- published: 05 Jul 2019
- views: 99
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
HIDDEN ERROR: Usage of "nationality" is not recognized
Neil Sedaka (born March 13, 1939) is an American pop/rock singer, pianist, composer and record producer. Since his music career began in 1957, he has sold millions of records as an artist and has written or co-written over 500 songs for himself and others, collaborating mostly with lyricists Howard Greenfield and Phil Cody.
Sedaka was born in Brooklyn, New York. His father, Mac Sedaka, was a taxi driver and a Sephardi Jew of Turkish origin ("Sedaka" and "Sadaka" are variants of "tzedakah", which translates in both Hebrew and Arabic as the word charity). Neil's mother, Eleanor (née Appel), was an Ashkenazi Jew of Polish/Russian origin. Neil's grandparents came to the United States from Constantinople, then the capital of Ottoman Turkey, in 1910. He grew up in Brighton Beach, on the shore of the Atlantic Ocean. Sedaka is a cousin of the late singer Eydie Gormé.
He demonstrated musical aptitude in his second-grade choral class, and when his teacher sent a note home suggesting he take piano lessons, his mother took a part-time job in an Abraham & Straus department store for six months to pay for a second-hand upright. In 1947, he auditioned successfully for a piano scholarship to the Juilliard School of Music's Preparatory Division for Children, which he attended on Saturdays. His mother wanted him to become a renowned classical pianist like the contemporary of the day, Van Cliburn, but Sedaka was discovering pop music. When Sedaka was 13, a neighbor heard him playing and introduced him to her 16-year-old son, Howard Greenfield, an aspiring poet and lyricist. They became two of the legendary Brill Building's composers.
Rock with Neil Sedaka or just Neil Sedaka is the first major solo album of Neil Sedaka released in 1959 after two 1958 albums under the titles Neil Sedaka and The Tokens and Neil Sedaka and The Tokens and Coins. The album was released on RCA and was produced by Al Nevins. The album contains 12 songs, all of them co-written by Sedaka and his friend Howard Greenfield. Two of the songs became successful singles for Sedaka from the album, namely "The Diary", his debut single that was a hit, reaching No. 14 on the US Billboard charts, and "I Go Ape", a single that was relatively successful in the United States reaching No. 42, but did far better in the UK Singles Chart, making it up to No. 9 and his debut single in the United Kingdom.
All songs were composed by Neil Sedaka and Howard Greenfield.
Where the Boys Are '84 (onscreen title: Where the Boys Are) is a 1984 remake of the 1960 teen sex comedy film Where the Boys Are, starring Lisa Hartman, Russell Todd, Lorna Luft, Wendy Schaal and Lynn-Holly Johnson. Directed by Hy Averback and produced by Allan Carr, it was the first film released by Tri-Star Pictures.
The film's tagline is: When girls want a vacation filled with fun, sun and romance, they go to Fort Lauderdale ... Where all your dreams come true.
Four co-eds from snowbound Penmore College head to Fort Lauderdale, Florida for spring break: Carole (Lorna Luft) taking a separate vacation from her steady boyfriend, winds up as a hot contender in a "Hot Bod Contest"; Jennie (Lisa Hartman) is doubly lucky, courted by both a rich classical pianist and a devil-may-care rocker; Sandra (Wendy Schaal) looking for the Mr. Right who will finally satisfy her; and Laurie (Lynn-Holly Johnson) dreams of a night of unbridled passion with a real he-man.
Where the Boys Are (1960) is an Metrocolor and CinemaScope American coming-of-age comedy film, written by George Wells based on the novel of the same name by Glendon Swarthout, about four Midwestern college co-eds who spend spring break in Fort Lauderdale, Florida. The title song "Where the Boys Are" was sung by Connie Francis, who also co-starred in a supporting role. The film was aimed at the teen market, featuring sun, sand and romance. Released in the wintertime, it inspired thousands of additional American college students to head to Fort Lauderdale for their annual spring break.
Where the Boys Are was one of the first teen films to explore adolescent sexuality and the changing sexual morals and attitudes among American college youth. It won Laurel awards for Best Comedy of the Year and Best Comedy Actress (Paula Prentiss).
The main focus of Where the Boys Are is the "coming of age" of four girl students at a Midwestern university during spring vacation. As the film opens, Merritt Andrews (Dolores Hart), the smart and assertive leader of the quartet, expresses the opinion in class that premarital sex might be something young women should experience. Her speech eventually inspires the insecure Melanie Tolman (Yvette Mimieux) to lose her virginity soon after the young women arrive in Ft. Lauderdale, Florida. Tuggle Carpenter (Paula Prentiss), on the other hand, seeks to be a "baby-making machine," lacking only the man to join her in marriage. Angie (Connie Francis) rounds out the group as a girl who is clueless when it comes to romance.
Where the Boys Are is a song written by Neil Sedaka and Howard Greenfield and first recorded by Connie Francis.
When Metro-Goldwyn-Mayer signed Connie Francis for a major starring rôle in the motion picture Where the Boys Are (based on the novel of the same name by Glendon Swarthout), Francis solicited the services of Neil Sedaka and Howard Greenfield, who had written hit songs for her previously (e. g. "Stupid Cupid"), to write original material for her to perform on the film's soundtrack including a Where the Boys Are title song.
Sedaka and Greenfield wrote two potential title songs for the film, but producer Joe Pasternak dismissed the song preferred by Francis and the songwriting team. The dismissed version in question was never recorded, not even for demonstration purposes, as Francis (vocal) and Sedaka (piano) had presented both songs as a live performance for Pasternak.
The version chosen by Joe Pasternak was recorded for the first time on July 12, 1960 in Hollywood and was only used when combined to medleys with the overture and closing credits scores written by George E. Stoll.
Neil Sedaka performs Where the Boys Are at the Fallsview Casino in Niagara Falls, ON on June 29, 2019.
HIDDEN ERROR: Usage of "nationality" is not recognized
Neil Sedaka (born March 13, 1939) is an American pop/rock singer, pianist, composer and record producer. Since his music career began in 1957, he has sold millions of records as an artist and has written or co-written over 500 songs for himself and others, collaborating mostly with lyricists Howard Greenfield and Phil Cody.
Sedaka was born in Brooklyn, New York. His father, Mac Sedaka, was a taxi driver and a Sephardi Jew of Turkish origin ("Sedaka" and "Sadaka" are variants of "tzedakah", which translates in both Hebrew and Arabic as the word charity). Neil's mother, Eleanor (née Appel), was an Ashkenazi Jew of Polish/Russian origin. Neil's grandparents came to the United States from Constantinople, then the capital of Ottoman Turkey, in 1910. He grew up in Brighton Beach, on the shore of the Atlantic Ocean. Sedaka is a cousin of the late singer Eydie Gormé.
He demonstrated musical aptitude in his second-grade choral class, and when his teacher sent a note home suggesting he take piano lessons, his mother took a part-time job in an Abraham & Straus department store for six months to pay for a second-hand upright. In 1947, he auditioned successfully for a piano scholarship to the Juilliard School of Music's Preparatory Division for Children, which he attended on Saturdays. His mother wanted him to become a renowned classical pianist like the contemporary of the day, Van Cliburn, but Sedaka was discovering pop music. When Sedaka was 13, a neighbor heard him playing and introduced him to her 16-year-old son, Howard Greenfield, an aspiring poet and lyricist. They became two of the legendary Brill Building's composers.
Away... away
I just can't wait to fall asleep
I can't wait for night each day
'Cause when the lights are low
No matter where you go,
You're only forty winks
Away... away
No matter how far you may be,
Believe me darling when I say,
The oceans in between
I cross them on a dream
'Cause you're just forty winks
Away... away
There's a land of enchantment
Just beyond my pillowcase,
And I go there 'cause I know there
I'll be in your sweet embrace.
So till you come back home again,
Until you're in my arms to stay,
It's kinda nice to know,
I turn the lights down low,
And you're just forty winks
Away... away...
[Fade out]