James: A Novel
4.5/5
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About this ebook
NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR • SHORTLISTED FOR THE BOOKER PRIZE • KIRKUS PRIZE WINNER
In development as a feature film to be produced by Steven Spielberg • A Best Book of the Year: The New York Times Book Review, LA Times, The New Yorker, The Atlantic, The Economist, TIME, and more.
"Genius"—The Atlantic • "A masterpiece that will help redefine one of the classics of American literature, while also being a major achievement on its own."—Chicago Tribune • "A provocative, enlightening literary work of art."—The Boston Globe • "Everett’s most thrilling novel, but also his most soulful."—The New York Times
When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.
While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.
Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a cornerstone of twenty-first century American literature.
Percival Everett
Percival Everett is the author of over thirty books, including Telephone, Dr No, The Trees, which was shortlisted for the 2022 Booker Prize and won the 2022 Bollinger Everyman Wodehouse Prize, and Erasure, which was adapted into the major Oscar-winning film American Fiction. He has received the Hurston/Wright Legacy Award and the PEN Center USA Award for Fiction, has been a Pulitzer Prize finalist, and is Distinguished Professor of English at the University of Southern California. An instant New York Times and Sunday Times bestseller in hardback, James was a finalist for the 2024 Orwell Prize for Fiction, was shortlisted for the 2024 Booker Prize and was named the Winner of the 2024 National Book Award for Fiction and the 2025 Andrew Carnegie Medal for Excellence in Fiction. Percival Everett lives in Los Angeles.
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Reviews for James
657 ratings44 reviews
- Rating: 5 out of 5 stars5/5
Jan 3, 2025
Don't trust anyone who gives this less than 5 stars. It's masterful. - Rating: 4 out of 5 stars4/5
Aug 4, 2024
What a good book. It's somewhat more traditional than other Everett novels, but emotionally richer too. - Rating: 5 out of 5 stars5/5
Jan 1, 2025
A remix of Huckleberry Finn, told from the point of view of Jim. Or, rather, James.
This one has gotten a lot of buzz and been nominated for a bunch of prizes, and I'll admit that at first it felt like it might have been at least a bit over-hyped to me. It also uses a device that initially kind of put me off, in that all the enslaved characters speak the way the Mark Twain had them speak when in front of white people, but use a formal, modern form of standard English among themselves. Which I bristled at, because I absolutely hate it when one's dialect is portrayed an indication of one's intelligence or value, and Jim should not have to sound like a Harvard professor in order to earn our sympathy or respect. But I quickly realized that the author is using this conceit to make a very different kind of point, or, rather, series of points, that there's a certain cleverness to how this solves the problem of what to do with the stereotyped dialog of the original, and that, like Twain before him, Everett is doing some things in this novel that are more about exposing deeper truths via satirical devices than about strict realism. And he certainly does some powerful things with it all by the end.
I will add that, while I think this book will still make sense if you haven't read Huckleberry Finn, it no doubt works better if you have, as it twines around and through the original story in such a way that parts of the story, especially in the middle, might feel less than complete without it. I did find myself kind of wishing Twain's novel were a little fresher in my own mind. But even given that it's been decades since I last read it, I can still appreciate how this one builds on, adds to, and reinvents Huckleberry Finn in a way that feels like it's giving us an important supplement to it and a necessary new perspective on it, rather than trying to tear it down. - Rating: 5 out of 5 stars5/5
Jan 1, 2025
Excellent book. Listening to this book was better than reading the book. The characters are amazing. Slaves during the beginning of Civil war. - Rating: 5 out of 5 stars5/5
Jul 21, 2024
Wow - what a read, especially right after re-reading Huck Finn. Audio is excellent, writing is excellent, story is excellent. Highly recommend. - Rating: 5 out of 5 stars5/5
Jul 18, 2024
This book has received a lot of great reviews and sometimes the hype exceeds the product but in this case the hype is spot on. A great book. Had a little trouble with the ending which kept it from being a 5. Everett takes the Huckleberry Finn book and reworks it from the viewpoint of Jim or James as he refers to himself, but not in front of whites. This is the strength of the book. Seeing slavery directly from a character that is intelligent but knows that white people can't accept this because it would make slavery harder to justify. There are many parts of the original book used in "James" but Everett takes liberties with time (1860's instead of 1830's) and plot but his changes. help to bring the horror of slavery directly to the reader. There are elements of satire and some positiveness in the relationship with Huck and the other slaves. This book is a must read and deserves all of its accolades. I definitely will read Everett's other books. - Rating: 4 out of 5 stars4/5
Jul 15, 2024
I am conflicted about this one. Overall, the writing of Everett is brilliantly satirical and horrific. “Jim“ from HUCK FINN ends up being a facade behind the true “James“ in this novel. Did I need that? Truthfully, no. I may be the only one, but I saw Jim's extreme depth, intelligence, compassion, and anger in the original Twain novel. I never saw Jim as a caricature; I saw the true essence of him behind Twain's lines. It is Jim's superior humaneness in the original that (to me) changes Huck's views so drastically that he has to go west into uncharted territory to be with the more “civilized“ humans than the whites he grew up with. However, I do understand Everett's need to show the absolute depravity of slavery not only during those times but to shed a light on how people on the so-called edges of society are still treated today. That alone makes this a necessary read. - Rating: 5 out of 5 stars5/5
Dec 21, 2024
This book was good! It was giving Sing Unburied Sing vibes, totally! It was about a black slave who could actually read and had brains. He escapes one night and leaves his family behind. [spoiler] It's also a retelling of Tom Sawyer and Huck Finn. He was a slave for Huck's family. After his escape, he runs into Huck. And they start traveling together. He tries to have him go back because he realizes that people are going to think that he killed Huck. They continue to travel together and come across other groups. He gets captured/sold a few times, but manages to escape and meet people along the way. And he has to talk like a slave even though he's well educated. If he does slip up and start talking "normal" people don't understand how a slave can talk like that. We also find out that Huck is actually his biological son so really, he is part black. He goes back to get his wife and daughter because they had a plan to escape. There is a female slave that is raped and he sees it happen while he is hiding. He waits till the rapist is drunk and then kills him. He holds the judge at gunpoint to find out where his wife and daughter are. And they are at a plantation of a slave breeder. He goes there and lights the cornfields on fire and frees all the slaves. They make it to a town in Iowa. I listened to this on audiobook, but I'd like to do an immersion with this book. Read and listen at the same time. I feel like there are things I may have missed in just listening to it. Great book. Possibly a little slow at times and slightly confusing because along the adventures along the river, they run into a lot of different people and it's hard to keep track of all the time. - Rating: 4 out of 5 stars4/5
Jul 10, 2024
I thought I might like this even though it's a slave narrative because it is described as humorous....but it is still very hard to read at times for the obvious trauma and abuse that come with the topic. I wouldn't call it funny, though maybe a bit satirical. I love how James is intelligent and literate and speaks two different ways depending on the audience. That is probably the funny part, showing how the white enslavers were idiots for not understanding their intelligence. It is an excellent story, and I liked it better than Huckleberry Finn, but it still leaves you deeply despairing for the hell of slavery. - Rating: 4 out of 5 stars4/5
Dec 13, 2024
A retelling, or perhaps a reimagining rather, of “The Adventures of Huckleberry Finn” from the perspective of Jim, the enslaved man that joins Huck for a portion of his adventure.
I really enjoyed this. The book is well-written, and James, in particular, is an agonisingly well-drawn character. The final lines gave me the good kind of chills. Read it, it's very good. - Rating: 4 out of 5 stars4/5
Jul 30, 2024
This novel brings a different perspective to the iconic story of Huckleberry Finn and Jim rafting along the Mississippi to escape: Huck from an abusive father and Jim from slavery. This is Jim's version of the story.
In this novel, Jim in self-educated, able to read and write. He is highly intelligent and has a philosophical bent. He is resourceful and compassionate. Despite all these qualities, none of which were evident in the original novel, Jim's life is the same. As a slave, he has no rights and would be punished for learning to read. He talks in a dialect expected of him when talking to white people, but speaks with a much richer vocabulary and impressive grammar when they aren't around. By giving Jim such qualities, I think the author was forcing the reader to identify more with him, and to highlight the unfairness of slavery.
There is a lot of thought-provoking subtext in the novel. The symbolism of a well-worn pencil as an item with life and death consequences. A minstrel show in which a black mass passing as white dons blackface. As does Jim, who otherwise would look too black.is used to show the layers of racism. That, and another incident (no spoilers here) bring out a discussion of who is white and who is Black?
A wonderful book. I love the subversive act of taking one of THE iconic American novels and turning it on its head to denounce slavery. Inequality and racism remain problems today and this book, set many decades ago, is relevant today. - Rating: 5 out of 5 stars5/5
Dec 1, 2024
I loved James. I loved this version of Huck, the backstory Twain couldn't have touched, and the arrival of the Civil War. - Rating: 3 out of 5 stars3/5
Oct 18, 2024
While some people believe Percival Everett's James, a retelling of The Adventures of Huckleberry Finn, is a must-read, I found it to be self-serving and subversive. The book examines issues of violence, language, and the risks associated with claiming one's own language, but these topics alone did not convince me to read the book. The book gives Jim a fresh start in the first section, and James is a vividly imagined human being.
In my opinion, the book exploits the moments in Huckleberry Finn when Jim and Huck are apart. Everett's language games can be humorous at times, and there are touching and humorous moments in the book. I thought the book ended in a way that left the reader wondering if James was actually captured.
I feel conflicted about this one. I adore how the author retells the traditional Huckleberry Finn story while reclaiming Jim's story. However, I also thought that the narrative was very forced. Retellings are difficult, and in my opinion, hearing Jim tell his own story differs greatly from Huck's point of view. But I struggled to connect. - Rating: 4 out of 5 stars4/5
Jun 16, 2024
I don't remember much about reading Twain's 'Finn' almost twenty years ago. Upon looking up my notes on it, my main takeaway was that "Twain didn't really know what to do with Jim." As soon as I heard the great Percival Everett was going to take on the book from Jim's point-of-view, I knew it would be a winner for him. It automatically went on way too high of a pedestal before it was even released. Upon reading 'James', I'm a bit disappointed. Sure, I have only read a couple Everett's books, but Everett is a genius. This seemed more like a recap of Twain's book with the occasional genius sentence that I expect from Everett sprinkled throughout. I get that Twain's original work is an adventure novel, but I'm not sure why Everett had to lean so heavy in focusing on plot. The entire point is that James is more layered than he is allowed to let the surrounding white folk around him know. And I realize James can not be spouting references to modern day things, but I did expect this narrative to be more layered. Why can't James have an even larger interior wisdom that at least the reader gets to witness, as the way the book is written, James is writing things down, rather than allowing most of the characters around him to see that he is subverting expectations based on race? Then I was sad about some of the choices in the end of the book. Possibly re-reading the source material would have helped me here. I think also, this is Everett's move to a big publisher. Hopefully that means his backlist of 30+ books will be republished and easier to find? I can wish.But also, I hope this isn't less amazingness from Percival Everett that we get, just because he moved to a big publisher. Maybe more plot based books now? It's funny how that might be mirroring one of the purposes of the book 'James' in the first place. But really, I think a reply to Twain's 'Huck' was needed, and I think Everett was one of the rare writers who could do it. - Rating: 4 out of 5 stars4/5
Jul 8, 2024
I've never been a huge fan of Mark Twain, but I really enjoyed this novel based on Jim, a character from Huckleberry Finn. Jim is a slave who learns he is about to be sold and joins Huck on a raft escape down the Mississippi River. Here, although he is still Jim to almost everyone else, to himself he is James, and he can both read and write--talents that, of course, he has to keep hidden in the pre-Civil War South. He also has two manners of speaking, the slave-talk that white people expect and the more "correct" English spoken by white people. In other words, James is not just a crafty slave but an intelligent, capable man. Everett draws on many of the stories in Twain's book, including his and Huck's meetup with the Duke and the King, but in much of the novel, he is on the run on his own, encountering other men both enslaved and on the run and a series of bounty hunters, slave owners, overseers, and bigots. I was intrigued by the episode in which a minstrel quartet in need of a tenor "rents" Jim and makes him up to look like a white man made up to look black.
James's initial plan is to escape being sold away from his wife and daughter, then earn money to buy their freedom, but this plan takes a sharp turn near the end of the story.
This novel is entertaining, creative and thought-provoking. I will be looking into this author's other works. - Rating: 5 out of 5 stars5/5
Jun 29, 2024
“My names is James. I wish I could tell my story with a sense of history as much as industry. I was sold when I was born and then sold again...I can tell you that I am a man who is cognizant of his world, a man who has a family, who loves a family, who has been torn from his family...”
This is a re-imagining of [The Adventures of Huckleberry Finn], told from Jim the slave’s point of view. A bold concept that could have failed miserably but in the deft hands of an incredibly talented writer, it works brilliantly. It contains many of the narrative set-pieces from the original novel, like storms, riverboats, treasures and con men. All seen through Jim’s compassionate and steady gaze. This is the book of the summer and possibly of the year. Yep, it is that good. - Rating: 4 out of 5 stars4/5
Nov 3, 2024
This Pulitzer Prize and National Book Award finalist is a subversive retelling of Mark Twain’s classic book The Adventures of Huckleberry Finn from the perspective of the Black slave Jim rather than of the young white boy Huck.
Like this new version, the original began in Missouri just before the outbreak of the Civil War. Huckleberry Finn, who is 13 or 14, wanted to escape his father’s beatings, so he faked his own death and ran away. He joined up with 27-year-old Jim, a slave who went on the lam after learning that his owner planned to sell him, regardless of the fact that he had a wife and child. (As Jim later explained to Huck, having a family “don’ mean nuffin if’n you a slave.”)
They both needed money, not only just to eat, but Jim wanted to earn enough to buy the freedom of his family. Thus they set out on a raft headed down the Mississippi River to Cairo, in the free state of Illinois. [“Free” is understood to be a relative concept however; when they eventually made it to Illinois, Jim asked some Black men he encountered if he were actually in a free state. “The men laughed. ‘Boy, you’re in America.”]
Everett makes clear that fleeing their homes and rafting down the river may have been an “adventure” for Huck, but it was a life-threatening harrowing journey for Jim. Jim’s situation is all the more perilous because of Huck’s presumed death, since Jim would invariably be blamed for it and lynched if he were caught.
The narrative point of view is only part of the uniqueness of this retelling. Language and perception also play a major role in the story, reflecting their historic centrality in differentiating the oppressed from the oppressors. In James, the Black characters not only speak in an “uncultured” way when they are around whites, but they engage in code-switching, or language alternation, when they are among themselves. As Jim explained to his daughter and other slave children:
“‘White folks expect us to sound a certain way and it can only help if we don’t disappoint them,’ I said. The only ones who suffer when they are made to feel inferior is us. Perhaps I should say ‘when they don’t feel superior.’”
Jim understood that in fact, holding a pistol up to a white man wasn’t nearly as frightening to him as speaking his language. If you sound the same, might that not imply a shared humanity?
And so, he counseled his daughter, “let’s pause to review some of the basics.’”
As an example, he asked his daughter how she would respond when asked how she liked the terrible cornbread her mistress made.
Lizzie intoned:
“‘Miss Watson, dat sum conebread lak I neva before et.’
Try ‘dat be,’” [Jim said]. ‘That would be the correct incorrect grammar.’”
[As Everett explained in an interview, ". . . accents and poor grammatical construction are frequently used to designate inferiority. And it sort of causes people to forget that there is a distinction to be made between stupidity and ignorance. There are people who don’t have the privilege to learn correct grammar who are geniuses, whereas there are many people who use English perfectly and they’re idiots. So none of it is a clear marker but language has always been used by the oppressors to isolate the oppressed."]
Jim also answered the difficult question posed by a Black child who wanted to understand why God made some people masters and some slaves. He explained:
“There is no God, child. . . . Their religion tells that we will get our reward in the end. However, it apparently doesn’t say anything about their punishment. . . . Religion is just a controlling tool they employ and adhere to when convenient.”
[Nevertheless, Jim notes, “the more you talk about God and Jesus and heaven and hell, the better they feel.” And the better they feel, the children understood, the safer they were. He later further elucidated to Huck: “Folks be funny lak dat. Dey takes the lies dey want and throws away the truths dat scares ‘em.”]
Jim is not only more articulate than he lets on, but is well-read in addition, having surreptitiously read books from his master’s library over the years. Thus we see him, when in a snake-bit induced delirium, imagining an argument with Voltaire over slavery and the idea of natural liberty. “Natural liberty” doesn’t apply to a slave, as Jim well knows: his opinions or desires didn’t matter at all; “I was the horse that I was, just an animal, just property, nothing but a thing….”
As the story progresses, Huck and Jim found out the Civil War was starting, and Huck expressed astonishment by the very concept. He asked Jim: “To fight in a war.. Can you imagine?” Jim responded, “Would that mean facing death every day and doing what other people tell you to do? … Yes, Huck, I can imagine.’”
Jim thought about the northern white position against slavery:
“How much of the desire to end the institution was fueled by a need to quell and subdue white guilt and pain? Was it just too much to watch? Did it offend Christian sensibilities to live in a society that allowed that practice? I knew that whatever the cause of their war, freeing slaves was an incidental premise and would be an incidental result.”
The story ends a bit differently than the original; it was a more rose-tinted ending, but after all that preceded it, I thought it felt unrealistic.
Discussion: In this book, slaves are humiliated, beaten, raped, killed over even the suspicion of disrespect to a white master, and of course, they are bought and sold just as if they were horses. It’s so hard to look through Jim's eyes and see all of the justifiable rage, impotency, and sense of injustice of it all, and yet it is a quintessential American story that needs telling, especially in these times of banning “uncomfortable” versions of history from the schools.
It is also depressing that some 160 years later, we are still fighting racism, misogyny, and the dehumanization and otherization of minorities. In fact, with the advent of MAGA, such attitudes are enjoying a shocking renaissance, with empathy and compassion perceived as "woke" rather than desirable character traits. As Everett shows, "Slavery enslaves more than just the slaves. It punishes the slaves but it still exists as a cultural phenomenon that has consequences on everyone."
Even those elements of the novel meant to be humorous, like the fact-based practice of minstrel troops using blackface even on Blacks so they would satisfy stereotypes of Blackness for the audience, didn’t seem so funny to me.
Nevertheless, this is an outstanding book that I wish would be taught in all high schools. Americans are apparently not past needing to be reminded that humanity is a function of content of character rather than color of skin, and that the monsters that walk among us often wear a guise similar to our own. - Rating: 4 out of 5 stars4/5
Nov 2, 2024
A retelling of the classic Huckleberry Finn, but from Jim's point of view. Jim is enslaved, yet is educated. He teaches his children how to speak like a slave in the presence of white people. He, along with Huck, travel the Mississippi River, and encounter scam artists masquerading as the Duke and Dauphin. Huck faked his death to escape his abusive father, with Jim running from being sold to a slave owner in New Orleans, which would separate him from his family. Jim agrees to protect Huck on this journey, but also wants to find a way back to his wife and daughter.
Interesting perspective on this classic tale. - Rating: 5 out of 5 stars5/5
May 18, 2024
Before I begin, I highly recommend that you read this book! The reason I wanted to read it was because it was supposed to flesh out the story of Huckleberry Finn, which is one of my all-time favourite books. Well, this book did have Huck Finn and the slave Jim in it, but it is definitely not a children's book. Percival Everett is a marvellous author. This is the first book that I have read of his, but I've marked the rest of his backlist now. The book is quite simply, brilliant! The characters are living, breathing human beings. The story is gripping and it filled me with a sense of dread and hope from the very first page. Even with the graphic nature of the subject, the book retains a soft sense of humour and portrays random human goodness. I always loved Jim in Huckleberry Finn, but this book portrays his intelligence, compassion, warmth and his total understanding of the entire human race. In this book we see Jim and Huck paddling down the Mississippi River. Their journey is fraught with danger and extreme stealth is required because Jim is a runaway slave, and there are bulletins promising a reward for his capture. On their journey Huck and Jim meet all kinds of different people. I couldn't help but think that this plethora of characters and their various shenanigans is closely linked to Mark Twain's writing. Twain's characters were very singular and unforgettable, and there was good and bad among them. Everett's characters are like this too and they are all so believable. This book is a Pulitzer Prize finalist, and I hope that the judges realize what they have here in this unforgettable novel, and award him the top prize. - Rating: 5 out of 5 stars5/5
May 17, 2024
I think I need to sit with this, and perhaps after doing that I will augment this review. Or maybe I don't have a lot to say about this masterpiece. It is tragic, action-packed, funny and redemptive and it tells the story of a real man and of America, then and now. In his GR interview, Everett said he could not have told Huck's story, and that Twain couldn't write this story. I kept remembering that as I listened to this audiobook, and though I would never have had that thought independently it feels absolutely accurate. (The narration by Dominic Hoffman is stellar by the way.) I have read Huck Finn five times and listened to the audio with my then teenage son on a road trip to Memphis. It is one of my favorite books. While I think the grounding in the original may have made me love this a hair more, I don't think it was necessary. This stands on its own, though knowing the basics of the original would be helpful. In the end, the books have very little to do with one another, they are as related and as unrelated as Brave New World is to The Tempest. A new classic is born. - Rating: 5 out of 5 stars5/5
Oct 25, 2024
This is a retelling of Mark Twain’s classic novel Huckleberry Finn. In that story Huck escapes from his abusive father and meets up with N***** Jim, an escaped slave. At the time, it was considered an enlightened but scandalous novel as Huck struggled with his casual racism while eventually becoming good friends with Jim, seeing each other through various dangers.
In this retelling, Jim is the protagonist and we meet a completely different Jim. He’s a type I had never considered before, but having read this book, now I am gobsmacked that I had never imagined this type of enslaved man – when of course they must have existed.
There’s not much to say about the plot without giving away much of the depth of the story; only that it follows the events of Twain’s novel pretty faithfully. I emerged from this with a new view of slavery and the enslaved. - Rating: 5 out of 5 stars5/5
Jun 14, 2024
“Belief has nothing to do with truth.”
This book takes the "Adventures of Huckleberry Finn" and turns it upside down and inside out! (I kinda wish I had re-read the original before I read this...) It does sag a little in the middle, but it is well worth the read! Telling the story from Jim's point of view, and the reality of a slave's life at the time is just amazing! The slaves change in diction when white people are around is brilliant! And teaching the children how to speak proper ‘slave’ talk around the whites is even better!
And this is not the Jim you grew up with! This Jim has “…imagined conversations with Voltaire, Rousseau, and Locke about slavery, race and, of all things, albinism.”
And that big twist at the beginning of Part Three! Whooeee!!! And Chapter Seven of Part Three is awesome! It just gets better from there!
“I am a sign. I am your future. I am James.”
“Just James.” - Rating: 5 out of 5 stars5/5
Jun 13, 2024
Here is a reimagining of The Adventures of Huckleberry Finn, and because it's by Percival Everett, you already know it's going to be good. This novel is in the form of a diary kept by James, known as Jim in the originating novel. When James finds out he is to be sold, he runs, unwilling to lose his family. He is soon joined by Huck, who is running away for his own reasons and they set out together to journey down the Mississippi River to where it joins the Ohio, which is where James plans to head north. As they travel, they face many dangers and are often separated, but always the dangers that James faces are magnitudes higher, as is made clear, over and over again.
How strange a world, how strange an existence, that one's equal must argue for one's equality, that one's equal must hold a station that allows airing of that argument, that one cannot make that argument for oneself, that premises of said argument must be vetted by those equals who do not agree.
Everett makes the horrors of slavery clear, but like he did in The Trees, there is also humor. This is, after all, an adventure story, with the episodic structure of that genre. James is well-read, having used Judge Thatcher's library for years and, like the other enslaved people, he uses the dialect expected of him around white people, but among others like him, he is free to speak the way he wants, a secret language switching that Huck occasionally catches him at. His odd friendship with Huck is wonderfully developed. This is the best book I have read so far this year and I will be surprised if anything surpasses it. It's an extraordinary achievement from one of our greatest living writers. - Rating: 4 out of 5 stars4/5
Oct 21, 2024
I listened to this in audiobook format.
James is the tale of Huckleberry Finn but told from the perspective of Jim, the slave, and follows him through his travails to gain freedom and reunite with his family. At first it's a series of predicaments that all resolve but there are some unexpected twists and turns and a very powerful ending. I enjoyed the book; the narrator is one of my favorites. This is a fairly short and approachable novel and I think most people would like it and take something away from it. Not sure I see it as amazing enough to be shortlisted for the Booker Prize, and National Book Award, but they didn't ask me. - Rating: 4 out of 5 stars4/5
May 12, 2024
This alternative version of Huckleberry Finn shines the spotlight on Jim, an enslaved man who runs away when he learns he’s about to be sold. Like in the original novel, Jim meets up with Huck but they are soon separated, and Jim takes center stage. Percival Everett gives readers a fully formed version of Jim with intellect, emotions, and a life story. He portrays enslaved people as people, not chattel. On some level I already knew this, but Everett’s use of the classic “show, don’t tell” method reached me in new ways while also being a rollicking good tale. - Rating: 4 out of 5 stars4/5
May 6, 2024
A clever retelling of Huckleberry Finn that shows us much more explicitly than Samuel Clemens did what it means to be enslaved. You will also see why Gov. Desantis would rather not have it talked about. - Rating: 5 out of 5 stars5/5
Oct 13, 2024
Mark Twain’s The Adventures of Huckleberry Finn is a timeless classic for many reasons. Twain’s wit and humor surpass almost every other American author. His moral clarity about America’s enduring troubles about race still instruct today. For these reasons, it continues to be taught in American high school classrooms. However, the story is told from the perspective of Huck, a white person, someone with inborn privilege. What would the story look like when told from the perspective of the enslaved person in the story, Jim? Percival Everett imagines just that scenario as he retells this classic in the first person. He does so with flare, and his product gripped me until the very last pages.
This transformed account of Jim – also known as James – makes the story less about the dominant white society’s nagged conscious about racial injustice. Instead, Everett’s narrative becomes one of self-determination and self-actualization by granting Jim agency. Jim knows how to read and write. Curious about literature like Voltaire’s Candide, he becomes not only philosophical but also self-aware. He becomes the intelligent master of his own life in a society that couldn’t care less about people like him, despite the Civil War.
As a privileged white man, I draw personal courage from this tale of Everett’s Jim. Honestly, I lack the resourcefulness that Jim has throughout this account and admire his determination. I also learn to empathize with the adversity that many African Americans still tragically face. Twain’s storytelling might lie behind Everett’s plot, but the modern black experience also informs the verbiage. Particularly strong are Jim’s relatable sentiments towards his family, represented by countless letters of former enslaved persons seeking family members. With Everett’s recast, he becomes by far the most human actor in the book.
I’m not sure I’ll ever see this book taught in a high school classroom in my lifetime in my Tennessee home. Themes of racial justice and even revolution still threaten too many white interests. Nonetheless, this book should reach a broad audience, exemplified by its Pulitzer nomination. It conveys essential truths about how we humans still too easily exploit each other and about how people of any skin color don’t always fit our preconceptions. It creatively demonstrates how skin color can be one of the dumbest ways of categorizing a person’s social contribution. If you’re looking for something that’ll teach you about lingering racial injustice in a story format, this book might be written just for you! - Rating: 5 out of 5 stars5/5
Oct 7, 2024
I did not reread Mark Twain's original, but I thought it was a thoughtful tribute by the author: "His humor and humanity affected me long before I became a writer". The rest of the quote is cryptic, as I find common in reading Percival Everett. This novel contains the best dialogue and inner thoughts of a character that I've read. The most amazing feat is the author's usage of modern day "code switching", wherein Black people in "white" situations speak differently than they do with their Black peers. Jim, enslaved, uses "proper English" when communicating with other enslaved people, but reverts back to Black patois when he's with white people and his life depends on it. Jim and Huck's relationship, as father and son, is also stunningly revealed. I don't think this was the case in the original. I am sure this modernization is an improvement over the original in every way. My review does not do it justice - I am almost wordless in admiration. - Rating: 5 out of 5 stars5/5
Apr 25, 2024
It did take me awhile to become vested in this book. I knew it would be a great book but I had to get over my dislike of "dialect" writing. Once I sat down and just kept reading, the narrative caught my full attention and I finished the book. One of the things that Ann Patchett said about the author, Percival Everett, was that he "is the best-known writer you might not know". I was shocked to read that he has published over twenty novels, as well as short stories, poetry, and a children's book! Look him up, you will recognize some of his books. Anyway, it's a book you don't want to miss! - Rating: 4 out of 5 stars4/5
Oct 1, 2024
I listened to the audio version of this book, wonderfully narrated by Dominic Hoffman. I think this is the best way to “read” “James” because of the nuanced dialects used in the story, which are essential to a full understanding of this new version of an old story. “James” is the re-telling of the classic tale of Huckleberry Finn. The story is cleverly told from the perspective of James, known in the Twain version as slave Jim. James is an articulate, self-educated slave who lives much of his life as a runaway attempting to regain his wife and daughter’s freedom. If you have read the Twain classic, you’ll doubly enjoy this book, sure to become a modern classic.
Book preview
James - Percival Everett
PART
ONE
CHAPTER 1
THOSE LITTLE BASTARDS were hiding out there in the tall grass. The moon was not quite full, but bright, and it was behind them, so I could see them as plain as day, though it was deep night. Lightning bugs flashed against the black canvas. I waited at Miss Watson’s kitchen door, rocked a loose step board with my foot, knew she was going to tell me to fix it tomorrow. I was waiting there for her to give me a pan of corn bread that she had made with my Sadie’s recipe. Waiting is a big part of a slave’s life, waiting and waiting to wait some more. Waiting for demands. Waiting for food. Waiting for the ends of days. Waiting for the just and deserved Christian reward at the end of it all.
Those white boys, Huck and Tom, watched me. They were always playing some kind of pretending game where I was either a villain or prey, but certainly their toy. They hopped about out there with the chiggers, mosquitoes and other biting bugs, but never made any progress toward me. It always pays to give white folks what they want, so I stepped into the yard and called out into the night,
Who dat dere in da dark lak dat?
They rustled clumsily about, giggled. Those boys couldn’t sneak up on a blind and deaf man while a band was playing. I would rather have been wasting time counting lightning bugs than bothering with them.
I guess I jest gwyne set dese old bones down on dis heah porch and watch out for dat noise ’gin. Maybe dere be sum ol’ demon or witch out dere. I’m gwyne stay right heah where it be safe.
I sat on the top step and leaned back against the post. I was tired, so I closed my eyes.
The boys whispered excitedly to each other, and I could hear them, clear as a church bell.
Is he ’sleep already?
Huck asked.
I reckon so. I heard niggers can fall asleep jest like that,
Tom said and snapped his fingers.
Shhhh,
Huck said.
I say we ties him up,
Tom said. Tie him up to dat porch post what he’s leaning ’ginst.
No,
said Huck. What if’n he wakes up and makes a ruckus? Then I gets found out for being outside and not in bed like I’m supposed to be.
Okay. But you know what? I need me some candles. I’m gonna slip into Miss Watson’s kitchen and get me some.
What if’n you wake Jim?
I ain’t gonna wake nobody. Thunder can’t even wake a sleepin’ nigger. Don’t you know nuffin? Thunder, nor lightning, nor roarin’ lions. I hear tell of one that slept right through an earthquake.
What you suppose an earthquake feels like?
Huck asked.
Like when you pa wakes you up in the middle of the night.
The boys sneaked awkwardly, crawled knees over fists, and none too quietly across the complaining boards of the porch and inside through the Dutch door of Miss Watson’s kitchen. I heard them in there rifling about, opening cabinet doors and drawers. I kept my eyes closed and ignored a mosquito that landed on my arm.
Here we go,
Tom said. I gone jest take three.
You cain’t jest take an old lady’s candles,
Huck said. That’s stealin’. What if’n they blamed Jim for that?
Here, I’ll leave her this here nickel. That’s more’n enough. They won’t ’spect no slave. Where a slave gonna git a nickel? Now, let’s git outta here befo’ she shows up.
The boys stepped out onto the porch. I don’t imagine that they were hardly aware of all the noise they made.
You shoulda left a note, too,
Huck said.
No need for all that,
Tom said. Nickel’s plenty.
I could feel the boys’ eyes turn to me. I remained still.
What you doin’?
Huck asked.
I’m gonna play a little joke on ol’ Jim.
You gonna wake him up is what you gonna do.
Hush up.
Tom stepped behind me and grabbed my hat brim at my ears.
Tom,
Huck complained.
Shhhh.
Tom lifted my hat off my head. I’s jest gonna hang this ol’ hat on this ol’ nail.
What’s that s’posed to do?
Huck asked.
When he wakes up he’s gonna think a witch done it. I jest wish we could be round to see it.
Okay, it be on the nail, now let’s git,
Huck said.
Someone stirred inside the house and the boys took off running, turned the corner in a full gallop and kicked up dust. I could hear their footfalls fade.
Now someone was in the kitchen, at the door. Jim?
It was Miss Watson.
Yessum?
Was you ’sleep?
No, ma’am. I is a might tired, but I ain’t been ’sleep.
Was you in my kitchen?
No, ma’am.
Was anybody in my kitchen?
Not that I seen, ma’am.
That was quite actually true, as my eyes had been closed the whole time. I ain’t seen nobody in yo kitchen.
Well, here’s that corn bread. You kin tell Sadie that I like her recipe. I made a couple of changes. You know, to refine it.
Yessum, I sho tell her.
You seen Huck about?
she asked.
I seen him earlier.
How long ago?
A spell,
I said.
Jim, I’m gonna ask you a question now. Have you been in Judge Thatcher’s library room?
In his what?
His library.
You mean dat room wif all dem books?
Yes.
No, missums. I seen dem books, but I ain’t been in da room. Why fo you be askin’ me dat?
Oh, he found some book off the shelves.
I laughed. What I gone do wif a book?
She laughed, too.
—
THE CORN BREAD was wrapped in a thin towel and I had to keep shifting hands because it was hot. I considered having a taste because I was hungry, but I wanted Sadie and Elizabeth to have the first bites. When I stepped through the door, Lizzie ran to me, sniffing the air like a hound.
What’s that I smell?
she asked.
I imagine that would be this corn bread,
I said. Miss Watson used your mama’s special recipe and it certainly does smell good. She did inform me that she made a couple of alterations.
Sadie came to me and gave me a kiss on the mouth. She stroked my face. She was soft and her lips were soft, but her hands were as rough as mine from work in the fields, though still gentle.
I’ll be sure to take this towel back to her tomorrow. White folks always remember things like that. I swear, I believe they set aside time every day to count towels and spoons and cups and such.
That’s the honest truth. Remember that time I forgot to put that rake back in the shed?
Sadie had the corn bread on the block—a stump, really—that served as our table. She sliced into it. She handed portions to Lizzie and me. I took a bite and so did Lizzie. We looked at each other.
But it smells so good,
the child said.
Sadie shaved off a sliver and put it in her mouth. I swear that woman has a talent for not cooking.
Do I have to eat it?
Lizzie asked.
No, you don’t,
Sadie said.
But what are you going to say when she asks you about it?
I asked.
Lizzie cleared her throat. Miss Watson, dat sum conebread lak I neva before et.
Try ‘dat be,’
I said. That would be the correct incorrect grammar.
Dat be sum of conebread lak neva I et,
she said.
Very good,
I said.
Albert appeared at the door of our shack. James, you coming out?
I’ll be there directly. Sadie, do you mind?
Go on,
she said.
—
I WALKED OUTSIDE and over to the big fire, where the men were sitting. I was greeted and then I sat. We talked some about what happened to a runaway over at another farm. Yeah, they beat him real good,
Doris said. Doris was a man, but that didn’t seem to matter to the slavers when they named him.
All of them are going to hell,
Old Luke said.
What happened to you today?
Doris asked me.
Nothing.
Something must have happened,
Albert said.
They were waiting for me to tell them a story. I was apparently good at that, telling stories. Nothing, except I got carried off to New Orleans today. Aside from that, nothing happened.
You what?
Albert said.
Yes. You see, I thought I was drifting off into a nice nap about noon and the next thing I knew I was standing on a bustling street with mule-drawn carriages and whatnot all around me.
You’re crazy,
someone said.
I caught sight of Albert giving me the warning sign that white folks were close. Then I heard the clumsy action in the bushes and I knew it was those boys.
Lak I say, I furst found my hat up on a nail. ‘I ain’t put dat dere,’ I say to mysef. ‘How dat hat git dere?’ And I knew ’twas witches what done it. I ain’t seen ’em, but it was dem. And one dem witches, the one what took my hat, she sent me all da way down to N’Orlins. Can you believe dat?
My change in diction alerted the rest to the white boys’ presence. So, my performance for the boys became a frame for my story. My story became less of a tale as the real game became the display for the boys.
You don’t says,
Doris said. Dem witches ain’t to be messed wif.
You got dat right,
another man said.
We could hear the boys giggling. So, dere I was in N’Orlins and guess what?
I said. All of a sudden dis root doctor come up behind me. He say, ‘Whatchu doin’ in dis here town.’ I tells him I ain’t got no idea how I git dere. And you know what he say ta me? You know what he say?
What he say, Jim?
Albert asked.
He say I, Jim, be a free man. He say dat ain’t nobody gone call me no nigga eber ’gin.
Lawd, hab mercy,
Skinny, the farrier, shouted out.
Demon say I could buy me what I want up da street. He say I could have me some whisky, if’n I wanted. Whatchu think ’bout that?
Whisky is the devil’s drink,
Doris said.
Din’t matter,
I said. Din’t matter a bit. He say I could hab it if’n I wanted it. Anything else, too. Din’t matter, though.
Why was dat?
a man asked.
Furst, ’cause I was in dat place to whar dat demon sent me. Weren’t real, jest a dream. And ’cause I ain’t had me no money. It be dat simple. So dat demon snapped his old dirty fingas and sent me home.
Why fo he do dat?
Albert asked.
Hell, man, you cain’t get in no trouble in N’Orlins lessen you gots some money, dream or no dream,
I said.
The men laughed. Dat sho is what I heared,
a man said.
Wait,
I said. I thinks I hears one dem demons in the bushes right naw. Somebody gives me a torch so I kin set dis brush alight. Witches and demons don’t lak no fires burnin’ all round ’em. Dey start to melt lak butta on a griddle.
We all laughed as we heard the white boys hightail it out of there.
—
AFTER STEPPING ON them squeaking boards last night, I knew Miss Watson would have me nailing down those planks and fixing that loose step. I waited till midmorning so I wouldn’t wake any white folks. They could sleep like nobody’s business and always complained to wake up too early, no matter how late it was.
Huck came out of the house and watched me for a few minutes. He hovered around like he did when something was on his mind.
Why you ain’t out runnin’ wif yo friend?
I asked.
You mean Tom Sawyer?
I guessin’ dat da one.
He’s probably still sleepin’. He was probably up all night robbin’ banks and trains and such.
He do dat, do he?
Claims to. He got some money, so he buys himself books and be readin’ all the time ’bout adventures. Sometimes I ain’t so sho ’bout him.
Whatchu mean?
Like, he found this cave and we goes into it and have a meeting with some other boys, but we get in there it’s like he gotta be the boss.
Yeah?
And all because he been reading them books.
And dat sorta rub you da wrong way?
I asked.
Why people say that? ‘Rubbing the wrong way’?
Well, the way I sees it, Huck, is if’n you rake a fish’s back wid a fork head ta tail, ain’t gone matter much to him, but if’n you go ta other way…
I git it.
It seem sumtimes you jest gotta put up wif your friends. Dey gonna do what dey gonna do.
Jim, you work the mules and you fix the wagon wheels and now you fixin’ this here porch. Who taught you to do all them things?
I stopped and looked at the hammer in my hand, flipped it. Dat be a good question, Huck.
So, who did?
Necessity.
What?
’Cessity,
I corrected myself. ’Cessity is when you gots to do sumptin’ or else.
Or else what?
Else’n they takes you to the post and whips ya or they drags ya down to the river and sells ya. Nuffin you gots to worry ’bout.
Huck looked at the sky. He pondered on that a bit. Sho is pretty when you jest look at the sky with nothin’ in it, jest blue. I heard tell there are names for different blues. And reds and the like. I wonder what you call that blue.
‘Robin’s egg,’
I said. You ever seen a robin’s egg?
You right, Jim. It is like a robin’s egg, ’ceptin’ it ain’t got the speckles.
I nodded. Dat be why you gots to look past the speckles.
Robin’s egg,
Huck said, again.
We sat there a little longer. What else be eatin’ you?
I asked.
I think Miss Watson is crazy.
I didn’t say anything.
Always talkin’ ’bout Jesus and prayers and such. She got Jesus Christ on the brain. She told me that prayers is to help me act selflessly in the world. What the hell does that mean?
Don’t be swearin’ naw, Huck.
You sound like her. I don’t see no profit in askin’ for stuff just so I don’t get it and learn a lesson ’bout not gettin’ what I asked fer. What kinda sense does that make? Might as well pray to that board there.
I nodded.
You noddin’ that it makes sense or don’t make no sense?
I’m jest noddin’, Huck.
I’m surrounded by crazy people. You know what Tom Sawyer did?
Tells me, Huck.
He made us take an oath in blood that if’n any of us tells gang secrets, then we will kill that person’s entire family. Don’t that sound crazy?
How you take a blood oath?
I asked.
You’re supposed to cut yer hand open with a knife and shake with everybody else what done the same thing. You know, so your blood gets all mixed and mashed together. Then you’re blood brothers.
I looked at his hands.
We used spit instead. Tom Sawyer said it would do the same thing and how could we rob a bank wif our hands all cut up. One boy cried and said he was going to tell and Tom Sawyer shut him up wif a nickel.
Ain’t you tellin’ me yo secrets right naw?
I asked.
Huck paused. You’re different.
’Cause I’m a slave?
No, taint that.
What it is, den?
You’re my friend, Jim.
Why, thank ya, Huck.
You won’t tell nobody, will ya?
He stared anxiously at me. Even if we go out and rob us a bank. You won’t tell, right?
I kin keep me a secret, Huck. I kin keep yo secret, too.
Miss Watson came to the back screen and hissed, Ain’t you done with that step yet, Jim?
Matter fact, I am, Miss Watson,
I said.
It’s a miracle with this here boy yakking your ear off. Huckleberry, you get back in this house and make yer bed.
I’m jest gonna mess it up agin tonight,
Huck said. He shoved his hands in his britches and swayed there, like he knew he’d just crossed a line.
Don’t make me come out there,
she said.
See ya later, Jim.
Huck ran into the house, running by Miss Watson sideways like he was dodging a swat.
Jim,
Miss Watson said, looking back into the house after Huck.
Ma’am?
I hear tell Huck’s pappy is back in town.
She stepped past me and looked at the road.
I nodded. Yessum.
Keep an eye on Huck,
she said.
I didn’t know exactly what she was asking me to do. Yessum.
I put the hammer back in the box. Ma’am, what I s’posed to keep my eye on, zackly?
And help him watch out for that Sawyer boy.
Why fo you tellin’ me all dis, missum?
The old woman looked at me and then out at the road and then up at the sky. I don’t know, Jim.
I studied on Miss Watson’s words. That Tom Sawyer wasn’t really a danger to Huck, just a kind of little fellow sitting on his shoulder whispering nonsense. But his father being back, that was a different story. That man might have been sober or he might have been drunk, but in either of those conditions he consistently threw beatings onto the poor boy.
CHAPTER 2
THAT EVENING I sat down with Lizzie and six other children in our cabin and gave a language lesson. These were indispensable. Safe movement through the world depended on mastery of language, fluency. The young ones sat on the packed-dirt floor and I was on one of our two homemade stools. The hole in the roof pulled the smoke from the fire that burned in the middle of the shack.
Papa, why do we have to learn this?
White folks expect us to sound a certain way and it can only help if we don’t disappoint them,
I said. The only ones who suffer when they are made to feel inferior is us. Perhaps I should say ‘when they don’t feel superior.’ So, let’s pause to review some of the basics.
Don’t make eye contact,
a boy said.
Right, Virgil.
Never speak first,
a girl said.
That’s correct, February,
I said.
Lizzie looked at the other children and then back to me. Never address any subject directly when talking to another slave,
she said.
What do we call that?
I asked.
Together they said, Signifying.
Excellent.
They were happy with themselves, and I let that feeling linger. Let’s try some situational translations. Something extreme first. You’re walking down the street and you see that Mrs. Holiday’s kitchen is on fire. She’s standing in her yard, her back to her house, unaware. How do you tell her?
Fire, fire,
January said.
Direct. And that’s almost correct,
I said.
The youngest of them, lean and tall five-year-old Rachel, said, Lawdy, missum! Looky dere.
Perfect,
I said. Why is that correct?
Lizzie raised her hand. Because we must let the whites be the ones who name the trouble.
And why is that?
I asked.
February said, Because they need to know everything before us. Because they need to name everything.
Good, good. You all are really sharp today. Okay, let’s imagine now that it’s a grease fire. She’s left bacon unattended on the stove. Mrs. Holiday is about to throw water on it. What do you say? Rachel?
Rachel paused. Missums, that water gone make it wurs!
Of course, that’s true, but what’s the problem with that?
Virgil said, You’re telling her she’s doing the wrong thing.
I nodded. So, what should you say?
Lizzie looked at the ceiling and spoke