Crying in H Mart: A Memoir
4/5
()
About this ebook
In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.
As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.
Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.
Michelle Zauner
Michelle Zauner is best known as a singer and guitarist who creates dreamy, shoegaze-inspired indie pop under the name Japanese Breakfast. She has won acclaim from major music outlets around the world for releases like Psychopomp and Soft Sounds from Another Planet. Her third album, Jubilee, released in 2021 and has been nominated for two Grammys. Crying in H Mart is her first book.
Related to Crying in H Mart
Related ebooks
I Want to Die but I Want to Eat Tteokbokki: A Memoir Rating: 3 out of 5 stars3/5Maame: A Today Show Read With Jenna Book Club Pick Rating: 4 out of 5 stars4/5The Collected Regrets of Clover: A Novel Rating: 4 out of 5 stars4/5Shark Heart: A Love Story Rating: 4 out of 5 stars4/5Somebody's Daughter: A Memoir Rating: 4 out of 5 stars4/5The Many Lives of Mama Love (Oprah's Book Club): A Memoir of Lying, Stealing, Writing, and Healing Rating: 4 out of 5 stars4/5The Lion Women of Tehran Rating: 4 out of 5 stars4/5East of Eden Rating: 0 out of 5 stars0 ratingsThe Ministry of Time: A Novel Rating: 4 out of 5 stars4/5A Fight for My Life Rating: 5 out of 5 stars5/5Olga Dies Dreaming: A Novel Rating: 4 out of 5 stars4/5Sociopath: A Memoir Rating: 4 out of 5 stars4/5How Not to Drown in a Glass of Water: A Novel Rating: 4 out of 5 stars4/5Odder: The Novel Rating: 4 out of 5 stars4/5Clytemnestra: A Novel Rating: 4 out of 5 stars4/5Swift River: A Read with Jenna Pick Rating: 3 out of 5 stars3/5Broken (in the best possible way) Rating: 4 out of 5 stars4/5
Cultural, Ethnic & Regional Biographies For You
Incidents in the Life of a Slave Girl Rating: 4 out of 5 stars4/5Trejo: My Life of Crime, Redemption, and Hollywood Rating: 4 out of 5 stars4/5Black Like Me: The Definitive Griffin Estate Edition Rating: 4 out of 5 stars4/5The Sun Does Shine: How I Found Life and Freedom on Death Row (Oprah's Book Club Selection) Rating: 5 out of 5 stars5/5The Happiest Man on Earth: The Beautiful Life of an Auschwitz Survivor Rating: 5 out of 5 stars5/5Israel: A Simple Guide to the Most Misunderstood Country on Earth Rating: 2 out of 5 stars2/5Men We Reaped: A Memoir Rating: 4 out of 5 stars4/5Lakota Woman Rating: 4 out of 5 stars4/5Assata: An Autobiography Rating: 4 out of 5 stars4/5The Stories We Tell: Every Piece of Your Story Matters Rating: 3 out of 5 stars3/5Finding Me: An Oprah's Book Club Pick Rating: 4 out of 5 stars4/5The Misadventures of Awkward Black Girl Rating: 4 out of 5 stars4/5A Man of Two Faces: A Memoir, A History, A Memorial Rating: 4 out of 5 stars4/5Cook County ICU: 30 Years of Unforgettable Patients and Odd Cases Rating: 4 out of 5 stars4/5Heavy: An American Memoir Rating: 4 out of 5 stars4/5The Yellow House: A Memoir (2019 National Book Award Winner) Rating: 4 out of 5 stars4/5Just as I Am: A Memoir Rating: 5 out of 5 stars5/5We Had a Little Real Estate Problem: The Unheralded Story of Native Americans & Comedy Rating: 4 out of 5 stars4/5Geisha: A Life Rating: 4 out of 5 stars4/5World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments Rating: 4 out of 5 stars4/5Becoming Kin: An Indigenous Call to Unforgetting the Past and Reimagining Our Future Rating: 5 out of 5 stars5/5Self Made: Inspired by the Life of Madam C.J. Walker Rating: 4 out of 5 stars4/5That Bird Has My Wings: An Oprah's Book Club Pick Rating: 4 out of 5 stars4/5The Dressmakers of Auschwitz: The True Story of the Women Who Sewed to Survive Rating: 4 out of 5 stars4/5The Exotic Rating: 4 out of 5 stars4/5Love & Whiskey Rating: 4 out of 5 stars4/5Black Boy [Seventy-fifth Anniversary Edition] Rating: 5 out of 5 stars5/5
Related categories
Reviews for Crying in H Mart
806 ratings52 reviews
- Rating: 5 out of 5 stars5/5Wow, this put me through the wringer. So much raw emotion, so much intense grief. It brought up so many complicated feelings about my own parents deaths. Definitely recommended, but if you have lost someone, it will rip your heart out all over again.
- Rating: 5 out of 5 stars5/5Michelle processes the death of her mother, reckoning with a sometimes complicated and difficult relationship. Unapologetically acknowledging her own shortcomings, she starts to face her future without her mother. I’d give this to book groups and fans if Elizabeth Berg.
- Rating: 5 out of 5 stars5/5Memoir about a woman and her Korean mother told in the context of food and cooking. Good!
- Rating: 5 out of 5 stars5/5I cried. I cried so damn much. I just found out that H-Mart is opening up in my city and I will go there and cry too
- Rating: 5 out of 5 stars5/5I do and I don't want to recommend this to my own mother, partly because we've butt heads in the past so I think she'd recognize some of the similar, "I'm showing my love for you by wanting you to do better" things, but also she's got a sense of her mortality and I don't think she'd take kindly to me sending her a memoir about when a daughter's mother is dying.
Michelle Zauner writes a bluntly emotional memoir, on how it feels when the person you thought you'd have for decades more suddenly starts to fade, and the process of working through that grief even while the person is still alive. Her hometown of Eugene is not far from where I am (I actually go on a weekly basis), so that helped with visualizing some of the places described for where teenage!Michelle went to see shows, or the drive up Spencer's Butte to the family home, or her nightmares about being a car driving off the Ferry Street Bridge. A lot of her bond with her mom is over food, and that's a universal love that can lead to, well, crying in H Mart. Or Sunshine Market, as it were.
Listen to Psychopomp for the final third!
Reread 2022 for book club~ - Rating: 5 out of 5 stars5/5I had no idea who Zauner was before picking up this book, but between the great title, the effective marketing campaign, and my interest in Korean-American immigration stories, I just couldn't wait for this to come out in paperback.
This is a memoir that feels incredibly personal and still raw. You're not going to get a lot of distance for analysis here. Zauner is in her feelings this whole book, which is kind of amazing. This is a book about feeling like an outsider. About mixed-race identity. About mothers and daughters who don't "speak the same love language" and the misunderstandings that causes. It's about cancer, and about being robbed of the time you might have had to learn to love each other better, to learn each other's stories, to pass on culture and food.
And yes, it's about food. As caretaking. About learning to cook your culture's food without someone to teach it to you — just sheer force of will and the internet.
Zauner's writing is so personal some may feel excluded, but for me it wrapped all the way around and I saw myself in her so many times — even in moments where our identities/experiences had only the tiniest overlap.
I loved this even more than I expected. - Rating: 5 out of 5 stars5/5I'm late in discovering Japanese Breakfast's music, and reading Michelle Zauner's memoir is a part of my catching up. It layers well with other reading I've done on the immigrant experience and on death, meshing the two together with some interesting background on Michelle's early experience in the music scene and how she got her start. The experience of her mother's long decline from cancer and eventual death is unstintingly portrayed, every curtain pulled back. It could be an uncomfortable revisit for anyone who's experienced the death of a parent from illness, but perhaps a helpful charting of the course for those who will face it in future. The level of emotion these chapters generate is very high, and they could not have been easy to relive in the writing.
I've not encountered this much food since reading the Redwall series to my kids, and I'm not nearly so courageous about sampling unfamiliar dishes, but it's still an engaging story about how food formed the primary bond between herself and her mother, as well as to her cultural identity, and how it provided a path to healing. I wasn't expecting such a wonderful writing style: the descriptions, the perfect pacing, the careful incorporation of flashbacks and the right degree of detail last throughout. I looked in vain for a coauthor who assisted her, and it explains why she's writing the screenplay. There's a second career waiting for her if the whole music thing doesn't pan out. - Rating: 4 out of 5 stars4/5Zauner writes about her relationship with her mother and her mother's diagnosis and death from cancer. Korean food and culture permeate this book as Zauner's mother tries to teach her half-Korean daughter all she can about her Korean roots.
- Rating: 5 out of 5 stars5/5Vivid and moving.
- Rating: 4 out of 5 stars4/5I'll admit it - I did not expect this book to be so depressing. I know the synopsis mentions her mother's terminal cancer diagnosis, but that event and those that followed are really the core of the book. Even in looking back at her childhood, all experiences seem linked to her relationship with her mother, and her struggles to come to terms with the fact that their relationship will come to an end sooner than any of them suspected. So yeah, of course that's all very heavy and depressing. But the way Michelle writes about her childhood, her relationship, her mother's experience with cancer is just so personal and forthcoming that it made the story more painful to read. I almost felt like someone I know was telling me about their experience.
There are some funny moments and plenty of talk of food and music, but if you're already feeling down, be warned; this is not a light read. Despite that, I flew through it, mostly in one sitting. Even though the content is heavy, Michelle's tone is engaging. If it matters, I've only heard one song of hers and that was after I'd already purchased the book - so you don't need any prior knowledge of her music career to connect with her story. It probably deepens it if you do, however - I know my partner is more familiar with her work and mentioned that some of her songs deal with her mother.
Anyway, if you're into memoirs, whether or not you're familiar with the person writing it, I definitely suggest this one. - Rating: 5 out of 5 stars5/5Crying in H Mart is Michelle Zauner, of the band Japanese Breakfast’s memoir of growing up Korean American in the very white town of Eugene, Oregon. After she struggled with being one of just a few Asian kids in her schools growing up, she moved to the East Coast for college, where she met her husband. When her mother was diagnosed with terminal cancer, she moved back home to take care of her.
First a warning: Do not read this book while hungry. In Michelle’s family, food equals love so there are a lot of vivid descriptions of tasty food. When Michelle moves back home to take care of her dying mother, food becomes even more important. As her mother declines, it’s harder and harder for her to eat. Michelle cooks all sorts of things trying to find something her mother finds appetizing.
Crying in H Mart was heartbreaking, as one would expect. The writing flows like a novel even though it’s a memoir. It’s the story of family love and identity. Michelle reads it herself, which made me even more invested in her life. Highly recommended. - Rating: 3 out of 5 stars3/53 stars
i rarely read nonfiction and i think that influenced my reading because i kept waiting for something more interesting to happen forgetting that this is someone’s actual story. enjoyed the writing style and structure!! loved getting to feel connected with someone i have very little in common with
characters: 3
plot: 1
writing: 5
(feels wrong scoring characters/plot for a memoir but oh well) - Rating: 4 out of 5 stars4/5Really liked her writing, but I'm not a foodie so some of the longer food sections did not keep my interest.
Did enjoy the mother/daughter relationship aspect and the OR connections since I live in OR and my kids grew up in a locale similar to her house. - Rating: 2 out of 5 stars2/5This is a memoir of a Korean-American woman with large amounts of discussion of Korean food - foods she loved earlier in life, foods she made haltingly, foods her mother made at particular times - such as each time she returned to visit her mother - food she learned to cook as an adult - what the ingredients are for these foods, and some about how to buy them in the U.S., and some foods she only had on her visits to Korea. Another large - and to me "poignant" part of the book was about the diagnosis of her mother's illness, the author's efforts at being present for her mother during that illness and the long, difficult treatment regimen, and her mother's ultimate death from the disease. Her description of the illness and death of her mother was, for me, quite moving.
There were also some parts about the author's efforts to make it in music (which she did after years of trying with her band), about her meeting and developing of a relationship with the man she married during the latter stages of her mother's illness, and about her life after her mother's death. - Rating: 5 out of 5 stars5/5A fantastic look at life, grief, growing up in Eugene, Oregon, with a Korean mother and white American father, food, family, language, and forging a creative career (music).
I did not read this when everyone was, as I usually find popular books disappointing. When I found this on my library's new Libby audio available now list--and saw that Zauner read it herself--I immediately checked it out. And it was great. I loved the combination of food, culture, family, and dreams.
Excellent. - Rating: 4 out of 5 stars4/5This memoir is a touching exploration of grief and culture. It touches on the author's childhood experiences with a Korean mother and an American father, then takes an in-depth look at the period when her mother is diagnosed with cancer and Michelle returns home to Oregon to care for her during her final months. Michelle hopes to learn how to cook some traditional Korean dishes for her mother, but the chemotherapy causes her mother to reject all but the mildest foods. After her mother is gone, learning to cook these dishes helps Michelle feel reconnected to her Korean heritage.
This book is guaranteed to make you hungry. It will also make you cry. Best read with a box of tissues and a supply of Korean snack foods close at hand. - Rating: 3 out of 5 stars3/5The author remembers her mother through Korean dishes. Sad but sweet.
- Rating: 4 out of 5 stars4/5Crying in H Mart by Michelle Zauner is a 2021 Knopf publication.
This is a heartbreaking memoir, and bittersweet in the way Michelle comes to terms with her mother’s diagnosis, death, and the aftermath of losing a parent.
As the reality of the seriousness of her mother’s illness begin to sink in, and her harrowing treatments begin, Michelle makes the comforting connection in the way her mother expressed her love through food.
This book is a ‘grief’ book in many ways. It was probably a cathartic exercise for Michelle, a way to write out all her feelings and work out her complex emotions after having watched her mother suffer through a harrowing battle with cancer.
But this book was also a reckoning, a new appreciation for her heritage, a realization of how much her mother cared for her, how she now hopes to proudly embrace her Korean roots, for herself, and others in her life.
The book is naturally sobering and melancholy, dealing with uncomfortable topics, but it is also an inspiring passage of self-discovery leading to a sort of peace within Michelle in the wake of tragedy.
Overall, this book, for me, was illuminating. I loved learning all about the Korean dishes Michelle cooked, about the traditions her mother tried to instill in her.
Though food plays a huge part in this voyage, I also felt Michelle’s music played a therapeutic role in how she coped with stress and was a conduit of release for her, as well.
I hope Michelle finds true peace from the spirituality she currently shuns, but as for now, I found Michelle’s voice to be real, raw, human, and open, and I applaud her courage in sharing her story with us. - Rating: 5 out of 5 stars5/52023 book #5. 2022. I wouldn't have thought that a memoir written by someone younger than my children would be interesting but I was wrong. The book is very heartwarming and heart breaking told by Michelle Zauner, aka Japanese Breakfast. Read for my book club.
- Rating: 3 out of 5 stars3/53
if you eat this book whilst hungry you're gonna have a BAD time.
This book is full of food porn
I felt like it could have been heavily edited down. - Rating: 4 out of 5 stars4/5Memoirs are more than a little difficult to rate and review, so I'm just going by my reading experience.
On the one hand, this was a really touching story of losing your mother to cancer at a relatively young age. On the other, this was a story about trying to cling to your cultural heritage through food, when you feel like all other anchors are quickly disappearing. And as such, I can appreciate this memoir a whole lot.
Then again, I had no interest in the painstakingly detailed lists of dishes and ingredients. That's mostly just a personal preference, though, considering the fact that I don't really care about food in general, let alone someone else's relationship to dishes I've never heard of.
Made me cry like a little baby. - Rating: 4 out of 5 stars4/5Michelle Zauner is the daughter of a Korean mother and American father, whose mother died of cancer when Michelle was in her 20s. In this memoir, she explores her grief, her time taking care of her mother on her death bed, and the aftermath.
I especially enjoyed the first half of the book, in which Michelle lays the groundwork of her early life, the tumultuous relationship with her mother as a teenager, and the final days she spends with her mother. Food was one of the ways they connected, and the memoir is chock full of descriptions of dishes, both Korean and not, that Michelle or her parents try. It makes it all the more heartbreaking to see her mother not enjoy the taste of things during her chemo treatments. The death happens about halfway through the book, and from that point I had a much harder time reading, not because it wasn't good, but because I was too reminded of keeping vigil before my grandmother passed away, and didn't want to face such raw grief as Michelle and her father experience. In a way, Michelle is exploring both her mother and herself, and who she is after the loss, including beautiful turns of phrases, heartbreaking moments, and everything in between. - Rating: 3 out of 5 stars3/5Michelle recounts her life as the only child of a Korean mother and American father with the difficulties inherent for a mixed-race child in the United States. Her father has had a difficult childhood, which is reflected in his role as a parent. Her mother is fully immersed in all aspects of Korean culture, which is often reflected in the significance of the food she prepares and serves. Michelle eventually rebels against her mother's expectations, which leads to a contentious relationship as a teenager and young adult. This changes with her mother's cancer diagnosis. This then becomes a memoir about grief and the resultant regrets and guilt.
- Rating: 4 out of 5 stars4/5A memoir of grief and loss tempered by food. The way Zauner centered her relationship with her mother and her Korean heritage around food gave a more universal entry to the story, regardless of the reader's identity or experience with terminal illness.
- Rating: 4 out of 5 stars4/5A very personal memoir about a mother and daughter relationship. It was beautiful and devastating.
- Rating: 5 out of 5 stars5/5Michelle Zauner's memoir about grieving her mother brought back to me my own grief when my father died a bit over 40 years ago. Since I'm an Italian-American in his seventies, that speaks to her powerful writing and deep connection with her mother. I do share her love of Korean food for different reasons; I first tasted Korean cooking as a newly-arrived Peace Corps volunteer and have love it ever since. In recent years, I have tried to learn how to cook a number of Korean dishes and, like Zauner, eventually came to rely on Maangchi's recipes and instructions.
- Rating: 4 out of 5 stars4/5Michelle Zauner, a musician who records under the name Japanese Breakfast, writes this memoir of her life growing up mixed race in Oregon and her tempestuous relationship with her mother. Zauner's mother was an immigrant from South Korea while her father was a white American. She discusses how she felt like an outsider in both communities.
The core of the book relates to her mother's cancer diagnosis, slow decline, and death. Zauner reflects on how this period drew her closer to her mother and see her in a different way. Food is central to the narrative as Zauner finds learning how to cook traditional Korean recipes as a way to connect to her Korean identity. It's a beautifully written and heartbreaking book that I recommend highly. - Rating: 5 out of 5 stars5/5Not too many years ago novels featuring food were popular. A quick Google search brought a group of 32 such novels including Like Water for Chocolate, Joy Luck Club, and Chocolat. In some cases, recipes were scattered here and there throughout the novel. Although I enjoyed those books, not being a “foodie,” I found them more irritating and gimmicky than clever. When I read about Crying in H Mart, I was afraid that might be the case with this book. As I listened to the book, I found that the use of food was very seamless and was as well crafted as the rest of the writing in the book. I’m told that Michelle Zauner is a rock star of sorts. Being a 72-year-old retired English teacher, I had not heard of her in that life, but I had heard rave reviews of this book and her writing. That is what attracted me to it. And I wasn’t disappointed. I really enjoyed listening to it. Her relationship with her mother spanned the gamut from winy, petulant teenage daughter to caring adult caretaker. This is why I’m attracted to memoirs. I’ve read my fair share of dysfunctional family memoirs, and this was not that by any stretch of the imagination. This was a story of love in every sense of the word. I think Michelle might be known as much for her music as for this book, but I hope she doesn’t let the music edge out the writing because she is, indeed, a gifted writer. And the next time she’s on Saturday Night Live, I’ll try to stay up late enough to listen to her band.
- Rating: 3 out of 5 stars3/5This very personal and intimate memoir about the author and her dying mother is quite touching. But it was really too personal. The author disclosed things that, in my opinion, should have been kept for herself and close family and friends. I felt nearly voyeuristic in reading about her mother’s dying days and the grief experienced by the family during that time and after her death. This incredibly sad journey was somewhat offset by some happier memories, though not all her childhood memories were happy, either. The author’s descriptions of her Korean culture, most especially the food, were quite interesting. And her discovery of her cooking skills as she delved into Korean dishes was also interesting. This memoir was undoubtedly cathartic for the author, but a little too revealing for me.
- Rating: 4 out of 5 stars4/5This was a nice memoir in which Michelle Zauner pays tribute to her mother. I have been blessed to have a wonderful relationship with my mother so it’s hard for me to understand some of the angst these two had with each other. But my mother is not Korean and so the cultural differences may have something to do with it. The constant corrections and criticisms the mother makes isn’t good for a child. Some are but you must pick and choose your battles for what is important.
Book preview
Crying in H Mart - Michelle Zauner
1
Crying in H Mart
Ever since my mom died, I cry in H Mart.
H Mart is a supermarket chain that specializes in Asian food. The H stands for han ah reum, a Korean phrase that roughly translates to one arm full of groceries.
H Mart is where parachute kids flock to find the brand of instant noodles that reminds them of home. It’s where Korean families buy rice cakes to make tteokguk, the beef and rice cake soup that brings in the New Year. It’s the only place where you can find a giant vat of peeled garlic, because it’s the only place that truly understands how much garlic you’ll need for the kind of food your people eat. H Mart is freedom from the single-aisle ethnic
section in regular grocery stores. They don’t prop Goya beans next to bottles of sriracha here. Instead, you’ll likely find me crying by the banchan refrigerators, remembering the taste of my mom’s soy-sauce eggs and cold radish soup. Or in the freezer section, holding a stack of dumpling skins, thinking of all the hours that Mom and I spent at the kitchen table folding minced pork and chives into the thin dough. Sobbing near the dry goods, asking myself, Am I even Korean anymore if there’s no one left to call and ask which brand of seaweed we used to buy?
Growing up in America with a Caucasian father and a Korean mother, I relied on my mom for access to our Korean heritage. While she never actually taught me how to cook (Korean people tend to disavow measurements and supply only cryptic instructions along the lines of add sesame oil until it tastes like Mom’s
), she did raise me with a distinctly Korean appetite. This meant a reverence for good food and a predisposition to emotional eating. We were particular about everything: kimchi had to be perfectly sour, samgyupsal perfectly crisped; stews had to be piping hot or they might as well have been inedible. The concept of prepping meals for the week was a ludicrous affront to our lifestyle. We chased our cravings daily. If we wanted the kimchi stew for three weeks straight, we relished it until a new craving emerged. We ate in accordance with the seasons and holidays.
When spring arrived and the weather turned, we’d bring our camp stove outdoors and fry up strips of fresh pork belly on the deck. On my birthday, we ate miyeokguk—a hearty seaweed soup full of nutrients that women are encouraged to eat postpartum and that Koreans traditionally eat on their birthdays to celebrate their mothers.
—
Food was how my mother expressed her love. No matter how critical or cruel she could seem—constantly pushing me to meet her intractable expectations—I could always feel her affection radiating from the lunches she packed and the meals she prepared for me just the way I liked them. I can hardly speak Korean, but in H Mart it feels like I’m fluent. I fondle the produce and say the words aloud—chamoe melon, danmuji. I fill my shopping cart with every snack that has glossy packaging decorated with a familiar cartoon. I think about the time Mom showed me how to fold the little plastic card that came inside bags of Jolly Pong, how to use it as a spoon to shovel caramel puffed rice into my mouth, and how it inevitably fell down my shirt and spread all over the car. I remember the snacks Mom told me she ate when she was a kid and how I tried to imagine her at my age. I wanted to like all the things she did, to embody her completely.
My grief comes in waves and is usually triggered by something arbitrary. I can tell you with a straight face what it was like watching my mom’s hair fall out in the bathtub, or about the five weeks I spent sleeping in hospitals, but catch me at H Mart when some kid runs up double-fisting plastic sleeves of ppeongtwigi and I’ll just lose it. Those little rice-cake Frisbees were my childhood, a happier time when Mom was there and we’d crunch away on the Styrofoam-like disks after school, splitting them like packing peanuts that dissolved like sugar on our tongues.
I’ll cry when I see a Korean grandmother eating seafood noodles in the food court, discarding shrimp heads and mussel shells onto the lid of her daughter’s tin rice bowl. Her gray hair frizzy, cheekbones protruding like the tops of two peaches, tattooed eyebrows rusting as the ink fades out. I’ll wonder what my mom would have looked like in her seventies, if she’d have wound up with the same perm that every Korean grandma gets, as though it were a part of our race’s evolution. I’ll imagine our arms linked, her small frame leaning against mine as we take the escalator up to the food court. The two of us in all black, New York style,
she’d say, her image of New York still rooted in the era of Breakfast at Tiffany’s. She would carry the quilted-leather Chanel purse that she’d wanted her whole life, instead of the fake ones that she bought on the back streets of Itaewon. Her hands and face would be slightly sticky from QVC anti-aging creams. She’d wear some strange high-top sneaker wedges that I’d disagree with. Michelle, in Korea, every celebrity wears this one.
She’d pluck the lint off my coat and pick on me—how my shoulders slumped, how I needed new shoes, how I should really start using that argan-oil treatment she bought me—but we’d be together.
If I’m being honest, there’s a lot of anger. I’m angry at this old Korean woman I don’t know, that she gets to live and my mother does not, like somehow this stranger’s survival is at all related to my loss. That someone my mother’s age could still have a mother. Why is she here slurping up spicy jjamppong noodles and my mom isn’t? Other people must feel this way. Life is unfair, and sometimes it helps to irrationally blame someone for it.
Sometimes my grief feels as though I’ve been left alone in a room with no doors. Every time I remember that my mother is dead, it feels like I’m colliding with a wall that won’t give. There’s no escape, just a hard surface that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again.
—
H Marts are usually situated on the outskirts of the city and serve as a secondary center for strip malls of Asian storefronts and restaurants that are always better than the ones found closer to town. We’re talking Korean restaurants that pack the table so full of banchan side dishes that you’re forced to play a never-ending game of horizontal Jenga with twelve tiny plates of stir-fried anchovies, stuffed cucumbers, and pickled everything. This isn’t like the sad Asian fusion joint by your work, where they serve bell peppers in their bibimbap and give you the stink eye when you ask for another round of wilted bean sprouts. This is the real deal.
You’ll know that you’re headed the right way because there will be signs to mark your path. As you go farther into your pilgrimage, the lettering on the awnings slowly begins to turn into symbols that you may or may not be able to read. This is when my elementary-grade Korean skills are put to the test—how fast can I sound out the vowels in traffic? I spent more than six years going to Hangul Hakkyo every Friday, and this is all I have to show for it. I can read the signs for churches, for an optometrist’s office, a bank. A couple more blocks in, and we’re in the heart of it. Suddenly, it’s another country. Everyone is Asian, a swarm of different dialects crisscross like invisible telephone wires, the only English words are hot pot and liquors, and they’re all buried beneath an assortment of glyphs and graphemes, with an anime tiger or a hot dog dancing next to them.
Inside an H Mart complex, there will be some kind of food court, an appliance shop, and a pharmacy. Usually, there’s a beauty counter where you can buy Korean makeup and skin-care products with snail mucin or caviar oil, or a face mask that vaguely boasts placenta.
(Whose placenta? Who knows?) There will usually be a pseudo-French bakery with weak coffee, bubble tea, and an array of glowing pastries that always look much better than they taste.
My local H Mart these days is in Elkins Park, a town northeast of Philadelphia. My routine is to drive in for lunch on the weekends, stock up on groceries for the week, and cook something for dinner with whatever fresh bounty inspires me. The H Mart in Elkins Park has two stories; the grocery is on the first floor and the food court is above it. Upstairs, there is an array of stalls serving different kinds of food. One is dedicated to sushi, one is strictly Chinese. Another is for traditional Korean jjigaes, bubbling soups served in traditional earthenware pots called ttukbaegis, which act as mini cauldrons to ensure that your soup is still bubbling a good ten minutes past arrival. There’s a stall for Korean street food that serves up Korean ramen (basically just Shin Cup noodles with an egg cracked in); giant steamed dumplings full of pork and glass noodles housed in a thick, cakelike dough; and tteokbokki, chewy, bite-sized cylindrical rice cakes boiled in a stock with fish cakes, red pepper, and gochujang, a sweet-and-spicy paste that’s one of the three mother sauces used in pretty much all Korean dishes. Last, there’s my personal favorite: Korean-Chinese fusion, which serves tangsuyuk—a glossy, sweet-and-sour orange pork—seafood noodle soup, fried rice, and black bean noodles.
The food court is the perfect place to people-watch while sucking down salty, fatty jjajangmyeon. I think about my family who lived in Korea, before most of them died, and how Korean-Chinese was always the first thing we’d eat when my mom and I arrived in Seoul after a fourteen-hour flight from America. Twenty minutes after my aunt would phone in our order, the apartment ringer would buzz Für Elise
in MIDI, and up would come a helmeted man, fresh off his motorcycle, with a giant steel box. He’d slide open the metal door and deliver heaping bowls of noodles and deep-fried battered pork with its rich sauce on the side. The plastic wrap on top would be concave and sweating. We’d peel it off and dribble black, chunky goodness all over the noodles and pour the shiny, sticky, translucent orange sauce over the pork. We’d sit cross-legged on the cool marble floor, slurping and reaching over one another. My aunts and mom and grandmother would jabber on in Korean, and I would eat and listen, unable to comprehend, bothering my mom every so often, asking her to translate.
I wonder how many people at H Mart miss their families. How many are thinking of them as they bring their trays back from the different stalls. If they’re eating to feel connected, to celebrate these people through food. Which ones weren’t able to fly back home this year, or for the past ten years? Which ones are like me, missing the people who are gone from their lives forever?
At one table is a group of young Chinese students, alone without family at schools in America. They have banded together to take the bus forty-five minutes outside the city, into the suburbs of a foreign country for soup dumplings. At another table, there are three generations of Korean women eating three different types of stew: daughter, mother, and grandmother dipping their spoons into one another’s bowls, reaching over one another’s trays, arms in one another’s faces, pinching at their different banchan with chopsticks. None of them pay any heed or give a second thought to the concept of personal space.
There is a young white man and his family. They giggle together as they try to pronounce the menu. The son explains to his parents the different dishes they’ve ordered. Maybe he was stationed in Seoul for military service or taught English abroad. Maybe he’s the only one in his family with a passport. Maybe this will be the moment his family decides it’s time to travel and discover these things themselves.
There is an Asian guy blowing his girlfriend’s mind, introducing her to a new world of flavors and textures. He shows her how to eat mul naengmyeon, a cold noodle soup that tastes better if you add vinegar and hot mustard first. He tells her how his parents came to this country, how he watched his mom make this dish at home. When she made it, she didn’t add zucchini; she subbed radishes instead. An old man hobbles over to a neighboring table to order the chicken-and-ginseng porridge that he probably eats here every day. Bells go off for people to collect their orders. Behind the counters, women in visors work without stopping.
It’s a beautiful, holy place. A cafeteria full of people from all over the world who have been displaced in a foreign country, each with a different history. Where did they come from and how far did they travel? Why are they all here? To find the galangal no American supermarket stocks to make the Indonesian curry that their father loves? To buy the rice cakes to celebrate Jesa and honor the anniversary of their loved one’s passing? To satisfy a craving for tteokbokki on a rainy day, moved by a memory of some drunken, late-night snack under a pojangmacha tent in Myeong-dong?
We don’t talk about it. There’s never so much as a knowing look. We sit here in silence, eating our lunch. But I know we are all here for the same reason. We’re all searching for a piece of home, or a piece of ourselves. We look for a taste of it in the food we order and the ingredients we buy. Then we separate. We bring the haul back to our dorm rooms or our suburban kitchens, and we re-create the dish that couldn’t be made without our journey. What we’re looking for isn’t available at a Trader Joe’s. H Mart is where your people gather under one odorous roof, full of faith that they’ll find something they can’t find anywhere else.
In the H Mart food court, I find myself again, searching for the first chapter of the story I want to tell about my mother. I am sitting next to a Korean mother and her son, who have unknowingly taken the table next to ol’ waterworks. The kid dutifully gets their silverware from the counter and places it on paper napkins for both of them. He’s eating fried rice and his mom has seolleongtang, ox-bone soup. He must be in his early twenties, but his mother is still instructing him on how to eat, just like my mom used to. Dip the onion in the paste.
Don’t add too much gochujang or it’ll be too salty.
Why aren’t you eating the mung beans?
Some days, the constant nagging would annoy me. Woman, let me eat in peace! But, most days, I knew it was the ultimate display of a Korean woman’s tenderness, and I cherished that love. A love I’d do anything to have back.
The boy’s mom places pieces of beef from her spoon onto his. He is quiet and looks tired and doesn’t talk to her much. I want to tell him how much I miss my mother. How he should be kind to his mom, remember that life is fragile and she could be gone at any moment. Tell her to go to the doctor and make sure there isn’t a small tumor growing inside her too.
Within five years, I lost both my aunt and my mother to cancer. So, when I go to H Mart, I’m not just on the hunt for cuttlefish and three bunches of scallions for a buck; I’m searching for memories. I’m collecting the evidence that the Korean half of my identity didn’t die when they did. H Mart is the bridge that guides me away from the memories that haunt me, of chemo head and skeletal bodies and logging milligrams of hydrocodone. It reminds me of who they were before, beautiful and full of life, wiggling Chang Gu honey-cracker rings on all ten of their fingers, showing me how to suck a Korean grape from its skin and spit out the seeds.
2
Save Your Tears
My mother died on October 18, 2014, a date I’m always forgetting. I don’t know why exactly, if it’s because I don’t want to remember or if the actual date seems so unimportant in the grand scheme of what we endured. She was fifty-six years old. I was twenty-five, an age my mother had assured me for years would be special. It was the same age my mother had been when she met my father. The year they got married, the year she left her home country, her mother, and two sisters and embarked on a pivotal chapter of her adult life. The year she began the family that would come to define her. For me, it was the year things were supposed to fall into place. It was the year her life ended and mine fell apart.
Sometimes I feel guilty about misremembering when it happened. Every fall I have to scroll through the photos I’ve taken of her gravestone to reconfirm the date engraved, half obscured by the multicolored bouquets I’ve left these past five years, or I resort to googling the obituary I neglected to write so I can prepare to willfully feel something that never quite feels like the thing I’m supposed to be feeling.
My father is obsessed with dates. Some sort of internal clock whirs without fail around every impending birthday, death day, anniversary, and holiday. His psyche intuitively darkens the week before and soon enough he’ll inundate me with Facebook messages about how unfair it all is and how I’ll never know what it’s like to lose your best friend. Then he’ll go back to riding his motorcycle around Phuket, where he retired a year after she died, filling the void with warm beaches and street-vended seafood and young girls who can’t spell the word problem.
—
What I never seem to forget is what my mother ate. She was a woman of many usuals.
Half a patty melt on rye with a side of steak fries to share at the Terrace Cafe after a day of shopping. An unsweetened iced tea with half a packet of Splenda, which she would insist she’d never use on anything else. Minestrone she’d order steamy hot,
not steaming hot,
with extra broth from the Olive Garden. On special occasions, half a dozen oysters on the half shell with champagne mignonette and steamy hot
French onion soup from Jake’s in Portland. She was maybe the only person in the world who’d request steamy hot
fries from a McDonald’s drive-through in earnest. Jjamppong, spicy seafood noodle soup with extra vegetables from Cafe Seoul, which she always called Seoul Cafe, transposing the syntax of her native tongue. She loved roasted chestnuts in the winter though they gave her horrible gas. She liked salted peanuts with light beer. She drank two glasses of chardonnay almost every day but would get sick if she had a third. She ate spicy pickled peppers with pizza. At Mexican restaurants she ordered finely chopped jalapeños on the side. She ordered dressings on the side. She hated cilantro, avocados, and bell peppers. She was allergic to celery. She rarely ate sweets, with the exception of the occasional pint of strawberry Häagen-Dazs, a bag of tangerine jelly beans, one or two See’s chocolate truffles around Christmastime, and a blueberry cheesecake on her birthday. She rarely snacked or took breakfast. She had a salty hand.
I remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it. She remembered if you liked your stews with extra broth, if you were sensitive to spice, if you hated tomatoes, if you didn’t eat seafood, if you had a large appetite. She remembered which banchan side dish you emptied first so the next time you were over it’d be set with a heaping double portion, served alongside the various other preferences that made you, you.
—
In 1983 my father flew to South Korea in response to an ad in The Philadelphia Inquirer that read simply Opportunity Abroad.
The opportunity turned out to be a training program in Seoul, selling cars to the U.S. military. The company booked him a room at the Naija Hotel, a landmark in the Yongsan district, where my mother worked the front desk. She was, supposedly, the first Korean woman he ever met.
They dated for three months and when the training program ended, my father asked my mother to marry him. The two of them made their way through three countries during the mid-’80s, living in Misawa, Heidelberg, and Seoul again, where I was born. A year later, my father’s older brother Ron offered him a job at his truck brokerage company. The position afforded stability and an end to my family’s biannual intercontinental uprooting, and so we immigrated when I was just a year old.
We moved to Eugene, Oregon, a small college town in the Pacific Northwest. The city sits near the source of the Willamette River, which stretches 150 miles north, from the Calapooya Mountains outside of town to its mouth on the Columbia. Carving its way between mountains, the Cascade Range to the east and the Oregon Coast Range to the west, the river defines a fertile valley where tens of thousands of years ago a series of ice age floods surged southwest from Lake Missoula, traveling over eastern Washington and bringing with their floodwaters rich soil and volcanic rock that now shore up the layers of its earth, alluvial plains fit for a vast variety of agriculture.
The town itself is coated in green, hugging the banks of the river and spreading out up into the rugged hills and pine forests of central Oregon. The seasons are mild, drizzly, and gray for most of the year but give way to a lush, unspoiled summer. It rains incessantly and