Ø§Û Ø°ÙÙØ ÙÙت ÙاÙÛ Ú©Û Ø±Ú©Ú¾ ÙÛ Ø¬Ú¯Ø± Ù¾Û Ûاتھ
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Ae Zoaq Waqt Naalay Ke Rakh Le Jigar Pay Haath
ÙÙت Ù¾ÛØ±Û Ø´Ø¨Ø§Ø¨ Ú©Û Ø¨Ø§ØªÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Waqt Peeri Shabab Ki Baatain
ÛÛÚº دÛ٠غÙÚÙÚº Ú©Û Ùا Ú©Ûا جاÙÛ Ú©Ûا Ú©ÛÙÛ Ú©Ù ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Hain Dahan Ghunchoon Ke Wa Kya Jane Kya Kehnay Ko Hain
Ø§Û Ø°ÙÙØ ÙÙت ÙاÙÛ Ú©Û Ø±Ú©Ú¾ ÙÛ Ø¬Ú¯Ø± Ù¾Û Ûاتھ
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Ae Zoaq Waqt Naalay Ke Rakh Le Jigar Pay Haath
ÙÙت Ù¾ÛØ±Û Ø´Ø¨Ø§Ø¨ Ú©Û Ø¨Ø§ØªÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Waqt Peeri Shabab Ki Baatain
ÛÛÚº دÛ٠غÙÚÙÚº Ú©Û Ùا Ú©Ûا جاÙÛ Ú©Ûا Ú©ÛÙÛ Ú©Ù ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Hain Dahan Ghunchoon Ke Wa Kya Jane Kya Kehnay Ko Hain
Ø§Û Ø°ÙÙØ ÙÙت ÙاÙÛ Ú©Û Ø±Ú©Ú¾ ÙÛ Ø¬Ú¯Ø± Ù¾Û Ûاتھ
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Ae Zoaq Waqt Naalay Ke Rakh Le Jigar Pay Haath
ÙÙت Ù¾ÛØ±Û Ø´Ø¨Ø§Ø¨ Ú©Û Ø¨Ø§ØªÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Waqt Peeri Shabab Ki Baatain
ÛÛÚº دÛ٠غÙÚÙÚº Ú©Û Ùا Ú©Ûا جاÙÛ Ú©Ûا Ú©ÛÙÛ Ú©Ù ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Hain Dahan Ghunchoon Ke Wa Kya Jane Kya Kehnay Ko Hain
Ø§Û Ø°ÙÙØ ÙÙت ÙاÙÛ Ú©Û Ø±Ú©Ú¾ ÙÛ Ø¬Ú¯Ø± Ù¾Û Ûاتھ
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Ae Zoaq Waqt Naalay Ke Rakh Le Jigar Pay Haath
ÙÙت Ù¾ÛØ±Û Ø´Ø¨Ø§Ø¨ Ú©Û Ø¨Ø§ØªÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Waqt Peeri Shabab Ki Baatain
ÛÛÚº دÛ٠غÙÚÙÚº Ú©Û Ùا Ú©Ûا جاÙÛ Ú©Ûا Ú©ÛÙÛ Ú©Ù ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Hain Dahan Ghunchoon Ke Wa Kya Jane Kya Kehnay Ko Hain
Ú¯Ûر ک٠جÙÛØ±Û ØµØ±Ø§Ù Ø²Ø± ک٠دÛÚ©Ú¾ØªÛ ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Gohr Ko Johri Saraf Zar Ko Dekhte Hain
Ùصد جب تÛØ±Û Ø²Ûارت کا Ú©Ø¨Ú¾Ù Ú©Ø±ØªÛ ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Qasad Jab Teri Ziyarat Ka Kabho Karte Hain
دÙد Ø¯Ù Ø³Û ÛÛ ÛÛ ØªØ§Ø±ÛÚ©Û Ù Ø±Û ØºÙ Ø®Ø§ÙÛ Ù ÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Dod Dil Se Hai Yeh Tareqi Maray Gham Khanah Main
Ú¯Ûر ک٠جÙÛØ±Û ØµØ±Ø§Ù Ø²Ø± ک٠دÛÚ©Ú¾ØªÛ ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Gohr Ko Johri Saraf Zar Ko Dekhte Hain
Ùصد جب تÛØ±Û Ø²Ûارت کا Ú©Ø¨Ú¾Ù Ú©Ø±ØªÛ ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Qasad Jab Teri Ziyarat Ka Kabho Karte Hain
دÙد Ø¯Ù Ø³Û ÛÛ ÛÛ ØªØ§Ø±ÛÚ©Û Ù Ø±Û ØºÙ Ø®Ø§ÙÛ Ù ÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Dod Dil Se Hai Yeh Tareqi Maray Gham Khanah Main
تÛØ±Û Ø¢Ùت Ø²Ø¯Û Ø¬Ù Ø¯Ø´ØªÙÚº Ù ÛÚº Ø§Ú Ø¬Ø§ØªÛ ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Tairay Aafat Zada Jin Dashnoon Main Ur Jatay Hain
بÙائÛÚº Ø¢ÙÚ©Ú¾ÙÚº Ø³Û Ø§Ù Ú©Û Ù Ø¯Ø§Ù ÙÛØªÛ ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Bulayen Aankhon Se In Ki Madaam Letay Hain
Ú©Ù Ú¯Ø¦Û ØªÚ¾Û ØªÙ Ø¬Ø³Û Ø¨Û٠ار Ûجراں ÚÚ¾ÙÚ Ú©Ø±
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Kal Gaye Thay Tum Jisay Bemaar Hijran Chor Kar
تÛØ±Û Ø¢Ùت Ø²Ø¯Û Ø¬Ù Ø¯Ø´ØªÙÚº Ù ÛÚº Ø§Ú Ø¬Ø§ØªÛ ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Tairay Aafat Zada Jin Dashnoon Main Ur Jatay Hain
بÙائÛÚº Ø¢ÙÚ©Ú¾ÙÚº Ø³Û Ø§Ù Ú©Û Ù Ø¯Ø§Ù ÙÛØªÛ ÛÛÚº
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Bulayen Aankhon Se In Ki Madaam Letay Hain
Ú©Ù Ú¯Ø¦Û ØªÚ¾Û ØªÙ Ø¬Ø³Û Ø¨Û٠ار Ûجراں ÚÚ¾ÙÚ Ú©Ø±
Mohammad Ibrahim Zauq - Ù Ø٠د ابراÛÛÙ Ø°ÙÙ
Kal Gaye Thay Tum Jisay Bemaar Hijran Chor Kar
Sheikh Muhammad Ibrahim Zauq (1789–1854) was an Urdu poet and scholar of literature, poetry and religion. He wrote poetry under nom de plume "Zauq", and was appointed poet laureate of the Mughal Court in Delhi just at the age of 19. Later he was given the title of ' Khaqani e Hind'(The Khaqani of India) by the last Mughal emperor and his disciple Bahadur Shah Zafar. He was a poor youth, with only ordinary education, who went on to acquire learning in history, theology and poetics in his later years. Zauq was a prominent contemporary of Ghalib and in the history of Urdu poetry the rivalry of the two poets is quite well known. During his lifetime Zauq was more popular than Ghalib for the critical values in those days were mainly confined to judging a piece of poetry on the basis of usage of words, phrases and idioms. The qasida was his special forte. Zauq's idioms were homely, but no one has a greater number of signal phrases memorable for thought or music. His language was polished and his diction elegant. He used several styles successfully and, though not as great a thinker as Mirza Ghalib, had a more melodious flow of language. Zauq never tried to become like Ghalib, but had a different image.