- published: 03 Jun 2012
- views: 744745
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Throbbing Gristle were an English music and visual arts group formed in 1976 in Kingston upon Hull. The band comprised Genesis P-Orridge (born Neil Megson; bass guitar, violin, vocals, vibraphone), Cosey Fanni Tutti (born Christine Newby; guitars, cornet, vocals), Peter "Sleazy" Christopherson (tapes, found sounds, horns, piano, vibraphone, synthesizer) and Chris Carter (synthesizers, tapes, electronics).
Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle are widely viewed as early pioneers of industrial music along with contemporaries such as Cabaret Voltaire. They disbanded in 1981, but the individual members went on to participate in other projects, and reformed in 2004 for a second stint before disbanding again in 2010 after the death of Peter Christopherson.
Throbbing Gristle evolved from the performance art group COUM Transmissions, which was formed in Kingston upon Hull by a group of performers centred on Genesis P-Orridge and Cosey Fanni Tutti. The final performance of COUM Transmissions in 1976 was also the debut of Throbbing Gristle.
What a Day is the title of the first solo album by Phil Keaggy, originally released in 1973, on New Song Records. It was later reissued on vinyl by Nissi Records and then on CD by Myrrh Records together with Keaggy's second solo album, Love Broke Thru.
All songs written by Phil Keaggy except where noted.
taken from: TGV - The Video Archive Of Throbbing Gristle 7 × DVD | Industrial Records | 2007 | Re~TG At The Astoria Theatre, London 2004-05-16 |
Off of Thee Psychick Sacrifice. Cassette rip.
real industrial, yo.
By far worse is the hambuger lady, We must heal them for the qualified technicians, Worse, Alternating nights are automatic, She's lying there, Hamburger Lady Hamburger Lady She's dying, She is burned from the waist up, On her arm, Her ear is burned, Her eyelashes are burned, She can't hold things up, And even with medical advances, There's no end in sight, For hamburger lady, She wants me to tell you of her claim mind, From which the double play laying, The proping chair, Leave her, She's Burned from the waist down, Has to eat her life through tubes, Hamburger Lady Hamburger Lady She's okay if you change the tubes, Tubes in her legs, the tubes in her arms, She's okay, Then it came out and saw the burn net, Indeed in the account of killing, And he flashed on the carpet, And he flashed ...
A look into the history of the band Throbbing Gristle, the misdirection of their 20 Jazz Funk Greats album, the start of the industrial music genre, and the impact of Genesis P-Orridge on burgeoning LGBTQIA+ matters over the years. More video essays: https://youtube.com/playlist?list=PLLWo4eAfFcpvnRlli7fOMusIb2lMLWb0T The Disappearance of Su Tissue: https://youtu.be/sjswbOA-eYI Read my horror novel "South of the Mason-Dixon" https://www.hellboundbookspublishing.com/masondixon.html Read my post-apocalyptic revenge novel "The Fall of Polite" https://www.amazon.com/dp/B084V2CKGQ Letterboxd: https://letterboxd.com/Brickwall_/
Provided to YouTube by PIAS Hot on Heels of Love · Throbbing Gristle 20 Jazz Funk Greats ℗ under exclusive license to Mute Artists Ltd. Released on: 1979-01-01 Producer: Throbbing Gristle Mixing Engineer: Throbbing Gristle Composer: Throbbing Gristle Auto-generated by YouTube.
Scabs & Saws by Throbbing Gristle, taken from TG Berlin box set which comprises of 4 CDs, a Blu Ray, a 10” vinyl and a photo book featuring unseen photographs from the time. Includes their previously unreleased work in Berlin around a very special series of live events at the Volksbühne in 2005/2006. Pre-order: https://mute.ffm.to/tg-berlin Formed in 1975, Throbbing Gristle - Chris Carter, Cosey Fanni Tutti, Genesis Breyer P-Orridge (1950-2020) and Peter 'Sleazy' Christopherson (1955-2010), fully delivered on punk’s failed promise to explore extreme culture as a way of sabotaging systems of control. Their impact on music, culture and the arts has been immeasurable, and still felt today across music, film, theatre, and fine art.
Genesis P-Orridge on the beginnings of Throbbing Gristle and roots of industrial music.
Originally released in 1978 as a double sided 7" single with Zyklon B Zombie by Throbbing Gristle's own label, Industrial Records. United is included on the compilation album 'The Taste Of TG' - due for release on the 3rd November 2017, the 40th Anniversary of the release of The Second Annual Report. Available for pre-order: The Second Annual Report - http://smarturl.it/TG2nd 20 Jazz Funk Greats - http://smarturl.it/TG20jazz The Taste Of TG - http://smarturl.it/TGtaste http://www.throbbing-gristle.com/ http://mute.com/
Provided to YouTube by Columbia WHAT A DAY · Tyler, The Creator CALL ME IF YOU GET LOST: The Estate Sale ℗ 2023 Columbia Records, a Division of Sony Music Entertainment, as exclusive licensee Released on: 2023-03-31 Composer, Lyricist, Executive Producer, Recording Engineer: Tyler Okonma Producer: Madlib Composer, Lyricist: Otis Jackson Jr. Mixing Engineer: NealHPogue Composer, Lyricist: Michal Urbaniak Assistant Engineer: Zachary Acosta Mastering Engineer: Mike Bozzi Auto-generated by YouTube.
What A Day That Will Be" Songwriters Jim Hill Originally Performed by Heritage Singers Audio Editing & Mixing by Glen Pahilangco Cover by AINI, Melita & Von From Mountain View College
Music video by Nonpoint performing What A Day. (C) 2000 Geffen Records
Music video by Bill & Gloria Gaither performing What a Day That Will Be (feat. Guy Penrod and David Phelps) [Live]. (P) (C) 2012 Spring House Music Group. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by EMI Christian Music Group,
This song was created for educational purposes and is released under Fair Use. Listen on Soundcloud - https://soundcloud.com/timeboy/madlib-what-a-day-unreleased It seems like all the versions of this song are shitty quality; so I decided to re-make it using the original sample from the Michal Urbaniak song "A Day in the Park". It gave me some wonderful insight into Madlib's sampling techniques and composition flow. Also, I didn't just take the sample and chop it up. I wanted to be as true to the mix as possible. That involved using a vintage compressor plugin for the warmth, EQ tweaking for that aged effect, some crackle and machine hiss, as well as erosion on the highs. I'm pretty happy how it turned out. The picture was taken at Lake Balboa Park (Los Angeles) using the Pro HDR app ...
Drew Parker sings 'What A Day That Will Be' acoustically at The Nashville Vineyard Church in Tennessee. These are "The Church Sessions," produced by Country Rebel. Let us know if you enjoyed it by giving the video a thumbs up and subscribing for more awesome Country Rebel videos! If you're new, Subscribe! → http://cntryrbl.us/Subscribe-YouTube Drew Parker - What A Day That Will Be (Acoustic Cover) // The Church Sessions Go here → http://cntryrbl.us/Home-YT Like us → http://cntryrbl.us/Facebook-YT Follow us → http://cntryrbl.us/Twitter-YT Listen here → http://cntryrbl.us/Spotify-YT Visit our store → http://cntryrbl.us/CR-Store
Official video for “What a Day That Will Be [Live]” feat. Jim Hill Download on iTunes here: https://itunes.apple.com/nz/album/homecoming-picnic/id716031593 Subscribe to Gaither TV at http://www.gaither.tv Subscribe to Homecoming Magazine at http://www.homecomingmagazine.com/magazine/ Subscribe to Gaither VEVO channel: https://www.youtube.com/GaitherVEVO Facebook: https://www.facebook.com/Gaithermusic/ Twitter: https://twitter.com/Gaithermusic Spotify: https://open.spotify.com/artist/11sAWrpIkFUPQlXoQqpeBV Music video by Bill & Gloria Gaither performing What a Day That Will Be (feat. Jim Hill) [Live]. (P) (C) 2012 Spring House Music Group. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by EMI Christian Music Group,
Your journey to more success: https://garycoxe.com/ Join Gary's BFC Mastermind Event https://beyondfirstclasswithgary.com/ ✈️ It’s jet school time! Every year, I go through intense training to stay current in the jet. I use this jet to meet my speaking schedule and to fly clients to Sandals Resort for our Luxury Masterminds. 🔥 But jet training isn’t just a refresher—it’s a challenge. In the simulator, you’re lucky to fly for three minutes before an engine fire or some other failure hits. Want to see what a day at jet school looks like? 👀 Tag along and experience it for yourself! 🚀 #Jettraining #Citation #luxury #luxurylifestyle #pilot #mastermind
Provided to YouTube by WM UK What a Day · Faith No More King for a Day, Fool for a Lifetime ℗ 1995 SLASH RECORDS Production: Andy Wallace Production: Faith No More Composer: M. Patton Composer: T. Spruance Auto-generated by YouTube.
Throbbing Gristle were an English music and visual arts group formed in 1976 in Kingston upon Hull. The band comprised Genesis P-Orridge (born Neil Megson; bass guitar, violin, vocals, vibraphone), Cosey Fanni Tutti (born Christine Newby; guitars, cornet, vocals), Peter "Sleazy" Christopherson (tapes, found sounds, horns, piano, vibraphone, synthesizer) and Chris Carter (synthesizers, tapes, electronics).
Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle are widely viewed as early pioneers of industrial music along with contemporaries such as Cabaret Voltaire. They disbanded in 1981, but the individual members went on to participate in other projects, and reformed in 2004 for a second stint before disbanding again in 2010 after the death of Peter Christopherson.
Throbbing Gristle evolved from the performance art group COUM Transmissions, which was formed in Kingston upon Hull by a group of performers centred on Genesis P-Orridge and Cosey Fanni Tutti. The final performance of COUM Transmissions in 1976 was also the debut of Throbbing Gristle.
Persuasion
You gotta get some
Persuasion
You gotta get some
Look at me I touch your breast
Look at me I touch your knees
And I persuade you
Like always I persuade you
Like always I persuade you
Persuasion
Look at me I touch your head
I say the words and you go to bed
My sister and my mother
My father and my son
Do everything I want them to
With persuasion
One lot of persuasion
Like always persuasion
Now there's lots of ways to persuade you
I could do it with money
I could look at you
I could show you all that
You might as well do it anyway
You might as well choose to play the game
After all you've seen yourself before
What difference does it make if I take your photograph?
What difference does it make if someone else sees it too?
All your friends do it
I mean nobody will know it's you
Anybody, it could be any body
I mean, these magazines, you know,
They only go to middle aged men
So why don't you do what I suggest
I persuade you
With words I persuade you
Persuasion
I've got a little biscuit tin
To keep your panties in
I've got a little biscuit tin
To keep your panties in
Soiled panties, white panties, school panties, Y-front panties
By the canal, by the canal
And I persuade you
Like always I persuade you
Look at me
Look at me
There's a certaing word and a certain touch
A certain way and a way too much
There's a little bit here
And a little bit there
When you've done it all it's too late to care
Oh I persuade you
Like always I persuade you
Look in my eye
Under your covers
I touch you
And tell you what to do
Do it because I tell you
Do it because I love you
And I persuade you