HAA 183 Lecture: Syllabus and Readings Professor Ebba Koch: Mughal Imperial Architecture (1526-1858 A.D.)
HAA 183 Lecture: Syllabus and Readings Professor Ebba Koch: Mughal Imperial Architecture (1526-1858 A.D.)
HAA 183 Lecture: Syllabus and Readings Professor Ebba Koch: Mughal Imperial Architecture (1526-1858 A.D.)
From the 16th to the 18th centuries India was synonymous with the "Empire of the
Great Moghul". The Mughal dynasty, so called, because descendants of Chingiz
Khan and Tamerlane (Timur), ruled from 1526 to 1858 over the larger part of South
Asia and represented with the Safavids in Iran and the Ottomans in Asia Minor,
the Balkans and the Near East, one of the three Muslim superpowers of the modern
period. As a new dynasty which felt a strong need to assert its status and as an
elitarian minority ruling over a vast territory of peoples of different creeds and
cultures the Mughals grounded their claim to universal rule in a multi-cultural
perspective. They were highly aware of the potential of architecture as a means of
self representation. To express their 'multiple identity' architecturally, they drew
from many divers supra regional and regional traditions which they synthesised and
'imperialised' so successfully that they created with the Taj Mahal the universally
most widely accepted building.
architectural surveying,
cultural,
political and socio-economic context. Themes include patronage (which involves also
issue of gender), the question of the architects, landownership of the nobility,
urban planning and the relationship between form, function and symbolic meaning.
Mughal court culture is addressed as well as the artistic interactions with other
Islamic courts and Europe.
COURSE WEBSITE
http://webdocs.registrar.fas.harvard.edu/courses/HistoryofArtandArchitecture.html
Click on course link highlighted in blue
READINGS
The basic reference works for the course is Ebba Koch, Mughal Architecture: An
Outline of Its History and Development (1526-1858), (Munich: Prestel, 1991, 2nd ed.
New Delhi: Oxford University Press, 2002) as well as C. B. Asher, Architecture of
Mughal India, The New Cambridge History of India, 1,4, (Cambridge, New Yok,
Oakleigh: Cambridge University Press, 1992). The specific readings are indicated
below for each lecture.
All required readings from books (in italics) are on reserve at the Fine Arts
Library. Articles are arranged in a binder by the authors last name. Ask for the
binder at Fine Arts Library circulation desk.
REQUIREMENTS
Attendance at lectures and the completion of readings before the class meeting for
which they are assigned. There will be a midterm examination (20% of final grade)
and a final examination (35% of final grade) based on the readings, lectures, and a
selection of slides from the lectures. Three written assignments, with the due dates
listed below, comprise: 1. an analysis of a Mughal building or a work of art
(Company drawing of a Mughal monument) in the Sackler Museum, Harvard
University Art Museums; and 2. and 3., short papers that respond to specific
thematic and/or methodological questions framed through selected readings (each
paper should be no more than 5 pp. max. and carries 15% each of the final grade).
September 15
DRAMMATIS PERSONAE
September 17
September 22
September 24
September 29
October 1
PALACE GARDENS
READINGS:
Ebba Koch, "Mughal Palace Gardens".
October 6
October 8
October 13
Holiday
October 15
No class meeting
October 20
October 22
October 27
October 29
MIDTERM EXAMINATION
November 3
November 5
November 10
November 12
November 17
November 19
November 24
November 26
December 3
December 8
December 10
BIBLIOGRAPHY
Babur and the Timurid Char Bagh: Use and Meaning. In Mughal
Architecture: Pomp and Ceremonies, Environmental Design (1991, no.
1-2): 46-55
Archer M., Early Views of India: The Picturesque Journeys of Thomas and William
Daniell 17861794 (London 1980)
Company Paintings: Indian paintings of the British Period (London and
Ahmedabad, 1992)
Begley, W. E. and Z. A. Desai Taj Mahal: The Illumined Tomb: An Anthology of
Seventeenth-Century Mughal and European Documentary Sources (Cambridge
1989)
Bokhari, A. "The `Light' of the Timuria: Jahan Ara Begum's Patronage, Piety, and
Poetry in 17th Century Mughal India", Marg 2008 (forthcoming, typescript
available)
Brand, M., Orthodoxy, Innovation, and Revival: Considerations of the Past in Imperial
Mughal Tomb Architecture", Muqarnas 10 (1993), pp.323-34
Brand, M. and G. D. Lowry eds, Fatehpur Sikri, Selected papers from the
International Symposium on Fatehpur-Sikri held on October 17-19, at
Harvard University, Cambridge MA and Sponsored by the Aga Khan Program
for Islamic Architecture at Harvard University and the Massachusetts
Institute of Technology and the Department of Fine Arts at Harvard
University ( Bombay1987)
Brown, P. Indian Architecture (Islamic Period), 6th reprint of the 1956 edition,
(Bombay 1975)
Conner, P. Oriental Architecture in the West (London1979)
10
11
12
13
Wescoat, J. L., Jr., Picturing an Early Mughal Garden, Asian Art 11, 4 (1989): 59-79.
Garden versus Citadels: The Territorial Context of Early Mughal Gardens,
Garden History: Issues, Approaches, Methods, Dumbarton Oaks
Colloquium on the History of Landscape Architecture 13, edited by John
Dixon Hunt (Washington, D C 1992) pp. 331-358.