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Schumann: The Great Piano Works, Vol. 1
Check out Schumann the Great Piano Works Vol. 2 now! https://www.youtube.com/watch?v=USirRZyXdpw
This compilation includes some of Schumann's greatest piano works played by Wolfram Schmitt-Leonardy and Klára Würtz.
Download and streaming: https://brilliant-classics.lnk.to/SchumannGreatPianoWorksVol1ID
Social media:
Brilliant Classics Facebook: https://brilliant-classics.lnk.to/Facebook
Brilliant Classics Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
New Classical Releases: https://brilliant-classics.lnk.to/NewReleases
The Best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most Popular Piano Music: https://brilli...
published: 24 Jun 2020
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The Best of Schumann
Robert Schumann was a renowned composer of the Romantic era, born on June 8, 1810, in Zwickau, Germany. From a young age, he exhibited a profound love for music, which led him to study piano and music theory. However, his ambitions were initially inclined towards becoming a virtuoso pianist.
Schumann's life took a dramatic turn when a hand injury thwarted his dreams of a career as a performer. Undeterred, he shifted his focus to composition and music criticism. In the early 1830s, he co-founded the influential music journal "Neue Zeitschrift für Musik," through which he championed the works of emerging composers like Chopin, Brahms, and Berlioz.
Robert Schumann's compositions encompassed various musical forms, including symphonies, chamber music, lieder (songs), and piano works. His musi...
published: 06 Jun 2013
-
Robert Schumann and Johannes Brahms. The most beautiful melodies. 19 century
Robert Schumann. Johannes Brahms. Four most beautiful melodies. Watch the subtitles- here are interesting stories about pieces!
published: 21 Jul 2023
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Schumann - Träumerei, "Kinderszenen" No. 7, Scenes from Childhood | Vladimir Horowitz
Robert Schumann - Kinderscenen Op. 15, Scenes From Childhood, 1838.
- Nº 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) http://youtu.be/7lihXS3GLw0
- Nº 7. Träumerei (Dreaming) http://youtu.be/6z82w0l6kwE
- Complete performance: http://youtu.be/yibf6QNjgGU
When Schumann wrote Kinderszenen (Scenes from Childhood), he was deeply in love with Clara Wieck, soon to become his wife over the objections of her overbearing father. The composer worked at a feverish pace, composing these pieces in just several days. Actually, he wrote about thirty small pieces, but trimmed them to the thirteen that comprise the set. They are fairly simple in terms of execution, and, of course, their subject matter deals with the world of children. Schumann, however, pointed out that they were not...
published: 14 Apr 2012
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Robert Schumann - Traumerei
Title : Robert Schumann , Traumerei
Date : 1838
published: 21 Jun 2008
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Schumann: Klavierkonzert ∙ hr-Sinfonieorchester ∙ Khatia Buniatishvili ∙ Paavo Järvi
Robert Schumann:
Klavierkonzert ∙
(Auftritt) 00:00 ∙
I. Allegro affettuoso 00:30 ∙
II. Intermezzo. Andantino grazioso 15:44 ∙
III. Allegro vivace 20:31 ∙
Khatia Buniatishvili, Klavier ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Paavo Järvi, Dirigent ∙
Rheingau Musik Festival 2012 ∙
Wiesbaden, Kurhaus, 23. August 2012 ∙
Website: http://www.hr-sinfonieorchester.de
Facebook: http://www.facebook.com/hrsinfonieorchester
published: 06 Sep 2012
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Schumann: The Great Piano Works, Vol. 2
Don't forget to check out Schumann the Great Piano Works Vol. 1! https://www.youtube.com/watch?v=AV62YKJGOV0
For streaming: https://brilliant-classics.lnk.to/RobertSchumannVol2ID
Composer: Robert Schumann
Artists: Klára Würtz, Denys Proshayev, Vincenzo Maltempo, Wolfram Schmitt-Leonardy
Robert Schumann is perhaps best remembered for two things: the sheer number of his compositions, particularly his piano music, produced in his relatively short life; and his passionate and deeply tumultuous relationship with Clara Schumann, née Wieck, his highly accomplished pianist wife. Schumann’s life was clouded with episodes of depression and emotional turmoil, to the extent that he spent the last two years of his life in an asylum, tormented by incidents of paranoia and delusion, as well as a fadi...
published: 07 Nov 2020
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Schumann - "Träumerei" (Dreaming)
Robert Schumann - "Träumerei" from the Kinderszenen Op. 15
("Scenes from Childhood")
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published: 19 May 2020
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Duo-Konzert #3: Annette und Johannes Denhoff - Robert Schumann: Sonate Nr. 1a-moll op. 105 (Auszug)
Im dritten Teil der dreiteiligen Konzertreihe "Duo-Konzert" aus dem Lindenhof-Theater in Braunschweig, spielen Annette (Flügel) und Johannes Denhoff (Violine) Robert Schumann: Aus der Sonate Nr. 1 a-moll op. 105: Mit leidenschaftlichem Ausdruck.
Die Produktion realisierete Tonio Vakalopoulos von mediaVA.
Wir wünschen gute Unterhaltung!
published: 08 Oct 2023
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Robert Schumann: Träumerei (Reverie) from Kinderszenen. Bernhard Ruchti, piano
Bernhard Ruchti: SCHUMANN A TEMPO
Robert Schumann: Träumerei Op. 15 No. 7
Excerpt from "Kinderszenen".
Recorded at KKL concert hall, Luzern, Switzerland, during the "Schumann A Tempo" recordings.
Robert Schumann's Fantasy in C major Op. 17: https://youtu.be/IX3qw2MWrD0
The entire A TEMPO PROJECT: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYlYbPR9DaO1TRuyNi0NMTCU
https://www.bernhardruchti.com/a-tempo/
VOL VIII: SCHUBERT A TEMPO: Piano Sonata in C minor D958.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYkmqPZvVPCOPjn42LB5FpMb
VOL VII: BEETHOVEN A TEMPO III: Three Piano Sonatas.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYnNvkcB25ESrITuJymllbRB
VOL VI: BEETHOVEN A TEMPO II: Hammerklavier-Sonata Opus 106. https://youtube.com/playlist?list=PLmyAMFyZ8tYluWeZ2f7CT1A8iIRU...
published: 19 Apr 2020
3:05:03
Schumann: The Great Piano Works, Vol. 1
Check out Schumann the Great Piano Works Vol. 2 now! https://www.youtube.com/watch?v=USirRZyXdpw
This compilation includes some of Schumann's greatest piano wo...
Check out Schumann the Great Piano Works Vol. 2 now! https://www.youtube.com/watch?v=USirRZyXdpw
This compilation includes some of Schumann's greatest piano works played by Wolfram Schmitt-Leonardy and Klára Würtz.
Download and streaming: https://brilliant-classics.lnk.to/SchumannGreatPianoWorksVol1ID
Social media:
Brilliant Classics Facebook: https://brilliant-classics.lnk.to/Facebook
Brilliant Classics Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
New Classical Releases: https://brilliant-classics.lnk.to/NewReleases
The Best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Robert Schumann
Artists: Wolfram Schmitt-Leonardy, Klára Würtz
Robert Schumann is perhaps best remembered for two things: the sheer number of his compositions, particularly his piano music, produced in his relatively short life; and his passionate and deeply tumultuous relationship with Clara Schumann, née Wieck, his highly accomplished pianist wife. Schumann’s life was clouded with episodes of depression and emotional turmoil, to the extent that he spent the last two years of his life in an asylum, tormented by incidents of paranoia and delusion, as well as a fading memory. Despite – or maybe because of – his turbulent emotional state, Schumann managed to complete hundreds of compositions, from expansive orchestral works to tender Lieder and even a fully fledged opera.
Schumann found inspiration at different points in his life to write for different forces. The year 1840 became known as his ‘Lieder year’, and among his many inspired compositions was the cycle Frauenliebe und –leben, a compelling account of a woman’s life and love.
In 1841, not long after marrying Clara, he was inspired by her encouragement to start writing for orchestra. He composed his first Symphony (‘Spring’) in February of that year, later sketching his Overture, Scherzo and Finale Op.52 in April/May and composing what would become the Piano Concerto in May. In the same year he completed his D minor Symphony, though he wouldn’t publish it for another ten years, making it his Fourth.
The next year would come to be known as his ‘Chamber Music’ year; despite struggling with resentment that Clara’s popularity as a pianist was outstripping his own as a composer, Schumann managed to turn his unhappiness into a productive spell of composition. In February 1842 he began the first two String Quartets, finishing them off in the summer, and in July he composed his third. The Piano Quintet was written in October, and November saw him working on the Piano Quartet. This highly productive period saw the composer exploring a range of styles, with intricate fugues as well as lighter motifs taken from Haydn and Mozart.
In 1843 Schumann began working on oratorios, including Das Paradies und die Peri, but his true ambition was to write an opera. Unimpressed with Wagner’s offerings, Schumann spent a lot of time in thought before settling on the medieval tale of Genoveva for his first operatic work, completed in 1848. The opera is far removed from the vast forces required for Wagner; the work is a scene opera, characterised by recitative-style phrasing and a sumptuously lyrical orchestral score.
Throughout his life Schumann composed for the piano, inspired at first by his forbidden love for Clara (only receiving permission to marry her in 1840 after a long legal battle). His piano compositions continued well into the latter stages of his life, even during his time in the asylum.
Tracklist can be found in the comments!
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
#BrilliantClassics #Schumann #Piano #Classical #Music #Great #Works #German #Composer #Germany #Asylum #Clara #Love Würtz #Schmitt #Leonardy #Wolfram #Klara
https://wn.com/Schumann_The_Great_Piano_Works,_Vol._1
Check out Schumann the Great Piano Works Vol. 2 now! https://www.youtube.com/watch?v=USirRZyXdpw
This compilation includes some of Schumann's greatest piano works played by Wolfram Schmitt-Leonardy and Klára Würtz.
Download and streaming: https://brilliant-classics.lnk.to/SchumannGreatPianoWorksVol1ID
Social media:
Brilliant Classics Facebook: https://brilliant-classics.lnk.to/Facebook
Brilliant Classics Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
New Classical Releases: https://brilliant-classics.lnk.to/NewReleases
The Best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Robert Schumann
Artists: Wolfram Schmitt-Leonardy, Klára Würtz
Robert Schumann is perhaps best remembered for two things: the sheer number of his compositions, particularly his piano music, produced in his relatively short life; and his passionate and deeply tumultuous relationship with Clara Schumann, née Wieck, his highly accomplished pianist wife. Schumann’s life was clouded with episodes of depression and emotional turmoil, to the extent that he spent the last two years of his life in an asylum, tormented by incidents of paranoia and delusion, as well as a fading memory. Despite – or maybe because of – his turbulent emotional state, Schumann managed to complete hundreds of compositions, from expansive orchestral works to tender Lieder and even a fully fledged opera.
Schumann found inspiration at different points in his life to write for different forces. The year 1840 became known as his ‘Lieder year’, and among his many inspired compositions was the cycle Frauenliebe und –leben, a compelling account of a woman’s life and love.
In 1841, not long after marrying Clara, he was inspired by her encouragement to start writing for orchestra. He composed his first Symphony (‘Spring’) in February of that year, later sketching his Overture, Scherzo and Finale Op.52 in April/May and composing what would become the Piano Concerto in May. In the same year he completed his D minor Symphony, though he wouldn’t publish it for another ten years, making it his Fourth.
The next year would come to be known as his ‘Chamber Music’ year; despite struggling with resentment that Clara’s popularity as a pianist was outstripping his own as a composer, Schumann managed to turn his unhappiness into a productive spell of composition. In February 1842 he began the first two String Quartets, finishing them off in the summer, and in July he composed his third. The Piano Quintet was written in October, and November saw him working on the Piano Quartet. This highly productive period saw the composer exploring a range of styles, with intricate fugues as well as lighter motifs taken from Haydn and Mozart.
In 1843 Schumann began working on oratorios, including Das Paradies und die Peri, but his true ambition was to write an opera. Unimpressed with Wagner’s offerings, Schumann spent a lot of time in thought before settling on the medieval tale of Genoveva for his first operatic work, completed in 1848. The opera is far removed from the vast forces required for Wagner; the work is a scene opera, characterised by recitative-style phrasing and a sumptuously lyrical orchestral score.
Throughout his life Schumann composed for the piano, inspired at first by his forbidden love for Clara (only receiving permission to marry her in 1840 after a long legal battle). His piano compositions continued well into the latter stages of his life, even during his time in the asylum.
Tracklist can be found in the comments!
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
#BrilliantClassics #Schumann #Piano #Classical #Music #Great #Works #German #Composer #Germany #Asylum #Clara #Love Würtz #Schmitt #Leonardy #Wolfram #Klara
- published: 24 Jun 2020
- views: 1875069
1:11:20
The Best of Schumann
Robert Schumann was a renowned composer of the Romantic era, born on June 8, 1810, in Zwickau, Germany. From a young age, he exhibited a profound love for music...
Robert Schumann was a renowned composer of the Romantic era, born on June 8, 1810, in Zwickau, Germany. From a young age, he exhibited a profound love for music, which led him to study piano and music theory. However, his ambitions were initially inclined towards becoming a virtuoso pianist.
Schumann's life took a dramatic turn when a hand injury thwarted his dreams of a career as a performer. Undeterred, he shifted his focus to composition and music criticism. In the early 1830s, he co-founded the influential music journal "Neue Zeitschrift für Musik," through which he championed the works of emerging composers like Chopin, Brahms, and Berlioz.
Robert Schumann's compositions encompassed various musical forms, including symphonies, chamber music, lieder (songs), and piano works. His music often reflected deep emotional expressions, introspection, and a strong connection to literature, particularly the works of E.T.A. Hoffmann.
In 1840, a pivotal year for Schumann, he married the brilliant pianist Clara Wieck, who played a crucial role in both supporting his career and inspiring many of his compositions. This period marked a significant creative surge for him, producing numerous celebrated pieces, such as the piano cycle "Carnaval" and the Symphony No. 1, "Spring."
Despite his artistic success, Schumann struggled with mental health issues throughout his life. He experienced bouts of depression and anxiety, which affected his ability to compose at times. In 1854, his mental health deteriorated, leading to a suicide attempt and eventual institutionalization in a mental asylum in Endenich, where he spent the last two years of his life.
Robert Schumann's life tragically ended on July 29, 1856. Despite his relatively short life, his impact on Romantic music was immense. His compositions have become staples of the classical repertoire, cherished for their emotional depth, melodic inventiveness, and innovative harmonic language. Through his music and writings, Schumann left an indelible mark on the world of classical music, inspiring generations of composers and musicians.
Robert Schumann
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Schumann
https://wn.com/The_Best_Of_Schumann
Robert Schumann was a renowned composer of the Romantic era, born on June 8, 1810, in Zwickau, Germany. From a young age, he exhibited a profound love for music, which led him to study piano and music theory. However, his ambitions were initially inclined towards becoming a virtuoso pianist.
Schumann's life took a dramatic turn when a hand injury thwarted his dreams of a career as a performer. Undeterred, he shifted his focus to composition and music criticism. In the early 1830s, he co-founded the influential music journal "Neue Zeitschrift für Musik," through which he championed the works of emerging composers like Chopin, Brahms, and Berlioz.
Robert Schumann's compositions encompassed various musical forms, including symphonies, chamber music, lieder (songs), and piano works. His music often reflected deep emotional expressions, introspection, and a strong connection to literature, particularly the works of E.T.A. Hoffmann.
In 1840, a pivotal year for Schumann, he married the brilliant pianist Clara Wieck, who played a crucial role in both supporting his career and inspiring many of his compositions. This period marked a significant creative surge for him, producing numerous celebrated pieces, such as the piano cycle "Carnaval" and the Symphony No. 1, "Spring."
Despite his artistic success, Schumann struggled with mental health issues throughout his life. He experienced bouts of depression and anxiety, which affected his ability to compose at times. In 1854, his mental health deteriorated, leading to a suicide attempt and eventual institutionalization in a mental asylum in Endenich, where he spent the last two years of his life.
Robert Schumann's life tragically ended on July 29, 1856. Despite his relatively short life, his impact on Romantic music was immense. His compositions have become staples of the classical repertoire, cherished for their emotional depth, melodic inventiveness, and innovative harmonic language. Through his music and writings, Schumann left an indelible mark on the world of classical music, inspiring generations of composers and musicians.
Robert Schumann
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Schumann
- published: 06 Jun 2013
- views: 1312731
6:02
Robert Schumann and Johannes Brahms. The most beautiful melodies. 19 century
Robert Schumann. Johannes Brahms. Four most beautiful melodies. Watch the subtitles- here are interesting stories about pieces!
Robert Schumann. Johannes Brahms. Four most beautiful melodies. Watch the subtitles- here are interesting stories about pieces!
https://wn.com/Robert_Schumann_And_Johannes_Brahms._The_Most_Beautiful_Melodies._19_Century
Robert Schumann. Johannes Brahms. Four most beautiful melodies. Watch the subtitles- here are interesting stories about pieces!
- published: 21 Jul 2023
- views: 4038
2:34
Schumann - Träumerei, "Kinderszenen" No. 7, Scenes from Childhood | Vladimir Horowitz
Robert Schumann - Kinderscenen Op. 15, Scenes From Childhood, 1838.
- Nº 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) http://youtu.be/7lih...
Robert Schumann - Kinderscenen Op. 15, Scenes From Childhood, 1838.
- Nº 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) http://youtu.be/7lihXS3GLw0
- Nº 7. Träumerei (Dreaming) http://youtu.be/6z82w0l6kwE
- Complete performance: http://youtu.be/yibf6QNjgGU
When Schumann wrote Kinderszenen (Scenes from Childhood), he was deeply in love with Clara Wieck, soon to become his wife over the objections of her overbearing father. The composer worked at a feverish pace, composing these pieces in just several days. Actually, he wrote about thirty small pieces, but trimmed them to the thirteen that comprise the set. They are fairly simple in terms of execution, and, of course, their subject matter deals with the world of children. Schumann, however, pointed out that they were not intended for children.
The seventh item here, "Träumerei" (Dreaming), is the most popular in the set. It is a depiction of childhood innocence, vulnerability and gentleness. Many pianists have interpreted this piece in a sentimental, almost saccharine way, while others (Horowitz notably) have insisted on a more objective approach. The main theme is sweetly innocent and sentimental, clearly representing the adult Schumann's fond view of aspects of his own childhood. The melody is unforgettable, the harmonies simple, but distinctive, and the overall mood dreamy and soothing. Of the many themes associated with children -- that in Brahms' Lullaby, several in Prokofiev's Peter and the Wolf -- the "Träumerei" melody is among the most memorable. The whole piece lasts under three minutes, but is the longest in the Kinderszenen set.
Most pianists who play Kinderszenen rarely excerpt it, but when an individual piece from it is played by them in concert, "Träumerei" is usually their choice. Horowitz was known to play it as an encore on several occasions.
From spirited games to sleeping and dreaming, Kinderszenen captures the joys and sorrows of childhood in a series of musical snapshots. Schumann described the titles as "nothing more than delicate hints for execution and interpretation". The Kinderszenen are a touching tribute to the eternal, universal memories and feelings of childhood from a nostalgic adult perspective; unlike a number of Schumann's collections of piano character pieces (e.g.Album for the Young,Op.68), the Kinderszenen are not intended to be played by children. Schumann claimed that the picturesque titles attached to the pieces were added as an afterthought in order to provide subtle suggestions to the player, a model Debussy followed decades later in his Preludes. Almost all of the Kinderszenen are miniature ternary (ABA) forms.
Horowitz in Vienna Kinderszenen
Robert Schumann - "Scenes from Childhood" | Kinderszenen, Opus 15, N.º 7 Träumerei, Traumerei, Dreaming, A Sonhar, Somiant, Rêverie, Revaĵo, Sogno, Drømmeri.
Kinderszenen, Kinderscenen, Scenes from Childhood, Cenas da Infância, Cenas Infantis, Infanaĝaj scenoj, Scènes d'enfants, Scene infantili, Barndomsscener, 子供の情景.
https://wn.com/Schumann_Träumerei,_Kinderszenen_No._7,_Scenes_From_Childhood_|_Vladimir_Horowitz
Robert Schumann - Kinderscenen Op. 15, Scenes From Childhood, 1838.
- Nº 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) http://youtu.be/7lihXS3GLw0
- Nº 7. Träumerei (Dreaming) http://youtu.be/6z82w0l6kwE
- Complete performance: http://youtu.be/yibf6QNjgGU
When Schumann wrote Kinderszenen (Scenes from Childhood), he was deeply in love with Clara Wieck, soon to become his wife over the objections of her overbearing father. The composer worked at a feverish pace, composing these pieces in just several days. Actually, he wrote about thirty small pieces, but trimmed them to the thirteen that comprise the set. They are fairly simple in terms of execution, and, of course, their subject matter deals with the world of children. Schumann, however, pointed out that they were not intended for children.
The seventh item here, "Träumerei" (Dreaming), is the most popular in the set. It is a depiction of childhood innocence, vulnerability and gentleness. Many pianists have interpreted this piece in a sentimental, almost saccharine way, while others (Horowitz notably) have insisted on a more objective approach. The main theme is sweetly innocent and sentimental, clearly representing the adult Schumann's fond view of aspects of his own childhood. The melody is unforgettable, the harmonies simple, but distinctive, and the overall mood dreamy and soothing. Of the many themes associated with children -- that in Brahms' Lullaby, several in Prokofiev's Peter and the Wolf -- the "Träumerei" melody is among the most memorable. The whole piece lasts under three minutes, but is the longest in the Kinderszenen set.
Most pianists who play Kinderszenen rarely excerpt it, but when an individual piece from it is played by them in concert, "Träumerei" is usually their choice. Horowitz was known to play it as an encore on several occasions.
From spirited games to sleeping and dreaming, Kinderszenen captures the joys and sorrows of childhood in a series of musical snapshots. Schumann described the titles as "nothing more than delicate hints for execution and interpretation". The Kinderszenen are a touching tribute to the eternal, universal memories and feelings of childhood from a nostalgic adult perspective; unlike a number of Schumann's collections of piano character pieces (e.g.Album for the Young,Op.68), the Kinderszenen are not intended to be played by children. Schumann claimed that the picturesque titles attached to the pieces were added as an afterthought in order to provide subtle suggestions to the player, a model Debussy followed decades later in his Preludes. Almost all of the Kinderszenen are miniature ternary (ABA) forms.
Horowitz in Vienna Kinderszenen
Robert Schumann - "Scenes from Childhood" | Kinderszenen, Opus 15, N.º 7 Träumerei, Traumerei, Dreaming, A Sonhar, Somiant, Rêverie, Revaĵo, Sogno, Drømmeri.
Kinderszenen, Kinderscenen, Scenes from Childhood, Cenas da Infância, Cenas Infantis, Infanaĝaj scenoj, Scènes d'enfants, Scene infantili, Barndomsscener, 子供の情景.
- published: 14 Apr 2012
- views: 3022322
3:11
Robert Schumann - Traumerei
Title : Robert Schumann , Traumerei
Date : 1838
Title : Robert Schumann , Traumerei
Date : 1838
https://wn.com/Robert_Schumann_Traumerei
Title : Robert Schumann , Traumerei
Date : 1838
- published: 21 Jun 2008
- views: 566116
39:51
Schumann: Klavierkonzert ∙ hr-Sinfonieorchester ∙ Khatia Buniatishvili ∙ Paavo Järvi
Robert Schumann:
Klavierkonzert ∙
(Auftritt) 00:00 ∙
I. Allegro affettuoso 00:30 ∙
II. Intermezzo. Andantino grazioso 15:44 ∙
III. Allegro vivace 20:31 ∙
...
Robert Schumann:
Klavierkonzert ∙
(Auftritt) 00:00 ∙
I. Allegro affettuoso 00:30 ∙
II. Intermezzo. Andantino grazioso 15:44 ∙
III. Allegro vivace 20:31 ∙
Khatia Buniatishvili, Klavier ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Paavo Järvi, Dirigent ∙
Rheingau Musik Festival 2012 ∙
Wiesbaden, Kurhaus, 23. August 2012 ∙
Website: http://www.hr-sinfonieorchester.de
Facebook: http://www.facebook.com/hrsinfonieorchester
https://wn.com/Schumann_Klavierkonzert_∙_Hr_Sinfonieorchester_∙_Khatia_Buniatishvili_∙_Paavo_Järvi
Robert Schumann:
Klavierkonzert ∙
(Auftritt) 00:00 ∙
I. Allegro affettuoso 00:30 ∙
II. Intermezzo. Andantino grazioso 15:44 ∙
III. Allegro vivace 20:31 ∙
Khatia Buniatishvili, Klavier ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Paavo Järvi, Dirigent ∙
Rheingau Musik Festival 2012 ∙
Wiesbaden, Kurhaus, 23. August 2012 ∙
Website: http://www.hr-sinfonieorchester.de
Facebook: http://www.facebook.com/hrsinfonieorchester
- published: 06 Sep 2012
- views: 10960704
2:55:14
Schumann: The Great Piano Works, Vol. 2
Don't forget to check out Schumann the Great Piano Works Vol. 1! https://www.youtube.com/watch?v=AV62YKJGOV0
For streaming: https://brilliant-classics.lnk.to/...
Don't forget to check out Schumann the Great Piano Works Vol. 1! https://www.youtube.com/watch?v=AV62YKJGOV0
For streaming: https://brilliant-classics.lnk.to/RobertSchumannVol2ID
Composer: Robert Schumann
Artists: Klára Würtz, Denys Proshayev, Vincenzo Maltempo, Wolfram Schmitt-Leonardy
Robert Schumann is perhaps best remembered for two things: the sheer number of his compositions, particularly his piano music, produced in his relatively short life; and his passionate and deeply tumultuous relationship with Clara Schumann, née Wieck, his highly accomplished pianist wife. Schumann’s life was clouded with episodes of depression and emotional turmoil, to the extent that he spent the last two years of his life in an asylum, tormented by incidents of paranoia and delusion, as well as a fading memory. Despite – or maybe because of – his turbulent emotional state, Schumann managed to complete hundreds of compositions, from expansive orchestral works to tender Lieder and even a fully fledged opera.
Schumann found inspiration at different points in his life to write for different forces. The year 1840 became known as his ‘Lieder year’, and among his many inspired compositions was the cycle Frauenliebe und –leben, a compelling account of a woman’s life and love.
In 1841, not long after marrying Clara, he was inspired by her encouragement to start writing for orchestra. He composed his first Symphony (‘Spring’) in February of that year, later sketching his Overture, Scherzo and Finale Op.52 in April/May and composing what would become the Piano Concerto in May. In the same year he completed his D minor Symphony, though he wouldn’t publish it for another ten years, making it his Fourth.
The next year would come to be known as his ‘Chamber Music’ year; despite struggling with resentment that Clara’s popularity as a pianist was outstripping his own as a composer, Schumann managed to turn his unhappiness into a productive spell of composition. In February 1842 he began the first two String Quartets, finishing them off in the summer, and in July he composed his third. The Piano Quintet was written in October, and November saw him working on the Piano Quartet. This highly productive period saw the composer exploring a range of styles, with intricate fugues as well as lighter motifs taken from Haydn and Mozart.
In 1843 Schumann began working on oratorios, including Das Paradies und die Peri, but his true ambition was to write an opera. Unimpressed with Wagner’s offerings, Schumann spent a lot of time in thought before settling on the medieval tale of Genoveva for his first operatic work, completed in 1848. The opera is far removed from the vast forces required for Wagner; the work is a scene opera, characterised by recitative-style phrasing and a sumptuously lyrical orchestral score.
Throughout his life Schumann composed for the piano, inspired at first by his forbidden love for Clara (only receiving permission to marry her in 1840 after a long legal battle). His piano compositions continued well into the latter stages of his life, even during his time in the asylum.
Tracklist can be found in the comments!
Social media:
Facebook: https://brilliant-classics.lnk.to/FacebookID
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#BrilliantClassics #Composer #Classical #Music #Schumann #Piano
https://wn.com/Schumann_The_Great_Piano_Works,_Vol._2
Don't forget to check out Schumann the Great Piano Works Vol. 1! https://www.youtube.com/watch?v=AV62YKJGOV0
For streaming: https://brilliant-classics.lnk.to/RobertSchumannVol2ID
Composer: Robert Schumann
Artists: Klára Würtz, Denys Proshayev, Vincenzo Maltempo, Wolfram Schmitt-Leonardy
Robert Schumann is perhaps best remembered for two things: the sheer number of his compositions, particularly his piano music, produced in his relatively short life; and his passionate and deeply tumultuous relationship with Clara Schumann, née Wieck, his highly accomplished pianist wife. Schumann’s life was clouded with episodes of depression and emotional turmoil, to the extent that he spent the last two years of his life in an asylum, tormented by incidents of paranoia and delusion, as well as a fading memory. Despite – or maybe because of – his turbulent emotional state, Schumann managed to complete hundreds of compositions, from expansive orchestral works to tender Lieder and even a fully fledged opera.
Schumann found inspiration at different points in his life to write for different forces. The year 1840 became known as his ‘Lieder year’, and among his many inspired compositions was the cycle Frauenliebe und –leben, a compelling account of a woman’s life and love.
In 1841, not long after marrying Clara, he was inspired by her encouragement to start writing for orchestra. He composed his first Symphony (‘Spring’) in February of that year, later sketching his Overture, Scherzo and Finale Op.52 in April/May and composing what would become the Piano Concerto in May. In the same year he completed his D minor Symphony, though he wouldn’t publish it for another ten years, making it his Fourth.
The next year would come to be known as his ‘Chamber Music’ year; despite struggling with resentment that Clara’s popularity as a pianist was outstripping his own as a composer, Schumann managed to turn his unhappiness into a productive spell of composition. In February 1842 he began the first two String Quartets, finishing them off in the summer, and in July he composed his third. The Piano Quintet was written in October, and November saw him working on the Piano Quartet. This highly productive period saw the composer exploring a range of styles, with intricate fugues as well as lighter motifs taken from Haydn and Mozart.
In 1843 Schumann began working on oratorios, including Das Paradies und die Peri, but his true ambition was to write an opera. Unimpressed with Wagner’s offerings, Schumann spent a lot of time in thought before settling on the medieval tale of Genoveva for his first operatic work, completed in 1848. The opera is far removed from the vast forces required for Wagner; the work is a scene opera, characterised by recitative-style phrasing and a sumptuously lyrical orchestral score.
Throughout his life Schumann composed for the piano, inspired at first by his forbidden love for Clara (only receiving permission to marry her in 1840 after a long legal battle). His piano compositions continued well into the latter stages of his life, even during his time in the asylum.
Tracklist can be found in the comments!
Social media:
Facebook: https://brilliant-classics.lnk.to/FacebookID
Instagram: https://brilliant-classics.lnk.to/InstagramID
Spotify: https://brilliant-classics.lnk.to/SpotifyID
#BrilliantClassics #Composer #Classical #Music #Schumann #Piano
- published: 07 Nov 2020
- views: 238375
3:32
Schumann - "Träumerei" (Dreaming)
Robert Schumann - "Träumerei" from the Kinderszenen Op. 15
("Scenes from Childhood")
Subscribe and follow on social media. I would love to meet you!!
🔔Click th...
Robert Schumann - "Träumerei" from the Kinderszenen Op. 15
("Scenes from Childhood")
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#Schumann #Träumerei #Dreaming #Piano #Classic #Traummusic
https://wn.com/Schumann_Träumerei_(Dreaming)
Robert Schumann - "Träumerei" from the Kinderszenen Op. 15
("Scenes from Childhood")
Subscribe and follow on social media. I would love to meet you!!
🔔Click the bell icon, so you are notified of the next video🔔
🎧🎶 iTunes: https://apple.co/2HIGOX1
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I hope you all enjoy this channel! Please leave a comment if you have any pieces that you want to listen to.
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Thank you in advance for your generous contribution and I encourage you to participate in spreading happiness through beautiful classical music with Traum.
Donation
Paypal https://www.paypal.com/paypalme/TraumPiano
Buy me a coffee https://www.buymeacoffee.com/Truam
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#Schumann #Träumerei #Dreaming #Piano #Classic #Traummusic
- published: 19 May 2020
- views: 625218
10:48
Duo-Konzert #3: Annette und Johannes Denhoff - Robert Schumann: Sonate Nr. 1a-moll op. 105 (Auszug)
Im dritten Teil der dreiteiligen Konzertreihe "Duo-Konzert" aus dem Lindenhof-Theater in Braunschweig, spielen Annette (Flügel) und Johannes Denhoff (Violine) R...
Im dritten Teil der dreiteiligen Konzertreihe "Duo-Konzert" aus dem Lindenhof-Theater in Braunschweig, spielen Annette (Flügel) und Johannes Denhoff (Violine) Robert Schumann: Aus der Sonate Nr. 1 a-moll op. 105: Mit leidenschaftlichem Ausdruck.
Die Produktion realisierete Tonio Vakalopoulos von mediaVA.
Wir wünschen gute Unterhaltung!
https://wn.com/Duo_Konzert_3_Annette_Und_Johannes_Denhoff_Robert_Schumann_Sonate_Nr._1A_Moll_Op._105_(Auszug)
Im dritten Teil der dreiteiligen Konzertreihe "Duo-Konzert" aus dem Lindenhof-Theater in Braunschweig, spielen Annette (Flügel) und Johannes Denhoff (Violine) Robert Schumann: Aus der Sonate Nr. 1 a-moll op. 105: Mit leidenschaftlichem Ausdruck.
Die Produktion realisierete Tonio Vakalopoulos von mediaVA.
Wir wünschen gute Unterhaltung!
- published: 08 Oct 2023
- views: 27
3:45
Robert Schumann: Träumerei (Reverie) from Kinderszenen. Bernhard Ruchti, piano
Bernhard Ruchti: SCHUMANN A TEMPO
Robert Schumann: Träumerei Op. 15 No. 7
Excerpt from "Kinderszenen".
Recorded at KKL concert hall, Luzern, Switzerland, duri...
Bernhard Ruchti: SCHUMANN A TEMPO
Robert Schumann: Träumerei Op. 15 No. 7
Excerpt from "Kinderszenen".
Recorded at KKL concert hall, Luzern, Switzerland, during the "Schumann A Tempo" recordings.
Robert Schumann's Fantasy in C major Op. 17: https://youtu.be/IX3qw2MWrD0
The entire A TEMPO PROJECT: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYlYbPR9DaO1TRuyNi0NMTCU
https://www.bernhardruchti.com/a-tempo/
VOL VIII: SCHUBERT A TEMPO: Piano Sonata in C minor D958.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYkmqPZvVPCOPjn42LB5FpMb
VOL VII: BEETHOVEN A TEMPO III: Three Piano Sonatas.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYnNvkcB25ESrITuJymllbRB
VOL VI: BEETHOVEN A TEMPO II: Hammerklavier-Sonata Opus 106. https://youtube.com/playlist?list=PLmyAMFyZ8tYluWeZ2f7CT1A8iIRUtAJ4J
VOL V: LISZT A TEMPO II: https://youtube.com/playlist?list=PLmyAMFyZ8tYnWLMPyeBuJlZ_64ij7fHEB
VOL. IV: CHOPIN A TEMPO: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYlITcWpab5EGubYiJHXUEeJ
VOL. III: SCHUMANN A TEMPO: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYk1mo4TNJM6PKc4Z7c1WGHq
VOL. II: LISZT A TEMPO I: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYkngWG2cBwGiL4wwZLtaQCD
VOL. I: BEETHOVEN A TEMPO I: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYn7Cfdnbr-PlhsCmrxZwYl7
https://www.bernhardruchti.com
Produced by Cornelius Claudio Kreusch for MUSICJUSTMUSIC®
Executive Producer: Bernhard Ruchti for A Tempo Productions®
Recording & Editing: Hans-Martin Buff
Mix & Master: Ed Reed
Camera & Art Direction: Christopher Link
All rights reserved. © and ℗ A TEMPO PRODUCTIONS® / Bernhard Ruchti
https://www.bernhardruchti.com
http://www.musicjustmusic.net
https://wn.com/Robert_Schumann_Träumerei_(Reverie)_From_Kinderszenen._Bernhard_Ruchti,_Piano
Bernhard Ruchti: SCHUMANN A TEMPO
Robert Schumann: Träumerei Op. 15 No. 7
Excerpt from "Kinderszenen".
Recorded at KKL concert hall, Luzern, Switzerland, during the "Schumann A Tempo" recordings.
Robert Schumann's Fantasy in C major Op. 17: https://youtu.be/IX3qw2MWrD0
The entire A TEMPO PROJECT: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYlYbPR9DaO1TRuyNi0NMTCU
https://www.bernhardruchti.com/a-tempo/
VOL VIII: SCHUBERT A TEMPO: Piano Sonata in C minor D958.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYkmqPZvVPCOPjn42LB5FpMb
VOL VII: BEETHOVEN A TEMPO III: Three Piano Sonatas.
https://www.youtube.com/playlist?list=PLmyAMFyZ8tYnNvkcB25ESrITuJymllbRB
VOL VI: BEETHOVEN A TEMPO II: Hammerklavier-Sonata Opus 106. https://youtube.com/playlist?list=PLmyAMFyZ8tYluWeZ2f7CT1A8iIRUtAJ4J
VOL V: LISZT A TEMPO II: https://youtube.com/playlist?list=PLmyAMFyZ8tYnWLMPyeBuJlZ_64ij7fHEB
VOL. IV: CHOPIN A TEMPO: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYlITcWpab5EGubYiJHXUEeJ
VOL. III: SCHUMANN A TEMPO: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYk1mo4TNJM6PKc4Z7c1WGHq
VOL. II: LISZT A TEMPO I: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYkngWG2cBwGiL4wwZLtaQCD
VOL. I: BEETHOVEN A TEMPO I: https://www.youtube.com/playlist?list=PLmyAMFyZ8tYn7Cfdnbr-PlhsCmrxZwYl7
https://www.bernhardruchti.com
Produced by Cornelius Claudio Kreusch for MUSICJUSTMUSIC®
Executive Producer: Bernhard Ruchti for A Tempo Productions®
Recording & Editing: Hans-Martin Buff
Mix & Master: Ed Reed
Camera & Art Direction: Christopher Link
All rights reserved. © and ℗ A TEMPO PRODUCTIONS® / Bernhard Ruchti
https://www.bernhardruchti.com
http://www.musicjustmusic.net
- published: 19 Apr 2020
- views: 242357
-
Schubert - Arpeggione Sonata D 821 / Presentation + New Mastering (Ct. rec.: Rostropovich / Britten)
🔊 Download high-fidelity classical music: https://classicalmusicreference.com/
Franz Schubert (1797-1828) Sonata for Arpeggione and Piano D821.
*Click to activate the English subtitles for the presentation* (00:00-03:08)
I.Allegro moderato (00:00)
II.Adagio (13:32)
III.Allegretto (18:06)
Cello : Mstislav Rostropovich
Piano : Benjamin Britten
Recorded in 1968
New Mastering in 2020 by AB for CMRR
🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): https://cutt.ly/5eathESK
🔊 Find our entire catalog on Qobuz: https://cutt.ly/geathMhL
🔊 Discover our playlists on Spotify: https://cutt.ly/ceatjtlB
❤️ Support us on Patreon https://www.patreon.com/cmrr/about
Do we know that this work, which remains very popular, was in fact a kind of " spotlight "?! Johan Georg Staufer ...
published: 18 Jul 2020
-
Schubert (Perenyi, Schiff) - Sonata en a minor Arpeggione D821.avi
published: 04 Nov 2011
-
Schubert Sonata in A minor D 821 | Woochan Jeong - Queen Elisabeth Competition 2022
© RTBF, VRT, Queen Elisabeth Competition
FRANZ SCHUBERT Sonata in A minor D 821
Woochan Jeong, cello
José Gallardo, piano
Queen Elisabeth Competition - Cello 2022 | Semi-final
Flagey / Studio 4 (Brussels)
More #Cello2022 videos:
• https://queenelisabethcompetition.be/en/competitions-details-watch-listen/activities/cello-2022/
• https://www.rtbf.be/auvio/emissions/detail_concours-reine-elisabeth?id=11357
• https://www.vrt.be/vrtnu/a-z/koningin-elisabethwedstrijd/
published: 30 Jun 2022
-
Franz Schubert : Sonata for arpeggione & fortepiano - 1. Allegro moderato
Nicolas Deletaille, arpeggione
Alain Roudier, fortepiano
Schubert: Sonata for arpeggione and fortepiano in a minor D821 (original version : played on arpeggione and fortepiano)
Instruments:
Arpeggione: B. Labrique 2001 (Brussels)
Fortepiano: Conrad Graf 1827 (Vienna) (collection Association Pianoforte ad libitum, Etobon, France: http://www.pianoforteadlibitum.org)
Sound engineer & vidéo : Luc Henrion (http://www.luc-henrion.be)
Recorded at the Castle of Corroy-le-Château on July 8, 2012
A CD recording by the same performers is available at http://www.cdbaby.com/cd/alainroudier1
More info:
http://www.nicolasdeletaille.com
http://www.alainroudier.com
http://www.pianoforteadlibitum.org
published: 28 Aug 2012
-
[Yo-Yo Ma+Emanuel Ax] Schubert: Arpeggione Sonata D821 for Cello & Piano
Franz Schubert (1797-1828)
Schubert: Arpeggione Sonata D821 for Cello & Piano (1/3)
Yo-Yo Ma (Violincello)
Emanuel Ax (Piano)
IMHO, the best performance
1st movement's exposition:
00:00 First theme
01:10 Second theme
Repeat-Exposition:
02:47 First theme
03:59 Second theme
Development:
05:38 Pre-core
05:50 Core
07:01 Standing on the Dominant
Recapitulation:
07:43 First theme
08:58 Second theme
10:09 Coda
11:03 2nd movement
15:24 3rd movement
Thanks to jeffreyFUU for additional information
Dedicated to: http://klasszikusok.blog.hu/2010/08/27/foszerepben_a_csello_1
published: 09 Aug 2011
-
Arpeggione Sonata /Yo-Yo Ma & Rudolf Firkušný(1992)
Arpeggione Sonata (Schubert )
Cello : Yo-Yo Ma
Piano : Rudolf Firkušný (1912-1994)
1992.11.20 Suntory Hall (Tokyo)
アルペジオーネ・ソナタ (シューベルト)
チェロ : ヨーヨー・マ
ピアノ : ルドルフ・フィルクスニー(1912-1994)
1992年11月20日 サントリーホール
published: 12 Nov 2014
-
Schubert: Arpeggione Sonata (Rostropovich / Britten) (1/3)
Franz Schubert
Arpeggione Sonata (D821)
1. Allegro moderato
Cello: Mstislav Rostropovich
Piano: Benjamin Britten
published: 08 Jun 2013
-
[NYCP] Schubert - Arpeggione Sonata (Richard O'Neill, viola)
F. SCHUBERT / Arpeggione Sonata (Viola and String Orchestra arr. by Dobrinka Tabakova)
- 1. Allegro moderato (00:36)
- 2. Adagio (09:43)
- 3. Allegretto (14:14)
The New York Classical Players
Dongmin Kim, conductor
Richard Yongjae O'Neill, viola
May 1, 2015
W83 Concert Hall, New York, NY
__________
Follow us on:
Official Website ► http://nycpmusic.org
Instagram ► http://www.instagram.com/nycpmusic
Facebook page ► http://www.facebook.com/nycpmusic
Youtube channel ► http://www.youtube.com/@nycpmusic
NYCP edition rental inquiry ► https://www.nycpmusic.org/music-rental
__________
"Exuberant chamber orchestra!"
"Admirably dedicated to bringing free music!"
- TIMEOUT NEW YORK -
NEW YORK CLASSICAL PLAYERS
Founded in 2010, New York Classical Players (NYCP) is an ensemble dedicated to...
published: 04 Dec 2015
-
F. Schubert - Sonata D 821 "Arpeggione" - Martha Argerich - Mischa Maisky
Franz Schubert - Sonata per violoncello e pianoforteD 821 "Arpeggione" - Martha Argerich - Mischa Maisky - Milano 2016
0:29 I. Allegro moderato
12:58 II. Adagio
17:22 III. Allegretto
published: 21 May 2021
-
Pinchas Zukerman & Marc Neikrug: Franz Schubert - Arpeggione Sonata D. 821
Live recording from 1984
Pinchas Zukerman - viola
Marc Neikrug - piano
Pinchas Zukerman, Marc Neikrug: Franz Schubert Sonate für Arpeggione und Klavier D821
0:55 First movement
10:02 Second movement
15:10 Third movement
Subscribe to the channel for more content: https://goo.gl/GLSuto
An Allegro film by Christopher Nupen
published: 19 Jan 2017
28:44
Schubert - Arpeggione Sonata D 821 / Presentation + New Mastering (Ct. rec.: Rostropovich / Britten)
🔊 Download high-fidelity classical music: https://classicalmusicreference.com/
Franz Schubert (1797-1828) Sonata for Arpeggione and Piano D821.
*Click to activa...
🔊 Download high-fidelity classical music: https://classicalmusicreference.com/
Franz Schubert (1797-1828) Sonata for Arpeggione and Piano D821.
*Click to activate the English subtitles for the presentation* (00:00-03:08)
I.Allegro moderato (00:00)
II.Adagio (13:32)
III.Allegretto (18:06)
Cello : Mstislav Rostropovich
Piano : Benjamin Britten
Recorded in 1968
New Mastering in 2020 by AB for CMRR
🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): https://cutt.ly/5eathESK
🔊 Find our entire catalog on Qobuz: https://cutt.ly/geathMhL
🔊 Discover our playlists on Spotify: https://cutt.ly/ceatjtlB
❤️ Support us on Patreon https://www.patreon.com/cmrr/about
Do we know that this work, which remains very popular, was in fact a kind of " spotlight "?! Johan Georg Staufer commissioned it from Schubert to promote the new instrument he had developed, the arpeggione, a kind of cello-guitar. The arpeggione disappeared, the Sonata remained. Its charm, its melancholy character without heaviness, this spirit of instrumental song has touched all audiences - both in its most frequent transcription, and the one closest to the original, for cello and piano, and in other pairings (clarinet and piano, viola and piano, flute and piano, double bass and piano...). The recording made by Mstislav Rostropovitch with the composer Benjamin Britten, who was also an excellent pianist, is a discreetly nostalgic gem of elegance where the two instruments dialogue like two friends, in a harmony of sonorities that allows each one to blossom at its best, from the supple piano, full of nuances, to the cello that delivers its intimate singing with a modest restraint. And what a sound! An unmixed pleasure.
Schubert - Arpeggione Sonata D 821 / LIVE 1961 (Ct.rc.: Mstislav Rostropovitch, Benjamin Britten): https://youtu.be/TukCU92pqUc
Other Album available // Schubert: Arpeggione Sonata D. 821 by Daniil Shafran
🎧 Qobuz (Hi-Res) https://bit.ly/3rrWiSp Tidal (Hi-Res) https://bit.ly/327hWD5
🎧 Apple Music (Lossless) https://apple.co/3qLz36O Deezer (Hi-Fi) https://bit.ly/3GC2fmp
🎧 Amazon Music (Hi-Fi) https://amzn.to/3GH1p7N Spotify (mp3) https://spoti.fi/3FxiMGJ
🎧 Idagio (Hi-Fi) (soon) Youtube Music (mp4) https://bit.ly/49cVq9o
🔊 Download the album (Hi-Res Master) https://cutt.ly/Classical-Music-Reference-Recording-Website-Arpeggione-Shafran
Franz Schubert PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxOaqw22VwXvQIvEZ9NoUY8o
https://wn.com/Schubert_Arpeggione_Sonata_D_821_Presentation_New_Mastering_(Ct._Rec._Rostropovich_Britten)
🔊 Download high-fidelity classical music: https://classicalmusicreference.com/
Franz Schubert (1797-1828) Sonata for Arpeggione and Piano D821.
*Click to activate the English subtitles for the presentation* (00:00-03:08)
I.Allegro moderato (00:00)
II.Adagio (13:32)
III.Allegretto (18:06)
Cello : Mstislav Rostropovich
Piano : Benjamin Britten
Recorded in 1968
New Mastering in 2020 by AB for CMRR
🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): https://cutt.ly/5eathESK
🔊 Find our entire catalog on Qobuz: https://cutt.ly/geathMhL
🔊 Discover our playlists on Spotify: https://cutt.ly/ceatjtlB
❤️ Support us on Patreon https://www.patreon.com/cmrr/about
Do we know that this work, which remains very popular, was in fact a kind of " spotlight "?! Johan Georg Staufer commissioned it from Schubert to promote the new instrument he had developed, the arpeggione, a kind of cello-guitar. The arpeggione disappeared, the Sonata remained. Its charm, its melancholy character without heaviness, this spirit of instrumental song has touched all audiences - both in its most frequent transcription, and the one closest to the original, for cello and piano, and in other pairings (clarinet and piano, viola and piano, flute and piano, double bass and piano...). The recording made by Mstislav Rostropovitch with the composer Benjamin Britten, who was also an excellent pianist, is a discreetly nostalgic gem of elegance where the two instruments dialogue like two friends, in a harmony of sonorities that allows each one to blossom at its best, from the supple piano, full of nuances, to the cello that delivers its intimate singing with a modest restraint. And what a sound! An unmixed pleasure.
Schubert - Arpeggione Sonata D 821 / LIVE 1961 (Ct.rc.: Mstislav Rostropovitch, Benjamin Britten): https://youtu.be/TukCU92pqUc
Other Album available // Schubert: Arpeggione Sonata D. 821 by Daniil Shafran
🎧 Qobuz (Hi-Res) https://bit.ly/3rrWiSp Tidal (Hi-Res) https://bit.ly/327hWD5
🎧 Apple Music (Lossless) https://apple.co/3qLz36O Deezer (Hi-Fi) https://bit.ly/3GC2fmp
🎧 Amazon Music (Hi-Fi) https://amzn.to/3GH1p7N Spotify (mp3) https://spoti.fi/3FxiMGJ
🎧 Idagio (Hi-Fi) (soon) Youtube Music (mp4) https://bit.ly/49cVq9o
🔊 Download the album (Hi-Res Master) https://cutt.ly/Classical-Music-Reference-Recording-Website-Arpeggione-Shafran
Franz Schubert PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxOaqw22VwXvQIvEZ9NoUY8o
- published: 18 Jul 2020
- views: 523375
21:54
Schubert Sonata in A minor D 821 | Woochan Jeong - Queen Elisabeth Competition 2022
© RTBF, VRT, Queen Elisabeth Competition
FRANZ SCHUBERT Sonata in A minor D 821
Woochan Jeong, cello
José Gallardo, piano
Queen Elisabeth Competition - Cello ...
© RTBF, VRT, Queen Elisabeth Competition
FRANZ SCHUBERT Sonata in A minor D 821
Woochan Jeong, cello
José Gallardo, piano
Queen Elisabeth Competition - Cello 2022 | Semi-final
Flagey / Studio 4 (Brussels)
More #Cello2022 videos:
• https://queenelisabethcompetition.be/en/competitions-details-watch-listen/activities/cello-2022/
• https://www.rtbf.be/auvio/emissions/detail_concours-reine-elisabeth?id=11357
• https://www.vrt.be/vrtnu/a-z/koningin-elisabethwedstrijd/
https://wn.com/Schubert_Sonata_In_A_Minor_D_821_|_Woochan_Jeong_Queen_Elisabeth_Competition_2022
© RTBF, VRT, Queen Elisabeth Competition
FRANZ SCHUBERT Sonata in A minor D 821
Woochan Jeong, cello
José Gallardo, piano
Queen Elisabeth Competition - Cello 2022 | Semi-final
Flagey / Studio 4 (Brussels)
More #Cello2022 videos:
• https://queenelisabethcompetition.be/en/competitions-details-watch-listen/activities/cello-2022/
• https://www.rtbf.be/auvio/emissions/detail_concours-reine-elisabeth?id=11357
• https://www.vrt.be/vrtnu/a-z/koningin-elisabethwedstrijd/
- published: 30 Jun 2022
- views: 70700
13:22
Franz Schubert : Sonata for arpeggione & fortepiano - 1. Allegro moderato
Nicolas Deletaille, arpeggione
Alain Roudier, fortepiano
Schubert: Sonata for arpeggione and fortepiano in a minor D821 (original version : played on arpeggio...
Nicolas Deletaille, arpeggione
Alain Roudier, fortepiano
Schubert: Sonata for arpeggione and fortepiano in a minor D821 (original version : played on arpeggione and fortepiano)
Instruments:
Arpeggione: B. Labrique 2001 (Brussels)
Fortepiano: Conrad Graf 1827 (Vienna) (collection Association Pianoforte ad libitum, Etobon, France: http://www.pianoforteadlibitum.org)
Sound engineer & vidéo : Luc Henrion (http://www.luc-henrion.be)
Recorded at the Castle of Corroy-le-Château on July 8, 2012
A CD recording by the same performers is available at http://www.cdbaby.com/cd/alainroudier1
More info:
http://www.nicolasdeletaille.com
http://www.alainroudier.com
http://www.pianoforteadlibitum.org
https://wn.com/Franz_Schubert_Sonata_For_Arpeggione_Fortepiano_1._Allegro_Moderato
Nicolas Deletaille, arpeggione
Alain Roudier, fortepiano
Schubert: Sonata for arpeggione and fortepiano in a minor D821 (original version : played on arpeggione and fortepiano)
Instruments:
Arpeggione: B. Labrique 2001 (Brussels)
Fortepiano: Conrad Graf 1827 (Vienna) (collection Association Pianoforte ad libitum, Etobon, France: http://www.pianoforteadlibitum.org)
Sound engineer & vidéo : Luc Henrion (http://www.luc-henrion.be)
Recorded at the Castle of Corroy-le-Château on July 8, 2012
A CD recording by the same performers is available at http://www.cdbaby.com/cd/alainroudier1
More info:
http://www.nicolasdeletaille.com
http://www.alainroudier.com
http://www.pianoforteadlibitum.org
- published: 28 Aug 2012
- views: 244557
24:18
[Yo-Yo Ma+Emanuel Ax] Schubert: Arpeggione Sonata D821 for Cello & Piano
Franz Schubert (1797-1828)
Schubert: Arpeggione Sonata D821 for Cello & Piano (1/3)
Yo-Yo Ma (Violincello)
Emanuel Ax (Piano)
IMHO, the best performance
1st m...
Franz Schubert (1797-1828)
Schubert: Arpeggione Sonata D821 for Cello & Piano (1/3)
Yo-Yo Ma (Violincello)
Emanuel Ax (Piano)
IMHO, the best performance
1st movement's exposition:
00:00 First theme
01:10 Second theme
Repeat-Exposition:
02:47 First theme
03:59 Second theme
Development:
05:38 Pre-core
05:50 Core
07:01 Standing on the Dominant
Recapitulation:
07:43 First theme
08:58 Second theme
10:09 Coda
11:03 2nd movement
15:24 3rd movement
Thanks to jeffreyFUU for additional information
Dedicated to: http://klasszikusok.blog.hu/2010/08/27/foszerepben_a_csello_1
https://wn.com/Yo_Yo_Ma_Emanuel_Ax_Schubert_Arpeggione_Sonata_D821_For_Cello_Piano
Franz Schubert (1797-1828)
Schubert: Arpeggione Sonata D821 for Cello & Piano (1/3)
Yo-Yo Ma (Violincello)
Emanuel Ax (Piano)
IMHO, the best performance
1st movement's exposition:
00:00 First theme
01:10 Second theme
Repeat-Exposition:
02:47 First theme
03:59 Second theme
Development:
05:38 Pre-core
05:50 Core
07:01 Standing on the Dominant
Recapitulation:
07:43 First theme
08:58 Second theme
10:09 Coda
11:03 2nd movement
15:24 3rd movement
Thanks to jeffreyFUU for additional information
Dedicated to: http://klasszikusok.blog.hu/2010/08/27/foszerepben_a_csello_1
- published: 09 Aug 2011
- views: 404555
24:17
Arpeggione Sonata /Yo-Yo Ma & Rudolf Firkušný(1992)
Arpeggione Sonata (Schubert )
Cello : Yo-Yo Ma
Piano : Rudolf Firkušný (1912-1994)
1992.11.20 Suntory Hall (Tokyo)
アルペジオーネ・ソナタ (シューベルト)
チェロ : ヨーヨー・マ
ピアノ : ルド...
Arpeggione Sonata (Schubert )
Cello : Yo-Yo Ma
Piano : Rudolf Firkušný (1912-1994)
1992.11.20 Suntory Hall (Tokyo)
アルペジオーネ・ソナタ (シューベルト)
チェロ : ヨーヨー・マ
ピアノ : ルドルフ・フィルクスニー(1912-1994)
1992年11月20日 サントリーホール
https://wn.com/Arpeggione_Sonata_/Yo_Yo_Ma_Rudolf_Firkušný(1992)
Arpeggione Sonata (Schubert )
Cello : Yo-Yo Ma
Piano : Rudolf Firkušný (1912-1994)
1992.11.20 Suntory Hall (Tokyo)
アルペジオーネ・ソナタ (シューベルト)
チェロ : ヨーヨー・マ
ピアノ : ルドルフ・フィルクスニー(1912-1994)
1992年11月20日 サントリーホール
- published: 12 Nov 2014
- views: 1022657
13:35
Schubert: Arpeggione Sonata (Rostropovich / Britten) (1/3)
Franz Schubert
Arpeggione Sonata (D821)
1. Allegro moderato
Cello: Mstislav Rostropovich
Piano: Benjamin Britten
Franz Schubert
Arpeggione Sonata (D821)
1. Allegro moderato
Cello: Mstislav Rostropovich
Piano: Benjamin Britten
https://wn.com/Schubert_Arpeggione_Sonata_(Rostropovich_Britten)_(1_3)
Franz Schubert
Arpeggione Sonata (D821)
1. Allegro moderato
Cello: Mstislav Rostropovich
Piano: Benjamin Britten
- published: 08 Jun 2013
- views: 2313881
24:08
[NYCP] Schubert - Arpeggione Sonata (Richard O'Neill, viola)
F. SCHUBERT / Arpeggione Sonata (Viola and String Orchestra arr. by Dobrinka Tabakova)
- 1. Allegro moderato (00:36)
- 2. Adagio (09:43)
- 3. Allegretto (14:14...
F. SCHUBERT / Arpeggione Sonata (Viola and String Orchestra arr. by Dobrinka Tabakova)
- 1. Allegro moderato (00:36)
- 2. Adagio (09:43)
- 3. Allegretto (14:14)
The New York Classical Players
Dongmin Kim, conductor
Richard Yongjae O'Neill, viola
May 1, 2015
W83 Concert Hall, New York, NY
__________
Follow us on:
Official Website ► http://nycpmusic.org
Instagram ► http://www.instagram.com/nycpmusic
Facebook page ► http://www.facebook.com/nycpmusic
Youtube channel ► http://www.youtube.com/@nycpmusic
NYCP edition rental inquiry ► https://www.nycpmusic.org/music-rental
__________
"Exuberant chamber orchestra!"
"Admirably dedicated to bringing free music!"
- TIMEOUT NEW YORK -
NEW YORK CLASSICAL PLAYERS
Founded in 2010, New York Classical Players (NYCP) is an ensemble dedicated to the highest standards of artistry, collaboration, and virtuosity. Fueled by the belief that access to musical excellence is an essential human right, NYCP presents all of its concerts free of charge. NYCP is comprised of dynamic young musicians who are launching their professional careers. Graduates of some of the world’s leading conservatories come together as NYCP to share free performances of familiar masterpieces, bold new commissions, and unexpected musical treasures with the public. Each season, thousands of NYCP concertgoers experience both the dynamic power of the orchestral repertoire and the versatile intimacy of chamber performance – without charge. NYCP is under the direction of Founder and Music Director Dongmin Kim, and a committed board of directors guides and supports the organization.
https://wn.com/Nycp_Schubert_Arpeggione_Sonata_(Richard_O'Neill,_Viola)
F. SCHUBERT / Arpeggione Sonata (Viola and String Orchestra arr. by Dobrinka Tabakova)
- 1. Allegro moderato (00:36)
- 2. Adagio (09:43)
- 3. Allegretto (14:14)
The New York Classical Players
Dongmin Kim, conductor
Richard Yongjae O'Neill, viola
May 1, 2015
W83 Concert Hall, New York, NY
__________
Follow us on:
Official Website ► http://nycpmusic.org
Instagram ► http://www.instagram.com/nycpmusic
Facebook page ► http://www.facebook.com/nycpmusic
Youtube channel ► http://www.youtube.com/@nycpmusic
NYCP edition rental inquiry ► https://www.nycpmusic.org/music-rental
__________
"Exuberant chamber orchestra!"
"Admirably dedicated to bringing free music!"
- TIMEOUT NEW YORK -
NEW YORK CLASSICAL PLAYERS
Founded in 2010, New York Classical Players (NYCP) is an ensemble dedicated to the highest standards of artistry, collaboration, and virtuosity. Fueled by the belief that access to musical excellence is an essential human right, NYCP presents all of its concerts free of charge. NYCP is comprised of dynamic young musicians who are launching their professional careers. Graduates of some of the world’s leading conservatories come together as NYCP to share free performances of familiar masterpieces, bold new commissions, and unexpected musical treasures with the public. Each season, thousands of NYCP concertgoers experience both the dynamic power of the orchestral repertoire and the versatile intimacy of chamber performance – without charge. NYCP is under the direction of Founder and Music Director Dongmin Kim, and a committed board of directors guides and supports the organization.
- published: 04 Dec 2015
- views: 762742
27:46
F. Schubert - Sonata D 821 "Arpeggione" - Martha Argerich - Mischa Maisky
Franz Schubert - Sonata per violoncello e pianoforteD 821 "Arpeggione" - Martha Argerich - Mischa Maisky - Milano 2016
0:29 I. Allegro moderato
12:58 II. A...
Franz Schubert - Sonata per violoncello e pianoforteD 821 "Arpeggione" - Martha Argerich - Mischa Maisky - Milano 2016
0:29 I. Allegro moderato
12:58 II. Adagio
17:22 III. Allegretto
https://wn.com/F._Schubert_Sonata_D_821_Arpeggione_Martha_Argerich_Mischa_Maisky
Franz Schubert - Sonata per violoncello e pianoforteD 821 "Arpeggione" - Martha Argerich - Mischa Maisky - Milano 2016
0:29 I. Allegro moderato
12:58 II. Adagio
17:22 III. Allegretto
- published: 21 May 2021
- views: 153236
26:19
Pinchas Zukerman & Marc Neikrug: Franz Schubert - Arpeggione Sonata D. 821
Live recording from 1984
Pinchas Zukerman - viola
Marc Neikrug - piano
Pinchas Zukerman, Marc Neikrug: Franz Schubert Sonate für Arpeggione und Klavier D821
0...
Live recording from 1984
Pinchas Zukerman - viola
Marc Neikrug - piano
Pinchas Zukerman, Marc Neikrug: Franz Schubert Sonate für Arpeggione und Klavier D821
0:55 First movement
10:02 Second movement
15:10 Third movement
Subscribe to the channel for more content: https://goo.gl/GLSuto
An Allegro film by Christopher Nupen
https://wn.com/Pinchas_Zukerman_Marc_Neikrug_Franz_Schubert_Arpeggione_Sonata_D._821
Live recording from 1984
Pinchas Zukerman - viola
Marc Neikrug - piano
Pinchas Zukerman, Marc Neikrug: Franz Schubert Sonate für Arpeggione und Klavier D821
0:55 First movement
10:02 Second movement
15:10 Third movement
Subscribe to the channel for more content: https://goo.gl/GLSuto
An Allegro film by Christopher Nupen
- published: 19 Jan 2017
- views: 195846