 50 brief books for people who make websites. The rights to each book have reverted to the authors — hi, that’s us — and we’ve put together this semi-official directory to help you find our books in their new homes.
…now including Going Offline.
Unfortunately, this is what all of the internet is right now: social media, owned by large corporations that make changes to them to limit or suppress your speech, in order to make themselves more attractive to advertisers or just pursue their owners’ ends. Even the best Twitter alternatives, like Bluesky, aren’t immune to any of this—the more you centralize onto one single website, the more power that website has over you and what you post there. More than just moving to another website, we need more websites.
I am going to continue to write this newsletter. I am going to spend hours and hours pouring over old books and mailing lists and archived sites. And lifeless AI machines will come along and slurp up that information for their own profit. And I will underperform on algorithms. My posts will be too long, or too dense, or not long enough.
And I don’t care. I’m contributing to the free web.
It’d be best to publish your work in some evergreen space where you control the domain and URL. Then publish on masto-sky-formerly-known-as-linked-don and any place you share and comment on.
You don’t have to change the world with every post. You might publish a quick thought or two that helps encourage someone else to try something new, listen to a new song, or binge-watch a new series.
Also, developers:
Write and publish before you write your own static site generator or perfect blogging platform. We have lost billions of good writers to this side quest because they spend all their time working on the platform instead of writing.
Designers, the same advice applies to you: write first, come up with that perfect design later.
While I’ve grown more cynical about much of tech, movements like the Indieweb and the Fediverse remind me that the ideals I once loved, and that spirit of the early web, aren’t lost. They’re evolving, just like everything else.
I have a richer picture of the group of people in my feed reader than I did of the people I regularly interacted with on social media platforms like Instagram.
Pondering pace layers.
If you only write when you’re sure you’ll produce brilliance, you’ll never write.
This rhymes nicely with Mandy’s recent piece on POSSE:
Despite its challenges, POSSE is extremely empowering for those of us who wish to cultivate our own corners of the web outside of the walled gardens of the major tech platforms, without necessarily eschewing them entirely. I can maintain a presence on the platforms I enjoy and the connections I value with the people there, while still retaining primary control over the things that I write and freedom from those platforms’ limitations.
Every problem at every company I’ve ever worked at eventually boils down to “please dear god can we just hire people who know how to write HTML and CSS.”
This is how I write:
As an online writer, my philosophy is link maximalism; links add another layer to my writing, whether I’m linking to an expansion of a particular idea or another person’s take, providing evidence or citation, or making a joke by juxtaposing text and target. Links reveal personality as much as the text. Linking allows us to stretch our ideas, embedding complexity, acknowledging ambiguity, holding contradictions.