HIDDEN ERROR: Usage of "Nickname" is not recognized
Paul Laurence Dunbar Chambers, Jr. (April 22, 1935– January 4, 1969) was a jazzdouble bassist. A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the length and breadth of his work in this short period but also his impeccable time and intonation, and virtuosic improvisations. He was also known for his bowed solos.
Biography
Born in Pittsburgh, Pennsylvania on April 22, 1935, to Paul Lawrence Chambers and Margaret Echos. He was raised in Detroit, Michigan following the death of his mother. He began playing music with several of his schoolmates; the baritone horn was his first instrument. Later he took up the tuba. "I got along pretty well, but it's quite a job to carry it around in those long parades, and I didn't like the instrument that much." Chambers became a string bassist around 1949. His formal bass training got going in earnest in 1952, when he began taking lessons with a bassist in the Detroit Symphony Orchestra. Chambers did some classical work himself, with a group called the Detroit String Band that was, in effect, a rehearsal symphony orchestra. Studying at Cass Technical High School off and on from 1952 to 1955, he played in Cass' own symphony, and in various other student groups, one of which had him playing baritone saxophone. By the time he left for New York at the invitation of tenor saxophonist Paul Quinichette, he had absorbed a working knowledge of many instruments.
He was promoted off Geelong's rookie list in 2002 before making his debut in Round 4 of that year against St Kilda.
He was traded to the Sydney Swans at the end of the 2005 season in exchange for pick 35 (Stephen Owen.) He made his debut for Sydney in Round 1, 2006 against Essendon.
After recording zero kicks in eight of the Swans' first 12 premiership round matches, Chambers was dropped to the club's reserves team. This lack of kicks led many of the fans and Sydney's major newspaper, The Sydney Morning Herald to give Chambers the nickname of 'The Donut King'.
At Geelong he was referred to as 'Unco' and 'Sarge'. Paul Roos has referred to him as 'Sarge' in at least one media conference.
At the end of the 2006 season, Chambers retired from AFL football. He then joined the VFL's Werribee Tigers in 2007.
John Coltrane with the Red Garland Trio is the third studio album by jazz musician John Coltrane, issued in 1958 on Prestige Records, catalogue 7123. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey. In 1961 it was reissued as Traneing In, Prestige catalogue 7651, and given a different cover photo, as pictured. The album was reissued on compact disc in 2007 as part of the Concord Music Group remastering series by Rudy Van Gelder, also doing a similar series for Blue Note Records.
After graduating he entered the Inland Revenue and in 1934 was appointed Income Tax Advisor to the Government of India. He returned to the UK in 1940 to be Director of Statistics and Intelligence in the Inland Revenue. He was then appointed Secretary and a Commissioner of the Board. One of his major tasks during the war was to devise the new PAYE (Pay as You Earn) employee taxation system in use in the UK today. After the war he served on the Control Commission for Germany for two and a half years.
In 1948 he succeeded Sir William Coates as Financial Director of Imperial Chemical Industries (now ICI), one of Britain's largest companies. He became Deputy Chairman in 1952 and was Chairman from 1960 to 1968, the first non-scientist to hold the post. He moved from there to be Chairman of Royal Insurance.
Alto Saxophone – Julian "Cannonball" Adderley....
Trumpet – Freddie Hubbard....
Bass – Paul Chambers ....
Drums – Philly Joe Jones (# A1), Jimmy Cobb (# A2 to B3)....
Piano – Wynton Kelly....
...........................................................
A1 Awful Mean
A2 Just Friends
A3 Julie Ann
B1 There Is No Greater Love
B2 Ease It
B3 I Got Rhythm
...........................................................
Recorded -
A1-A3: Recorded NYC, February 2, 1959
B1-B3: Recorded NYC, February 3, 1959
...........................................................
Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings!
............................................................
Please let me know if i have missed someth...
published: 04 Jan 2018
Paul Chambers Quintet - Softly, As In A Morning Sunrise
Paul Chambers - DBass
Donald Byrd - Trumpet
Clifford Jordan - Tenor Sax
Tommy Flanagan - Piano
Elvin Jones - Drums
All rights reserved to their owners.
published: 21 Feb 2011
Paul Chambers - Visitation
Paul Chambers piece off of double LP "High Step"
published: 19 Aug 2011
Paul Chambers Quartet - Dear Old Stockholm
Paul Chambers Quartet - Dear Old Stockholm (1956)
Personnel: Hank Jones (piano), Kenny Burrell (guitar), Paul Chambers (bass), Art Taylor (drums)
from the album 'BASS ON TOP' (Blue Note Records)
published: 02 Dec 2012
Paul Chambers' Signature Song
#jazz #bass #jazzhistory #analysis #paulthompson
Paul Chambers remains one of the most recorded and important bassists in the history of Jazz music. His lines have graced some of the most iconic recordings of all time including albums by Wes Montgomery, Thelonoius Monk, John Coltrane, and (of course) Miles Davis. Today I explore one of his great original bass melodies, where it comes from, and why it's so important to learn it.
PDF - https://drive.google.com/file/d/1HdQRSTstTTA5cBBPSi4w6G37VE-RJg2b/view?usp=sharing
Website: http://www.paulthompson.us
Instagram @pdbass74
published: 23 Jan 2022
Paul Chambers, Walking Bass & Miles Davis' "So What" - WARNING: Jazz Theory Inside!
I break down PC's harmonic approach to walking bass on Miles Davis' tune, "So What".
I write short music related articles weekly. Check out my Substack for more!: https://unprocedurallygenerated.substack.com
www.dannycastromusic.com
Instagram - @danjocastro
Credits:
@brotherkehn - SF Pic
@pixabay - GG Bridge Pic
PC Photo from Wikipedia: By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=50054113
Duke Ellington Video: https://archive.org/details/TheBigBands
Alto Saxophone – Julian "Cannonball" Adderley....
Trumpet – Freddie Hubbard....
Bass – Paul Chambers ....
Drums – Philly Joe Jones (# A1), Jimmy Cobb (# A2 to B...
Alto Saxophone – Julian "Cannonball" Adderley....
Trumpet – Freddie Hubbard....
Bass – Paul Chambers ....
Drums – Philly Joe Jones (# A1), Jimmy Cobb (# A2 to B3)....
Piano – Wynton Kelly....
...........................................................
A1 Awful Mean
A2 Just Friends
A3 Julie Ann
B1 There Is No Greater Love
B2 Ease It
B3 I Got Rhythm
...........................................................
Recorded -
A1-A3: Recorded NYC, February 2, 1959
B1-B3: Recorded NYC, February 3, 1959
...........................................................
Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings!
............................................................
Please let me know if i have missed something.
............................................................
Make it easy on yourself.. check my playlists, or search my channel for your favorite artist/song.....
............................................................
Subscribe yourself to the channel to keep up with the latest uploads
............................................................
Have Fun!!
...........................................................
I Will remove any video if asked too.
...........................................................
And most of all !!!
...........................................................
I hope that , trough these video's, i have inspired you to go and get the original recordings because there is nothing like the original!!
So that's what i'm doing it for..... Go to your local recordstore, the internet or whatever, and get the original!!
...........................................................
Enjoy !!!
............................................................
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
Alto Saxophone – Julian "Cannonball" Adderley....
Trumpet – Freddie Hubbard....
Bass – Paul Chambers ....
Drums – Philly Joe Jones (# A1), Jimmy Cobb (# A2 to B3)....
Piano – Wynton Kelly....
...........................................................
A1 Awful Mean
A2 Just Friends
A3 Julie Ann
B1 There Is No Greater Love
B2 Ease It
B3 I Got Rhythm
...........................................................
Recorded -
A1-A3: Recorded NYC, February 2, 1959
B1-B3: Recorded NYC, February 3, 1959
...........................................................
Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings!
............................................................
Please let me know if i have missed something.
............................................................
Make it easy on yourself.. check my playlists, or search my channel for your favorite artist/song.....
............................................................
Subscribe yourself to the channel to keep up with the latest uploads
............................................................
Have Fun!!
...........................................................
I Will remove any video if asked too.
...........................................................
And most of all !!!
...........................................................
I hope that , trough these video's, i have inspired you to go and get the original recordings because there is nothing like the original!!
So that's what i'm doing it for..... Go to your local recordstore, the internet or whatever, and get the original!!
...........................................................
Enjoy !!!
............................................................
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
Paul Chambers - DBass
Donald Byrd - Trumpet
Clifford Jordan - Tenor Sax
Tommy Flanagan - Piano
Elvin Jones - Drums
All rights reserved to their owners.
Paul Chambers - DBass
Donald Byrd - Trumpet
Clifford Jordan - Tenor Sax
Tommy Flanagan - Piano
Elvin Jones - Drums
All rights reserved to their owners.
Paul Chambers - DBass
Donald Byrd - Trumpet
Clifford Jordan - Tenor Sax
Tommy Flanagan - Piano
Elvin Jones - Drums
All rights reserved to their owners.
Paul Chambers Quartet - Dear Old Stockholm (1956)
Personnel: Hank Jones (piano), Kenny Burrell (guitar), Paul Chambers (bass), Art Taylor (drums)
from the alb...
Paul Chambers Quartet - Dear Old Stockholm (1956)
Personnel: Hank Jones (piano), Kenny Burrell (guitar), Paul Chambers (bass), Art Taylor (drums)
from the album 'BASS ON TOP' (Blue Note Records)
Paul Chambers Quartet - Dear Old Stockholm (1956)
Personnel: Hank Jones (piano), Kenny Burrell (guitar), Paul Chambers (bass), Art Taylor (drums)
from the album 'BASS ON TOP' (Blue Note Records)
#jazz #bass #jazzhistory #analysis #paulthompson
Paul Chambers remains one of the most recorded and important bassists in the history of Jazz music. His line...
#jazz #bass #jazzhistory #analysis #paulthompson
Paul Chambers remains one of the most recorded and important bassists in the history of Jazz music. His lines have graced some of the most iconic recordings of all time including albums by Wes Montgomery, Thelonoius Monk, John Coltrane, and (of course) Miles Davis. Today I explore one of his great original bass melodies, where it comes from, and why it's so important to learn it.
PDF - https://drive.google.com/file/d/1HdQRSTstTTA5cBBPSi4w6G37VE-RJg2b/view?usp=sharing
Website: http://www.paulthompson.us
Instagram @pdbass74
#jazz #bass #jazzhistory #analysis #paulthompson
Paul Chambers remains one of the most recorded and important bassists in the history of Jazz music. His lines have graced some of the most iconic recordings of all time including albums by Wes Montgomery, Thelonoius Monk, John Coltrane, and (of course) Miles Davis. Today I explore one of his great original bass melodies, where it comes from, and why it's so important to learn it.
PDF - https://drive.google.com/file/d/1HdQRSTstTTA5cBBPSi4w6G37VE-RJg2b/view?usp=sharing
Website: http://www.paulthompson.us
Instagram @pdbass74
I break down PC's harmonic approach to walking bass on Miles Davis' tune, "So What".
I write short music related articles weekly. Check out my Substack for mo...
I break down PC's harmonic approach to walking bass on Miles Davis' tune, "So What".
I write short music related articles weekly. Check out my Substack for more!: https://unprocedurallygenerated.substack.com
www.dannycastromusic.com
Instagram - @danjocastro
Credits:
@brotherkehn - SF Pic
@pixabay - GG Bridge Pic
PC Photo from Wikipedia: By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=50054113
Duke Ellington Video: https://archive.org/details/TheBigBands
I break down PC's harmonic approach to walking bass on Miles Davis' tune, "So What".
I write short music related articles weekly. Check out my Substack for more!: https://unprocedurallygenerated.substack.com
www.dannycastromusic.com
Instagram - @danjocastro
Credits:
@brotherkehn - SF Pic
@pixabay - GG Bridge Pic
PC Photo from Wikipedia: By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=50054113
Duke Ellington Video: https://archive.org/details/TheBigBands
Alto Saxophone – Julian "Cannonball" Adderley....
Trumpet – Freddie Hubbard....
Bass – Paul Chambers ....
Drums – Philly Joe Jones (# A1), Jimmy Cobb (# A2 to B3)....
Piano – Wynton Kelly....
...........................................................
A1 Awful Mean
A2 Just Friends
A3 Julie Ann
B1 There Is No Greater Love
B2 Ease It
B3 I Got Rhythm
...........................................................
Recorded -
A1-A3: Recorded NYC, February 2, 1959
B1-B3: Recorded NYC, February 3, 1959
...........................................................
Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings!
............................................................
Please let me know if i have missed something.
............................................................
Make it easy on yourself.. check my playlists, or search my channel for your favorite artist/song.....
............................................................
Subscribe yourself to the channel to keep up with the latest uploads
............................................................
Have Fun!!
...........................................................
I Will remove any video if asked too.
...........................................................
And most of all !!!
...........................................................
I hope that , trough these video's, i have inspired you to go and get the original recordings because there is nothing like the original!!
So that's what i'm doing it for..... Go to your local recordstore, the internet or whatever, and get the original!!
...........................................................
Enjoy !!!
............................................................
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
Paul Chambers - DBass
Donald Byrd - Trumpet
Clifford Jordan - Tenor Sax
Tommy Flanagan - Piano
Elvin Jones - Drums
All rights reserved to their owners.
Paul Chambers Quartet - Dear Old Stockholm (1956)
Personnel: Hank Jones (piano), Kenny Burrell (guitar), Paul Chambers (bass), Art Taylor (drums)
from the album 'BASS ON TOP' (Blue Note Records)
#jazz #bass #jazzhistory #analysis #paulthompson
Paul Chambers remains one of the most recorded and important bassists in the history of Jazz music. His lines have graced some of the most iconic recordings of all time including albums by Wes Montgomery, Thelonoius Monk, John Coltrane, and (of course) Miles Davis. Today I explore one of his great original bass melodies, where it comes from, and why it's so important to learn it.
PDF - https://drive.google.com/file/d/1HdQRSTstTTA5cBBPSi4w6G37VE-RJg2b/view?usp=sharing
Website: http://www.paulthompson.us
Instagram @pdbass74
I break down PC's harmonic approach to walking bass on Miles Davis' tune, "So What".
I write short music related articles weekly. Check out my Substack for more!: https://unprocedurallygenerated.substack.com
www.dannycastromusic.com
Instagram - @danjocastro
Credits:
@brotherkehn - SF Pic
@pixabay - GG Bridge Pic
PC Photo from Wikipedia: By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=50054113
Duke Ellington Video: https://archive.org/details/TheBigBands
HIDDEN ERROR: Usage of "Nickname" is not recognized
Paul Laurence Dunbar Chambers, Jr. (April 22, 1935– January 4, 1969) was a jazzdouble bassist. A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the length and breadth of his work in this short period but also his impeccable time and intonation, and virtuosic improvisations. He was also known for his bowed solos.
Biography
Born in Pittsburgh, Pennsylvania on April 22, 1935, to Paul Lawrence Chambers and Margaret Echos. He was raised in Detroit, Michigan following the death of his mother. He began playing music with several of his schoolmates; the baritone horn was his first instrument. Later he took up the tuba. "I got along pretty well, but it's quite a job to carry it around in those long parades, and I didn't like the instrument that much." Chambers became a string bassist around 1949. His formal bass training got going in earnest in 1952, when he began taking lessons with a bassist in the Detroit Symphony Orchestra. Chambers did some classical work himself, with a group called the Detroit String Band that was, in effect, a rehearsal symphony orchestra. Studying at Cass Technical High School off and on from 1952 to 1955, he played in Cass' own symphony, and in various other student groups, one of which had him playing baritone saxophone. By the time he left for New York at the invitation of tenor saxophonist Paul Quinichette, he had absorbed a working knowledge of many instruments.