Artist's Back to Basics8 min read
Magic Pencil Tricks
When it comes to freehand drawing, the pencil in your hand is so much more than simply the means of making marks on the paper. It’s also an absolutely indispensible tool that allows you to make any number of proportional judgements in the course of t
Artist's Back to Basics5 min read
Brush Strokes
We can create a completely different image using the same techniques with subtle differences. Because I’m often asked how I make water look realistic, I thought we would bury the techniques in an exercise, AND at the same time get a basic understandi
Artist's Back to Basics2 min read
Painting Humanity
Remia Montayre Homuk is originally from the Philippines town of Sindangan, Zamboanga del Norte. After moving to Sydney in 1984, she married and continued to follow her clear artistic destiny. This lady is a natural artist. She was born with the artis
Artist's Back to Basics19 min read
Artists’ Canvas and other Substrates Contributed
A unique and beautiful pastel support available is the premium quality Schmincke Sansfix pastel paper. Prepared on 360gsm acid free paper, the superfine coating of grit on the surface allows layers and layers of pastel to be put down – whilst retaini
Artist's Back to Basics5 min read
A History of Pigments
Pigments are the basis of all paint, formed originally by using different colours of ground clay, earth and rocks. They were made into a paint medium by mixing with animal fat or human saliva. For such an interesting and fertile subject, there is onl
Artist's Back to Basics5 min read
Depicting People
I first decide what it is I am attempting to achieve. I need to interview the subject and decide what characteristics of the subject I wish to express. I need to consider the attitude/disposition, facial features, clothing/uniform; and the social, pr
Artist's Back to Basics3 min read
Fired Art Gallery and Retreat
I love the human body, it seems … because I return to it time after time in sculpture, painting and drawing. Maybe I got the bug from poring over ‘Gombrich’ or ‘The History of Art’ – both long time art reference books – losing myself in fascination w
Artist's Back to Basics3 min read
Setting Up Your Space
Along, long time ago in the land of brown robed Christian Brothers and black and white Nuns, I lived in a world of Times Tables, Logic, English Grammar and the monotonous repetition of historical dates and facts. In this world, Art took a back seat o
Artist's Back to Basics4 min read
Nothing But The Best
I have reached the magical French milestone of being ‘a woman of a certain age’. My life began in Sydney quite a few years ago. Now I live an almost idyllic life with my husband Tom … on our hill near the Queensland town of Agnes Water 1770. Five yea
Artist's Back to Basics2 min read
Just a Girl
With acrylics, I undercoat the canvas roughly with a light blue mixture of White, Cobalt Blue and a touch of Yellow Ochre. I sketch my subject with pencil on tracing paper and transfer the drawing onto the dried canvas before outlining with Burnt Sie
Artist's Back to Basics6 min read
“More Magic Tricks”
In the last article we looked at what an indispensible proportional judgement tool the pencil in your hand can be in the process of creating an accurate freehand line drawing. There are other techniques in the same vein that don’t require anything bu
Artist's Back to Basics4 min read
Down the Barcoo
I often work from plein air sketches done with oil crayons and combined with photographic references. However ‘Down the Barcoo’ arrived in my favourite way – just as an almost finished image in my mind’s eye. After preparing the canvas with two addit
Artist's Back to Basics7 min read
Making a Painting
Greetings fellow artists. In Issue 2-3, I posed the question “Is there a painting here?” I presented my thoughts as to why people express dissatisfaction with their end result of copying pictures; and why, no matter how good it turned out, it could n
Artist's Back to Basics3 min read
Detailed Subjects on White Background
If you are painting a botanical art or natural history subject on a white background, ensure your work is protected at all times. Oils from your hand can leave greasy marks on the watercolour paper which are impossible to remove as they are absorbed
Artist's Back to Basics1 min read
Glowing Landscape
• Artists’ canvas. • Artists’ oils: Titanium White; Cadmium Yellow; Jaune Brilliant; Naples Yellow (reddish); Yellow Ochre; Australian Red; Burnt Sienna; Raw Sienna; Spectrum Green; Cerulean Blue; Ultramarine Blue; Permanent Mauve. • Brushes: Large s
Artist's Back to Basics2 min read
Engrossing Hobby
My home and studio is at Leonay, an outer Sydney suburb. I was born in East Germany. My wife and I arrived in Australia in November 1960; and in 1966 we moved into a new house at Leonay where we have lived ever since. I have had no formal artistic tr
Artist's Back to Basics3 min read
Perspective In The Landscape
Perspective is all around us. It is in the landscape, in buildings and clouds in the sky. Creating depth is an essential part of any landscape scene. Unless you understand the simple principles, your work will appear flat. Perspective in the landscap
Artist's Back to Basics2 min read
Lake Eyre
• Artists’ canvas.• Artists’ acrylic paints.• Chalk.• Selected brushes.• Turps-based varnish. I have drawn in my initial lines and composition with chalk. This can be easily reworked or removed with a cloth, leaving no pencil lines or commitment. Nex
Artist's Back to Basics16 min readVisual Arts
Artists’ Paints Contributed
Imagine a product designed by Australian artists for Australian artists. This concept is what the Roymac brand prides itself on. Roymac creates colour products that you will love to create with; and has done this since 1960. Vincent van Gogh famously
Artist's Back to Basics7 min read
Materials and Equipment (Part 1)
In this first of two articles on the subject I am going to give you the drum on setting up your own workspace and organizing the gear you need for your own personal tilt at the graphite chiaroscuro journey. It took me years of trial and error and exp
Artist's Back to Basics3 min read
Addressing the Light Source
Some might say that John Murray’s current home at Lightning Ridge in New South Wales makes a dramatic contrast to his Melbourne birthplace – but it doubtless feeds his passion for the Outback landscape. John has a Diploma of Art, and he has always nu
Artist's Back to Basics5 min read
In the Galleries Contributed
Bay Art and Design has recently opened the ‘Murray Charteris Art Gallery’ in Hervey Bay, Queensland, showcasing the brilliant work of Murray Charteris along with some more of Hervey Bay’s finest artists. The community of Hervey Bay is very excited ab
Artist's Back to Basics5 min read
Getting Into The Zone
So far we have explored being able to confidently sketch and draw lines, circles, and curves, the basics of hatching and crosshatching, the rudiments of creating good compositions of your own and delved into the specifics of the tools and equipment r
Artist's Back to Basics6 min read
Artists’ Easels Contributed
S&S Wholesale stocks a wide variety of easels for everyone from the beginner, student and hobbyist right through to the professional artist. There are many types of easels for different applications – painting or pastel work – indoor or outdoor use.
Artist's Back to Basics4 min read
Creating a Space
In the last issue, we looked at the importance of light and the ways in which you can use the lighting in your studio to enhance your painting. In this issue, I would like to discuss the fundamental question of space. Not everyone has the luxury of a
Artist's Back to Basics4 min read
The History Of Pencils
What an amazing invention the pencil is. We take it for granted, but where did this ingenious invention come from? The Egyptian scribes used a stylus, a thin metal? rod to leave an indelible mark on papyrus This technique, some scholars believe, was
Artist's Back to Basics7 min read
Is There a Painting Here?
Greetings! Human beings learn by comparison (last time I touched something red, I burnt my finger). I frequently question my actions, as well as other people’s, in a non critical and non judgemental way. I do this so that I can clearly define my own
Artist's Back to Basics5 min read
Brushes Stokes
In the last issue, we discussed how many of us don’t really have an inkling of what is possible with our brushes. In this article we’re going to expand our abilities by simplifying your applications of your paintbrush. Sounds like a contradiction, bu
Artist's Back to Basics3 min readVisual Arts
Wonderful Wildlife
Brenda Holden spent her formative years in the foothills of Adelaide. Hiking around waterfalls in the area, she grew to love the abundant birdlife. While young, she spent many years in Broken Hill and outback Western Australia – all the while develop
Artist's Back to Basics4 min read
After the Storm
• Soft Chalk Pastels (artist quality) – hand-made by Jeff Waterson, Art Spectrum and Rembrandt.• Pastel Pencils – Stabilo CarbOthello – favourites include: 1400/105 Cream; 1400/760 Dark Blue Grey; 1400/635 Dark Brown; 1400/706 Grey.• Spray Fixative.•
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