- published: 26 Nov 2020
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Nigel Kennedy (born 28 December 1956) is a British violinist and violist. He made his early career in the classical field, and has more recently performed jazz, klezmer, and other music genres.
Nigel Kennedy's grandfather was Lauri Kennedy, principal cellist with the BBC Symphony Orchestra, and his grandmother was Dorothy Kennedy, a pianist. Lauri and Dorothy Kennedy were Australian, whilst their son, the cellist John Kennedy, was born in England. After graduating from the Royal Academy of Music, at age 22, John joined the Liverpool Philharmonic Orchestra, later becoming the principal cellist of Sir Thomas Beecham's Royal Philharmonic Orchestra. While in England, John developed a relationship with an English pianist, Scylla Stoner, with whom he eventually toured in 1952 as part of the Llewellyn-Kennedy Piano Trio (with the violinist Ernest Llewellyn; Stoner was billed as "Scylla Kennedy" after she and John married). However, they ultimately divorced and John returned to Australia. Nigel Kennedy has about 30 close relatives in Australia, whom he visits whenever he tours there.
Myles Storr Nigel Kennedy (12 October 1889 – 19 January 1964) was a British barrister, army officer, and politician. He served a single term in Parliament as a Conservative Party Member of Parliament (MP), but never contributed to any debate. He was a member of Lancashire County Council for nearly twenty years. His Military and political career came to a premature end when his colourful private life brought about a court judgment against him and resulted in his bankruptcy.
He was the last proprietor of Roanhead mines, which he managed from 1914 until they were worked out in July 1942.
Kennedy's father, Myles Burton Kennedy, was a Deputy Lieutenant and High Sheriff of Lancashire who lived in Stone Cross near Ulverston in the Furness or North Lonsdale area of the county. Kennedy was his eldest son and was born in Ulverston in 1889. He attended Harrow School before going up to Trinity College, Cambridge. He was admitted to the degree of a Bachelor of Arts in 1911, and proceeded to the degree of Master of Arts in 1916. After leaving Cambridge, Kennedy began to study law through the Council of Legal Education.
Felix Mendelssohn's Violin Concerto in E minor, Op. 64, is his last large orchestral work. It forms an important part of the violin repertoire and is one of the most popular and most frequently performed violin concertos of all time. A typical performance lasts just under half an hour.
Mendelssohn originally proposed the idea of the violin concerto to Ferdinand David, a close friend and then concertmaster of the Leipzig Gewandhaus Orchestra. Although conceived in 1838, the work took another six years to complete and was not premiered until 1845. During this time, Mendelssohn maintained a regular correspondence with David, who gave him many suggestions. The work itself was one of the foremost violin concertos of the Romantic era and was influential on many other composers.
Although the concerto consists of three movements in a standard fast–slow–fast structure and each movement follows a traditional form, the concerto was innovative and included many novel features for its time. Distinctive aspects include the almost immediate entrance of the violin at the beginning of the work (rather than following an orchestral preview of the first movement's major themes, as was typical in Classical-era concertos) and the through-composed form of the concerto as a whole, in which the three movements are melodically and harmonically connected and played attacca (each movement immediately following the previous one).
Samuel Barber completed his Violin Concerto, Op. 14, in 1939. It is a work in three movements, lasting about 22 minutes.
In 1939, Philadelphia industrialist Samuel Simeon Fels commissioned Barber to write a violin concerto for Fels' ward, Iso Briselli, a graduate from the Curtis Institute of Music the same year as Barber, 1934. The Barber biographies written by Nathan Broder (1954) and Barbara B. Heyman (1992) discuss the genesis of the concerto during the period of the violin concerto's commission and subsequent year leading up to the first performance. Heyman interviewed Briselli and others familiar with the history in her publication. In late 2010, previously unpublished letters written by Fels, Barber, and Albert Meiff (Briselli's violin coach in that period) from the Samuel Simeon Fels Papers archived at the Historical Society of Pennsylvania became available to the public.
Barber accepted his advance and went to Switzerland to work on the concerto. Barber started working on the first two movements in Switzerland during the summer of 1939. He hoped to complete the concerto in the early fall to meet the October 1st deadline. His plans were interrupted, however, due to the impending war—all Americans were warned to leave Europe. In late August, he went to Paris and then took a ship to the USA, arriving in early September. After spending a short time with his family in West Chester, PA, he went to the Pocono Mountains to continue working on the concerto.
Ludwig van Beethoven composed a Violin Concerto in D major, Op. 61, in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by Joseph Joachim. Since then it has become one of the best-known violin concertos.
Beethoven had previously written a number of pieces for violin and orchestra. At some point in 1790–2, before his musical maturity, he began a Violin Concerto in C, of which only a fragment of the first movement survives. Whether the work, or even the first movement, had ever been completed is not known. However, even if complete, it was neither performed nor published. Later in the 1790s, Beethoven had completed two Romances for violin - first the Romance in F and later the Romance in G.
These works show a strong influence from the French school of violin playing, exemplified by violinists such as Giovanni Battista Viotti, Pierre Rode and Rodolphe Kreutzer. The two Romances, for instance, are in a similar style to slow movements of concerti by Viotti. This influence can also be seen in the D major Concerto; the 'martial' opening with the beat of the timpani follows the style of French music at the time, while the prevalence of figures in broken sixths and broken octaves closely resembles elements of compositions by Kreutzer and Viotti.
Crossover violin virtuoso Nigel Kennedy has spent the past 30 years interpreting the works of legendary rock guitarist Jimi Hendrix. Here, accompanied by the Polish Chamber Orchestra, Nigel Kennedy puts his unique personal spin on Jimi Hendrix’s classic song “Purple Haze” during a concert at La Citadelle in Carcassonne, France, on July 17, 2005. Violinist Nigel Kennedy’s discography is extensive, and he’s always shifted among genres, whether classical, jazz, klezmer or rock. In the late 1990s, he formed The Kennedy Experience along with seven other musicians, and released an album in 1999 of instrumental works, each a classical interpretation of a Jimi Hendrix song. “Purple Haze” was one of the tracks, and this performance, with the Polish Chamber Orchestra, showcases Nigel Kennedy’s impr...
Prom 31: Nigel Kennedy plays Bach 06.08.2011, 10.00pm, Royal Albert Hall Nigel Kennedy returns to the Proms live and unplugged in solo Bach. Programme Johann Sebastian Bach Violin Partita No.3 in E major (4 mins) No. 1 Preludio Violin Partita No.2 in D minor (36 mins) Das Pendel (arr. Kennedy) (7 mins) Fats Waller How can you face me now? (arr. Nigel Kennedy) (7 mins) (encore) Honeysuckle Rose (arr. Nigel Kennedy) (7 mins) (encore) Viper’s Drag (arr. Nigel Kennedy) (5 mins) Performers Nigel Kennedy violin Rolf Bussald guitar Yaron Stavi double bass Krzysztof Dziedzic percussion About this event When in 2008 Nigel Kennedy came back to the Proms after an absence of 21 years, his Late Night concert with his own quartet followed an early-evening performance of Elgar's Violin Concerto which...
Discover more about violin superstar Nigel Kennedy's life in music – from Vivaldi’s Four Seasons to his own compositions – in the UNCENSORED collection: https://w.lnk.to/uncLY 0:00 Concerto No. 1 in E major, Op. 8, RV 269, "Spring" (La primavera) 10:24 Concerto No. 2 in G minor, Op. 8, RV 315, "Summer" (L'estate) 21:10 Concerto No. 3 in F major, Op. 8, RV 293, "Autumn" (L'autunno) 32:24 Concerto No. 4 in F minor, Op. 8, RV 297, "Winter" (L'inverno) Nigel Kennedy’s recording of Vivaldi's The Four Seasons with the English Chamber Orchestra was released on 25th September 1989 and went on to become one of the best-selling classical albums of all-time, selling over three million copies around the world. Originally recorded in November 1986 in the Church of St John-at-Hackney, London, it was a...
Danny Boy (Traditional) Nigel Kennedy, Vioin Recorded live on 21 August, 2021 at the Festival Tent of Gstaad Director: Christina Ruloff Editor: Jan Mühlethaler Sound: Joël Cormier Come and visit us here: Gstaad Menuhin Festival: https://www.gstaadmenuhinfestival.ch/en Gstaad Digital Festival: https://www.gstaaddigitalfestival.ch/en/
An early recording of Nigel Kennedy's incredible performances of JS Bach's Partita for solo violin No 3 in E Major Predudio and Kriesler's Praeludium and Allegro. Accompanied by Peter Pettinger on piano. Nigel Kennedy used his Guarneri del gesu violin. VHS to Digital transfer.
Clasic music
The Lark Ascending I enjoyed many interpretations of this composition. ... I said to myself: "Only Nigel will do it in a way, touching my heart in the ultimate way." In my research, I finally found it, robbed it, cut it. With deepest respect! ... dreaming of a jam session with Nigel ... The Lark Ascending Poem George Meredith (1828–1909) https://www.bartleby.com/246/680.html Lark Gif by Jackie Smith: https://pin.it/whee4ym4blifbm Nigel Kennedy, Violin: https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=2&cad=rja&uact=8&ved=0ahUKEwiWuMjn0evbAhVKsKQKHd3mCeEQFghLMAE&url=https%3A%2F%2Fde.wikipedia.org%2Fwiki%2FNigel_Kennedy&usg=AOvVaw1bwSkDE3o9q-vt1sgjbeDY Vaughan Wiliams, Composer: https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0ahUKEwiM...
Nigel Kennedy and Kroke Band 1.AdjeJano (4.24) 2.Lullaby for Kamila (3.24) 3. T 4.2 (6.11) 4.Eden (6.06) 5.Dafino (2.51) 6. Jovano Jovanke (4.25) 7.Ederlezi (5.47) 8.Kazimierz (3.28) 9.One Voice (4.54) 10. Tribute to Maria Tanase (3.11) 11.Time 4 Time (5.21) 12.Vino (6.04) 13.Lost in Time (4.22) 14. Kukush (4.42) (65.14)
Concerto No.2 in G minor RV315 "Summer" 3rd Movement From Nigel Kennedy's live concert "a la Citadelle", 2005, France with the Polish Chamber Orchesra © Not owned
Nigel Kennedy (born 28 December 1956) is a British violinist and violist. He made his early career in the classical field, and has more recently performed jazz, klezmer, and other music genres.
Nigel Kennedy's grandfather was Lauri Kennedy, principal cellist with the BBC Symphony Orchestra, and his grandmother was Dorothy Kennedy, a pianist. Lauri and Dorothy Kennedy were Australian, whilst their son, the cellist John Kennedy, was born in England. After graduating from the Royal Academy of Music, at age 22, John joined the Liverpool Philharmonic Orchestra, later becoming the principal cellist of Sir Thomas Beecham's Royal Philharmonic Orchestra. While in England, John developed a relationship with an English pianist, Scylla Stoner, with whom he eventually toured in 1952 as part of the Llewellyn-Kennedy Piano Trio (with the violinist Ernest Llewellyn; Stoner was billed as "Scylla Kennedy" after she and John married). However, they ultimately divorced and John returned to Australia. Nigel Kennedy has about 30 close relatives in Australia, whom he visits whenever he tours there.
(English Translation)
Laugh at something serious
Cry from something funny
In half light
Green has now changed silver
The moonlight
Shines down on rolling hills
Yeah
Hello Edward Elgar
I feel your spirit here
I'm here too
Hills, dark yet light
Transfigured into something new
Almost reached the top
Radiant mist on the fields, rising
Look at Duffy looking
A sea of clouds has almost reached our feet
Whatever's happening in ming?
Oh Yeah
Miracles that I'm going to find
I believe
Time stands still while the mist recedes - glow white
And still the moonlight casts it's spell, transfigured night
When we experience eternity
Change can bring reality
(Woolspiel Translation)
Laugh at something serious
Cry from something funny
Leh arf light
Re has not la sliver
Ma oom light
Shies don on er rolling hills
Nighh
Han a edwen elgar
I feel your spirit heegrp
Nie meng too
Hills la cliss bite
Nans figured into something noow ah oooh
Frome mash breach fitar
Rain yet mes fuck ard ills, rising
Lok hat duffy look ed
Ars see on brown eyes ork usfres off frest
What ever's ap ning en my mike?
Ar yeh
Ril laf oz that i'm going to fine
Wi me ee
Stime stad still while my mistresses - so wot
Hand stell my moonlight harse re spel night transfigured flight
When we experience eternity