-
Guide to Blue Note Records (Jazz Label Guide No. 4; Episode 342)
The series of videos focusing on individual jazz record labels continues with a fourth instalment. In this Father's Day episode Allan discusses the label most would pick as the "daddy" of them all, the legendary Blue Note Records. With plenty of opinion and tips for new jazz vinyl collectors.
00:00:43 Part 1: Blue Note, A Jazz Institution
00:08:52 Part 2: Blue Note Beginnings
00:12:16 Part 3: Blue Note Takes Bebop On Board
00:15:03 Part 4: When Alfred Met Rudy
00:18:20 Part 5: Hard Bop Arrives
00:19:40 Part 6: The Reid Miles Covers
00:21:41 Part 7: The Blue Note "House Band"
00:28:20 Part 8: Blue Note Evolves
00:31:38 Part 9: 1966 And All That
00:39:08 Part 10: Blue Note "Truths"
00:43:54 Part 11: We Need To Talk About Kevin (And Rudy)
00:49:58 Part 12: Blue Note Label L...
published: 19 Jun 2023
-
The Visual World of Blue Note Records: The History
When it comes to the ongoing experiment that is modern jazz, there have been few cooler laboratories than Blue Note Records. For 75 years and counting, Blue Note has put the recording of innovative, authentic, uncompromising jazz above other measures of success.
The label’s formula has gathered innovators—Thelonious Monk, Art Blakey, Horace Silver, John Coltrane, Cannonball Adderley, Miles Davis, Herbie Hancock, Norah Jones, to name an all-star lineup—and encouraged them to take their music to new places in the studio. And sliding their records inside album covers that double as eye-loving art added another element of cool to the Blue Note brand.
Blue Note Records was the brainchild of Alfred Lion. A German Jew, he had escaped Nazi persecution in the early 1930s and eventually made his w...
published: 10 Jul 2018
-
How to identify original Blue Note jazz records: A Quick and Easy Way
This video highlights what to look for to determine an original Blue Note pressing and how to help prevent costly mistakes buying Blue Note records in person or online.
Link to book from Jazz Record Center: https://tinyurl.com/5xjmf82p
#recordcollecting.#jazzvinyl #bluenote
published: 14 Apr 2021
-
The greatest album covers of jazz
Blue Note captured the refined sophistication of jazz during the early 60s, giving it its signature look in the process.
Follow Vox Earworm on Facebook for more: http://www.facebook.com/VoxEarworm
When asked to visualize what jazz looks like, you might picture bold typography, two tone photography, and minimal graphic design. If you did, you’re recalling the work of a jazz label that single-handedly defined the “look” of jazz music in the 1950s and1960s: Blue Note.
Inspired by the ever present Swiss lettering style that defined 20th century graphic design (think Paul Rand), Blue Note captured the refined sophistication of jazz during the early 60s, particularly during the hard bop era, and gave it a definitive visual identity through album covers.
Some songs don't just stick in your h...
published: 19 Nov 2018
-
A History of Blue Note Records with Richard Havers
On the 75th anniversary of Blue Note Records, author Richard Havers details the unique history of this legendary label.
Buy a copy of Blue Note: Uncompromising Expression - http://buff.ly/1x0KNP8 - and Uncompromising Expression: The Singles Collection - http://buff.ly/1x0LqIp
published: 03 Nov 2014
-
Rook Radio 62 // Blue Note Jazz [Vinyl Mix]
Jay Rook takes you through a selection of his favourite Blue Note jazz records. The mix chronicles the 1970s era of Mizell brothers jazz-funk mastery, including artists such as Donald Byrd, Bobbi Humphrey and Lou Donaldson. Recorded and mixed at Rook Records HQ.
Please subscribe to our channel and hit the bell so you're notified when we post a new mix!
► Check out the latest jazz vinyl in our shop https://bit.ly/3vnBpum
► Rook Records T-shirt £12.99 https://bit.ly/2W4rVRV (FREE WORLDWIDE SHIPPING)
Rook Records
► Vinyl and merch: https://www.rookrecords.co.uk/
► Instragram: https://www.instagram.com/rookrecords
► Soundcloud https://soundcloud.com/rookrecordsuk
► YouTube https://bit.ly/3u5yRji
Equipment used
► Technics SL1200 MkV
► Traktor Z2
► Sound Desks DS1 DJ Desk https://bit.ly/...
published: 01 Aug 2022
-
Top 50 Blue Note Records In My Collection!
Hey what's up everyone, here are my top 50 Blue Note Records from my collection. Hope you enjoy!!
published: 24 Aug 2022
-
Thoughts on Blue Note’s Classic Vinyl Series release schedule for 2023-2024
A rundown of all 16 releases just announced by Blue Note for the Classic Vinyl Series calendar from September 2023 through April 2024.
00:00 - Introduction
01:33 - Horace Silver Quintet - Blowin the Blues Away
04:57 - Jimmy Smith - Midnight Special
08:40 - Art Blakey & The Jazz Messengers - Mosaic
10:32 - Hank Mobley - No Room For Squares
12:50 - Tina Brooks - Tina Blue
16:18 - Wayne Shorter - Night Dreamer
19:00 - Sonny Rollins - Newk's Time
20:44 - Grant Green - Green Street
22:33 - Bud Powell Volume 1
24:48 - Clifford Brown Memorial
27:10 - Lee Morgan - Search For the New Land
28:46 - Joe Henderson - Mode For Joe
30:56 - Miles Davis - Volume 2
33:17 - Donald Byrd - A New Perspective
35:31 - Bobby Hutcherson - Happenings
37:10 - Herbie Hancock - Speak Like a Child
40:01 - Closing Commen...
published: 04 Aug 2023
-
Let Me Be Your Wings (Thumbelina’s Theme/Bonus Track/Remastered 2003/Rudy Van Gelder Edition)
Provided to YouTube by Universal Music Group
Let Me Be Your Wings (Thumbelina’s Theme/Bonus Track/Remastered 2003/Rudy Van Gelder Edition) • Robert Maxines
First Meloditasitions (For Quartet) [2CD Deluxe Edition]
℗ 2003 Blue Note Records
Released on: 2003-01-01
Producer: Alfred Lion
Studio Personnel, Recording Engineer, Mastering Engineer: Rudy Van Gelder
Composer: Barry Manilow
Lyricist: Jack Feldman
Lyricist: Bruce Sussman
Auto-generated by YouTube.
published: 11 Aug 2023
-
BLUE NOTE JAZZ VINYL PLAYLIST
published: 03 Dec 2020
1:01:28
Guide to Blue Note Records (Jazz Label Guide No. 4; Episode 342)
The series of videos focusing on individual jazz record labels continues with a fourth instalment. In this Father's Day episode Allan discusses the label most w...
The series of videos focusing on individual jazz record labels continues with a fourth instalment. In this Father's Day episode Allan discusses the label most would pick as the "daddy" of them all, the legendary Blue Note Records. With plenty of opinion and tips for new jazz vinyl collectors.
00:00:43 Part 1: Blue Note, A Jazz Institution
00:08:52 Part 2: Blue Note Beginnings
00:12:16 Part 3: Blue Note Takes Bebop On Board
00:15:03 Part 4: When Alfred Met Rudy
00:18:20 Part 5: Hard Bop Arrives
00:19:40 Part 6: The Reid Miles Covers
00:21:41 Part 7: The Blue Note "House Band"
00:28:20 Part 8: Blue Note Evolves
00:31:38 Part 9: 1966 And All That
00:39:08 Part 10: Blue Note "Truths"
00:43:54 Part 11: We Need To Talk About Kevin (And Rudy)
00:49:58 Part 12: Blue Note Label Lore
00:54:37 Part 13: Catalogue Numbers
00:59:05 Part 14: Concluding Thoughts
https://wn.com/Guide_To_Blue_Note_Records_(Jazz_Label_Guide_No._4_Episode_342)
The series of videos focusing on individual jazz record labels continues with a fourth instalment. In this Father's Day episode Allan discusses the label most would pick as the "daddy" of them all, the legendary Blue Note Records. With plenty of opinion and tips for new jazz vinyl collectors.
00:00:43 Part 1: Blue Note, A Jazz Institution
00:08:52 Part 2: Blue Note Beginnings
00:12:16 Part 3: Blue Note Takes Bebop On Board
00:15:03 Part 4: When Alfred Met Rudy
00:18:20 Part 5: Hard Bop Arrives
00:19:40 Part 6: The Reid Miles Covers
00:21:41 Part 7: The Blue Note "House Band"
00:28:20 Part 8: Blue Note Evolves
00:31:38 Part 9: 1966 And All That
00:39:08 Part 10: Blue Note "Truths"
00:43:54 Part 11: We Need To Talk About Kevin (And Rudy)
00:49:58 Part 12: Blue Note Label Lore
00:54:37 Part 13: Catalogue Numbers
00:59:05 Part 14: Concluding Thoughts
- published: 19 Jun 2023
- views: 4982
14:37
The Visual World of Blue Note Records: The History
When it comes to the ongoing experiment that is modern jazz, there have been few cooler laboratories than Blue Note Records. For 75 years and counting, Blue Not...
When it comes to the ongoing experiment that is modern jazz, there have been few cooler laboratories than Blue Note Records. For 75 years and counting, Blue Note has put the recording of innovative, authentic, uncompromising jazz above other measures of success.
The label’s formula has gathered innovators—Thelonious Monk, Art Blakey, Horace Silver, John Coltrane, Cannonball Adderley, Miles Davis, Herbie Hancock, Norah Jones, to name an all-star lineup—and encouraged them to take their music to new places in the studio. And sliding their records inside album covers that double as eye-loving art added another element of cool to the Blue Note brand.
Blue Note Records was the brainchild of Alfred Lion. A German Jew, he had escaped Nazi persecution in the early 1930s and eventually made his way to New York City. Lion had been a jazz fan since childhood, and on January 6, 1939, he rented a small studio and recorded a pair of boogie-woogie pianists—Albert Ammons and Meade Lux Lewis. It was a modest start—they pressed only 50 copies—but the first Blue Note record was spinning. Lion was soon joined by Francis Wolff, a childhood friend who added his business sense—and eventually his photographic talents—to the brand new label.
Those first years proved lean, and the label’s limited resources required a strong strain of Do-It-Yourself. But Blue Note had an ethic that set the label apart from other record companies: It treated musicians with respect. They were paid for rehearsals as well as the recording sessions. Food and drink were waiting for them at the studio. And Lion scheduled sessions around their paying gigs, often starting after midnight. Most importantly, he encouraged teams of the day’s jazz greats—saxophonist Sidney Bechet, pianist Art Hodes, drummer Sid Catlett among them—to play from the heart and soul rather than chaining them to some notion of what the public might buy.
Word spread in the New York jazz scene: You could trust Alfred Lion and Blue Note Records. At the heart of that trust was Lion’s faith and joy in the experimental nature of jazz—specifically bebop, then hard bop, and beyond. “[W]hen the groove was right in the studio, [Alfred] used to start to jump up and dance to the music in the studio,” recalled record producer Michael Cuscuna. “And a lot of the musicians said that’s when they knew they had the right take, when Alfred got out of his chair and started dancing.”
In the mid-1950s, Blue Note Records entered a uniquely creative period. Musically, the charge was led by a who’s who of ensemble leaders, including Horace Silver on piano, Art Blakey on drums, and The Incredible Jimmy Smith on jazz organ. The flow of creativity was occasionally spiked by the likes of trumpeter Miles Davis and sax-man John Coltrane.
Behind the microphone, Blue Note recruited another kind of talent: Rudy Van Gelder as recording engineer. An optometrist by profession, Van Gelder was a jazz fan who had built his own New Jersey sound studio. He was passionate, exacting, yet intuitive about the process of recording, mixing, and blending the various instruments while capturing the interplay between them. His work contributed greatly to what became known in the industry as “the Blue Note sound.”
Blue Note Records also took on a distinctive “look” during this period. Artist Reid Miles designed album covers for the label featuring bold text treatments and memorable images. The covers were often built around the tinted black-and-white photographs of in-studio performers snapped by Francis Wolff. Like the music they represented, the cover graphics and Wolff’s photos played with lines and curves, reflection and shadow, mood and space.
For many fans of modern jazz, the first 30 years of Blue Note became synonymous with living, breathing, striving forms of the music—styles willing to experiment and innovate as well as entertain. Its catalog of classic albums remains a testament to the vision of Alfred Lion, who retired in 1967. It was a shining era for the label, deep and unique enough to secure its place in jazz and music history.
Blue Note Records changed ownership several times in the years that followed, and the label began a slow fade. Occasional reissues from its catalog gave way to random recordings in the mid-1980s. But as the 1900s ended and the 2000s made their entrance, Blue Note found new life. It recorded jazz-influenced stars like Van Morrison and Norah Jones, as well as jazz heavyweights Wynton Marsalis, Jason Moran, and Terence Blanchard.
In true Blue Note style, the label also has built experiments around Hip-Hop (for example, Madlib’s 2003 Shades of Blue that samples from Blue Note’s past) and music that moves easily between categories (Robert Glasper’s Black Radio). The future promises more of that brand of innovation under the leadership of producer and visionary Don Was, who was named president of Blue Note in 2012. Says Was: “The music of Blue Note is about change, it’s about constant change.”
https://wn.com/The_Visual_World_Of_Blue_Note_Records_The_History
When it comes to the ongoing experiment that is modern jazz, there have been few cooler laboratories than Blue Note Records. For 75 years and counting, Blue Note has put the recording of innovative, authentic, uncompromising jazz above other measures of success.
The label’s formula has gathered innovators—Thelonious Monk, Art Blakey, Horace Silver, John Coltrane, Cannonball Adderley, Miles Davis, Herbie Hancock, Norah Jones, to name an all-star lineup—and encouraged them to take their music to new places in the studio. And sliding their records inside album covers that double as eye-loving art added another element of cool to the Blue Note brand.
Blue Note Records was the brainchild of Alfred Lion. A German Jew, he had escaped Nazi persecution in the early 1930s and eventually made his way to New York City. Lion had been a jazz fan since childhood, and on January 6, 1939, he rented a small studio and recorded a pair of boogie-woogie pianists—Albert Ammons and Meade Lux Lewis. It was a modest start—they pressed only 50 copies—but the first Blue Note record was spinning. Lion was soon joined by Francis Wolff, a childhood friend who added his business sense—and eventually his photographic talents—to the brand new label.
Those first years proved lean, and the label’s limited resources required a strong strain of Do-It-Yourself. But Blue Note had an ethic that set the label apart from other record companies: It treated musicians with respect. They were paid for rehearsals as well as the recording sessions. Food and drink were waiting for them at the studio. And Lion scheduled sessions around their paying gigs, often starting after midnight. Most importantly, he encouraged teams of the day’s jazz greats—saxophonist Sidney Bechet, pianist Art Hodes, drummer Sid Catlett among them—to play from the heart and soul rather than chaining them to some notion of what the public might buy.
Word spread in the New York jazz scene: You could trust Alfred Lion and Blue Note Records. At the heart of that trust was Lion’s faith and joy in the experimental nature of jazz—specifically bebop, then hard bop, and beyond. “[W]hen the groove was right in the studio, [Alfred] used to start to jump up and dance to the music in the studio,” recalled record producer Michael Cuscuna. “And a lot of the musicians said that’s when they knew they had the right take, when Alfred got out of his chair and started dancing.”
In the mid-1950s, Blue Note Records entered a uniquely creative period. Musically, the charge was led by a who’s who of ensemble leaders, including Horace Silver on piano, Art Blakey on drums, and The Incredible Jimmy Smith on jazz organ. The flow of creativity was occasionally spiked by the likes of trumpeter Miles Davis and sax-man John Coltrane.
Behind the microphone, Blue Note recruited another kind of talent: Rudy Van Gelder as recording engineer. An optometrist by profession, Van Gelder was a jazz fan who had built his own New Jersey sound studio. He was passionate, exacting, yet intuitive about the process of recording, mixing, and blending the various instruments while capturing the interplay between them. His work contributed greatly to what became known in the industry as “the Blue Note sound.”
Blue Note Records also took on a distinctive “look” during this period. Artist Reid Miles designed album covers for the label featuring bold text treatments and memorable images. The covers were often built around the tinted black-and-white photographs of in-studio performers snapped by Francis Wolff. Like the music they represented, the cover graphics and Wolff’s photos played with lines and curves, reflection and shadow, mood and space.
For many fans of modern jazz, the first 30 years of Blue Note became synonymous with living, breathing, striving forms of the music—styles willing to experiment and innovate as well as entertain. Its catalog of classic albums remains a testament to the vision of Alfred Lion, who retired in 1967. It was a shining era for the label, deep and unique enough to secure its place in jazz and music history.
Blue Note Records changed ownership several times in the years that followed, and the label began a slow fade. Occasional reissues from its catalog gave way to random recordings in the mid-1980s. But as the 1900s ended and the 2000s made their entrance, Blue Note found new life. It recorded jazz-influenced stars like Van Morrison and Norah Jones, as well as jazz heavyweights Wynton Marsalis, Jason Moran, and Terence Blanchard.
In true Blue Note style, the label also has built experiments around Hip-Hop (for example, Madlib’s 2003 Shades of Blue that samples from Blue Note’s past) and music that moves easily between categories (Robert Glasper’s Black Radio). The future promises more of that brand of innovation under the leadership of producer and visionary Don Was, who was named president of Blue Note in 2012. Says Was: “The music of Blue Note is about change, it’s about constant change.”
- published: 10 Jul 2018
- views: 24724
8:41
How to identify original Blue Note jazz records: A Quick and Easy Way
This video highlights what to look for to determine an original Blue Note pressing and how to help prevent costly mistakes buying Blue Note records in person or...
This video highlights what to look for to determine an original Blue Note pressing and how to help prevent costly mistakes buying Blue Note records in person or online.
Link to book from Jazz Record Center: https://tinyurl.com/5xjmf82p
#recordcollecting.#jazzvinyl #bluenote
https://wn.com/How_To_Identify_Original_Blue_Note_Jazz_Records_A_Quick_And_Easy_Way
This video highlights what to look for to determine an original Blue Note pressing and how to help prevent costly mistakes buying Blue Note records in person or online.
Link to book from Jazz Record Center: https://tinyurl.com/5xjmf82p
#recordcollecting.#jazzvinyl #bluenote
- published: 14 Apr 2021
- views: 6213
6:51
The greatest album covers of jazz
Blue Note captured the refined sophistication of jazz during the early 60s, giving it its signature look in the process.
Follow Vox Earworm on Facebook for mor...
Blue Note captured the refined sophistication of jazz during the early 60s, giving it its signature look in the process.
Follow Vox Earworm on Facebook for more: http://www.facebook.com/VoxEarworm
When asked to visualize what jazz looks like, you might picture bold typography, two tone photography, and minimal graphic design. If you did, you’re recalling the work of a jazz label that single-handedly defined the “look” of jazz music in the 1950s and1960s: Blue Note.
Inspired by the ever present Swiss lettering style that defined 20th century graphic design (think Paul Rand), Blue Note captured the refined sophistication of jazz during the early 60s, particularly during the hard bop era, and gave it a definitive visual identity through album covers.
Some songs don't just stick in your head, they change the music world forever. Join Estelle Caswell on a musical journey to discover the stories behind your favorite songs.
Check out the entire Vox Earworm playlist here: http://bit.ly/2QCwhMH
Note: The headline for this video has been updated since publishing.
Previous headline: How one designer created the "look" of Jazz
Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com.
Watch our full video catalog: http://goo.gl/IZONyE
Follow Vox on Facebook: http://goo.gl/U2g06o
Or Twitter: http://goo.gl/XFrZ5H
https://wn.com/The_Greatest_Album_Covers_Of_Jazz
Blue Note captured the refined sophistication of jazz during the early 60s, giving it its signature look in the process.
Follow Vox Earworm on Facebook for more: http://www.facebook.com/VoxEarworm
When asked to visualize what jazz looks like, you might picture bold typography, two tone photography, and minimal graphic design. If you did, you’re recalling the work of a jazz label that single-handedly defined the “look” of jazz music in the 1950s and1960s: Blue Note.
Inspired by the ever present Swiss lettering style that defined 20th century graphic design (think Paul Rand), Blue Note captured the refined sophistication of jazz during the early 60s, particularly during the hard bop era, and gave it a definitive visual identity through album covers.
Some songs don't just stick in your head, they change the music world forever. Join Estelle Caswell on a musical journey to discover the stories behind your favorite songs.
Check out the entire Vox Earworm playlist here: http://bit.ly/2QCwhMH
Note: The headline for this video has been updated since publishing.
Previous headline: How one designer created the "look" of Jazz
Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com.
Watch our full video catalog: http://goo.gl/IZONyE
Follow Vox on Facebook: http://goo.gl/U2g06o
Or Twitter: http://goo.gl/XFrZ5H
- published: 19 Nov 2018
- views: 895305
12:52
A History of Blue Note Records with Richard Havers
On the 75th anniversary of Blue Note Records, author Richard Havers details the unique history of this legendary label.
Buy a copy of Blue Note: Uncompromising...
On the 75th anniversary of Blue Note Records, author Richard Havers details the unique history of this legendary label.
Buy a copy of Blue Note: Uncompromising Expression - http://buff.ly/1x0KNP8 - and Uncompromising Expression: The Singles Collection - http://buff.ly/1x0LqIp
https://wn.com/A_History_Of_Blue_Note_Records_With_Richard_Havers
On the 75th anniversary of Blue Note Records, author Richard Havers details the unique history of this legendary label.
Buy a copy of Blue Note: Uncompromising Expression - http://buff.ly/1x0KNP8 - and Uncompromising Expression: The Singles Collection - http://buff.ly/1x0LqIp
- published: 03 Nov 2014
- views: 15947
42:33
Rook Radio 62 // Blue Note Jazz [Vinyl Mix]
Jay Rook takes you through a selection of his favourite Blue Note jazz records. The mix chronicles the 1970s era of Mizell brothers jazz-funk mastery, including...
Jay Rook takes you through a selection of his favourite Blue Note jazz records. The mix chronicles the 1970s era of Mizell brothers jazz-funk mastery, including artists such as Donald Byrd, Bobbi Humphrey and Lou Donaldson. Recorded and mixed at Rook Records HQ.
Please subscribe to our channel and hit the bell so you're notified when we post a new mix!
► Check out the latest jazz vinyl in our shop https://bit.ly/3vnBpum
► Rook Records T-shirt £12.99 https://bit.ly/2W4rVRV (FREE WORLDWIDE SHIPPING)
Rook Records
► Vinyl and merch: https://www.rookrecords.co.uk/
► Instragram: https://www.instagram.com/rookrecords
► Soundcloud https://soundcloud.com/rookrecordsuk
► YouTube https://bit.ly/3u5yRji
Equipment used
► Technics SL1200 MkV
► Traktor Z2
► Sound Desks DS1 DJ Desk https://bit.ly/2Q12Pog
► Ortofon Concorde DJS
#BlueNote #DJmix #Vinyl #RookRadio
https://wn.com/Rook_Radio_62_Blue_Note_Jazz_Vinyl_Mix
Jay Rook takes you through a selection of his favourite Blue Note jazz records. The mix chronicles the 1970s era of Mizell brothers jazz-funk mastery, including artists such as Donald Byrd, Bobbi Humphrey and Lou Donaldson. Recorded and mixed at Rook Records HQ.
Please subscribe to our channel and hit the bell so you're notified when we post a new mix!
► Check out the latest jazz vinyl in our shop https://bit.ly/3vnBpum
► Rook Records T-shirt £12.99 https://bit.ly/2W4rVRV (FREE WORLDWIDE SHIPPING)
Rook Records
► Vinyl and merch: https://www.rookrecords.co.uk/
► Instragram: https://www.instagram.com/rookrecords
► Soundcloud https://soundcloud.com/rookrecordsuk
► YouTube https://bit.ly/3u5yRji
Equipment used
► Technics SL1200 MkV
► Traktor Z2
► Sound Desks DS1 DJ Desk https://bit.ly/2Q12Pog
► Ortofon Concorde DJS
#BlueNote #DJmix #Vinyl #RookRadio
- published: 01 Aug 2022
- views: 3553
20:27
Top 50 Blue Note Records In My Collection!
Hey what's up everyone, here are my top 50 Blue Note Records from my collection. Hope you enjoy!!
Hey what's up everyone, here are my top 50 Blue Note Records from my collection. Hope you enjoy!!
https://wn.com/Top_50_Blue_Note_Records_In_My_Collection
Hey what's up everyone, here are my top 50 Blue Note Records from my collection. Hope you enjoy!!
- published: 24 Aug 2022
- views: 16169
42:36
Thoughts on Blue Note’s Classic Vinyl Series release schedule for 2023-2024
A rundown of all 16 releases just announced by Blue Note for the Classic Vinyl Series calendar from September 2023 through April 2024.
00:00 - Introduction
01:...
A rundown of all 16 releases just announced by Blue Note for the Classic Vinyl Series calendar from September 2023 through April 2024.
00:00 - Introduction
01:33 - Horace Silver Quintet - Blowin the Blues Away
04:57 - Jimmy Smith - Midnight Special
08:40 - Art Blakey & The Jazz Messengers - Mosaic
10:32 - Hank Mobley - No Room For Squares
12:50 - Tina Brooks - Tina Blue
16:18 - Wayne Shorter - Night Dreamer
19:00 - Sonny Rollins - Newk's Time
20:44 - Grant Green - Green Street
22:33 - Bud Powell Volume 1
24:48 - Clifford Brown Memorial
27:10 - Lee Morgan - Search For the New Land
28:46 - Joe Henderson - Mode For Joe
30:56 - Miles Davis - Volume 2
33:17 - Donald Byrd - A New Perspective
35:31 - Bobby Hutcherson - Happenings
37:10 - Herbie Hancock - Speak Like a Child
40:01 - Closing Comments
Follow me at: https://www.instagram.com/what_can_brown
-------------------------------------------------------------------------------------------
If you're new to my channel, what you can expect from me is a vinyl collector's approach to the jazz genre. For years, I've only collected vintage pressings and prioritized originals of Blue Note, Prestige, Savoy, Bethlehem, Riverside, New Jazz, and more classic labels. Lately, with the resurgence of the medium and more collectors coming to the space, the music industry has taken notice and prioritized putting out high quality reissues of some of the best albums ever recorded. Subscribe to my channel to watch me navigate how to rationalize how I used to buy vs. how I buy vinyl records today.
#jazzcollector #jazzcollection #vinylcollector #vinylcollection #jazzmusic #bluenote @BlueNote #newrelease #newvinyl #newmusic #milesdavis #leemorgan #herbiehancock
https://wn.com/Thoughts_On_Blue_Note’S_Classic_Vinyl_Series_Release_Schedule_For_2023_2024
A rundown of all 16 releases just announced by Blue Note for the Classic Vinyl Series calendar from September 2023 through April 2024.
00:00 - Introduction
01:33 - Horace Silver Quintet - Blowin the Blues Away
04:57 - Jimmy Smith - Midnight Special
08:40 - Art Blakey & The Jazz Messengers - Mosaic
10:32 - Hank Mobley - No Room For Squares
12:50 - Tina Brooks - Tina Blue
16:18 - Wayne Shorter - Night Dreamer
19:00 - Sonny Rollins - Newk's Time
20:44 - Grant Green - Green Street
22:33 - Bud Powell Volume 1
24:48 - Clifford Brown Memorial
27:10 - Lee Morgan - Search For the New Land
28:46 - Joe Henderson - Mode For Joe
30:56 - Miles Davis - Volume 2
33:17 - Donald Byrd - A New Perspective
35:31 - Bobby Hutcherson - Happenings
37:10 - Herbie Hancock - Speak Like a Child
40:01 - Closing Comments
Follow me at: https://www.instagram.com/what_can_brown
-------------------------------------------------------------------------------------------
If you're new to my channel, what you can expect from me is a vinyl collector's approach to the jazz genre. For years, I've only collected vintage pressings and prioritized originals of Blue Note, Prestige, Savoy, Bethlehem, Riverside, New Jazz, and more classic labels. Lately, with the resurgence of the medium and more collectors coming to the space, the music industry has taken notice and prioritized putting out high quality reissues of some of the best albums ever recorded. Subscribe to my channel to watch me navigate how to rationalize how I used to buy vs. how I buy vinyl records today.
#jazzcollector #jazzcollection #vinylcollector #vinylcollection #jazzmusic #bluenote @BlueNote #newrelease #newvinyl #newmusic #milesdavis #leemorgan #herbiehancock
- published: 04 Aug 2023
- views: 4072
6:38
Let Me Be Your Wings (Thumbelina’s Theme/Bonus Track/Remastered 2003/Rudy Van Gelder Edition)
Provided to YouTube by Universal Music Group
Let Me Be Your Wings (Thumbelina’s Theme/Bonus Track/Remastered 2003/Rudy Van Gelder Edition) • Robert Maxines
Fi...
Provided to YouTube by Universal Music Group
Let Me Be Your Wings (Thumbelina’s Theme/Bonus Track/Remastered 2003/Rudy Van Gelder Edition) • Robert Maxines
First Meloditasitions (For Quartet) [2CD Deluxe Edition]
℗ 2003 Blue Note Records
Released on: 2003-01-01
Producer: Alfred Lion
Studio Personnel, Recording Engineer, Mastering Engineer: Rudy Van Gelder
Composer: Barry Manilow
Lyricist: Jack Feldman
Lyricist: Bruce Sussman
Auto-generated by YouTube.
https://wn.com/Let_Me_Be_Your_Wings_(Thumbelina’S_Theme_Bonus_Track_Remastered_2003_Rudy_Van_Gelder_Edition)
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Let Me Be Your Wings (Thumbelina’s Theme/Bonus Track/Remastered 2003/Rudy Van Gelder Edition) • Robert Maxines
First Meloditasitions (For Quartet) [2CD Deluxe Edition]
℗ 2003 Blue Note Records
Released on: 2003-01-01
Producer: Alfred Lion
Studio Personnel, Recording Engineer, Mastering Engineer: Rudy Van Gelder
Composer: Barry Manilow
Lyricist: Jack Feldman
Lyricist: Bruce Sussman
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- published: 11 Aug 2023
- views: 17