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All That Is
All That Is
All That Is
Ebook387 pages

All That Is

Rating: 3.5 out of 5 stars

3.5/5

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An extraordinary literary event, a major new novel by the PEN/Faulkner winner and acclaimed master: a sweeping, seductive, deeply moving story set in the years after World War II.

From his experiences as a young naval officer in battles off Okinawa, Philip Bowman returns to America and finds a position as a book editor. It is a time when publishing is still largely a private affair—a scattered family of small houses here and in Europe—a time of gatherings in fabled apartments and conversations that continue long into the night. In this world of dinners, deals, and literary careers, Bowman finds that he fits in perfectly. But despite his success, what eludes him is love. His first marriage goes bad, another fails to happen, and finally he meets a woman who enthralls him—before setting him on a course he could never have imagined for himself.

Romantic and haunting, All That Is explores a life unfolding in a world on the brink of change. It is a dazzling, sometimes devastating labyrinth of love and ambition, a fiercely intimate account of the great shocks and grand pleasures of being alive. 

LanguageEnglish
Release dateApr 2, 2013
ISBN9780307961099
All That Is
Author

James Salter

James Salter is the author of numerous books, including the novels Solo Faces, Light Years, A Sport and a Pastime, The Arm of Flesh (revised as Cassada), and The Hunters; the memoirs Gods of Tin and Burning the Days; the collections Dusk and Other Stories, which won the 1989 PEN/Faulkner Award, and Last Night, which won the Rea Award for the Short Story and the PEN/Malamud Award; and Life Is Meals: A Food Lover's Book of Days, written with Kay Salter. He died in 2015.

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Rating: 3.3776978330935252 out of 5 stars
3.5/5

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  • Rating: 5 out of 5 stars
    5/5
    The history of my family and he didn't even change anyone's name.
  • Rating: 3 out of 5 stars
    3/5
    This is Salter's last novel, loosely centred around the life of Philip Bowman, a man who serves as a junior officer in the Pacific in the World War II navy and later becomes an editor for a New York publisher, thus obviously paralleling Salter's own life. It's an odd sort of novel, though, as Salter keeps telling us the detailed back-stories of new minor characters as though they were going to be the central characters of their own short stories, but then dropping them again before anything very important has happened to them. Mostly, all they get from their chapter in the limelight is a meal out, sometimes followed by a night of passion. Occasionally they get to come back later in the book, but rarely as more than an interesting coincidence.

    Salter also breaks off from storytelling from time to time to explain the Second World War, or England, or Lorca, or something else we already know about, or to complain that "gay" used to be such a useful little word. But he can probably be forgiven for that sort of thing, given that he was in his late eighties when this came out.

    Apart from that, it is a beautifully written book. Straight down the middle of the great tradition of American prose-writing of the 1920s and 30s. Lovely clear, plain sentences, dotted with sparkling bits of ornamentation where we least expect them: if Hemingway and Henry Miller had still been around in the 2010s, they would undoubtedly have approved. It's easy to see why Salter attracted such praise, but a bit more difficult to see what he's trying to do with this book. It just seems to be an endless succession of clever men jumping into bed with beautiful women, who seem to get steadily younger as the men get older.
  • Rating: 2 out of 5 stars
    2/5
    Got 3/4 of the way through and could not finish it. I was tired of the characters, tired of the use of commas where there should have been semi-colons, tired of the parade of ever-younger women through Bowman's life. Ugh.
  • Rating: 3 out of 5 stars
    3/5
    My synopsis of the theme: You can observe and describe something or someone perfectly and still get it wrong. That's life. That's writing.

    Salter makes turning the pages easy while he explores this topic from multiple perspectives.

    However, the topic is anything but, and any sweetness the reader finds here will be speculative rather than realized.

    It's there but it's bittersweet and hard won.
  • Rating: 3 out of 5 stars
    3/5
    Beautifully written but I felt the same frustration I feel when I read Updike. The women are secondary.
  • Rating: 5 out of 5 stars
    5/5
    All That Is is James Salter's first published novel in 30 years, making it the first in my lifetime. Yet, within the first chapter of the book, I found myself in complete disbelief and frustration over the fact that I had let his earlier work slip by.

    Salter traces the life of Philip Bowman, a naval officer returning from World War II who lands a position as an editor with a small publishing company. Bowman finds comfort in the women around him, though love is more difficult to secure than success. Through a series of relationships, and their intricate intersections, All That Is explores the full journey of a life.

    It's clear from the start that this is a novel written by someone with a wealth of life experience to draw from. At age 88, Salter has a keen sense of perspective, noting everything from the betrayal of the changing seasons to the common mistakes we make when under the spell of another. It's almost as if he has seen the world from every possible pair of eyes and has been told every story; the voice of wisdom in his writing is unlike anything else. He combines his words into gorgeous sentences that feel so effortless and seem to jump from every page.

    "He loved her for not only what she was but what she might be, the idea that she might be otherwise did not occur to him or did not matter. Why would it occur? When you love you see a future according to your dreams."

    The evolution of Bowman's character throughout the novel is fascinating, but incredibly real; from unsure veteran to wandering divorcée to the flawed man he becomes. Much like those we make in real life, his decisions are sometimes shockingly wrong, but serve to make him feel more human -- if not redeemable.

    While some may leave All That Is looking for a more pulsing plot, any reader who appreciates the beauty of written language will easily find love in the first few pages. I've already begun digging up Salter's backlist, I definitely have a new favorite.
  • Rating: 3 out of 5 stars
    3/5
    The only other salter I've read is "light years," which I enjoyed a lot. This i spent all of Sunday afternoon finishing and didn't NOT enjoy, it just wasn't a favorite. It was like reading an account of anybody's semi-depressing and semi-boring life, with moments that felt beautiful, and moments that didn't. I do love his way with language and will seek more out to read in the future, I'm sure.
  • Rating: 4 out of 5 stars
    4/5
    the story of a life, the main character becomes a editor after world war 2, at times his life seems like something out of playboy or mad men, don dapper. yet it also seems a little sad and lonely. there were times I felt sad in reading the book. something was missing. the writing is good but at times I did get lost, he switched to other characters and sub plots with no warning or at times reasons
  • Rating: 3 out of 5 stars
    3/5
    I just couldn't get into this book. I felt as though I was waiting for something to happen throughout most of the book. Still, I plan to try some of his earlier work.
  • Rating: 2 out of 5 stars
    2/5
    There are some books that you take to immediately, some books that grow on you and some books that simply never go anywhere for you. This was one of them for me. It was well written, and for that reason, I commend it, but for many other reasons, I found it lacking. It was page after page of escapades of sex. The main character never found himself, treated love like an accomplishment, rather than gift. He used women and abused women for his pleasure without regard for anything else. I found him to be extremely unlikeable.
    I began listening to the book with my husband, but he eventually abandoned me. After awhile, listening was like a punishment, with my mind constantly reeling with the thought, oh no, not another hot sex scene! I struggled to find the purpose of the book, the message the author was trying to impart. I thought it was going to be about a young officer’s return to civilian life and the struggles he would haves to face to readjust and rejoin his family and friends. Instead, I found a story about a maladjusted misogynist, who finds success in the working world as a book editor, but absolutely none in the world of romance. For Philip Bowman, love is simply contained in the physical act of sex, and he appears to think that women exist merely for that purpose.
    When we meet Philip Bowman, in 1944, he is a junior officer on board a submarine, headed for Okinawa. Shortly thereafter, he returns to Summit, New Jersey, to pick up his life. He searches for and finds a job in publishing, and we travel with him as he spends the rest of his life working in that business as a book editor for a publishing house that handles literary books like Faulkner’s “Forever Amber”. He meets a woman named Vivian, from a rather charmed, wealthy background, and begins to experience life to the fullest. This however is short lived, and he goes from one unsuccessful relationship to another, always seeming to seek only sexual gratification from his relationships.
    One problem from the start is that the characters are thrown at the reader full speed, often confusing the narrative. Apparently the author is trying to introduce the reader to the atmosphere that existed for Bowman on his return and to do that, he thrusts them into a cauldron filled with people and places that are sometimes hard to separate, at first.
    The cast of characters seems to be short on moral behavior. The women are portrayed as loose and careless in their lives, with both their sex and their ambition. This is a time, however, when women had far fewer opportunities than have today. The book is burdened with a cast of less than ethical characters. Infidelity seems to be the order of the day. Unscrupulous behavior seems to be acceptable. They seem to be flying by the seats of their pants, for the most part, doing whatever they want to, without a filter. Businesses are motivated by profit alone, marriages end with abandon, respect for the rights of others is ignored. Crass remarks are made about people of color, alternate lifestyles and Jews. The book is also marked by the use of unnecessarily crude language and expressions.
    Not a fan of gratuitous sex, I found the book peppered with too many sex scenes that seemed completely irrelevant and served only to point out the shallowness of Bowman’s treatment of and feelings toward women. Chauvinism doesn’t seem like an adequate enough word to describe his behavior. There were simply too many romantic interludes which only served to show that Bowman seemed only to concern himself with his own needs and cared little, long term, for others. I think he deserved the constant rejection he experienced. I found the story morbid, depressing and lacking in any positive message. It is simply about a man who has no respect for anyone, let alone women, and who is obsessed or consumed by his need for sex, never learning to temper his impulses even into his fifties. He does not seem to grow and become a better person from his experiences. Both Bowman and the company he worked for seemed to have higher standards for the books they published than Bowman had for his own behavior.
    Philip Bowman was a man with arrested development who searches for love, but never finds it. It eludes him because he searches for it only in the physical sense and has no understanding of the emotional and perhaps, intellectual needs of his partners.
  • Rating: 3 out of 5 stars
    3/5
    As always, Salter's prose is as clear and crisp as an alpine stream, but this narrative feels like dispatches from another planet -- one not populated by human beings I recognize or comprehend.
  • Rating: 2 out of 5 stars
    2/5
    Reverse the title, and there you have it, for me. This was my first forage into James Salter, so I wasn't prepared to appreciate and credit the subtleties of his language, although certainly many passages were uniquely (overly) "writerly." The relationships were calculatedly shallow, and I thought often of the author stretching, yearning to describe passionate love affairs as if they were his autobiographical reality...though I doubted it throughout the book. I certainly was jealous of them.

    I can't help but think of the protagonist Philip Bowman as Holden Caulfield, a little more grown up, cynical, and naïve. I suppose all of that listlessness and purposelessness was intentional, like Bowman's early wartime experiences drifting around in a boat, but I got tired of having no compass. I "get" existentialism--existence trumps essence--but that doesn't mean I have to like it, and I feel the same way about this novel.

    After All That Is turned out to be "Is that all there is?," I think I'll next read a war novel or detective piece; I need some direction that this author was unwilling to provide.
  • Rating: 3 out of 5 stars
    3/5
    It’s a bit hard to say what All That Is is about. It follows a man from his days in WWII through his career and life into old age. He and the people around him have affairs and there are multiple divorces. People occasionally do despicable things, but more often than not, things just shift, and relationships come and go. “All That Is” in life seems to be transient and ephemeral, and the only bedrock in the novel seems to be in the first chapter, with America at war and the protagonist fighting the Japanese in the Pacific.

    Salter at 88 does not shy away from sex, and has a way of describing things that I smiled at: a beautiful woman who has “a riveting face that God had stamped with the simple answer to life”; fellatio as “the act of a believer”, lovemaking as “as if it were a violent crime”, arousal as “he was like a boy of eighteen, invincibly hard”, a naked woman on her stomach as “they were not equals, not now”, and finding love so right as “a blessing, a proof of God.”

    Characters pop in and out and then a backstory for them is created, seemingly on the fly, and sometimes awkwardly. There is little structure here, and that’s part of Salter’s point – this is life. It may be accurate, but the lack of structure made for just ‘ok’ reading from my perspective, though I’m sure Salter fans will enjoy it.

    Quotes:
    On breaking up:
    “He felt sick with the memory of it. He was sick with all the memories. They had done things together that would make her look back one day and see that he was the one who truly mattered. That was a sentimental idea, the stuff of a woman’s novel. She would never look back. He knew that. He amounted to a few brief pages. Not even. He hated her, but what could he do?”

    On death:
    “He was certain of only one thing, whatever was to come was the same for everyone who had ever lived. He would be going where they all had gone and – it was difficult to believe – all he had known would go with him, the war, Mr. Kindrigen and the butler pouring coffee, London those first days, the lunch with Christine, her gorgeous body like a separate entity, names, houses, the sea, all he had known and things he had never known but were there nevertheless, things of his time, all the years, the great liners with their invincible glamour readying to sail, the band playing as they were backed away, the green water widening, the Matsonia leaving Honolulu, the Bremen departing, the Aquitania, Ile de France, and the small boats streaming, following behind. The first voice he ever knew, his mother’s, was beyond memory, but he could recall the bliss of being close to her as a child. He could remember his first schoolmates, the names of everyone, the classrooms, the teachers, the details of his own room at home – the life beyond reckoning, the life that had been opened to him and that he had owned.”

    On transience, and autumn:
    “There was a time, usually late in August, when summer struck the trees with dazzling power and they were rich with leaves but then became, suddenly one day, strangely still, as if in expectation and at that moment aware. They knew. Everything knew, the beetles, the frogs, the crows solemnly walking across the lawn. The sun was at its zenith and embraced the world, but it was ending, all that one loved was at risk.”

    Lastly, this pair of naughty jokes:
    “There was this Hungarian count, and his wife said to him one day that their son was growing up and wasn't it time he learned about the birds and the bees? All right, the count said, so he took him for a walk. They went down to a stream and stood on a bridge looking down at peasant girls washing clothes. The count said, your mother wants me to talk to you about the birds and the bees, what they do. Yes, father, the son said. Well, you see the girls down there? Yes, father. You remember a few days ago when we came here, what we did with them? Yes, father. Well, that's what the birds and the bees do.”

    And:
    “Once in a waterfront bar in Hamburg a sailor asked her to dance. Karl Maria did not mind but then the sailor had wanted to give her twenty-five marks to go upstairs with him. She said no, and he made it fifty and followed her back to the bar, where he offered her a hundred marks. Karl Maria leaned forward and said, ‘Hor zu. Sie ist meine frau - she’s my wife. I don’t mind, but I think you may be getting close to her price.’”
  • Rating: 3 out of 5 stars
    3/5
    I just couldn't get into this book. I felt as though I was waiting for something to happen throughout most of the book. Still, I plan to try some of his earlier work.
  • Rating: 2 out of 5 stars
    2/5
    I read this book and was in the final 20 pages when I left it at my Mothers! I was annoyed but not enough to scurry to a bookstore and finish the final pages.

    It began well and I was instantly reminded of the many books I have read through out the years written about WWII and my parents generation.

    Yet something about this book left me cold and uncaring about the central character though I really wanted to like him. I felt sympathy for him.

    A cast of too many characters that were slightly boring after awhile.
  • Rating: 2 out of 5 stars
    2/5
    What seemed in the beginning a book with lots of possibility soo became rather a aging man prattling on about his various sequel escapades. Only finished as I was listening while on a cross country bike trip in the seat for hours on end and unplugging was only slightly more difficult than continuing on.
  • Rating: 4 out of 5 stars
    4/5
    "All That Is" is a very strange book in a conventional guise. It is a story set in Updike-land told by Hemingway. It is a story about love told, at times, coldly. It is, however, above all a book with a very generous spirit to its characters and their all too human shortcomings.
  • Rating: 5 out of 5 stars
    5/5
    Think of Max Perkins as a bachelor with a romantic side -- and this would be his story. Wonderfully written. Dialogue evokes snippets of Hemingway here and there. One of the top 5 literary fictional books I've read this year.
  • Rating: 5 out of 5 stars
    5/5
    I thought that this is a small masterpiece. Reading/listening to this book while commuting to work for the last week or so, so completely consumed me that I didn't want it to end. The language Salter uses is so exquisite, without being flowery; so memorable, without being a distraction.

    With an end as the beginning - that of the world war - Philip Bowman has returned to New York after serving in the Pacific campaign as a young Navy officer. He enters the world of book publishing as an editor, and we start to follow his life. We meet his colleagues, his small but supportive family - only child, father left when he was a boy - and soon enough his loves. Then the relationships -

    "It was love - the furnace into which everything was dropped."

    - and the friendships, dinner parties and business trips - London, Paris, and Frankfurt. Virginia WASPs and English greyhound trainers; southern gentlemen, publishers' wives and European playboys - this is a life, no - a collection of lives. East coast America, it's conurbations and backwaters alike is another character in the narrative - artfully drawn and vital.

    As we witness the ebb and flow of Bowman's life, as well as that of Neil Eddins - his erstwhile colleague and friend - we come to know their innermost thoughts and desires, fears and regrets. Perhaps appropriately, given Bowman's and Eddins' vocations, but the cultural references abound as we steam through the fifties and sixties. Before we know it the 'post-hippie' era is upon us and our main protagonists' lives have taken several twists and turns, as you'd expect. Nevertheless, this book still manages to shock at turns most unexpected and heartbreaking. Bowman is not a perfect man, and at times his actions gall. But through it all you can see the humanity. Perhaps it's heavily autobiographical, I wouldn't quite know, but it certainly is a life of a character I shall not forget.

    "You have to have loyalty to things. If you don't have loyalty you're alone on earth."

    Almost as a bookend to our start, a chance encounter one evening sends the reader tumbling back, back through Bowman's lifetime in an instant and perhaps we realise together that that's 'all there is'? But that it is enough.

    This is a beautiful read, written with passion and tenderness, and a lightness of touch that is to be treasured. It made me think about things and ponder the decisions we make in life, and the people we meet, and some that we leave behind. I'm so glad I've found James Salter and have his other books ahead of me to read. Five stars.

    PS: My library audiobook is narrated by Joe Barrett. His work is superb - a real joy to listen to his warm and expressive tones. I'd happily listen to him read anything North American.
  • Rating: 4 out of 5 stars
    4/5
    This is a beautifully written book. Reading it was spell-binding: the words, the rhythm, the patterns, the various points of view and the elegiac journey through ordinary lives.

    The chapters or episodes aren't presented as snapshots, though they sometimes seem as economical and distanced as a black and white photograph; instead they reel by like scenes in a film. I suspect this wasn't accidental: Salter has Susan Sontag describe film as the great art of the 20th Century, as opposed to writing, which is not only the life's work of Salter, but of his main character, Philip Bowman, a fiction editor.

    I think some readers might object to Bowman's slightness. He's not a great man, and not even a good man, but he also isn't an awful man. He is very limited, very superficial and very distanced. He sees women only as sex objects, and in one startling episode he goes further to make one young woman an instrument of revenge. But Bowman's is only one way, and the book also shows others. What's interesting is that Salter doesn't shrink from the faults of Bowman, or other characters, but he doesn't condemn them either. They mostly seem satisfied.

    As Bowman enjoys a trip to the Frick, a reader can enjoy this portrait, painted with skill, of a man of certain time and place, and the people he encounters.
  • Rating: 1 out of 5 stars
    1/5
    I was very hopeful when reading the reviews and the beginning of the book. However, it did not live up to the hype. The character did not grow or change. The time period was not well represented. It seemed as if the whole book could have been set in the 1950's. Also it is strange that 2 top books this summer have an unnecessary but definitely "male centric" story line adding nothing to the plot. Always a pity when a great author writes a bad book
  • Rating: 3 out of 5 stars
    3/5
    I just couldn't get into this book. I felt as though I was waiting for something to happen throughout most of the book. Still, I plan to try some of his earlier work.
  • Rating: 5 out of 5 stars
    5/5
    I first encountered James Salter in an October 28, 1990 profile in The New York Times Magazine. The article quoted Salter, “Somewhere the ancient clerks, amid stacks of faint interest to them, are sorting literary reputations. The work goes on endlessly and without haste. There are names passed over and names revered, names of heroes and of those long thought to be, names of every sort and level of importance.” The Times then asked, “Where will the tireless clerks file the name James Salter?”

    With such an intriguing introduction, how could I not investigate farther? I started with Salter’s 1988 PEN/Faulkner Award-winning collection, Dusk: And Other Stories. I was immediately captivated and added several more of his books to my shelves. The PEN/Faulkner Award is America’s most prestigious literary prize. As numerous critics have said, Salter is a “writer’s writer.” Noted critic, James Walcott dubbed him our “most underrated writer. I could not agree more.

    The Times reported Salter was born in New York City and attended the Horace Mann School in Riverdale. His father had graduated first in his class at West Point in 1918, and Salter became a cadet. Upon graduation, he joined the Army Air Corps. He served in Korea, where he shot down one MIG and damaged another. His experiences as a fighter pilot became the inspiration for one of his early stories, “A Single Daring Act.” After achieving the rank of major, he abruptly resigned to devote his full efforts to writing. In 1956, he had his first novel published, The Hunter. He also spent some time as a screenwriter. His writing credits include the cult film “Downhill Racer.”

    His latest work, All That Is, carries this reputation forward. This is his first novel since 1979. Poetic and literary, Salter chronicles the life of Philip Bowman. The novel opens with Midshipman Bowman on a carrier under attack by the Japanese in the days before the invasion of Okinawa. After the war, he returns to America and becomes a book editor.

    The novel has an intricate web of characters who come in and out of Bowman’s life. Despite his frightening experiences in the Pacific, Bowman seems obsessed with water and conquering lingering fears. Swimming figures in a number of his relationships. He attracts, beautiful, wealthy women, but he seems unable to hold onto them – they slip through his fingers line a handful of water.

    In an epigram in All That Is, James Salter writes, “There comes a time when you realize that everything is a dream, and only those things preserved in writing have any possibility of being real.” A writer’s writer indeed! No more quotes, I want you to experience this outstanding writer entirely on your own. I believe his reputation will endure.

    --Chiron, 5/14/13
  • Rating: 3 out of 5 stars
    3/5
    In All That Is, we follow the progress of Philip Bowman over the latter half of the twentieth century as he moves from his service as a junior naval officer during World War II to his time spent as an editor at a prestigious New York-based publishing house. However, Bowman’s professional career is little more than a pretext for what author James Salter really wants to examine, which is his protagonist’s repeated failure to find True Love through his encounters with many, many women during the course of his adult life. Perhaps admirably, though, Bowman never stops trying, despite his proclivity for consistently picking the Wrong One (and dismissing the occasional woman with the potential to be the Right One).

    I found this book to be surprisingly unengaging. In particular, there was very little about the main character that resonated with me emotionally; I simply did not come to care enough about Bowman as a person to feel joy over his successes or angst and anger when he was betrayed (in fact, some of his actions in the story make it difficult for the reader to even like him). The reason for this, I think, is the extremely cursory way in which Salter developed his characters. We are told, for instance, that Bowman’s experiences during the war were the most significant moments of his life, but there is very little evidence of that after the first few chapters. Also, Bowman is portrayed as a successful editor but, beyond traveling the world to attend various publishing soirees, we never see him working with any authors or manuscripts in a meaningful way.

    By all accounts, with All That Is, Salter is reaching the end of a long and celebrated literary career. I typically try not to learn too much about a new novel before I begin reading it, but in this case avoiding advance notice was virtually impossible as the usual outlets I frequent (e.g., LibraryThing, Amazon.com, The Millions, NPR) all produced glowing accolades to either the author or the book around the time it was released. Clearly, those reverential and heartfelt sentiments were delivered by people well acquainted with the author’s previous work.

    However, given that this was my first exposure to Salter’s fiction, reading or hearing those commentaries—which were really more tribute than critical review—created a considerable amount of cognitive dissonance when I started on the novel for myself. Indeed, I went into the experience with the impression that I would be reading the work of a next-generation Hemingway but, sadly, what I found fell considerably short of that nearly impossible standard on several levels. So, while in no way a regrettable experience, this is not a book that I could recommend without a great deal of hesitation.
  • Rating: 5 out of 5 stars
    5/5
    In James Salter's new novel, ALL THAT IS, protagonist Philip Bowman is asked what things in his life haver "really mattered." Bowman replies: "Well, if I really examine it, the things that have most influenced my life, I would have to say the navy and the war."

    Salter himself, asked the same question, would very likely give a similar answer: the air force and the war. Because although Salter just missed out on WWII, he did fly first generation fighter jets in the Korean conflict and kept on flying, both on active duty and in the reserves, for nearly twenty years. ALL THAT IS, although fiction, more than likely contains some highly autobiographical material. Salter left the service to write full time. Bowman made a career of editing, working for a New York publishing firm.

    Born in 1925, Salter has been a writer for over 60 years now. The title of ALL THAT IS, his first novel in thirty years, is a fitting one. Because it is a story with a timeline that encompasses much of the 20th century, from Bowman's time as a naval officer in the closing days of the war, to the Kennedy assassination, Vietnam, and all the way into the new century. There is also a rich tapestry of secondary characters, each with a personal thumbnail history woven into the narrative. They range from Bowman's naval buddies to his professional colleagues - in both America and Europe. But, as in Salter's previous work, the women are paramount. The wives and lovers of both Bowman and his friends. And there is sex, a lot of it, in its many varieties, which will surprise none of Salter's regular readers. Bowman has plenty of success with women, but not with marriage. He also has one notable failure, which initially nearly undoes him. But he gets even, years later, with a kind of revenge that is perhaps less than admirable. But, being the kind of man Bowman is, this episode fits. Salter seems to have an instinct for what happens behind closed doors and a considerable talent for describing it. His style is graphic yet somehow genteel, polished and unsentimental.

    A recent profile of the author in The New Yorker (April 15, 2013)was titled, "The Last Book: Why James Salter Isn't Famous." Salter is nearly 88. With that in mind, ALL THAT IS could indeed be his last book. While reading it, I couldn't help but marvel at the sheer scope of the novel, a story which covers several decades, and includes so many fascinating characters, even the ones mentioned only briefly in passing. It seemed almost as if Salter had gathered up this vast gallery of people, of characters he had imagined, people he had observed and bits of conversations he had overheard, and had woven it all together - "all that is" - into this beautiful masterwork.

    No one writes like James Salter. His work is unique. And great. The guy's still got it. ALL THAT IS was a pleasure to read, to linger over and to savor. I'm sure I will return to it, as I have to his other books. Very highly recommended.

Book preview

All That Is - James Salter

1

BREAK OF DAY

All night in darkness the water sped past.

In tier on tier of iron bunks below deck, silent, six deep, lay hundreds of men, many faceup with their eyes still open though it was near morning. The lights were dimmed, the engines throbbing endlessly, the ventilators pulling in damp air, fifteen hundred men with their packs and weapons heavy enough to take them straight to the bottom, like an anvil dropped in the sea, part of a vast army sailing towards Okinawa, the great island that was just to the south of Japan. In truth, Okinawa was Japan, part of the homeland, strange and unknown. The war that had been going on for three and a half years was in its final act. In half an hour the first groups of men would file in for breakfast, standing as they ate, shoulder to shoulder, solemn, unspeaking. The ship was moving smoothly with faint sound. The steel of the hull creaked.

The war in the Pacific was not like the rest of it. The distances alone were enormous. There was nothing but days on end of empty sea and strange names of places, a thousand miles between them. It had been a war of many islands, of prying them from the Japanese, one by one. Guadalcanal, which became a legend. The Solomons and the Slot. Tarawa, where the landing craft ran aground on reefs far from shore and the men were slaughtered in enemy fire dense as bees, the horror of the beaches, swollen bodies lolling in the surf, the nation’s sons, some of them beautiful.

In the beginning with frightening speed the Japanese had overrun everything, all of the Dutch East Indies, Malaya, the Philippines. Great strongholds, deep fortifications known to be impregnable, were swept over in a matter of days. There had been only one counter stroke, the first great carrier battle in the middle of the Pacific, near Midway, where four irreplaceable Japanese carriers went down with all their planes and veteran crews. A staggering blow, but still the Japanese were relentless. Their grip on the Pacific would have to be broken finger by iron finger.

The battles were endless and unpitying, in dense jungle and heat. Near the shore, afterwards, the palms stood naked, like tall stakes, every leaf shot away. The enemy were savage fighters, the strange pagoda-like structures on their warships, their secret hissing language, their stockiness and ferocity. They did not surrender. They fought to the death. They executed prisoners with razor swords, two-handed swords raised high overhead, and they were merciless in victory, arms thrust aloft in mass triumph.

By 1944, the great, final stages had begun. Their object was to bring the Japanese homeland within range of heavy bombers. Saipan was the key. It was large and heavily defended. The Japanese army had not been defeated in battle, disregarding the outposts—New Guinea, the Gilberts, places such as that—for more than 350 years. There were twenty-five thousand Japanese troops on the island of Saipan commanded to yield nothing, not an inch of ground. In the order of earthly things, the defense of Saipan was deemed a matter of life and death.

In June, the invasion began. The Japanese had dangerous naval forces in the area, heavy cruisers and battleships. Two marine divisions went ashore and an army division followed.

It became, for the Japanese, the Saipan disaster. Twenty days later, nearly all of them had perished. The Japanese general and also Admiral Nagumo, who had commanded at Midway, committed suicide, and hundreds of civilians, men and women terrified of being slaughtered, some of them mothers holding babies in their arms, leapt from the steep cliffs to their death on the sharp rocks below.

It was the knell. The bombing of the main islands of Japan was now possible, and in the most massive of the raids, a firebombing of Tokyo, more than eighty thousand people died in the huge inferno in a single night.

Next, Iwo Jima fell. The Japanese pronounced an ultimate pledge: the death of a hundred million, the entire population, rather than surrender.

In the path of it lay Okinawa.

Day was rising, a pale Pacific dawn that had no real horizon with the tops of the early clouds gathering light. The sea was empty. Slowly the sun appeared, flooding across the water and turning it white. A lieutenant jg named Bowman had come on deck and was standing at the railing, looking out. His cabinmate, Kimmel, silently joined him. It was a day Bowman would never forget. Neither would any of them.

Anything out there?

Nothing.

Not that you can see, Kimmel said.

He looked forward, then aft.

It’s too peaceful, he said.

Bowman was navigation officer and also, he had learned just two days earlier, lookout officer.

Sir, he had asked, what does that entail?

Here’s the manual, the exec said. Read it.

He began that night, turning down the corner of certain pages as he read.

What are you doing? Kimmel asked.

Don’t bother me right now.

What are you studying?

A manual.

Jesus, we’re in the middle of enemy waters and you’re sitting there reading a manual? This is no time for that. You’re supposed to already know what to do.

Bowman ignored him. They had been together from the beginning, since midshipman’s school, where the commandant, a navy captain whose career had collapsed when his destroyer ran aground, had a copy of A Message to Garcia, an inspirational text from the Spanish-American War, placed on every man’s bunk. Captain McCreary had no future but he remained loyal to the standards of the past. He drank himself into a stupor every night but was always crisp and well-shaved in the morning. He knew the book of navy regulations by heart and had bought the copies of A Message to Garcia with money from his own pocket. Bowman had read the Message carefully, years later he could still recite parts of it. Garcia was somewhere in the mountain vastness of Cuba—no one knew where … The point was simple: Do your duty fully and absolutely without unnecessary questions or excuses. Kimmel had cackled as he read it.

Aye, aye, sir. Man the guns!

He was dark-haired and skinny and walked with a loose gait that made him seem long-legged. His uniform always looked somehow slept in. His neck was too thin for his collar. The crew, among themselves, called him the Camel, but he had a playboy’s aplomb and women liked him. In San Diego he had taken up with a lively girl named Vicky whose father owned a car dealership, Palmetto Ford. She had blond hair, pulled back, and a touch of daring. She was drawn to Kimmel immediately, his indolent glamour. In the hotel room that he had gotten with two other officers and where, he explained, they would be away from the noise of the bar, they sat drinking Canadian Club and Coke.

How did it happen? he asked.

How did what happen?

My meeting someone like you.

You certainly didn’t deserve it, she said.

He laughed.

It was fate, he said.

She sipped her drink.

Fate. So, am I going to marry you?

Jesus, are we there already? I’m not old enough to get married.

You’d probably only deceive me about ten times in the first year, she said.

I’d never deceive you.

Ha ha.

She knew exactly what he was like, but she would change that. She liked his laugh. He’d have to meet her father first, she commented.

I’d love to meet your father, Kimmel answered in seeming earnestness. Have you told him about us?

Do you think I’m crazy? He’d kill me.

What do you mean? For what?

For getting pregnant.

You’re pregnant? Kimmel said, alarmed.

Who knows?

Vicky Hollins in her silk dress, the glances clinging to her as she passed. In heels she wasn’t that short. She liked to call herself by her last name. It’s Hollins, she would announce on the phone.

They were shipping out, that was what made it all real or a form of real.

Who knows if we’ll get back, he said casually.

Her letters had come in the two sackfuls of mail that Bowman had brought back from Leyte. He’d been sent there by the exec to try and find the ship’s mail at the Fleet Post Office—they’d had none for ten days—and he had flown back with it, triumphant, in a TBM. Kimmel read parts of her letters aloud for the benefit, especially, of Brownell, the third man in the cabin. Brownell was intense and morally pure, with a knotted jaw that had traces of acne. Kimmel liked to bait him. He sniffed at a page of the letter. Yeah, that was her perfume, he said, he’d recognize it anywhere.

And maybe something else, he speculated. I wonder. You think she might have rubbed it against her … Here, he said, offering it to Brownell, tell me what you think.

I wouldn’t know, Brownell said uneasily. The knots in his jaw showed.

Oh, sure you would, an old pussy hound like you.

Don’t try and involve me in your lechery, Brownell said.

It’s not lechery, she’s writing to me because we fell in love. It’s something beautiful and pure.

How would you know?

Brownell was reading The Prophet.

"The Prophet. What’s that? Kimmel said. Let me see it. What does it do, tell us what’s going to happen?"

Brownell didn’t answer.

The letters were less exciting than a page filled with feminine handwriting would suggest. Vicky was a talker and her letters were a detailed and somewhat repetitive account of her life, which consisted in part of going back to all the places she and Kimmel had been to, usually in the company of Susu, her closest friend, and also in the company of other young naval officers, but thinking always of Kimmel. The bartender remembered them, she said, a fabulous couple. Her closings were always a line from a popular song. I didn’t want to do it, she wrote.

Bowman had no girlfriend, faithful or otherwise. He’d had no experience of love but was reluctant to admit it. He simply let the subject pass when women were discussed and acted as though Kimmel’s dazzling affair was more or less familiar ground to him. His life was the ship and his duties aboard. He felt loyalty to it and to a tradition that he respected, and he felt a certain pride when the captain or exec called out, Mr. Bowman! He liked their reliance, offhanded though it might be, on him.

He was diligent. He had blue eyes and brown hair combed back. He’d been diligent in school. Miss Crowley had drawn him aside after class and told him he had the makings of a fine Latinist, but if she could see him now in his uniform and sea-tarnished insignia, she would have been very impressed. From the time he and Kimmel had joined the ship at Ulithi, he felt he had performed well.

How he would behave in action was weighing on his mind that morning as they stood looking out at the mysterious, foreign sea and then at the sky that was already becoming brighter. Courage and fear and how you would act under fire were not among the things you talked about. You hoped, when the time came, that you would be able to do as expected. He had faith, if not complete, in himself, then in the leadership, the seasoned names that guided the fleet. Once, in the distance he had seen, low and swift-moving, the camouflaged flagship, the New Jersey, with Halsey aboard. It was like seeing, from afar, the Emperor at Ratisbon. He felt a kind of pride, even fulfillment. It was enough.

The real danger would come from the sky, the suicide attacks, the kamikaze—the word meant divine wind, the heaven-sent storms that had saved Japan from the invasion fleet of Kublai Khan centuries before. This was the same intervention from on high, this time by bomb-laden planes flying directly into the enemy ships, their pilots dying in the act.

The first such attack had been in the Philippines a few months earlier. A Japanese plane dove into a heavy cruiser and exploded, killing the captain and many more. From then on the attacks multiplied. The Japanese would come in irregular groups, appearing suddenly. Men watched with almost hypnotic fascination and fear as they came straight down towards them through dense antiaircraft fire or swept in low, skimming the water. To defend Okinawa the Japanese had planned to launch the greatest kamikaze assault of all. The loss of ships would be so heavy that the invasion would be driven back and destroyed. It was not just a dream. The outcome of great battles could hinge on resolve.

Through the morning, though, there was nothing. The swells rose and slid past, some bursting white, spooling out and breaking backwards. There was a deck of clouds. Beneath, the sky was bright.

The first warning of enemy planes came in a call from the bridge, and Bowman was running to his cabin to get his life jacket when the alarm for General Quarters sounded, overwhelming everything else, and he passed Kimmel in a helmet that looked too big for him racing up the steel steps crying, This is it! This is it! The firing had started and every gun on the ship and on those nearby took it up. The sound was deafening. Swarms of antiaircraft fire were floating upwards amid dark puffs. On the bridge the captain was hitting the helmsman on the arm to get him to listen. Men were still getting to their stations. It was all happening at two speeds, the noise and desperate haste of action and also at a lesser speed, that of fate, with dark specks in the sky moving through the gunfire. They were distant and it seemed the firing could not reach them when suddenly something else began, within the din a single dark plane was coming down and like a blind insect, unerring, turning towards them, red insignia on its wings and a shining black cowling. Every gun on the ship was firing and the seconds were collapsing into one another. Then with a huge explosion and geyser of water the ship lurched sideways beneath their feet—the plane had hit them or just alongside. In the smoke and confusion no one knew.

Man overboard!

Where?

Astern, sir!

It was Kimmel who, thinking the magazine amidship had been hit, had jumped. The noise was still terrific, they were firing at everything. In the wake of the ship and trying to swim amid the great swells and pieces of wreckage, Kimmel was vanishing from sight. They could not stop or turn back for him. He would have drowned but miraculously he was seen and picked up by a destroyer that was almost immediately sunk by another kamikaze and the crew rescued by a second destroyer that, barely an hour later, was razed to the waterline. Kimmel ended up in a naval hospital. He became a kind of legend. He’d jumped off his ship by mistake and in one day had seen more action than the rest of them would see in the entire war. Afterwards, Bowman lost track of him. Several times over the years he tried to locate him in Chicago but without any luck. More than thirty ships were sunk that day. It was the greatest ordeal of the fleet during the war.

Near the same place just a few days later, the death knell of the Imperial Navy was sounded. For more than forty years, ever since their astonishing victory over the Russians at Tsushima, the Japanese had been increasing their strength. An island empire required a powerful fleet, and Japanese ships were designed to be superior. Because their crews were made up of shorter men, less space was needed between decks as well as fewer comforts, and this could allow heavier armor, bigger guns, and more speed. The greatest of these ships, invincible, with steel thicker than any in existence and design more advanced, bore the poetic name of the nation itself, Yamato. Under orders to attack the vast invasion fleet off Okinawa, it set sail along with nine accompanying ships as escort, from a port on the Inland Sea where it had lain waiting.

It was a departure of foreboding, like the eerie silence that precedes a coming storm. Through the green water of the harbor, late in the day, long, dark, and powerful, moving slowly and gravely at first, a bow wave forming, gathering speed, almost silent, the large dock cranes passing in silhouette, the shore hidden in evening mist, leaving white swirls of foam trailing behind it, the Yamato headed for sea. The sounds that could be heard were muted; there was a feeling of good-bye. The captain addressed the entire crew massed on the deck. They had plentiful ammunition, lockers filled with great shells the size of coffins, but not the fuel, he told them, to return. Three thousand men and a vice admiral were aboard. They had written farewell letters home to their parents and wives and were sailing to their deaths. Find happiness with another, they wrote. Be proud of your son. Life was precious to them. They were somber and fearful. Many prayed. It was known that the ship was to perish as an emblem of the undying will of the nation not to surrender.

As night fell they sailed past the coast of Kyushu, the southernmost of the Japanese main islands, where the outline of an American battleship had once been drawn on the beach for the pilots who would attack Pearl Harbor to practice bomb. The waves shattered and swept past. There was a strange spirit, almost of joy, among the crew. In the moonlight they sang and cried banzai! Many of them noticed there was an unusual brightness to the sea.

They were discovered at dawn while still far from any American ships. A navy patrol plane radioed urgently, in the clear, Enemy task force headed south. At least one battleship, many destroyers … Speed twenty-five knots. The wind had risen by morning. The sea was rough with low clouds and showers. Great waves were rumbling along the side of the ship. Then, as had been foreseen the first planes appeared on the radar. It was not a single formation, it was many formations, a swarm filling the sky, 250 carrier planes.

They came from out of the clouds, dive and torpedo bombers, more than a hundred at a time. The Yamato had been built to be invulnerable to air attack. All of its guns were firing as the first bombs hit. One of the escort destroyers suddenly heeled over, mortally stricken and, showing the dark red of its belly, sank. Through the water torpedoes streamed towards the Yamato, their wakes white as string. The impregnable deck had been torn open, steel more than a foot thick, men smashed or cut in two. Don’t lose heart! the captain called. Officers had tied themselves to their station on the bridge as more bombs hit. Others missed closely, throwing up great pillars of water, walls of water that fell across the deck, solid as stone. It was not a battle, it was a ritual, the death as of a huge beast brought down by repeated blows.

An hour had passed and still the planes came, a fourth wave of them, then a fifth and sixth. The destruction was unimaginable. The steering had been hit, the ship was turning helplessly. It had begun to list, sea was sliding over the deck. My whole life has been the gift of your love, they had written to their mothers. The code books were sheathed in lead so they would sink with the ship, and their ink was of a kind that dissolved in water. Near the end of the second hour, listing almost eighty degrees, with hundreds dead and more wounded, blind and ruined, the gigantic ship began to sink. Waves swept over it and men clinging to the deck were carried off by the sea in all directions. As it went under, a huge whirlpool formed around it, a fierce torrent in which men could not survive but were drawn straight down as if falling in air. And then an even worse disaster. The stores of ammunition, the great shells, tons upon tons of them slid from their racks and slammed nose first into the turret sides. From deep in the sea came an immense explosion and flash of light so intense that it was seen from as far away as Kyushu as the full magazines went. A pillar of flame a mile high rose, a biblical pillar, and the sky was filled with red-hot pieces of steel coming down like rain. As if in echo there came, from the deep, a second climactic explosion, and thick smoke came pouring up.

Some of the crew that had not been pulled down by the suction were still swimming. They were black with oil and choking in the waves. A few were singing songs.

They were the only survivors. Neither the captain nor the admiral were among them. The rest of the three thousand men were in the lifeless body of the ship that had settled to the bottom far below.

The news of the sinking of the Yamato spread quickly. It was the end of the war at sea.

Bowman’s ship was among the many anchored in Tokyo Bay when the war ended. Afterwards it sailed down to Okinawa to pick up troops going home, but Bowman had the chance to go ashore at Yokohama and walk through part of what remained of the city. He walked through block upon empty block of nothing but foundations. The smell of scorched debris, acrid and death-filled, hung in the air. Among the only things that were not destroyed were the massive bank vaults of solid steel, although the buildings that had contained them were gone. In the gutters were bits of burnt paper, banknotes, all that remained of the Imperial dream.

2

THE GREAT CITY

The hero! his uncle Frank cried, stretching out his arms to hug him.

It was a welcome-home dinner.

Not exactly a hero, Bowman said.

Sure you are. We read all about you.

Read about me? Where?

In your letters! his uncle said.

Frank, let me! his aunt cried.

They had come from the Fiori, their restaurant near Fort Lee that was decorated in thin red plush and where music from Rigoletto and Il Trovatore was always playing until the last, softly talking couples left, the last melancholy couples and the few men still at the bar. Frank was the uncle of his childhood. He was dark with a rounded nose and thinning hair. Stocky and good-natured, he had gone to law school in Jersey City but dropped out with the idea of becoming a chef, and at the restaurant, when he was in the mood, sometimes went back into the kitchen to cook himself, though his real joy was music. He had taught himself to play the piano and would sit in happiness, drawn up close to the keyboard with his thick fingers, their backs richly haired, nimble on the keys.

The evening was all warmth and talk. His mother, Beatrice, his aunt and uncle listened to the stories of where Bowman had been—where was San Pedro? had he eaten any Japanese food?—and drank champagne Frank had kept from before the war.

You don’t know how worried we were all the time you were out there, his aunt Dorothy—Dot they called her—told him. We thought of you every day.

Did you really?

We prayed for you, she said.

She and Frank had no children of their own, he was really like their son. Now their fears were over and the world was as it should be and also, it seemed to Bowman, very much as it had been, familiar and ordinary, the same houses, shops, streets, everything he remembered and had known since childhood, unremarkable, yet his alone. In some windows there were gold stars for sons or husbands who had been killed, but that and the many flags were almost the only evidence of all that had taken place. The very air, untroubled and unchanged, was familiar and the high school and grammar school with their sober facades. He felt in a way superior to it all and at the same time beholden.

His uniform hung in the closet and his cap was on the shelf above. He had worn them when he was Mr. Bowman, a junior officer but respected and even admired. Long after the uniform had lost its authenticity and glamour, the cap, strangely, would still have its power.

In dreams that were frequent for a long time, he was there again. They were at sea and under attack. The ship had been hit, it was listing, going to its knees like a dying horse. The passageways were flooded, he was trying to struggle through them to get on deck where there were crowds of men. The ship was nearly on its side and he was near the boilers that might explode at any minute, he had to find a safer place. He was at the railing, he would have to jump and get back on board further astern. In the dream he jumped, but the ship was traveling too fast. It passed as he swam, the stern rumbling by, leaving him in the wake, far behind.

Douglas, his mother said, naming a boy slightly older that Bowman had gone to school with, asked about you.

How is Douglas?

He’s going to law school.

His father was a lawyer.

So is yours, his mother said.

You’re not worried about my future are you? I’m going back to school. I’m applying to Harvard.

Ah, wonderful! his uncle cried.

Why so far away? said his mother.

Mother, I was off in the Pacific. You didn’t complain about that being so far away.

Oh, didn’t I?

Well, I’m glad to be home.

His uncle put an arm around him.

Boy, are we glad, he said.

Harvard did not accept him. It was his first choice, but his application was turned down, they did not accept transfer students, their letter informed him. In response he sat down and wrote a carefully composed reply mentioning by name the famed professors he hoped to study under, whose knowledge and authority had no equal, and at the same time portraying himself as a young man who should not be penalized for having gone off to war. Shameless as it was, the letter succeeded.

In the fall of 1946 at Harvard he was an outsider, a year or two older than his classmates but seen as having a kind of strength of character—he’d been in the war, his life was more real because of it. He was respected and also lucky in several ways, chief among them his roommate with whom he struck it off immediately. Malcolm Pearson was from a well-to-do family. He was tall, intelligent, and mumbling, only occasionally was Bowman able to make out what he was saying, but gradually he became accustomed and could hear. Pearson treated his expensive clothing with a lordly disdain and seemed rarely to go to meals. He was majoring in history with the vague idea of becoming a professor, anything to displease his father and distance himself from the building supplies business.

As it happened, after graduation he taught for a while at a boys’ school in Connecticut, then went on to get a master’s degree and marry a girl named Anthea Epick, although no one at the wedding at the bride’s home near New London, including the minister and Bowman, who was best man, understood him to say I do. Anthea was also tall with dark brows and slightly knock-kneed, a thing not perceptible in her white wedding gown, but they had all been swimming in the pool the day before. She had an odd way of walking, a sort of lurch, but she shared Malcolm’s tastes and they got along well.

After marriage, Malcolm did very little. Dressed like a bohemian of the 1920s in a loose overcoat, scarf, exercise pants, and an old fedora and carrying a thorn stick, he walked his collie on his place near Rhinebeck and pursued his own interests, largely confined to the history of the Middle Ages. He and Anthea had a daughter, Alix, to whom Bowman was godfather. She, too, was eccentric. She was silent as a child and later spoke with a kind of English accent. She lived at home with her parents, which they accepted as if it had always been intended, and never married. She wasn’t even promiscuous, her father complained.

The years at Harvard had as lasting an effect on Bowman as the time he had spent at sea. He stood on the steps of Widener, eyes level with the trees, looking out at the great redbrick buildings and oaks of the Yard. Late in the day the deep, resounding bells began, solemn and

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