-
Milton Babbitt: Partitions (1957)
Augustus Arnone, piano.
At the time of composition, Partitions represented a new creative direction for Milton Babbitt. It is possible to see the influence of the newly emerging field of electronic music in the intensely detailed rhythmic organization of the work (certainly the kind of precision with which the composer infuses Partitions is easily achieved through electronic means), and the seven sections of the work require a kind of pianism which had hitherto never been demanded of performers. Four separate melodic lines each present different versions of the twelve-tone row upon which the piece is built, requiring an impressive degree of finger dexterity. The sostenuto pedal is in constant use to sustain the bass tones while the two hands dance around the upper register. Babbitt explo...
published: 31 Oct 2021
-
Milton Babbitt on Rap Music
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt expressed his bafflement at hip-hop. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
published: 01 Sep 2016
-
Milton Babbitt - Semi-Simple Variations (with score) (1956)
"Much happens in the brief span of Semi-Simple Variations. Christopher Wintle once wrote a forty-three-page analysis of the piece for Perspectives of New Music — more than one page per measure. But, in fact, it is semi-simple. It's a theme plus five variations. The theme unfolds in six held notes over the first six measures, which take up the first thirteen or so seconds of the video. The work is also, in a way, variations on a rhythmic pattern. The piano begins with a quick little four-note burst. After that, we go through the other fifteen ways you can arrange a set of four units, with a "null set" or rest at the end.
And those rhythmic elements are then juggled according to the same kinds of principles that govern the permutations of notes. Presto, total serialism!" (Alex Ross)
published: 07 Aug 2020
-
Milton Babbitt - Three Compositions
Three compositions, for piano (1948)
Robert Taub, piano
Three Compositions for Piano dating from 1947-48 are Babbitt's first works for this medium and are the composer's first mature
applications of Schoenbergian twelve-tone principles.
Art by Hedda Sterne
published: 17 Oct 2015
-
Milton Babbitt-demonstration on electronic music (1966) part I
published: 19 Apr 2016
-
Milton Babbitt’s Musical Tetris
0:00 Introduction
0:30 I: From Jackson to Princeton
8:27 II: Babbitt, Cold Warrior?
15:47 III: “Who Cares if You Listen?”
28:11 IV: Integral Serialism & Combinatoriality
35:05 V: Babbitt & Synthesis
47:19 VI: Lynes, Partitions, Arrays, & Superarrays
55:32 VII: The Time-Point Technique
1:02:52 VIII: Dean of American Serialism
📚 SOURCES/FURTHER READING:
📚 (note that citations fall only under the chapter to which they most strongly pertain)
0:30 I: From Jackson to Princeton
"On Milton Babbitt: Progressive Artistic Research, Decorous Pranks, and Pig-Stand Jazz" by Joshua Banks Mailman: https://doi.org/10.1080/07494467.2021.2031066 (Contemporary Music Review [CMR], Volume 40, Issue 2-3)
https://www.jamesromig.com/uploads/5/6/2/5/56250769/babbittdiscussions.pdf
http://preparedguitar.blogspot.c...
published: 29 Apr 2022
-
Milton Babbitt on Beer
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt reminisced about how American beer has changed over the years. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
published: 01 Sep 2016
-
Milton Babbitt on Popular Standards
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt offered some thoughts about popular standards from the past. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
published: 01 Sep 2016
-
Milton Babbitt Responds to Attacks on Serialism
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt offered his response to attacks on serialism. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
published: 01 Sep 2016
-
Milton Babbitt - All Set for Jazz Ensemble (1957) [Score-Video]
Milton Babbitt - All Set for Jazz Ensemble (Alto Saxophone, Tenor Saxophone, Trumpet, Trombone, Contrabass, Piano, Vibraphone, and Percussion [Trap Set: Small and Large Tom-toms, Snare Drum, Bass Drum, Hi-hat, Three Suspended Cymbals] (1957)
NEC Wind Ensemble
Charles Peltz, conductor
-----------------------------------------------------
Support this YouTube Channel: https://www.patreon.com/georgengianopoulos
published: 22 Dec 2022
3:05
Milton Babbitt: Partitions (1957)
Augustus Arnone, piano.
At the time of composition, Partitions represented a new creative direction for Milton Babbitt. It is possible to see the influence of...
Augustus Arnone, piano.
At the time of composition, Partitions represented a new creative direction for Milton Babbitt. It is possible to see the influence of the newly emerging field of electronic music in the intensely detailed rhythmic organization of the work (certainly the kind of precision with which the composer infuses Partitions is easily achieved through electronic means), and the seven sections of the work require a kind of pianism which had hitherto never been demanded of performers. Four separate melodic lines each present different versions of the twelve-tone row upon which the piece is built, requiring an impressive degree of finger dexterity. The sostenuto pedal is in constant use to sustain the bass tones while the two hands dance around the upper register. Babbitt explores the possibilities of serialism (the use of musical elements in a specific, fixed order) as applied to meter and rhythm. While this procedure is not entirely original to Babbitt, he certainly raises the ante, so to speak -- and in doing so defines methods which composers would continue to employ for decades.
https://wn.com/Milton_Babbitt_Partitions_(1957)
Augustus Arnone, piano.
At the time of composition, Partitions represented a new creative direction for Milton Babbitt. It is possible to see the influence of the newly emerging field of electronic music in the intensely detailed rhythmic organization of the work (certainly the kind of precision with which the composer infuses Partitions is easily achieved through electronic means), and the seven sections of the work require a kind of pianism which had hitherto never been demanded of performers. Four separate melodic lines each present different versions of the twelve-tone row upon which the piece is built, requiring an impressive degree of finger dexterity. The sostenuto pedal is in constant use to sustain the bass tones while the two hands dance around the upper register. Babbitt explores the possibilities of serialism (the use of musical elements in a specific, fixed order) as applied to meter and rhythm. While this procedure is not entirely original to Babbitt, he certainly raises the ante, so to speak -- and in doing so defines methods which composers would continue to employ for decades.
- published: 31 Oct 2021
- views: 15742
0:49
Milton Babbitt on Rap Music
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt expressed his bafflement at hip-hop. Read their entire conversation on NewMusicBo...
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt expressed his bafflement at hip-hop. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
https://wn.com/Milton_Babbitt_On_Rap_Music
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt expressed his bafflement at hip-hop. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
- published: 01 Sep 2016
- views: 18909
1:28
Milton Babbitt - Semi-Simple Variations (with score) (1956)
"Much happens in the brief span of Semi-Simple Variations. Christopher Wintle once wrote a forty-three-page analysis of the piece for Perspectives of New Music ...
"Much happens in the brief span of Semi-Simple Variations. Christopher Wintle once wrote a forty-three-page analysis of the piece for Perspectives of New Music — more than one page per measure. But, in fact, it is semi-simple. It's a theme plus five variations. The theme unfolds in six held notes over the first six measures, which take up the first thirteen or so seconds of the video. The work is also, in a way, variations on a rhythmic pattern. The piano begins with a quick little four-note burst. After that, we go through the other fifteen ways you can arrange a set of four units, with a "null set" or rest at the end.
And those rhythmic elements are then juggled according to the same kinds of principles that govern the permutations of notes. Presto, total serialism!" (Alex Ross)
https://wn.com/Milton_Babbitt_Semi_Simple_Variations_(With_Score)_(1956)
"Much happens in the brief span of Semi-Simple Variations. Christopher Wintle once wrote a forty-three-page analysis of the piece for Perspectives of New Music — more than one page per measure. But, in fact, it is semi-simple. It's a theme plus five variations. The theme unfolds in six held notes over the first six measures, which take up the first thirteen or so seconds of the video. The work is also, in a way, variations on a rhythmic pattern. The piano begins with a quick little four-note burst. After that, we go through the other fifteen ways you can arrange a set of four units, with a "null set" or rest at the end.
And those rhythmic elements are then juggled according to the same kinds of principles that govern the permutations of notes. Presto, total serialism!" (Alex Ross)
- published: 07 Aug 2020
- views: 15402
7:45
Milton Babbitt - Three Compositions
Three compositions, for piano (1948)
Robert Taub, piano
Three Compositions for Piano dating from 1947-48 are Babbitt's first works for this medium and are the...
Three compositions, for piano (1948)
Robert Taub, piano
Three Compositions for Piano dating from 1947-48 are Babbitt's first works for this medium and are the composer's first mature
applications of Schoenbergian twelve-tone principles.
Art by Hedda Sterne
https://wn.com/Milton_Babbitt_Three_Compositions
Three compositions, for piano (1948)
Robert Taub, piano
Three Compositions for Piano dating from 1947-48 are Babbitt's first works for this medium and are the composer's first mature
applications of Schoenbergian twelve-tone principles.
Art by Hedda Sterne
- published: 17 Oct 2015
- views: 63165
1:11:31
Milton Babbitt’s Musical Tetris
0:00 Introduction
0:30 I: From Jackson to Princeton
8:27 II: Babbitt, Cold Warrior?
15:47 III: “Who Cares if You Listen?”
28:11 IV: Integral Serialism & Combina...
0:00 Introduction
0:30 I: From Jackson to Princeton
8:27 II: Babbitt, Cold Warrior?
15:47 III: “Who Cares if You Listen?”
28:11 IV: Integral Serialism & Combinatoriality
35:05 V: Babbitt & Synthesis
47:19 VI: Lynes, Partitions, Arrays, & Superarrays
55:32 VII: The Time-Point Technique
1:02:52 VIII: Dean of American Serialism
📚 SOURCES/FURTHER READING:
📚 (note that citations fall only under the chapter to which they most strongly pertain)
0:30 I: From Jackson to Princeton
"On Milton Babbitt: Progressive Artistic Research, Decorous Pranks, and Pig-Stand Jazz" by Joshua Banks Mailman: https://doi.org/10.1080/07494467.2021.2031066 (Contemporary Music Review [CMR], Volume 40, Issue 2-3)
https://www.jamesromig.com/uploads/5/6/2/5/56250769/babbittdiscussions.pdf
http://preparedguitar.blogspot.com/2016/05/an-interview-with-milton-babbitt-by_6.html
http://preparedguitar.blogspot.com/2016/05/an-interview-with-milton-babbitt-by.html
8:27 II: Babbitt, Cold Warrior?
“‘Music for the Masses’: Milton Babbitt’s Cold War Music Theory” by Martin Brody (The Musical Quarterly, Summer 1993, Vol. 77, No. 2): https://music.arts.uci.edu/abauer/4.3/readings/Brody_Babbitt_Cold_War.pdf
“Modern Music and After (3rd Edition)” by Paul Griffiths (Oxford, 2010)
15:47 III: “Who Cares if You Listen?”
“The Collected Essays of Milton Babbitt,” ed. Stephen Peles (Princeton, 2003)
“Words About Music” by Milton Babbitt (ed. Stephen Dembski and Joseph N. Straus, UW Press, 1987)
28:11 IV: Integral Serialism & Combinatoriality
“Listening to Babbitt: Perception and Analysis of Milton Babbitt’s Du for Soprano and Piano” by Erin Sullivan (MA thesis, UGA, 2005): https://getd.libs.uga.edu/pdfs/sullivan_erin_l_200508_ma.pdf
35:05 V: Babbitt & Synthesis
"The Private and Public Lives of a Lost Concerto: Milton Babbitt’s Concerti for Violin, Orchestra, and Synthesized Sound" by Julia Glenn: https://doi.org/10.1080/07494467.2021.2018177 (CMR, 40, 2-3)
"Concerti e Concerti: Babbitt’s Mysterious Bedfellows" by Jonathan Dawe: https://doi.org/10.1080/07494467.2021.2017199 (CMR, 40, 2-3)
https://www.youtube.com/watch?v=UHNG9rexCsg
47:19 VI: Lynes, Partitions, Arrays, & Superarrays
“An Introduction to the Music of Milton Babbitt” by Andrew Mead (Princeton, 1994)
“The Phenomena of ‘Phonemena’: Structure and Realization in Milton Babbitt’s Work for Soprano and Synthesized Tape” by Mikel Kuehn (PhD dissertation, Eastman, 1995)
“Milton Babbitt’s Composition for Guitar: An Analytic Overview” by Todd Seelye (DMA diss., U. Ariz., 1988)
55:32 VII: The Time-Point Technique
"Pulling a Fast More-Than-One: Milton Babbitt’s Time-point Practice" by Joseph Dubiel: https://doi.org/10.1080/07494467.2021.1989231 (CMR, 40, 2-3)
1:02:52 VIII: Dean of American Serialism
“Force of Nature” by James Ricci: https://deconstructing-jim.blogspot.com/2011/03/force-of-nature.html
"Rethinking Babbitt’s ‘Serious’ Music as Play" by Alison Maggart: https://doi.org/10.1080/07494467.2021.2017232 (CMR, 40, 2-3)
🎶 Support the channel: https://www.patreon.com/classicalnerd
This was requested by Opera, LOOCH THEMOOCH, 洪孟思, Libertarian Communist Platform, Dave Henry, Gallimaufry, and patron Alice Wyan, who DOUBLED the weight of this request. See all requests at http://lentovivace.com/classicalnerd.html
Clips used under fair use include:
https://www.youtube.com/watch?v=JuTRWHAd_IM
https://www.youtube.com/watch?v=mMJbUSMkj3Y
https://www.youtube.com/watch?v=FfA470WVHws
----------
Music:
- Milton Babbitt: Partitions (1957), performed by Augustus Arnone [original: jk8Z8Wo2tcM]
- Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette
- Arnold Schoenberg: “Mässige Viertel” from Three Pieces, Op. 11 (1909, rev. 1924), performed by Peter Bradley-Fulgoni and available on IMSLP: https://tinyurl.com/yckzb88f
- Babbitt: Composition for Twelve Instruments (1948), conducted by Ralph Shapey [original: W_ErRFJRL7g]
- Babbitt: String Quartet No. 3 (1970), performed by (probably) the Fine Arts Quartet [original: mkvR6grAgOA]
- J.S. Bach: Brandenburg Concerto No. 3 in G major, BWV 1048, performed by A Far Cry and available on IMSLP: https://tinyurl.com/yykz5yum
- Babbitt: Piano Concerto No. 2 (1998), performed by Conor Hanick and the Juilliard Orchestra conducted by Jeffrey Milarsky [original: XUdgKl7ZMN4]
- Babbitt: Composition for Synthesizer (1960) [original: bRzFhY7hygY]
- Babbitt: Philomel (1964) [original: 3SMR5WIgSUg]
- Babbitt: All Set (1957), performed by the NEC Wind Ensemble conducted by Charles Peltz [original: TYsDztD9iv4]
- Babbitt: Composition for Four Instruments (1948), performed by Time’s Arrow [original: _fkx5IYfiPs]
- Babbitt: Semi-Simple Variations (1956), MIDI render
- Babbitt: Post-Partitions (1966), MIDI render [original: rBvgd0LYUyw]
----------
nerdofclassical [at] gmail.com
https://www.facebook.com/classicalnerd/
https://www.instagram.com/the_classical_nerd/
----------
This video is for educational purposes and falls under fair use statutes.
https://wn.com/Milton_Babbitt’S_Musical_Tetris
0:00 Introduction
0:30 I: From Jackson to Princeton
8:27 II: Babbitt, Cold Warrior?
15:47 III: “Who Cares if You Listen?”
28:11 IV: Integral Serialism & Combinatoriality
35:05 V: Babbitt & Synthesis
47:19 VI: Lynes, Partitions, Arrays, & Superarrays
55:32 VII: The Time-Point Technique
1:02:52 VIII: Dean of American Serialism
📚 SOURCES/FURTHER READING:
📚 (note that citations fall only under the chapter to which they most strongly pertain)
0:30 I: From Jackson to Princeton
"On Milton Babbitt: Progressive Artistic Research, Decorous Pranks, and Pig-Stand Jazz" by Joshua Banks Mailman: https://doi.org/10.1080/07494467.2021.2031066 (Contemporary Music Review [CMR], Volume 40, Issue 2-3)
https://www.jamesromig.com/uploads/5/6/2/5/56250769/babbittdiscussions.pdf
http://preparedguitar.blogspot.com/2016/05/an-interview-with-milton-babbitt-by_6.html
http://preparedguitar.blogspot.com/2016/05/an-interview-with-milton-babbitt-by.html
8:27 II: Babbitt, Cold Warrior?
“‘Music for the Masses’: Milton Babbitt’s Cold War Music Theory” by Martin Brody (The Musical Quarterly, Summer 1993, Vol. 77, No. 2): https://music.arts.uci.edu/abauer/4.3/readings/Brody_Babbitt_Cold_War.pdf
“Modern Music and After (3rd Edition)” by Paul Griffiths (Oxford, 2010)
15:47 III: “Who Cares if You Listen?”
“The Collected Essays of Milton Babbitt,” ed. Stephen Peles (Princeton, 2003)
“Words About Music” by Milton Babbitt (ed. Stephen Dembski and Joseph N. Straus, UW Press, 1987)
28:11 IV: Integral Serialism & Combinatoriality
“Listening to Babbitt: Perception and Analysis of Milton Babbitt’s Du for Soprano and Piano” by Erin Sullivan (MA thesis, UGA, 2005): https://getd.libs.uga.edu/pdfs/sullivan_erin_l_200508_ma.pdf
35:05 V: Babbitt & Synthesis
"The Private and Public Lives of a Lost Concerto: Milton Babbitt’s Concerti for Violin, Orchestra, and Synthesized Sound" by Julia Glenn: https://doi.org/10.1080/07494467.2021.2018177 (CMR, 40, 2-3)
"Concerti e Concerti: Babbitt’s Mysterious Bedfellows" by Jonathan Dawe: https://doi.org/10.1080/07494467.2021.2017199 (CMR, 40, 2-3)
https://www.youtube.com/watch?v=UHNG9rexCsg
47:19 VI: Lynes, Partitions, Arrays, & Superarrays
“An Introduction to the Music of Milton Babbitt” by Andrew Mead (Princeton, 1994)
“The Phenomena of ‘Phonemena’: Structure and Realization in Milton Babbitt’s Work for Soprano and Synthesized Tape” by Mikel Kuehn (PhD dissertation, Eastman, 1995)
“Milton Babbitt’s Composition for Guitar: An Analytic Overview” by Todd Seelye (DMA diss., U. Ariz., 1988)
55:32 VII: The Time-Point Technique
"Pulling a Fast More-Than-One: Milton Babbitt’s Time-point Practice" by Joseph Dubiel: https://doi.org/10.1080/07494467.2021.1989231 (CMR, 40, 2-3)
1:02:52 VIII: Dean of American Serialism
“Force of Nature” by James Ricci: https://deconstructing-jim.blogspot.com/2011/03/force-of-nature.html
"Rethinking Babbitt’s ‘Serious’ Music as Play" by Alison Maggart: https://doi.org/10.1080/07494467.2021.2017232 (CMR, 40, 2-3)
🎶 Support the channel: https://www.patreon.com/classicalnerd
This was requested by Opera, LOOCH THEMOOCH, 洪孟思, Libertarian Communist Platform, Dave Henry, Gallimaufry, and patron Alice Wyan, who DOUBLED the weight of this request. See all requests at http://lentovivace.com/classicalnerd.html
Clips used under fair use include:
https://www.youtube.com/watch?v=JuTRWHAd_IM
https://www.youtube.com/watch?v=mMJbUSMkj3Y
https://www.youtube.com/watch?v=FfA470WVHws
----------
Music:
- Milton Babbitt: Partitions (1957), performed by Augustus Arnone [original: jk8Z8Wo2tcM]
- Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette
- Arnold Schoenberg: “Mässige Viertel” from Three Pieces, Op. 11 (1909, rev. 1924), performed by Peter Bradley-Fulgoni and available on IMSLP: https://tinyurl.com/yckzb88f
- Babbitt: Composition for Twelve Instruments (1948), conducted by Ralph Shapey [original: W_ErRFJRL7g]
- Babbitt: String Quartet No. 3 (1970), performed by (probably) the Fine Arts Quartet [original: mkvR6grAgOA]
- J.S. Bach: Brandenburg Concerto No. 3 in G major, BWV 1048, performed by A Far Cry and available on IMSLP: https://tinyurl.com/yykz5yum
- Babbitt: Piano Concerto No. 2 (1998), performed by Conor Hanick and the Juilliard Orchestra conducted by Jeffrey Milarsky [original: XUdgKl7ZMN4]
- Babbitt: Composition for Synthesizer (1960) [original: bRzFhY7hygY]
- Babbitt: Philomel (1964) [original: 3SMR5WIgSUg]
- Babbitt: All Set (1957), performed by the NEC Wind Ensemble conducted by Charles Peltz [original: TYsDztD9iv4]
- Babbitt: Composition for Four Instruments (1948), performed by Time’s Arrow [original: _fkx5IYfiPs]
- Babbitt: Semi-Simple Variations (1956), MIDI render
- Babbitt: Post-Partitions (1966), MIDI render [original: rBvgd0LYUyw]
----------
nerdofclassical [at] gmail.com
https://www.facebook.com/classicalnerd/
https://www.instagram.com/the_classical_nerd/
----------
This video is for educational purposes and falls under fair use statutes.
- published: 29 Apr 2022
- views: 26546
0:37
Milton Babbitt on Beer
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt reminisced about how American beer has changed over the years. Read their entire ...
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt reminisced about how American beer has changed over the years. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
https://wn.com/Milton_Babbitt_On_Beer
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt reminisced about how American beer has changed over the years. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
- published: 01 Sep 2016
- views: 1660
1:00
Milton Babbitt on Popular Standards
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt offered some thoughts about popular standards from the past. Read their entire co...
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt offered some thoughts about popular standards from the past. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
https://wn.com/Milton_Babbitt_On_Popular_Standards
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt offered some thoughts about popular standards from the past. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
- published: 01 Sep 2016
- views: 2555
1:02
Milton Babbitt Responds to Attacks on Serialism
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt offered his response to attacks on serialism. Read their entire conversation on N...
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt offered his response to attacks on serialism. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
https://wn.com/Milton_Babbitt_Responds_To_Attacks_On_Serialism
During a conversation with Frank J. Oteri back in October 2001, Milton Babbitt offered his response to attacks on serialism. Read their entire conversation on NewMusicBox: http://www.newmusicbox.org/articles/milton-babbitt-a-discussion-in-12-parts/
- published: 01 Sep 2016
- views: 7333
10:37
Milton Babbitt - All Set for Jazz Ensemble (1957) [Score-Video]
Milton Babbitt - All Set for Jazz Ensemble (Alto Saxophone, Tenor Saxophone, Trumpet, Trombone, Contrabass, Piano, Vibraphone, and Percussion [Trap Set: Small a...
Milton Babbitt - All Set for Jazz Ensemble (Alto Saxophone, Tenor Saxophone, Trumpet, Trombone, Contrabass, Piano, Vibraphone, and Percussion [Trap Set: Small and Large Tom-toms, Snare Drum, Bass Drum, Hi-hat, Three Suspended Cymbals] (1957)
NEC Wind Ensemble
Charles Peltz, conductor
-----------------------------------------------------
Support this YouTube Channel: https://www.patreon.com/georgengianopoulos
https://wn.com/Milton_Babbitt_All_Set_For_Jazz_Ensemble_(1957)_Score_Video
Milton Babbitt - All Set for Jazz Ensemble (Alto Saxophone, Tenor Saxophone, Trumpet, Trombone, Contrabass, Piano, Vibraphone, and Percussion [Trap Set: Small and Large Tom-toms, Snare Drum, Bass Drum, Hi-hat, Three Suspended Cymbals] (1957)
NEC Wind Ensemble
Charles Peltz, conductor
-----------------------------------------------------
Support this YouTube Channel: https://www.patreon.com/georgengianopoulos
- published: 22 Dec 2022
- views: 7203