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Schumann: The Great Piano Works, Vol. 1
Check out Schumann the Great Piano Works Vol. 2 now! https://www.youtube.com/watch?v=USirRZyXdpw
This compilation includes some of Schumann's greatest piano works played by Wolfram Schmitt-Leonardy and Klára Würtz.
Download and streaming: https://brilliant-classics.lnk.to/SchumannGreatPianoWorksVol1ID
Social media:
Brilliant Classics Facebook: https://brilliant-classics.lnk.to/Facebook
Brilliant Classics Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
New Classical Releases: https://brilliant-classics.lnk.to/NewReleases
The Best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most Popular Piano Music: https://brilli...
published: 24 Jun 2020
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The Best of Schumann
Robert Schumann was a renowned composer of the Romantic era, born on June 8, 1810, in Zwickau, Germany. From a young age, he exhibited a profound love for music, which led him to study piano and music theory. However, his ambitions were initially inclined towards becoming a virtuoso pianist.
Schumann's life took a dramatic turn when a hand injury thwarted his dreams of a career as a performer. Undeterred, he shifted his focus to composition and music criticism. In the early 1830s, he co-founded the influential music journal "Neue Zeitschrift für Musik," through which he championed the works of emerging composers like Chopin, Brahms, and Berlioz.
Robert Schumann's compositions encompassed various musical forms, including symphonies, chamber music, lieder (songs), and piano works. His musi...
published: 06 Jun 2013
-
Robert Schumann and Johannes Brahms. The most beautiful melodies. 19 century
Robert Schumann. Johannes Brahms. Four most beautiful melodies. Watch the subtitles- here are interesting stories about pieces!
published: 21 Jul 2023
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Schumann - Träumerei, "Kinderszenen" No. 7, Scenes from Childhood | Vladimir Horowitz
Robert Schumann - Kinderscenen Op. 15, Scenes From Childhood, 1838.
- Nº 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) http://youtu.be/7lihXS3GLw0
- Nº 7. Träumerei (Dreaming) http://youtu.be/6z82w0l6kwE
- Complete performance: http://youtu.be/yibf6QNjgGU
When Schumann wrote Kinderszenen (Scenes from Childhood), he was deeply in love with Clara Wieck, soon to become his wife over the objections of her overbearing father. The composer worked at a feverish pace, composing these pieces in just several days. Actually, he wrote about thirty small pieces, but trimmed them to the thirteen that comprise the set. They are fairly simple in terms of execution, and, of course, their subject matter deals with the world of children. Schumann, however, pointed out that they were not...
published: 14 Apr 2012
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Robert Schumann - Traumerei
Title : Robert Schumann , Traumerei
Date : 1838
published: 21 Jun 2008
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Schumann: Klavierkonzert ∙ hr-Sinfonieorchester ∙ Khatia Buniatishvili ∙ Paavo Järvi
Robert Schumann:
Klavierkonzert ∙
(Auftritt) 00:00 ∙
I. Allegro affettuoso 00:30 ∙
II. Intermezzo. Andantino grazioso 15:44 ∙
III. Allegro vivace 20:31 ∙
Khatia Buniatishvili, Klavier ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Paavo Järvi, Dirigent ∙
Rheingau Musik Festival 2012 ∙
Wiesbaden, Kurhaus, 23. August 2012 ∙
Website: http://www.hr-sinfonieorchester.de
Facebook: http://www.facebook.com/hrsinfonieorchester
published: 06 Sep 2012
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Schumann: The Great Piano Works, Vol. 2
Don't forget to check out Schumann the Great Piano Works Vol. 1! https://www.youtube.com/watch?v=AV62YKJGOV0
For streaming: https://brilliant-classics.lnk.to/RobertSchumannVol2ID
Composer: Robert Schumann
Artists: Klára Würtz, Denys Proshayev, Vincenzo Maltempo, Wolfram Schmitt-Leonardy
Robert Schumann is perhaps best remembered for two things: the sheer number of his compositions, particularly his piano music, produced in his relatively short life; and his passionate and deeply tumultuous relationship with Clara Schumann, née Wieck, his highly accomplished pianist wife. Schumann’s life was clouded with episodes of depression and emotional turmoil, to the extent that he spent the last two years of his life in an asylum, tormented by incidents of paranoia and delusion, as well as a fadi...
published: 07 Nov 2020
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Schumann - "Träumerei" (Dreaming)
Robert Schumann - "Träumerei" from the Kinderszenen Op. 15
("Scenes from Childhood")
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published: 19 May 2020
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Duo-Konzert #3: Annette und Johannes Denhoff - Robert Schumann: Sonate Nr. 1a-moll op. 105 (Auszug)
Im dritten Teil der dreiteiligen Konzertreihe "Duo-Konzert" aus dem Lindenhof-Theater in Braunschweig, spielen Annette (Flügel) und Johannes Denhoff (Violine) Robert Schumann: Aus der Sonate Nr. 1 a-moll op. 105: Mit leidenschaftlichem Ausdruck.
Die Produktion realisierete Tonio Vakalopoulos von mediaVA.
Wir wünschen gute Unterhaltung!
published: 08 Oct 2023
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Robert Schumann: Träumerei (Reverie) from Kinderszenen. Bernhard Ruchti, piano
Bernhard Ruchti: SCHUMANN A TEMPO
Robert Schumann: Träumerei Op. 15 No. 7
Excerpt from "Kinderszenen".
Recorded at KKL concert hall, Luzern, Switzerland, during the "Schumann A Tempo" recordings.
Robert Schumann's Fantasy in C major Op. 17: https://youtu.be/IX3qw2MWrD0
The entire A TEMPO PROJECT: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYlYbPR9DaO1TRuyNi0NMTCU
https://www.bernhardruchti.com/a-tempo/
VOL VIII: SCHUBERT A TEMPO: Piano Sonata in C minor D958.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYkmqPZvVPCOPjn42LB5FpMb
VOL VII: BEETHOVEN A TEMPO III: Three Piano Sonatas.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYnNvkcB25ESrITuJymllbRB
VOL VI: BEETHOVEN A TEMPO II: Hammerklavier-Sonata Opus 106. https://youtube.com/playlist?list=PLmyAMFyZ8tYluWeZ2f7CT1A8iIRU...
published: 19 Apr 2020
3:05:03
Schumann: The Great Piano Works, Vol. 1
Check out Schumann the Great Piano Works Vol. 2 now! https://www.youtube.com/watch?v=USirRZyXdpw
This compilation includes some of Schumann's greatest piano wo...
Check out Schumann the Great Piano Works Vol. 2 now! https://www.youtube.com/watch?v=USirRZyXdpw
This compilation includes some of Schumann's greatest piano works played by Wolfram Schmitt-Leonardy and Klára Würtz.
Download and streaming: https://brilliant-classics.lnk.to/SchumannGreatPianoWorksVol1ID
Social media:
Brilliant Classics Facebook: https://brilliant-classics.lnk.to/Facebook
Brilliant Classics Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
New Classical Releases: https://brilliant-classics.lnk.to/NewReleases
The Best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Robert Schumann
Artists: Wolfram Schmitt-Leonardy, Klára Würtz
Robert Schumann is perhaps best remembered for two things: the sheer number of his compositions, particularly his piano music, produced in his relatively short life; and his passionate and deeply tumultuous relationship with Clara Schumann, née Wieck, his highly accomplished pianist wife. Schumann’s life was clouded with episodes of depression and emotional turmoil, to the extent that he spent the last two years of his life in an asylum, tormented by incidents of paranoia and delusion, as well as a fading memory. Despite – or maybe because of – his turbulent emotional state, Schumann managed to complete hundreds of compositions, from expansive orchestral works to tender Lieder and even a fully fledged opera.
Schumann found inspiration at different points in his life to write for different forces. The year 1840 became known as his ‘Lieder year’, and among his many inspired compositions was the cycle Frauenliebe und –leben, a compelling account of a woman’s life and love.
In 1841, not long after marrying Clara, he was inspired by her encouragement to start writing for orchestra. He composed his first Symphony (‘Spring’) in February of that year, later sketching his Overture, Scherzo and Finale Op.52 in April/May and composing what would become the Piano Concerto in May. In the same year he completed his D minor Symphony, though he wouldn’t publish it for another ten years, making it his Fourth.
The next year would come to be known as his ‘Chamber Music’ year; despite struggling with resentment that Clara’s popularity as a pianist was outstripping his own as a composer, Schumann managed to turn his unhappiness into a productive spell of composition. In February 1842 he began the first two String Quartets, finishing them off in the summer, and in July he composed his third. The Piano Quintet was written in October, and November saw him working on the Piano Quartet. This highly productive period saw the composer exploring a range of styles, with intricate fugues as well as lighter motifs taken from Haydn and Mozart.
In 1843 Schumann began working on oratorios, including Das Paradies und die Peri, but his true ambition was to write an opera. Unimpressed with Wagner’s offerings, Schumann spent a lot of time in thought before settling on the medieval tale of Genoveva for his first operatic work, completed in 1848. The opera is far removed from the vast forces required for Wagner; the work is a scene opera, characterised by recitative-style phrasing and a sumptuously lyrical orchestral score.
Throughout his life Schumann composed for the piano, inspired at first by his forbidden love for Clara (only receiving permission to marry her in 1840 after a long legal battle). His piano compositions continued well into the latter stages of his life, even during his time in the asylum.
Tracklist can be found in the comments!
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
#BrilliantClassics #Schumann #Piano #Classical #Music #Great #Works #German #Composer #Germany #Asylum #Clara #Love Würtz #Schmitt #Leonardy #Wolfram #Klara
https://wn.com/Schumann_The_Great_Piano_Works,_Vol._1
Check out Schumann the Great Piano Works Vol. 2 now! https://www.youtube.com/watch?v=USirRZyXdpw
This compilation includes some of Schumann's greatest piano works played by Wolfram Schmitt-Leonardy and Klára Würtz.
Download and streaming: https://brilliant-classics.lnk.to/SchumannGreatPianoWorksVol1ID
Social media:
Brilliant Classics Facebook: https://brilliant-classics.lnk.to/Facebook
Brilliant Classics Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
New Classical Releases: https://brilliant-classics.lnk.to/NewReleases
The Best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Robert Schumann
Artists: Wolfram Schmitt-Leonardy, Klára Würtz
Robert Schumann is perhaps best remembered for two things: the sheer number of his compositions, particularly his piano music, produced in his relatively short life; and his passionate and deeply tumultuous relationship with Clara Schumann, née Wieck, his highly accomplished pianist wife. Schumann’s life was clouded with episodes of depression and emotional turmoil, to the extent that he spent the last two years of his life in an asylum, tormented by incidents of paranoia and delusion, as well as a fading memory. Despite – or maybe because of – his turbulent emotional state, Schumann managed to complete hundreds of compositions, from expansive orchestral works to tender Lieder and even a fully fledged opera.
Schumann found inspiration at different points in his life to write for different forces. The year 1840 became known as his ‘Lieder year’, and among his many inspired compositions was the cycle Frauenliebe und –leben, a compelling account of a woman’s life and love.
In 1841, not long after marrying Clara, he was inspired by her encouragement to start writing for orchestra. He composed his first Symphony (‘Spring’) in February of that year, later sketching his Overture, Scherzo and Finale Op.52 in April/May and composing what would become the Piano Concerto in May. In the same year he completed his D minor Symphony, though he wouldn’t publish it for another ten years, making it his Fourth.
The next year would come to be known as his ‘Chamber Music’ year; despite struggling with resentment that Clara’s popularity as a pianist was outstripping his own as a composer, Schumann managed to turn his unhappiness into a productive spell of composition. In February 1842 he began the first two String Quartets, finishing them off in the summer, and in July he composed his third. The Piano Quintet was written in October, and November saw him working on the Piano Quartet. This highly productive period saw the composer exploring a range of styles, with intricate fugues as well as lighter motifs taken from Haydn and Mozart.
In 1843 Schumann began working on oratorios, including Das Paradies und die Peri, but his true ambition was to write an opera. Unimpressed with Wagner’s offerings, Schumann spent a lot of time in thought before settling on the medieval tale of Genoveva for his first operatic work, completed in 1848. The opera is far removed from the vast forces required for Wagner; the work is a scene opera, characterised by recitative-style phrasing and a sumptuously lyrical orchestral score.
Throughout his life Schumann composed for the piano, inspired at first by his forbidden love for Clara (only receiving permission to marry her in 1840 after a long legal battle). His piano compositions continued well into the latter stages of his life, even during his time in the asylum.
Tracklist can be found in the comments!
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
#BrilliantClassics #Schumann #Piano #Classical #Music #Great #Works #German #Composer #Germany #Asylum #Clara #Love Würtz #Schmitt #Leonardy #Wolfram #Klara
- published: 24 Jun 2020
- views: 1875069
1:11:20
The Best of Schumann
Robert Schumann was a renowned composer of the Romantic era, born on June 8, 1810, in Zwickau, Germany. From a young age, he exhibited a profound love for music...
Robert Schumann was a renowned composer of the Romantic era, born on June 8, 1810, in Zwickau, Germany. From a young age, he exhibited a profound love for music, which led him to study piano and music theory. However, his ambitions were initially inclined towards becoming a virtuoso pianist.
Schumann's life took a dramatic turn when a hand injury thwarted his dreams of a career as a performer. Undeterred, he shifted his focus to composition and music criticism. In the early 1830s, he co-founded the influential music journal "Neue Zeitschrift für Musik," through which he championed the works of emerging composers like Chopin, Brahms, and Berlioz.
Robert Schumann's compositions encompassed various musical forms, including symphonies, chamber music, lieder (songs), and piano works. His music often reflected deep emotional expressions, introspection, and a strong connection to literature, particularly the works of E.T.A. Hoffmann.
In 1840, a pivotal year for Schumann, he married the brilliant pianist Clara Wieck, who played a crucial role in both supporting his career and inspiring many of his compositions. This period marked a significant creative surge for him, producing numerous celebrated pieces, such as the piano cycle "Carnaval" and the Symphony No. 1, "Spring."
Despite his artistic success, Schumann struggled with mental health issues throughout his life. He experienced bouts of depression and anxiety, which affected his ability to compose at times. In 1854, his mental health deteriorated, leading to a suicide attempt and eventual institutionalization in a mental asylum in Endenich, where he spent the last two years of his life.
Robert Schumann's life tragically ended on July 29, 1856. Despite his relatively short life, his impact on Romantic music was immense. His compositions have become staples of the classical repertoire, cherished for their emotional depth, melodic inventiveness, and innovative harmonic language. Through his music and writings, Schumann left an indelible mark on the world of classical music, inspiring generations of composers and musicians.
Robert Schumann
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Schumann
https://wn.com/The_Best_Of_Schumann
Robert Schumann was a renowned composer of the Romantic era, born on June 8, 1810, in Zwickau, Germany. From a young age, he exhibited a profound love for music, which led him to study piano and music theory. However, his ambitions were initially inclined towards becoming a virtuoso pianist.
Schumann's life took a dramatic turn when a hand injury thwarted his dreams of a career as a performer. Undeterred, he shifted his focus to composition and music criticism. In the early 1830s, he co-founded the influential music journal "Neue Zeitschrift für Musik," through which he championed the works of emerging composers like Chopin, Brahms, and Berlioz.
Robert Schumann's compositions encompassed various musical forms, including symphonies, chamber music, lieder (songs), and piano works. His music often reflected deep emotional expressions, introspection, and a strong connection to literature, particularly the works of E.T.A. Hoffmann.
In 1840, a pivotal year for Schumann, he married the brilliant pianist Clara Wieck, who played a crucial role in both supporting his career and inspiring many of his compositions. This period marked a significant creative surge for him, producing numerous celebrated pieces, such as the piano cycle "Carnaval" and the Symphony No. 1, "Spring."
Despite his artistic success, Schumann struggled with mental health issues throughout his life. He experienced bouts of depression and anxiety, which affected his ability to compose at times. In 1854, his mental health deteriorated, leading to a suicide attempt and eventual institutionalization in a mental asylum in Endenich, where he spent the last two years of his life.
Robert Schumann's life tragically ended on July 29, 1856. Despite his relatively short life, his impact on Romantic music was immense. His compositions have become staples of the classical repertoire, cherished for their emotional depth, melodic inventiveness, and innovative harmonic language. Through his music and writings, Schumann left an indelible mark on the world of classical music, inspiring generations of composers and musicians.
Robert Schumann
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Schumann
- published: 06 Jun 2013
- views: 1312731
6:02
Robert Schumann and Johannes Brahms. The most beautiful melodies. 19 century
Robert Schumann. Johannes Brahms. Four most beautiful melodies. Watch the subtitles- here are interesting stories about pieces!
Robert Schumann. Johannes Brahms. Four most beautiful melodies. Watch the subtitles- here are interesting stories about pieces!
https://wn.com/Robert_Schumann_And_Johannes_Brahms._The_Most_Beautiful_Melodies._19_Century
Robert Schumann. Johannes Brahms. Four most beautiful melodies. Watch the subtitles- here are interesting stories about pieces!
- published: 21 Jul 2023
- views: 4038
2:34
Schumann - Träumerei, "Kinderszenen" No. 7, Scenes from Childhood | Vladimir Horowitz
Robert Schumann - Kinderscenen Op. 15, Scenes From Childhood, 1838.
- Nº 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) http://youtu.be/7lih...
Robert Schumann - Kinderscenen Op. 15, Scenes From Childhood, 1838.
- Nº 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) http://youtu.be/7lihXS3GLw0
- Nº 7. Träumerei (Dreaming) http://youtu.be/6z82w0l6kwE
- Complete performance: http://youtu.be/yibf6QNjgGU
When Schumann wrote Kinderszenen (Scenes from Childhood), he was deeply in love with Clara Wieck, soon to become his wife over the objections of her overbearing father. The composer worked at a feverish pace, composing these pieces in just several days. Actually, he wrote about thirty small pieces, but trimmed them to the thirteen that comprise the set. They are fairly simple in terms of execution, and, of course, their subject matter deals with the world of children. Schumann, however, pointed out that they were not intended for children.
The seventh item here, "Träumerei" (Dreaming), is the most popular in the set. It is a depiction of childhood innocence, vulnerability and gentleness. Many pianists have interpreted this piece in a sentimental, almost saccharine way, while others (Horowitz notably) have insisted on a more objective approach. The main theme is sweetly innocent and sentimental, clearly representing the adult Schumann's fond view of aspects of his own childhood. The melody is unforgettable, the harmonies simple, but distinctive, and the overall mood dreamy and soothing. Of the many themes associated with children -- that in Brahms' Lullaby, several in Prokofiev's Peter and the Wolf -- the "Träumerei" melody is among the most memorable. The whole piece lasts under three minutes, but is the longest in the Kinderszenen set.
Most pianists who play Kinderszenen rarely excerpt it, but when an individual piece from it is played by them in concert, "Träumerei" is usually their choice. Horowitz was known to play it as an encore on several occasions.
From spirited games to sleeping and dreaming, Kinderszenen captures the joys and sorrows of childhood in a series of musical snapshots. Schumann described the titles as "nothing more than delicate hints for execution and interpretation". The Kinderszenen are a touching tribute to the eternal, universal memories and feelings of childhood from a nostalgic adult perspective; unlike a number of Schumann's collections of piano character pieces (e.g.Album for the Young,Op.68), the Kinderszenen are not intended to be played by children. Schumann claimed that the picturesque titles attached to the pieces were added as an afterthought in order to provide subtle suggestions to the player, a model Debussy followed decades later in his Preludes. Almost all of the Kinderszenen are miniature ternary (ABA) forms.
Horowitz in Vienna Kinderszenen
Robert Schumann - "Scenes from Childhood" | Kinderszenen, Opus 15, N.º 7 Träumerei, Traumerei, Dreaming, A Sonhar, Somiant, Rêverie, Revaĵo, Sogno, Drømmeri.
Kinderszenen, Kinderscenen, Scenes from Childhood, Cenas da Infância, Cenas Infantis, Infanaĝaj scenoj, Scènes d'enfants, Scene infantili, Barndomsscener, 子供の情景.
https://wn.com/Schumann_Träumerei,_Kinderszenen_No._7,_Scenes_From_Childhood_|_Vladimir_Horowitz
Robert Schumann - Kinderscenen Op. 15, Scenes From Childhood, 1838.
- Nº 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) http://youtu.be/7lihXS3GLw0
- Nº 7. Träumerei (Dreaming) http://youtu.be/6z82w0l6kwE
- Complete performance: http://youtu.be/yibf6QNjgGU
When Schumann wrote Kinderszenen (Scenes from Childhood), he was deeply in love with Clara Wieck, soon to become his wife over the objections of her overbearing father. The composer worked at a feverish pace, composing these pieces in just several days. Actually, he wrote about thirty small pieces, but trimmed them to the thirteen that comprise the set. They are fairly simple in terms of execution, and, of course, their subject matter deals with the world of children. Schumann, however, pointed out that they were not intended for children.
The seventh item here, "Träumerei" (Dreaming), is the most popular in the set. It is a depiction of childhood innocence, vulnerability and gentleness. Many pianists have interpreted this piece in a sentimental, almost saccharine way, while others (Horowitz notably) have insisted on a more objective approach. The main theme is sweetly innocent and sentimental, clearly representing the adult Schumann's fond view of aspects of his own childhood. The melody is unforgettable, the harmonies simple, but distinctive, and the overall mood dreamy and soothing. Of the many themes associated with children -- that in Brahms' Lullaby, several in Prokofiev's Peter and the Wolf -- the "Träumerei" melody is among the most memorable. The whole piece lasts under three minutes, but is the longest in the Kinderszenen set.
Most pianists who play Kinderszenen rarely excerpt it, but when an individual piece from it is played by them in concert, "Träumerei" is usually their choice. Horowitz was known to play it as an encore on several occasions.
From spirited games to sleeping and dreaming, Kinderszenen captures the joys and sorrows of childhood in a series of musical snapshots. Schumann described the titles as "nothing more than delicate hints for execution and interpretation". The Kinderszenen are a touching tribute to the eternal, universal memories and feelings of childhood from a nostalgic adult perspective; unlike a number of Schumann's collections of piano character pieces (e.g.Album for the Young,Op.68), the Kinderszenen are not intended to be played by children. Schumann claimed that the picturesque titles attached to the pieces were added as an afterthought in order to provide subtle suggestions to the player, a model Debussy followed decades later in his Preludes. Almost all of the Kinderszenen are miniature ternary (ABA) forms.
Horowitz in Vienna Kinderszenen
Robert Schumann - "Scenes from Childhood" | Kinderszenen, Opus 15, N.º 7 Träumerei, Traumerei, Dreaming, A Sonhar, Somiant, Rêverie, Revaĵo, Sogno, Drømmeri.
Kinderszenen, Kinderscenen, Scenes from Childhood, Cenas da Infância, Cenas Infantis, Infanaĝaj scenoj, Scènes d'enfants, Scene infantili, Barndomsscener, 子供の情景.
- published: 14 Apr 2012
- views: 3022322
3:11
Robert Schumann - Traumerei
Title : Robert Schumann , Traumerei
Date : 1838
Title : Robert Schumann , Traumerei
Date : 1838
https://wn.com/Robert_Schumann_Traumerei
Title : Robert Schumann , Traumerei
Date : 1838
- published: 21 Jun 2008
- views: 566116
39:51
Schumann: Klavierkonzert ∙ hr-Sinfonieorchester ∙ Khatia Buniatishvili ∙ Paavo Järvi
Robert Schumann:
Klavierkonzert ∙
(Auftritt) 00:00 ∙
I. Allegro affettuoso 00:30 ∙
II. Intermezzo. Andantino grazioso 15:44 ∙
III. Allegro vivace 20:31 ∙
...
Robert Schumann:
Klavierkonzert ∙
(Auftritt) 00:00 ∙
I. Allegro affettuoso 00:30 ∙
II. Intermezzo. Andantino grazioso 15:44 ∙
III. Allegro vivace 20:31 ∙
Khatia Buniatishvili, Klavier ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Paavo Järvi, Dirigent ∙
Rheingau Musik Festival 2012 ∙
Wiesbaden, Kurhaus, 23. August 2012 ∙
Website: http://www.hr-sinfonieorchester.de
Facebook: http://www.facebook.com/hrsinfonieorchester
https://wn.com/Schumann_Klavierkonzert_∙_Hr_Sinfonieorchester_∙_Khatia_Buniatishvili_∙_Paavo_Järvi
Robert Schumann:
Klavierkonzert ∙
(Auftritt) 00:00 ∙
I. Allegro affettuoso 00:30 ∙
II. Intermezzo. Andantino grazioso 15:44 ∙
III. Allegro vivace 20:31 ∙
Khatia Buniatishvili, Klavier ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Paavo Järvi, Dirigent ∙
Rheingau Musik Festival 2012 ∙
Wiesbaden, Kurhaus, 23. August 2012 ∙
Website: http://www.hr-sinfonieorchester.de
Facebook: http://www.facebook.com/hrsinfonieorchester
- published: 06 Sep 2012
- views: 10960704
2:55:14
Schumann: The Great Piano Works, Vol. 2
Don't forget to check out Schumann the Great Piano Works Vol. 1! https://www.youtube.com/watch?v=AV62YKJGOV0
For streaming: https://brilliant-classics.lnk.to/...
Don't forget to check out Schumann the Great Piano Works Vol. 1! https://www.youtube.com/watch?v=AV62YKJGOV0
For streaming: https://brilliant-classics.lnk.to/RobertSchumannVol2ID
Composer: Robert Schumann
Artists: Klára Würtz, Denys Proshayev, Vincenzo Maltempo, Wolfram Schmitt-Leonardy
Robert Schumann is perhaps best remembered for two things: the sheer number of his compositions, particularly his piano music, produced in his relatively short life; and his passionate and deeply tumultuous relationship with Clara Schumann, née Wieck, his highly accomplished pianist wife. Schumann’s life was clouded with episodes of depression and emotional turmoil, to the extent that he spent the last two years of his life in an asylum, tormented by incidents of paranoia and delusion, as well as a fading memory. Despite – or maybe because of – his turbulent emotional state, Schumann managed to complete hundreds of compositions, from expansive orchestral works to tender Lieder and even a fully fledged opera.
Schumann found inspiration at different points in his life to write for different forces. The year 1840 became known as his ‘Lieder year’, and among his many inspired compositions was the cycle Frauenliebe und –leben, a compelling account of a woman’s life and love.
In 1841, not long after marrying Clara, he was inspired by her encouragement to start writing for orchestra. He composed his first Symphony (‘Spring’) in February of that year, later sketching his Overture, Scherzo and Finale Op.52 in April/May and composing what would become the Piano Concerto in May. In the same year he completed his D minor Symphony, though he wouldn’t publish it for another ten years, making it his Fourth.
The next year would come to be known as his ‘Chamber Music’ year; despite struggling with resentment that Clara’s popularity as a pianist was outstripping his own as a composer, Schumann managed to turn his unhappiness into a productive spell of composition. In February 1842 he began the first two String Quartets, finishing them off in the summer, and in July he composed his third. The Piano Quintet was written in October, and November saw him working on the Piano Quartet. This highly productive period saw the composer exploring a range of styles, with intricate fugues as well as lighter motifs taken from Haydn and Mozart.
In 1843 Schumann began working on oratorios, including Das Paradies und die Peri, but his true ambition was to write an opera. Unimpressed with Wagner’s offerings, Schumann spent a lot of time in thought before settling on the medieval tale of Genoveva for his first operatic work, completed in 1848. The opera is far removed from the vast forces required for Wagner; the work is a scene opera, characterised by recitative-style phrasing and a sumptuously lyrical orchestral score.
Throughout his life Schumann composed for the piano, inspired at first by his forbidden love for Clara (only receiving permission to marry her in 1840 after a long legal battle). His piano compositions continued well into the latter stages of his life, even during his time in the asylum.
Tracklist can be found in the comments!
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#BrilliantClassics #Composer #Classical #Music #Schumann #Piano
https://wn.com/Schumann_The_Great_Piano_Works,_Vol._2
Don't forget to check out Schumann the Great Piano Works Vol. 1! https://www.youtube.com/watch?v=AV62YKJGOV0
For streaming: https://brilliant-classics.lnk.to/RobertSchumannVol2ID
Composer: Robert Schumann
Artists: Klára Würtz, Denys Proshayev, Vincenzo Maltempo, Wolfram Schmitt-Leonardy
Robert Schumann is perhaps best remembered for two things: the sheer number of his compositions, particularly his piano music, produced in his relatively short life; and his passionate and deeply tumultuous relationship with Clara Schumann, née Wieck, his highly accomplished pianist wife. Schumann’s life was clouded with episodes of depression and emotional turmoil, to the extent that he spent the last two years of his life in an asylum, tormented by incidents of paranoia and delusion, as well as a fading memory. Despite – or maybe because of – his turbulent emotional state, Schumann managed to complete hundreds of compositions, from expansive orchestral works to tender Lieder and even a fully fledged opera.
Schumann found inspiration at different points in his life to write for different forces. The year 1840 became known as his ‘Lieder year’, and among his many inspired compositions was the cycle Frauenliebe und –leben, a compelling account of a woman’s life and love.
In 1841, not long after marrying Clara, he was inspired by her encouragement to start writing for orchestra. He composed his first Symphony (‘Spring’) in February of that year, later sketching his Overture, Scherzo and Finale Op.52 in April/May and composing what would become the Piano Concerto in May. In the same year he completed his D minor Symphony, though he wouldn’t publish it for another ten years, making it his Fourth.
The next year would come to be known as his ‘Chamber Music’ year; despite struggling with resentment that Clara’s popularity as a pianist was outstripping his own as a composer, Schumann managed to turn his unhappiness into a productive spell of composition. In February 1842 he began the first two String Quartets, finishing them off in the summer, and in July he composed his third. The Piano Quintet was written in October, and November saw him working on the Piano Quartet. This highly productive period saw the composer exploring a range of styles, with intricate fugues as well as lighter motifs taken from Haydn and Mozart.
In 1843 Schumann began working on oratorios, including Das Paradies und die Peri, but his true ambition was to write an opera. Unimpressed with Wagner’s offerings, Schumann spent a lot of time in thought before settling on the medieval tale of Genoveva for his first operatic work, completed in 1848. The opera is far removed from the vast forces required for Wagner; the work is a scene opera, characterised by recitative-style phrasing and a sumptuously lyrical orchestral score.
Throughout his life Schumann composed for the piano, inspired at first by his forbidden love for Clara (only receiving permission to marry her in 1840 after a long legal battle). His piano compositions continued well into the latter stages of his life, even during his time in the asylum.
Tracklist can be found in the comments!
Social media:
Facebook: https://brilliant-classics.lnk.to/FacebookID
Instagram: https://brilliant-classics.lnk.to/InstagramID
Spotify: https://brilliant-classics.lnk.to/SpotifyID
#BrilliantClassics #Composer #Classical #Music #Schumann #Piano
- published: 07 Nov 2020
- views: 238375
3:32
Schumann - "Träumerei" (Dreaming)
Robert Schumann - "Träumerei" from the Kinderszenen Op. 15
("Scenes from Childhood")
Subscribe and follow on social media. I would love to meet you!!
🔔Click th...
Robert Schumann - "Träumerei" from the Kinderszenen Op. 15
("Scenes from Childhood")
Subscribe and follow on social media. I would love to meet you!!
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I hope you all enjoy this channel! Please leave a comment if you have any pieces that you want to listen to.
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#Schumann #Träumerei #Dreaming #Piano #Classic #Traummusic
https://wn.com/Schumann_Träumerei_(Dreaming)
Robert Schumann - "Träumerei" from the Kinderszenen Op. 15
("Scenes from Childhood")
Subscribe and follow on social media. I would love to meet you!!
🔔Click the bell icon, so you are notified of the next video🔔
🎧🎶 iTunes: https://apple.co/2HIGOX1
🎧🎶 Spotify: https://spoti.fi/2EaZQE4
I hope you all enjoy this channel! Please leave a comment if you have any pieces that you want to listen to.
Instagram https://www.instagram.com/traumpiano
Facebook https://www.facebook.com/traumpianist
Tiktok https://www.tiktok.com/@traumian
https://www.youtube.com/c/Traumian
Thank you in advance for your generous contribution and I encourage you to participate in spreading happiness through beautiful classical music with Traum.
Donation
Paypal https://www.paypal.com/paypalme/TraumPiano
Buy me a coffee https://www.buymeacoffee.com/Truam
Patreon https://www.patreon.com/traumpiano
#Schumann #Träumerei #Dreaming #Piano #Classic #Traummusic
- published: 19 May 2020
- views: 625218
10:48
Duo-Konzert #3: Annette und Johannes Denhoff - Robert Schumann: Sonate Nr. 1a-moll op. 105 (Auszug)
Im dritten Teil der dreiteiligen Konzertreihe "Duo-Konzert" aus dem Lindenhof-Theater in Braunschweig, spielen Annette (Flügel) und Johannes Denhoff (Violine) R...
Im dritten Teil der dreiteiligen Konzertreihe "Duo-Konzert" aus dem Lindenhof-Theater in Braunschweig, spielen Annette (Flügel) und Johannes Denhoff (Violine) Robert Schumann: Aus der Sonate Nr. 1 a-moll op. 105: Mit leidenschaftlichem Ausdruck.
Die Produktion realisierete Tonio Vakalopoulos von mediaVA.
Wir wünschen gute Unterhaltung!
https://wn.com/Duo_Konzert_3_Annette_Und_Johannes_Denhoff_Robert_Schumann_Sonate_Nr._1A_Moll_Op._105_(Auszug)
Im dritten Teil der dreiteiligen Konzertreihe "Duo-Konzert" aus dem Lindenhof-Theater in Braunschweig, spielen Annette (Flügel) und Johannes Denhoff (Violine) Robert Schumann: Aus der Sonate Nr. 1 a-moll op. 105: Mit leidenschaftlichem Ausdruck.
Die Produktion realisierete Tonio Vakalopoulos von mediaVA.
Wir wünschen gute Unterhaltung!
- published: 08 Oct 2023
- views: 27
3:45
Robert Schumann: Träumerei (Reverie) from Kinderszenen. Bernhard Ruchti, piano
Bernhard Ruchti: SCHUMANN A TEMPO
Robert Schumann: Träumerei Op. 15 No. 7
Excerpt from "Kinderszenen".
Recorded at KKL concert hall, Luzern, Switzerland, duri...
Bernhard Ruchti: SCHUMANN A TEMPO
Robert Schumann: Träumerei Op. 15 No. 7
Excerpt from "Kinderszenen".
Recorded at KKL concert hall, Luzern, Switzerland, during the "Schumann A Tempo" recordings.
Robert Schumann's Fantasy in C major Op. 17: https://youtu.be/IX3qw2MWrD0
The entire A TEMPO PROJECT: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYlYbPR9DaO1TRuyNi0NMTCU
https://www.bernhardruchti.com/a-tempo/
VOL VIII: SCHUBERT A TEMPO: Piano Sonata in C minor D958.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYkmqPZvVPCOPjn42LB5FpMb
VOL VII: BEETHOVEN A TEMPO III: Three Piano Sonatas.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYnNvkcB25ESrITuJymllbRB
VOL VI: BEETHOVEN A TEMPO II: Hammerklavier-Sonata Opus 106. https://youtube.com/playlist?list=PLmyAMFyZ8tYluWeZ2f7CT1A8iIRUtAJ4J
VOL V: LISZT A TEMPO II: https://youtube.com/playlist?list=PLmyAMFyZ8tYnWLMPyeBuJlZ_64ij7fHEB
VOL. IV: CHOPIN A TEMPO: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYlITcWpab5EGubYiJHXUEeJ
VOL. III: SCHUMANN A TEMPO: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYk1mo4TNJM6PKc4Z7c1WGHq
VOL. II: LISZT A TEMPO I: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYkngWG2cBwGiL4wwZLtaQCD
VOL. I: BEETHOVEN A TEMPO I: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYn7Cfdnbr-PlhsCmrxZwYl7
https://www.bernhardruchti.com
Produced by Cornelius Claudio Kreusch for MUSICJUSTMUSIC®
Executive Producer: Bernhard Ruchti for A Tempo Productions®
Recording & Editing: Hans-Martin Buff
Mix & Master: Ed Reed
Camera & Art Direction: Christopher Link
All rights reserved. © and ℗ A TEMPO PRODUCTIONS® / Bernhard Ruchti
https://www.bernhardruchti.com
http://www.musicjustmusic.net
https://wn.com/Robert_Schumann_Träumerei_(Reverie)_From_Kinderszenen._Bernhard_Ruchti,_Piano
Bernhard Ruchti: SCHUMANN A TEMPO
Robert Schumann: Träumerei Op. 15 No. 7
Excerpt from "Kinderszenen".
Recorded at KKL concert hall, Luzern, Switzerland, during the "Schumann A Tempo" recordings.
Robert Schumann's Fantasy in C major Op. 17: https://youtu.be/IX3qw2MWrD0
The entire A TEMPO PROJECT: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYlYbPR9DaO1TRuyNi0NMTCU
https://www.bernhardruchti.com/a-tempo/
VOL VIII: SCHUBERT A TEMPO: Piano Sonata in C minor D958.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYkmqPZvVPCOPjn42LB5FpMb
VOL VII: BEETHOVEN A TEMPO III: Three Piano Sonatas.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYnNvkcB25ESrITuJymllbRB
VOL VI: BEETHOVEN A TEMPO II: Hammerklavier-Sonata Opus 106. https://youtube.com/playlist?list=PLmyAMFyZ8tYluWeZ2f7CT1A8iIRUtAJ4J
VOL V: LISZT A TEMPO II: https://youtube.com/playlist?list=PLmyAMFyZ8tYnWLMPyeBuJlZ_64ij7fHEB
VOL. IV: CHOPIN A TEMPO: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYlITcWpab5EGubYiJHXUEeJ
VOL. III: SCHUMANN A TEMPO: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYk1mo4TNJM6PKc4Z7c1WGHq
VOL. II: LISZT A TEMPO I: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYkngWG2cBwGiL4wwZLtaQCD
VOL. I: BEETHOVEN A TEMPO I: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYn7Cfdnbr-PlhsCmrxZwYl7
https://www.bernhardruchti.com
Produced by Cornelius Claudio Kreusch for MUSICJUSTMUSIC®
Executive Producer: Bernhard Ruchti for A Tempo Productions®
Recording & Editing: Hans-Martin Buff
Mix & Master: Ed Reed
Camera & Art Direction: Christopher Link
All rights reserved. © and ℗ A TEMPO PRODUCTIONS® / Bernhard Ruchti
https://www.bernhardruchti.com
http://www.musicjustmusic.net
- published: 19 Apr 2020
- views: 242357
-
Schumann: 3. Sinfonie (»Rheinische«) ∙ hr-Sinfonieorchester ∙ Marek Janowski
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierlich 21:14 ∙
V. Lebhaft – Schneller 26:16 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Marek Janowski, Dirigent ∙
Alte Oper Frankfurt, 4. März 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
published: 26 Mar 2016
-
Robert Schumann: Symphony No. 3 in E-flat major "Rhenish", op. 97 (1850)
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
Schumann's "Rhenish" Symphony, the Symphony No. 3 in E flat major, Op. 97, is so called because it was written in the fall of 1850 during the composer's tenure as conductor at Düsseldorf on the famous Rhine river. In a letter to the publisher N. Simrock in 1851 Schumann claimed that the history and spirit of that noble river and its people were running through his mind as he composed the work. The Symphony was less successful at its premiere in February 1851 (under the composer's direction) than had his two previous symphonic premieres had been. Although third in number, the "Rhenish" is actually Schumann's final entry in the genre,...
published: 26 May 2020
-
Schumann: Symphony nº 3 "Rhenish" - Leonard Bernstein - Wiener Philharmoniker Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
published: 17 Sep 2022
-
William SCHUMAN Symphony No. 3 - Slatkin - DSO Live
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm sorry but this is for educational purposes
Detroit Symphony Orchestra
Leonard Slatkin Conductor
Live Broadcast from 2016
Bass Clarinet solo
snare drum solo
xylophone excerpt
published: 20 Nov 2021
-
Schumann: Sinfonie Nr. 3 "Rheinische" mit Christoph Eschenbach | NDR Elbphilharmonie Orchester
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holstein Musik Festival 2010 in Lübeck.
ROBERT SCHUMANN
Sinfonie Nr. 3 Es-Dur op. 97
Christoph Eschenbach, Dirigent
NDR Elbphilharmonie Orchester (damals NDR Sinfonieorchester)
Eröffnungskonzert Schleswig-Holstein Musik Festival, Musik- und Kongresshalle Lübeck, 2010
Website: https://www.ndr.de/eo
Facebook: https://www.facebook.com/ndrelbphilharmonieorchester/
Instagram: https://www.instagram.com/ndr.eo
published: 01 Dec 2016
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William Schuman - Symphony No. 3 (Score Video)
This video is provided for educational use only; please email me at [email protected] regarding any copyright issues.
00:03 I. Passacaglia and Fugue
13:46 II. Chorale and Toccata
New York Philharmonic conducted by Leonard Bernstein
William Schuman (1910-1992) was a notable American composer of the 20th century, also known for serving as president of the Juilliard School and of Lincoln Center.
Schuman's third symphony, written in 1941 and dedicated to the conductor Serge Koussevitzky, is considered one of his finest works; I find it one of the most compelling American symphonic works ever written. Modeled loosely on Baroque forms, it contains two parts: the first comprises a passacaglia and fugue, while the second is composed of a chorale and toccata. What I find most appeal...
published: 22 Mar 2023
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Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish" (Orchestre de Paris, David Zinman)
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concert: https://bit.ly/DavidZinmanOrchestredeParis2014
Orchestre de Paris
David Zinman - conductor
Chapters:
0:00 Robert Schumann - Symphony No.3, Op.97, "Rhenish"
0:18 I. Lebhaft ∙
10:53 II. Scherzo. Sehr mäßig ∙
17:20 III. Nicht schnell ∙
22:56 IV. Feierlich ∙
28:36 V. Lebhaft – Schneller
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
More concerts by the Orchestre de Paris: https://bit.ly/ConcertsOrchestredeParis
© Licensed by Poorhouse
#wocomoCLASSICAL
published: 22 Aug 2020
-
Schumann: Symphony No. 3 in E-flat major, Op. 97 "Rhenish" - philharmonie zuidnederland - Live HD
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirigent
Opname:
Het Zondagochtend Concert van zondag 28 mei 2023 in Het Concertgebouw te Amsterdam.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Robert Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish"
The musicians:
philharmonie zuidnederland
Duncan Ward, conductor
Recording:
The Sunday Mo...
published: 31 May 2023
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Schumann Sinfonie Nr 3 in-Es Dur op 97 Rheinische Paavo Järvi Deutsche Kammerphilharmonie Bremen
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Bremen
Lebhaft 0:00
Scherzo: Sehr mäßig (in C major) 9:40
Nicht schnell (in A-flat major) 15:40
Feierlich (in E-flat minor) 20:56
Lebhaft 27:02
published: 29 Jan 2023
-
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík
Schumann: The 4 Symphonies; Overtures Opp.81 "Genoveva" & 115 "Manfred"
℗ 1964 Deutsche Grammophon GmbH, Berlin
Released on: 2010-01-01
Producer, Recording Producer: Hans Weber
Studio Personnel, Balance Engineer: Günter Hermanns
Studio Personnel, Editor: Guenther Dieckmann
Composer: Robert Schumann
Auto-generated by YouTube.
published: 28 Jul 2018
35:32
Schumann: 3. Sinfonie (»Rheinische«) ∙ hr-Sinfonieorchester ∙ Marek Janowski
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierli...
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierlich 21:14 ∙
V. Lebhaft – Schneller 26:16 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Marek Janowski, Dirigent ∙
Alte Oper Frankfurt, 4. März 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
https://wn.com/Schumann_3._Sinfonie_(»Rheinische«)_∙_Hr_Sinfonieorchester_∙_Marek_Janowski
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierlich 21:14 ∙
V. Lebhaft – Schneller 26:16 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Marek Janowski, Dirigent ∙
Alte Oper Frankfurt, 4. März 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
- published: 26 Mar 2016
- views: 692607
33:38
Robert Schumann: Symphony No. 3 in E-flat major "Rhenish", op. 97 (1850)
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
...
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
Schumann's "Rhenish" Symphony, the Symphony No. 3 in E flat major, Op. 97, is so called because it was written in the fall of 1850 during the composer's tenure as conductor at Düsseldorf on the famous Rhine river. In a letter to the publisher N. Simrock in 1851 Schumann claimed that the history and spirit of that noble river and its people were running through his mind as he composed the work. The Symphony was less successful at its premiere in February 1851 (under the composer's direction) than had his two previous symphonic premieres had been. Although third in number, the "Rhenish" is actually Schumann's final entry in the genre, the forthcoming Symphony No. 4 in D minor, Op. 120, having been originally composed in 1841.
The heroic main theme of the opening Lebhaft is laced with hemiolas that transform its basic 3/4 time into larger bars of 3/2. A second theme in G minor is offered by the oboe and clarinet before being taken over by the violins. The astute listener will have noticed a keen similarity between the rhythmic outline of Schumann's main theme and that of the main theme to the opening movement of Johannes Brahms' Symphony No. 3 in F major. This similarity is enhanced even further during the transition to the second theme in the recapitulation, when the figure is played out with precisely the same intervallic content as the later Brahms melody -- just one example of the deep and abiding influence Schumann's music had on his younger associate. Schumann incorporates the jovial Rheinweinlied (Rhine-wine Song) into the Scherzo, which, as in the Second Symphony, appears as the second rather than the more traditional third movement. The solid C major foundation is shaken up briefly by the A minor Trio (although, rather stubbornly, the bass continues to putter around on low C). Perhaps the most fascinating aspect of the "Rhenish" Symphony is the interpolation of an extra movement. Marked Feierlich (Solemn), the movement originally carried the inscription, "in the manner of an accompaniment to a solemn ceremony." The Finale is a robust outburst (marked, like the first movement, Lebhaft) which recalls some of the main theme from the fourth movement before plunging into a final burst of joyful E flat.
Wolfgang Sawallisch & Staatskapelle Dresden
Warner Classics
https://wn.com/Robert_Schumann_Symphony_No._3_In_E_Flat_Major_Rhenish_,_Op._97_(1850)
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
Schumann's "Rhenish" Symphony, the Symphony No. 3 in E flat major, Op. 97, is so called because it was written in the fall of 1850 during the composer's tenure as conductor at Düsseldorf on the famous Rhine river. In a letter to the publisher N. Simrock in 1851 Schumann claimed that the history and spirit of that noble river and its people were running through his mind as he composed the work. The Symphony was less successful at its premiere in February 1851 (under the composer's direction) than had his two previous symphonic premieres had been. Although third in number, the "Rhenish" is actually Schumann's final entry in the genre, the forthcoming Symphony No. 4 in D minor, Op. 120, having been originally composed in 1841.
The heroic main theme of the opening Lebhaft is laced with hemiolas that transform its basic 3/4 time into larger bars of 3/2. A second theme in G minor is offered by the oboe and clarinet before being taken over by the violins. The astute listener will have noticed a keen similarity between the rhythmic outline of Schumann's main theme and that of the main theme to the opening movement of Johannes Brahms' Symphony No. 3 in F major. This similarity is enhanced even further during the transition to the second theme in the recapitulation, when the figure is played out with precisely the same intervallic content as the later Brahms melody -- just one example of the deep and abiding influence Schumann's music had on his younger associate. Schumann incorporates the jovial Rheinweinlied (Rhine-wine Song) into the Scherzo, which, as in the Second Symphony, appears as the second rather than the more traditional third movement. The solid C major foundation is shaken up briefly by the A minor Trio (although, rather stubbornly, the bass continues to putter around on low C). Perhaps the most fascinating aspect of the "Rhenish" Symphony is the interpolation of an extra movement. Marked Feierlich (Solemn), the movement originally carried the inscription, "in the manner of an accompaniment to a solemn ceremony." The Finale is a robust outburst (marked, like the first movement, Lebhaft) which recalls some of the main theme from the fourth movement before plunging into a final burst of joyful E flat.
Wolfgang Sawallisch & Staatskapelle Dresden
Warner Classics
- published: 26 May 2020
- views: 140709
38:29
Schumann: Symphony nº 3 "Rhenish" - Leonard Bernstein - Wiener Philharmoniker Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
https://wn.com/Schumann_Symphony_Nº_3_Rhenish_Leonard_Bernstein_Wiener_Philharmoniker_Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
- published: 17 Sep 2022
- views: 37357
32:52
William SCHUMAN Symphony No. 3 - Slatkin - DSO Live
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm s...
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm sorry but this is for educational purposes
Detroit Symphony Orchestra
Leonard Slatkin Conductor
Live Broadcast from 2016
Bass Clarinet solo
snare drum solo
xylophone excerpt
https://wn.com/William_Schuman_Symphony_No._3_Slatkin_Dso_Live
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm sorry but this is for educational purposes
Detroit Symphony Orchestra
Leonard Slatkin Conductor
Live Broadcast from 2016
Bass Clarinet solo
snare drum solo
xylophone excerpt
- published: 20 Nov 2021
- views: 10130
31:50
Schumann: Sinfonie Nr. 3 "Rheinische" mit Christoph Eschenbach | NDR Elbphilharmonie Orchester
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holste...
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holstein Musik Festival 2010 in Lübeck.
ROBERT SCHUMANN
Sinfonie Nr. 3 Es-Dur op. 97
Christoph Eschenbach, Dirigent
NDR Elbphilharmonie Orchester (damals NDR Sinfonieorchester)
Eröffnungskonzert Schleswig-Holstein Musik Festival, Musik- und Kongresshalle Lübeck, 2010
Website: https://www.ndr.de/eo
Facebook: https://www.facebook.com/ndrelbphilharmonieorchester/
Instagram: https://www.instagram.com/ndr.eo
https://wn.com/Schumann_Sinfonie_Nr._3_Rheinische_Mit_Christoph_Eschenbach_|_Ndr_Elbphilharmonie_Orchester
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holstein Musik Festival 2010 in Lübeck.
ROBERT SCHUMANN
Sinfonie Nr. 3 Es-Dur op. 97
Christoph Eschenbach, Dirigent
NDR Elbphilharmonie Orchester (damals NDR Sinfonieorchester)
Eröffnungskonzert Schleswig-Holstein Musik Festival, Musik- und Kongresshalle Lübeck, 2010
Website: https://www.ndr.de/eo
Facebook: https://www.facebook.com/ndrelbphilharmonieorchester/
Instagram: https://www.instagram.com/ndr.eo
- published: 01 Dec 2016
- views: 126165
31:07
William Schuman - Symphony No. 3 (Score Video)
This video is provided for educational use only; please email me at
[email protected] regarding any copyright issues.
00:03 I. Passacaglia and Fugu...
This video is provided for educational use only; please email me at
[email protected] regarding any copyright issues.
00:03 I. Passacaglia and Fugue
13:46 II. Chorale and Toccata
New York Philharmonic conducted by Leonard Bernstein
William Schuman (1910-1992) was a notable American composer of the 20th century, also known for serving as president of the Juilliard School and of Lincoln Center.
Schuman's third symphony, written in 1941 and dedicated to the conductor Serge Koussevitzky, is considered one of his finest works; I find it one of the most compelling American symphonic works ever written. Modeled loosely on Baroque forms, it contains two parts: the first comprises a passacaglia and fugue, while the second is composed of a chorale and toccata. What I find most appealing about the work is its stirring nature and precisely crafted form; every movement is a showcase of orchestrational development from small to large scales.
https://wn.com/William_Schuman_Symphony_No._3_(Score_Video)
This video is provided for educational use only; please email me at
[email protected] regarding any copyright issues.
00:03 I. Passacaglia and Fugue
13:46 II. Chorale and Toccata
New York Philharmonic conducted by Leonard Bernstein
William Schuman (1910-1992) was a notable American composer of the 20th century, also known for serving as president of the Juilliard School and of Lincoln Center.
Schuman's third symphony, written in 1941 and dedicated to the conductor Serge Koussevitzky, is considered one of his finest works; I find it one of the most compelling American symphonic works ever written. Modeled loosely on Baroque forms, it contains two parts: the first comprises a passacaglia and fugue, while the second is composed of a chorale and toccata. What I find most appealing about the work is its stirring nature and precisely crafted form; every movement is a showcase of orchestrational development from small to large scales.
- published: 22 Mar 2023
- views: 5291
36:15
Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish" (Orchestre de Paris, David Zinman)
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concer...
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concert: https://bit.ly/DavidZinmanOrchestredeParis2014
Orchestre de Paris
David Zinman - conductor
Chapters:
0:00 Robert Schumann - Symphony No.3, Op.97, "Rhenish"
0:18 I. Lebhaft ∙
10:53 II. Scherzo. Sehr mäßig ∙
17:20 III. Nicht schnell ∙
22:56 IV. Feierlich ∙
28:36 V. Lebhaft – Schneller
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
More concerts by the Orchestre de Paris: https://bit.ly/ConcertsOrchestredeParis
© Licensed by Poorhouse
#wocomoCLASSICAL
https://wn.com/Schumann_Symphony_No._3_In_E_Flat_Major,_Op._97_Rhenish_(Orchestre_De_Paris,_David_Zinman)
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concert: https://bit.ly/DavidZinmanOrchestredeParis2014
Orchestre de Paris
David Zinman - conductor
Chapters:
0:00 Robert Schumann - Symphony No.3, Op.97, "Rhenish"
0:18 I. Lebhaft ∙
10:53 II. Scherzo. Sehr mäßig ∙
17:20 III. Nicht schnell ∙
22:56 IV. Feierlich ∙
28:36 V. Lebhaft – Schneller
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
More concerts by the Orchestre de Paris: https://bit.ly/ConcertsOrchestredeParis
© Licensed by Poorhouse
#wocomoCLASSICAL
- published: 22 Aug 2020
- views: 39091
32:18
Schumann: Symphony No. 3 in E-flat major, Op. 97 "Rhenish" - philharmonie zuidnederland - Live HD
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirig...
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirigent
Opname:
Het Zondagochtend Concert van zondag 28 mei 2023 in Het Concertgebouw te Amsterdam.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Robert Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish"
The musicians:
philharmonie zuidnederland
Duncan Ward, conductor
Recording:
The Sunday Morning Concert, Sunday the 28th of May 2023, in The Concertgebouw in Amsterdam, The Netherlands.
Watch the full concert on NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
https://wn.com/Schumann_Symphony_No._3_In_E_Flat_Major,_Op._97_Rhenish_Philharmonie_Zuidnederland_Live_Hd
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirigent
Opname:
Het Zondagochtend Concert van zondag 28 mei 2023 in Het Concertgebouw te Amsterdam.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Robert Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish"
The musicians:
philharmonie zuidnederland
Duncan Ward, conductor
Recording:
The Sunday Morning Concert, Sunday the 28th of May 2023, in The Concertgebouw in Amsterdam, The Netherlands.
Watch the full concert on NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
- published: 31 May 2023
- views: 8133
33:20
Schumann Sinfonie Nr 3 in-Es Dur op 97 Rheinische Paavo Järvi Deutsche Kammerphilharmonie Bremen
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Br...
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Bremen
Lebhaft 0:00
Scherzo: Sehr mäßig (in C major) 9:40
Nicht schnell (in A-flat major) 15:40
Feierlich (in E-flat minor) 20:56
Lebhaft 27:02
https://wn.com/Schumann_Sinfonie_Nr_3_In_Es_Dur_Op_97_Rheinische_Paavo_Järvi_Deutsche_Kammerphilharmonie_Bremen
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Bremen
Lebhaft 0:00
Scherzo: Sehr mäßig (in C major) 9:40
Nicht schnell (in A-flat major) 15:40
Feierlich (in E-flat minor) 20:56
Lebhaft 27:02
- published: 29 Jan 2023
- views: 5717
9:49
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík...
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík
Schumann: The 4 Symphonies; Overtures Opp.81 "Genoveva" & 115 "Manfred"
℗ 1964 Deutsche Grammophon GmbH, Berlin
Released on: 2010-01-01
Producer, Recording Producer: Hans Weber
Studio Personnel, Balance Engineer: Günter Hermanns
Studio Personnel, Editor: Guenther Dieckmann
Composer: Robert Schumann
Auto-generated by YouTube.
https://wn.com/Schumann_Symphony_No._3_In_E_Flat_Major,_Op._97_Rhenish_I._Lebhaft
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík
Schumann: The 4 Symphonies; Overtures Opp.81 "Genoveva" & 115 "Manfred"
℗ 1964 Deutsche Grammophon GmbH, Berlin
Released on: 2010-01-01
Producer, Recording Producer: Hans Weber
Studio Personnel, Balance Engineer: Günter Hermanns
Studio Personnel, Editor: Guenther Dieckmann
Composer: Robert Schumann
Auto-generated by YouTube.
- published: 28 Jul 2018
- views: 9203