How a Sex-Positive Cuban Lesbian Helped Her Creator Play Herself
In “Give Me Carmelita Tropicana!,” Alina Troyano and her former student Branden Jacobs-Jenkins explore the ways art made by one person can live inside others.
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In “Give Me Carmelita Tropicana!,” Alina Troyano and her former student Branden Jacobs-Jenkins explore the ways art made by one person can live inside others.
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Emmy Rossum and Zoë Winters star in a new Off Broadway play that’s a climate disaster drama cohabiting with a domestic soap opera.
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“Maybe Happy Ending” had an initial Korean-language production in Seoul in 2016. Here are five things to know about the show.
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Best known for his star turn in the cult film about a flesh-eating plant, he was a go-to member of the low-budget auteur Roger Corman’s repertory company.
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A ‘Wicked’ Tearful Talk With Cynthia Erivo and Ariana Grande
The stars of the new movie reflect on their long ride together, getting through Covid and the actors’ strike, and avoiding “playing to the green.”
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He’s Getting Raves for a Role He Wasn’t Supposed to Play
Seventeen years after he first appeared in “Yellow Face,” the veteran actor Francis Jue has returned with a nuanced performance as a blustery patriarch.
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All Hail the Theater Kid! (We Mean That Sincerely.)
For stars like Ariana Grande and Lady Gaga, showmanship is a virtue. That’s a big change from the days when Anne Hathaway was vilified for her effortful work.
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‘The Curious Case of Benjamin Button’ Gets a Folk-Musical Makeover
The decade-spanning story of a man aging in reverse comes to the West End, transformed into a thoughtful fable opening on the English coast.
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John Leguizamo Talked Diversity at the Emmys. He Has Ideas for Theater Too.
The actor discusses his new play, “The Other Americans,” feeling underappreciated as a dramatist, and Latino representation.
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In the 1880s, the only roles for Indigenous performers were laden with negative stereotypes. So Mohawk decided to write her own narratives.
By Elyssa Goodman
Pulling back the curtain on the peculiar customs and enduring superstitions that help define life backstage.
By Juan A. Ramírez and Daniel Terna
How do you retool “What the Constitution Means to Me” for those unfamiliar with the U.S. Constitution? Consult Canada’s Charter of Rights and Freedoms.
By Aisling Murphy
The enduring Andrew Lloyd Webber musical will begin a multiyear tour in Baltimore in November 2025.
By Michael Paulson
Joshua Henry stars in an exhilarating gala revival of the 1998 musical about nothing less than the harmony and discord of America.
By Jesse Green
“Hothouse,” at Irish Arts Center, fends off despair with loopiness; “In the Amazon Warehouse Parking Lot,” at Playwrights Horizons, is a fuzzy world lacking depth.
By Laura Collins-Hughes and Elisabeth Vincentelli
And is the culture telling the right stories about them, at a time when it’s never felt more urgent?
By Jesse Green
Nearly 30 years after being let go from the Broadway-bound show, this Tony Award winner is taking a lead role in a new revival at City Center.
By Erik Piepenburg
Dominique Morisseau’s new play explores the tensions between a Haitian American woman and her Haitian-born cousin.
By Juan A. Ramírez
By exploring Armstrong’s offstage struggles and tensions, “A Wonderful World” wants to shatter the image of an entertainer who was far more than just affable.
By Alan Light
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