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The Unz Review •ï¿½An Alternative Media Selection
A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media
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Content Archive of Printed Periodicals and Books
Paul Mazursky Archives
Paul Mazursky Archives
Paul Mazursky, Director •ï¿½39 Items / 1 Book, 38 Films
Enemies, A Love Story (1989)
by Paul Mazursky
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Published Reviews
  1. Books and the Arts
    [+]
    On Films: Wonderful Women, and More (Review)
    Stanley Kauffmann
    Enemies, A Love Story (1989 Film), by Paul Mazursky
    1. Enemies, A Love Story (1989 Film) by Paul Mazursky
    The New Republic, January 1, 1990, p. 26
  2. [+]
    Screen: Love Stories (2 Reviews)
    Tom O'Brien
    Driving Miss Daisy (1989 Film), by Bruce Beresford
    1. Driving Miss Daisy (1989 Film) by Bruce Beresford
    2. Enemies, A Love Story (1989 Film) by Paul Mazursky
    Commonweal, March 9, 1990, pp. 146-149
  3. [+]
    Film: Minority Reports (2 Reviews)
    John Simon
    Enemies, A Love Story (1989 Film), by Paul Mazursky
    1. Enemies, A Love Story (1989 Film) by Paul Mazursky
    2. Driving Miss Daisy (1989 Film) by Bruce Beresford
    National Review, February 19, 1990, p. 57
  4. [+]
    The Current Cinema (2 Reviews)
    Pauline Kael
    Pulling the Rug Out
    1. Enemies, A Love Story (1989 Film) by Paul Mazursky
    2. Driving Miss Daisy (1989 Film) by Bruce Beresford
    The New Yorker, December 25, 1989, pp. 73-76
  5. In the Arts
    [+]
    A Drive through History (3 Reviews)
    Patrick Z. McGavin
    Enemies, A Love Story (1989 Film), by Paul Mazursky
    1. Enemies, A Love Story (1989 Film) by Paul Mazursky
    2. Glory (1989 Film) by Edward Zwick
    3. Driving Miss Daisy (1989 Film) by Bruce Beresford
    In These Times, February 7, 1990, pp. 20-23
  6. [+]
    The Current Cinema (3 Reviews)
    Pauline Kael
    Mother, Husband, Brother
    1. Enemies, A Love Story (1989 Film) by Paul Mazursky
    2. Reversal of Fortune (1990 Film) by Barbet Schroeder
    3. Vincent and Theo (1990 Film) by Robert Altman
    The New Yorker, November 19, 1990, pp. 127-133