-
Beethoven - Symphony No. 6 (Proms 2012)
Prom 12: Beethoven Cycle -- Symphonies Nos. 5 & 6
Beethoven - Symphony No. 6 in F major, Op. 68 (Pastoral)
1 - Allegro ma non troppo
2 - Andante molto mosso
3 - Allegro
4 - Allegro
5 - Allegretto
West--Eastern Divan Orchestra
Daniel Barenboim, conductor
Royal Albert Hall, 23 July 2012
published: 16 Aug 2012
-
Ludwig van Beethoven - Symphony no 6 in F major, Op 68 - Pastoral Dirección Leonard Bernstein
Composer: Ludwig van Beethoven
Title: Beethoven, Symphony No. 6 in F major, Op. 68 "Pastoral"
Conductor: Leonard Bernstein
Orchestra: Wiener Philharmoniker
Ludwig van Beethoven (1770-1827)
Symphony No. 6 in F Major,
Op. 68 (1808)
Recorded 12 November 1976
’Pastoral Symphony,
or Recollections of Country Life’
00:45 I. Allegro ma non troppo
Awakening of cheerful feelings
upon arrival in the countryside
12:49 II. Andante molto mosso
Scene by the brook
26:40 III. Allegro
Merry gathering of country folk
32:05 IV. Allegro
Thunderstorm
35:48 V. Allegretto
Shepherd’s song. Cheerful and
thankful feelings after the storm
4...
published: 02 Aug 2021
-
Beethoven: Symphony no. 6 in F major, op. 68 | Christian Thielemann & Wiener Philharmoniker
__
01:02 - Beethoven: Symphony no. 6 in F major, op. 68
Wiener Philharmoniker
Conducted by Christian Thielemann
__
Classic Archive, 2020
published: 12 May 2020
-
Beethoven - 6th Symphony - Pastoral
Life in a year of pictures set to one of the most beautiful pieces of music ever created.
Check out our Websites
World United Music
http://worldunitedmusic.blogspot.com/
World United Awakening
http://worldunitedawakening.blogspot.ca/
Art & Expressions of SF Brennan
http://sfbrennanart.blogspot.ca/
World United News
http://worldunitednews.blogspot.com/
published: 23 Aug 2009
-
(FULL) Beethoven Symphony No.6 "Pastorale" And Egmont Overture Op.68 - London Philarmonic Orchestra
Collins Classics OFFICIAL - Beethoven (FULL ALBUM)
Symphony No.6 "Pastorale" and Egmont Overture Op.68
Buy it here: http://apple.co/1IRxKWV
Spotify: http://spoti.fi/204jBk0
Read the CD booklet here: http://bit.ly/1JzFqNs
0:00 I Allegro Ma Non Troppo "Awakening of cheerful feelings on arrival in the countryside."
12:24 II Andante Molto Mosso "Scene by the brook."
25:35 III Allegro "Merry gathering of country folk."
31:11 IV Allegro "Thunder. Storm."
34:49 V Allegretto "Shepherd's song. Happy and thankful feelings after the storm."
45:48 VI Sostenuto Ma Non Troppo "Egmont Overture"
Conducted by James Loughran
Performed by the London Philarmonic Orchestra
Symphony No. 6 in F major, Op. 68 ‘Pastoral’
Beethoven provided the movements at this symphony with titles, as well as the work itself;...
published: 22 May 2015
-
Beethoven: 6. Sinfonie (»Pastorale«) ∙ hr-Sinfonieorchester ∙ Ariane Matiakh
Ludwig van Beethoven:
6. Sinfonie F-Dur op. 68
»Pastorale« ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:00 ∙
II. Szene am Bach (Andante molto moto) 11:51 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:12 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:47 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Ariane Matiakh, Dirigentin ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 1. Oktober 2021 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙
#4K
© 2021
Hessischer Rundfunk (hr)
published: 20 Oct 2021
-
Beethoven: 6. Sinfonie (»Pastorale«) ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Ludwig van Beethoven:
6. Sinfonie (»Pastorale«) ∙
(Auftritt) 00:00 ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:23 ∙
II. Szene am Bach (Andante molto moto) 11:40 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:06 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:53 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Ludwig van ... ∙
Alte Oper Frankfurt, 14. April 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
published: 09 May 2016
-
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" | Classical Music
♫ Buy “Beethoven: Piano Concertos, Piano Symphonies, Rondos” (MP3 album) on the Official Halidon Music Store: https://bit.ly/2JY6Tyi
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These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations.
For further information and licensing please contact [email protected]...
published: 19 Mar 2016
-
Beethoven "Symphony No 6" Karajan
Symphony No 6 in F Major, op 68 "Pastoral"
1. Awakening of pleasant feelings upon arriving
the country-Allegro ma non troppo
2. Scene at the Brook-Andante molto mosso
3. Peasant's Merrymaking-Allegro
4. The Storm-Allegro
5. Shepherd's Hymn after the Storm-Allegretto
Philharmonia Orchestra
Herbert von Karajan, conductor
London, 09.-10.XII.1953
published: 21 Jul 2014
-
Tchaikovsky: Symphony No. 6 Pathetique | Dresden Philharmonic & Marek Janowski
Tchaikovsky's Symphony No. 6 in B minor, Op. 74, also known as 'Pathétique', is one of the very great symphonies in the history of music. The famous work was performed by the Dresden Philharmonic Orchestra conducted by Marek Janowski in this concert at the Kulturpalast Dresden 2019.
(00:00) I. Adagio - Allegro non troppo
(17:32) II. Allegro con grazia
(24:54) III. allegro molto vivace
(33:49) IV. Finale: Adagio lamentoso
Pyotr Ilyich Tchaikovsky (1840 - 1893) took just a few months to compose the Sixth Symphony and he conducted its premiere himself in St. Petersburg on October 28, 1893. Initially Tchaikovsky had called his Sixth 'A Programme Symphony', but after the premiere he unceremoniously gave it the epithet 'Pathetique' – and that is how it has gone down in history.
According to T...
published: 17 Oct 2021
42:03
Beethoven - Symphony No. 6 (Proms 2012)
Prom 12: Beethoven Cycle -- Symphonies Nos. 5 & 6
Beethoven - Symphony No. 6 in F major, Op. 68 (Pastoral)
1 - Allegro ma non troppo
2 - Andante molto mosso
3 -...
Prom 12: Beethoven Cycle -- Symphonies Nos. 5 & 6
Beethoven - Symphony No. 6 in F major, Op. 68 (Pastoral)
1 - Allegro ma non troppo
2 - Andante molto mosso
3 - Allegro
4 - Allegro
5 - Allegretto
West--Eastern Divan Orchestra
Daniel Barenboim, conductor
Royal Albert Hall, 23 July 2012
https://wn.com/Beethoven_Symphony_No._6_(Proms_2012)
Prom 12: Beethoven Cycle -- Symphonies Nos. 5 & 6
Beethoven - Symphony No. 6 in F major, Op. 68 (Pastoral)
1 - Allegro ma non troppo
2 - Andante molto mosso
3 - Allegro
4 - Allegro
5 - Allegretto
West--Eastern Divan Orchestra
Daniel Barenboim, conductor
Royal Albert Hall, 23 July 2012
- published: 16 Aug 2012
- views: 12615884
48:19
Ludwig van Beethoven - Symphony no 6 in F major, Op 68 - Pastoral Dirección Leonard Bernstein
Composer: Ludwig van Beethoven
Title: Beethoven, Symphony No. 6 in F major, Op. 68 "Pastoral"
Conductor: Leonard Bernstein
Orchestra: Wiener Philharmoniker
Ludw...
Composer: Ludwig van Beethoven
Title: Beethoven, Symphony No. 6 in F major, Op. 68 "Pastoral"
Conductor: Leonard Bernstein
Orchestra: Wiener Philharmoniker
Ludwig van Beethoven (1770-1827)
Symphony No. 6 in F Major,
Op. 68 (1808)
Recorded 12 November 1976
’Pastoral Symphony,
or Recollections of Country Life’
00:45 I. Allegro ma non troppo
Awakening of cheerful feelings
upon arrival in the countryside
12:49 II. Andante molto mosso
Scene by the brook
26:40 III. Allegro
Merry gathering of country folk
32:05 IV. Allegro
Thunderstorm
35:48 V. Allegretto
Shepherd’s song. Cheerful and
thankful feelings after the storm
46:00 Applause
Vienna Philharmonic
Leonard Bernstein, conductor
https://wn.com/Ludwig_Van_Beethoven_Symphony_No_6_In_F_Major,_Op_68_Pastoral_Dirección_Leonard_Bernstein
Composer: Ludwig van Beethoven
Title: Beethoven, Symphony No. 6 in F major, Op. 68 "Pastoral"
Conductor: Leonard Bernstein
Orchestra: Wiener Philharmoniker
Ludwig van Beethoven (1770-1827)
Symphony No. 6 in F Major,
Op. 68 (1808)
Recorded 12 November 1976
’Pastoral Symphony,
or Recollections of Country Life’
00:45 I. Allegro ma non troppo
Awakening of cheerful feelings
upon arrival in the countryside
12:49 II. Andante molto mosso
Scene by the brook
26:40 III. Allegro
Merry gathering of country folk
32:05 IV. Allegro
Thunderstorm
35:48 V. Allegretto
Shepherd’s song. Cheerful and
thankful feelings after the storm
46:00 Applause
Vienna Philharmonic
Leonard Bernstein, conductor
- published: 02 Aug 2021
- views: 568286
50:40
Beethoven: Symphony no. 6 in F major, op. 68 | Christian Thielemann & Wiener Philharmoniker
__
01:02 - Beethoven: Symphony no. 6 in F major, op. 68
Wiener Philharmoniker
Conducted by Christian Thielemann
__
Classic Archive, 2020
__
01:02 - Beethoven: Symphony no. 6 in F major, op. 68
Wiener Philharmoniker
Conducted by Christian Thielemann
__
Classic Archive, 2020
https://wn.com/Beethoven_Symphony_No._6_In_F_Major,_Op._68_|_Christian_Thielemann_Wiener_Philharmoniker
__
01:02 - Beethoven: Symphony no. 6 in F major, op. 68
Wiener Philharmoniker
Conducted by Christian Thielemann
__
Classic Archive, 2020
- published: 12 May 2020
- views: 147217
10:50
Beethoven - 6th Symphony - Pastoral
Life in a year of pictures set to one of the most beautiful pieces of music ever created.
Check out our Websites
World United Music
http://worldunitedmusic.b...
Life in a year of pictures set to one of the most beautiful pieces of music ever created.
Check out our Websites
World United Music
http://worldunitedmusic.blogspot.com/
World United Awakening
http://worldunitedawakening.blogspot.ca/
Art & Expressions of SF Brennan
http://sfbrennanart.blogspot.ca/
World United News
http://worldunitednews.blogspot.com/
https://wn.com/Beethoven_6Th_Symphony_Pastoral
Life in a year of pictures set to one of the most beautiful pieces of music ever created.
Check out our Websites
World United Music
http://worldunitedmusic.blogspot.com/
World United Awakening
http://worldunitedawakening.blogspot.ca/
Art & Expressions of SF Brennan
http://sfbrennanart.blogspot.ca/
World United News
http://worldunitednews.blogspot.com/
- published: 23 Aug 2009
- views: 4835451
54:33
(FULL) Beethoven Symphony No.6 "Pastorale" And Egmont Overture Op.68 - London Philarmonic Orchestra
Collins Classics OFFICIAL - Beethoven (FULL ALBUM)
Symphony No.6 "Pastorale" and Egmont Overture Op.68
Buy it here: http://apple.co/1IRxKWV
Spotify: http://spo...
Collins Classics OFFICIAL - Beethoven (FULL ALBUM)
Symphony No.6 "Pastorale" and Egmont Overture Op.68
Buy it here: http://apple.co/1IRxKWV
Spotify: http://spoti.fi/204jBk0
Read the CD booklet here: http://bit.ly/1JzFqNs
0:00 I Allegro Ma Non Troppo "Awakening of cheerful feelings on arrival in the countryside."
12:24 II Andante Molto Mosso "Scene by the brook."
25:35 III Allegro "Merry gathering of country folk."
31:11 IV Allegro "Thunder. Storm."
34:49 V Allegretto "Shepherd's song. Happy and thankful feelings after the storm."
45:48 VI Sostenuto Ma Non Troppo "Egmont Overture"
Conducted by James Loughran
Performed by the London Philarmonic Orchestra
Symphony No. 6 in F major, Op. 68 ‘Pastoral’
Beethoven provided the movements at this symphony with titles, as well as the work itself; but he also declared that he was concerned with sensation rather than depiction — in fact his
own musical reactions to country Iife, and not what life in the country looks and sounds like. There is in fact some pictorial effect in the Pastoral Symphony: the birdcalls at the end of the
Andante sound Iike birdcalls and not like Beethoven’s reaction to birdsong; and the Storm is perfectly vivid, But the work is not a country diary which can be followed step by step, and so
it is probably best to think about the music as music.
The Pastoral was completed quite quickly, for Beethoven, between 1807 and 1808, as a relaxation from the ardours at the Fifth Symphony. The two symphonies were performed together
at a concert in 1808, and both were dedicated to two at Beethoven's princely friends jointly.
The symphony opens at a relaxed tempo but with bracing thoughts, and the subtitle speaks of the blessed exhilaration that the town—dweller feels on breathing country air’. The music is
more lyrical than dramatic, and the ideas which supplement the easy— going first tune are presented in a conversational, almost obviously not quite casual manner, though they are thoroughly expanded as the movement proceeds. The whole thing sounds what it is, a contrast to the electric drama of the Fifth Symphony.
The broad unhurried pace is maintained in the slow movement which was inspired by the landscape at a riverside. As the movement unfolds expansively, so too the music grows more
sonorous and warmer, with the rich advantage at divided and muted cellos. When the famous birdcalls arrive, they are neatly dovetailed into a longer phrase, and the cuckoo call is echoed
unobtrusively in the second half at the phrase by bassoons. The scherzo has the subtitle, ‘High-spirited reunion at country Folk’; it is mercurial and yet sturdy in mood, not at all unlike the scherzo part at the corresponding movement in the Seventh Symphony, Beethoven comes near to tone—painting in the trio section, where it is easy to hear the stamping of hob—nailed boots, but the inspiration has undergone a transformation into musical poetry, and it is more exact to say that the music is danceable, rather than literally danced. Beethoven was in the habit of enlarging his scherzo form by playing the trio section twice, but this time the second trio is interrupted by a pattering figure that heralds the Storm section, for which Beethoven augmented his orchestra with a piccolo, trombones and, for the first time in this symphony, the
drums. When the storm has passed, a sigh of relief from the oboe leads to C major and the finale. And this unorthodox key shows that the movement had actually begun with the Storm in F minor, which is perfectly proper key for the introduction to an F major movement. The descriptive part of the symphony here is the excuse for a reintroduction of the eloquent formal device that Beethoven was simultaneously practising in the Fifth Symphony — an introduction to the finale that sounds like a bridge passage though it isn’t one. The Allegro port of the finale is built on a cowcall, and is headed ‘Shepherds Hymn‘. Like the first movement it deliberately avoids drama and obvious symphonic effect, though the climax is overwhelming,
’Egmont' Overture, Op. 84
After Fidelio, Egmont is Beethoven's most substantial dramatic score. As with the third Leonora overture, so the overture to Egmont is a grand tone poem summing up the emotional content
of the drama. Egmont, Prince of Gaure, saved Flanders from the French invasion, at a time in the sixteenth century when the Netherlands were under Spanish rule. He protested against the
decision to make Flanders a Spanish dependency and was arrested and condemned For treason through the machinations of the Duke of Alba, his enemy and the military governor of Flanders. In the overture we hear contrasted moods that express at once the conflict of patriotism and love, and of harsh Spain and suffering Flanders; this is a completely satisfying and convincing ambivalence that is music's special property.
#Classical #Beethoven #ClassicalMusic #Orchestral #Symphony #Overture #Relaxing #Peaceful
https://wn.com/(Full)_Beethoven_Symphony_No.6_Pastorale_And_Egmont_Overture_Op.68_London_Philarmonic_Orchestra
Collins Classics OFFICIAL - Beethoven (FULL ALBUM)
Symphony No.6 "Pastorale" and Egmont Overture Op.68
Buy it here: http://apple.co/1IRxKWV
Spotify: http://spoti.fi/204jBk0
Read the CD booklet here: http://bit.ly/1JzFqNs
0:00 I Allegro Ma Non Troppo "Awakening of cheerful feelings on arrival in the countryside."
12:24 II Andante Molto Mosso "Scene by the brook."
25:35 III Allegro "Merry gathering of country folk."
31:11 IV Allegro "Thunder. Storm."
34:49 V Allegretto "Shepherd's song. Happy and thankful feelings after the storm."
45:48 VI Sostenuto Ma Non Troppo "Egmont Overture"
Conducted by James Loughran
Performed by the London Philarmonic Orchestra
Symphony No. 6 in F major, Op. 68 ‘Pastoral’
Beethoven provided the movements at this symphony with titles, as well as the work itself; but he also declared that he was concerned with sensation rather than depiction — in fact his
own musical reactions to country Iife, and not what life in the country looks and sounds like. There is in fact some pictorial effect in the Pastoral Symphony: the birdcalls at the end of the
Andante sound Iike birdcalls and not like Beethoven’s reaction to birdsong; and the Storm is perfectly vivid, But the work is not a country diary which can be followed step by step, and so
it is probably best to think about the music as music.
The Pastoral was completed quite quickly, for Beethoven, between 1807 and 1808, as a relaxation from the ardours at the Fifth Symphony. The two symphonies were performed together
at a concert in 1808, and both were dedicated to two at Beethoven's princely friends jointly.
The symphony opens at a relaxed tempo but with bracing thoughts, and the subtitle speaks of the blessed exhilaration that the town—dweller feels on breathing country air’. The music is
more lyrical than dramatic, and the ideas which supplement the easy— going first tune are presented in a conversational, almost obviously not quite casual manner, though they are thoroughly expanded as the movement proceeds. The whole thing sounds what it is, a contrast to the electric drama of the Fifth Symphony.
The broad unhurried pace is maintained in the slow movement which was inspired by the landscape at a riverside. As the movement unfolds expansively, so too the music grows more
sonorous and warmer, with the rich advantage at divided and muted cellos. When the famous birdcalls arrive, they are neatly dovetailed into a longer phrase, and the cuckoo call is echoed
unobtrusively in the second half at the phrase by bassoons. The scherzo has the subtitle, ‘High-spirited reunion at country Folk’; it is mercurial and yet sturdy in mood, not at all unlike the scherzo part at the corresponding movement in the Seventh Symphony, Beethoven comes near to tone—painting in the trio section, where it is easy to hear the stamping of hob—nailed boots, but the inspiration has undergone a transformation into musical poetry, and it is more exact to say that the music is danceable, rather than literally danced. Beethoven was in the habit of enlarging his scherzo form by playing the trio section twice, but this time the second trio is interrupted by a pattering figure that heralds the Storm section, for which Beethoven augmented his orchestra with a piccolo, trombones and, for the first time in this symphony, the
drums. When the storm has passed, a sigh of relief from the oboe leads to C major and the finale. And this unorthodox key shows that the movement had actually begun with the Storm in F minor, which is perfectly proper key for the introduction to an F major movement. The descriptive part of the symphony here is the excuse for a reintroduction of the eloquent formal device that Beethoven was simultaneously practising in the Fifth Symphony — an introduction to the finale that sounds like a bridge passage though it isn’t one. The Allegro port of the finale is built on a cowcall, and is headed ‘Shepherds Hymn‘. Like the first movement it deliberately avoids drama and obvious symphonic effect, though the climax is overwhelming,
’Egmont' Overture, Op. 84
After Fidelio, Egmont is Beethoven's most substantial dramatic score. As with the third Leonora overture, so the overture to Egmont is a grand tone poem summing up the emotional content
of the drama. Egmont, Prince of Gaure, saved Flanders from the French invasion, at a time in the sixteenth century when the Netherlands were under Spanish rule. He protested against the
decision to make Flanders a Spanish dependency and was arrested and condemned For treason through the machinations of the Duke of Alba, his enemy and the military governor of Flanders. In the overture we hear contrasted moods that express at once the conflict of patriotism and love, and of harsh Spain and suffering Flanders; this is a completely satisfying and convincing ambivalence that is music's special property.
#Classical #Beethoven #ClassicalMusic #Orchestral #Symphony #Overture #Relaxing #Peaceful
- published: 22 May 2015
- views: 2594466
46:27
Beethoven: 6. Sinfonie (»Pastorale«) ∙ hr-Sinfonieorchester ∙ Ariane Matiakh
Ludwig van Beethoven:
6. Sinfonie F-Dur op. 68
»Pastorale« ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:00 ∙...
Ludwig van Beethoven:
6. Sinfonie F-Dur op. 68
»Pastorale« ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:00 ∙
II. Szene am Bach (Andante molto moto) 11:51 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:12 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:47 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Ariane Matiakh, Dirigentin ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 1. Oktober 2021 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙
#4K
© 2021
Hessischer Rundfunk (hr)
https://wn.com/Beethoven_6._Sinfonie_(»Pastorale«)_∙_Hr_Sinfonieorchester_∙_Ariane_Matiakh
Ludwig van Beethoven:
6. Sinfonie F-Dur op. 68
»Pastorale« ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:00 ∙
II. Szene am Bach (Andante molto moto) 11:51 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:12 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:47 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Ariane Matiakh, Dirigentin ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 1. Oktober 2021 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙
#4K
© 2021
Hessischer Rundfunk (hr)
- published: 20 Oct 2021
- views: 906883
46:10
Beethoven: 6. Sinfonie (»Pastorale«) ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Ludwig van Beethoven:
6. Sinfonie (»Pastorale«) ∙
(Auftritt) 00:00 ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non tropp...
Ludwig van Beethoven:
6. Sinfonie (»Pastorale«) ∙
(Auftritt) 00:00 ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:23 ∙
II. Szene am Bach (Andante molto moto) 11:40 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:06 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:53 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Ludwig van ... ∙
Alte Oper Frankfurt, 14. April 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
https://wn.com/Beethoven_6._Sinfonie_(»Pastorale«)_∙_Hr_Sinfonieorchester_∙_Andrés_Orozco_Estrada
Ludwig van Beethoven:
6. Sinfonie (»Pastorale«) ∙
(Auftritt) 00:00 ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:23 ∙
II. Szene am Bach (Andante molto moto) 11:40 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:06 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:53 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Ludwig van ... ∙
Alte Oper Frankfurt, 14. April 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
- published: 09 May 2016
- views: 1718590
39:15
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" | Classical Music
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Orchestra da Camera Fiorentina, Giuseppe Lanzetta
Symphony No. 6 in F Major, Op. 68 "Pastoral"
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
II. Szene am Bach. Andante molto moto ( 10:51 )
III. Lustiges Zusammensein der Landleute. Allegro - IV. Gewitter. Sturm. Allegro & V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto ( 21:37 )
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#classicalmusic #beethoven #pastoral #symphony All rights reserved
https://wn.com/Beethoven_Symphony_No._6_In_F_Major,_Op._68_Pastoral_|_Classical_Music
♫ Buy “Beethoven: Piano Concertos, Piano Symphonies, Rondos” (MP3 album) on the Official Halidon Music Store: https://bit.ly/2JY6Tyi
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DE: https://amzn.to/2CUFZWs
FR: https://amzn.to/2sbVtz9
ES: https://amzn.to/2FdnMWw
▶▶ Order “50 Masterpieces of Classical Music” (3CDs) eBay: http://bit.ly/2zgucP8
These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations.
For further information and licensing please contact
[email protected]
Subscribe to our channel: http://bit.ly/YouTubeHalidonMusic
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Orchestra da Camera Fiorentina, Giuseppe Lanzetta
Symphony No. 6 in F Major, Op. 68 "Pastoral"
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
II. Szene am Bach. Andante molto moto ( 10:51 )
III. Lustiges Zusammensein der Landleute. Allegro - IV. Gewitter. Sturm. Allegro & V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto ( 21:37 )
Thank you so much for watching this video by Halidon Music channel, we hope you enjoy it!
Don't forget to share it and subscribe to our channel http://bit.ly/YouTubeHalidonMusic
#classicalmusic #beethoven #pastoral #symphony All rights reserved
- published: 19 Mar 2016
- views: 200425
37:37
Beethoven "Symphony No 6" Karajan
Symphony No 6 in F Major, op 68 "Pastoral"
1. Awakening of pleasant feelings upon arriving
the country-Allegro ma non troppo
2. Scene at the Brook-Andante ...
Symphony No 6 in F Major, op 68 "Pastoral"
1. Awakening of pleasant feelings upon arriving
the country-Allegro ma non troppo
2. Scene at the Brook-Andante molto mosso
3. Peasant's Merrymaking-Allegro
4. The Storm-Allegro
5. Shepherd's Hymn after the Storm-Allegretto
Philharmonia Orchestra
Herbert von Karajan, conductor
London, 09.-10.XII.1953
https://wn.com/Beethoven_Symphony_No_6_Karajan
Symphony No 6 in F Major, op 68 "Pastoral"
1. Awakening of pleasant feelings upon arriving
the country-Allegro ma non troppo
2. Scene at the Brook-Andante molto mosso
3. Peasant's Merrymaking-Allegro
4. The Storm-Allegro
5. Shepherd's Hymn after the Storm-Allegretto
Philharmonia Orchestra
Herbert von Karajan, conductor
London, 09.-10.XII.1953
- published: 21 Jul 2014
- views: 1493735
43:25
Tchaikovsky: Symphony No. 6 Pathetique | Dresden Philharmonic & Marek Janowski
Tchaikovsky's Symphony No. 6 in B minor, Op. 74, also known as 'Pathétique', is one of the very great symphonies in the history of music. The famous work was pe...
Tchaikovsky's Symphony No. 6 in B minor, Op. 74, also known as 'Pathétique', is one of the very great symphonies in the history of music. The famous work was performed by the Dresden Philharmonic Orchestra conducted by Marek Janowski in this concert at the Kulturpalast Dresden 2019.
(00:00) I. Adagio - Allegro non troppo
(17:32) II. Allegro con grazia
(24:54) III. allegro molto vivace
(33:49) IV. Finale: Adagio lamentoso
Pyotr Ilyich Tchaikovsky (1840 - 1893) took just a few months to compose the Sixth Symphony and he conducted its premiere himself in St. Petersburg on October 28, 1893. Initially Tchaikovsky had called his Sixth 'A Programme Symphony', but after the premiere he unceremoniously gave it the epithet 'Pathetique' – and that is how it has gone down in history.
According to Tchaikovsky, the actual program is full of subjective emotions and is meant to remain a mystery. The 6th Symphony is characterized by a mixture of conventional symphonic structure and certain tragic features. Tragic, for example, is the key of B minor, which is considered somber, and the motif of the falling second, which runs through the entire work like a lament. The sweeping third movement, which seems like a triumphant finale, is surpassed by the fourth movement, which has always been interpreted as a requiem that Tchaikovsky wrote to himself in advance since the Russian composer died only a few days after the premiere of his Symphony No. 6, which received a restrained response.
The second performance of the Pathétique, on the other hand, was a great success, and to this day this frequently performed work is an audience favorite. Tchaikovsky's Pathétique Symphony owes its fame not least to the yearning, melancholy second theme from the first movement (04:32).
© EuroArts Music International
Watch more concerts in your personal concert hall: https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music: https://www.youtube.com/dwclassicalmusic
#tchaikovsky #pathetique #symphony
https://wn.com/Tchaikovsky_Symphony_No._6_Pathetique_|_Dresden_Philharmonic_Marek_Janowski
Tchaikovsky's Symphony No. 6 in B minor, Op. 74, also known as 'Pathétique', is one of the very great symphonies in the history of music. The famous work was performed by the Dresden Philharmonic Orchestra conducted by Marek Janowski in this concert at the Kulturpalast Dresden 2019.
(00:00) I. Adagio - Allegro non troppo
(17:32) II. Allegro con grazia
(24:54) III. allegro molto vivace
(33:49) IV. Finale: Adagio lamentoso
Pyotr Ilyich Tchaikovsky (1840 - 1893) took just a few months to compose the Sixth Symphony and he conducted its premiere himself in St. Petersburg on October 28, 1893. Initially Tchaikovsky had called his Sixth 'A Programme Symphony', but after the premiere he unceremoniously gave it the epithet 'Pathetique' – and that is how it has gone down in history.
According to Tchaikovsky, the actual program is full of subjective emotions and is meant to remain a mystery. The 6th Symphony is characterized by a mixture of conventional symphonic structure and certain tragic features. Tragic, for example, is the key of B minor, which is considered somber, and the motif of the falling second, which runs through the entire work like a lament. The sweeping third movement, which seems like a triumphant finale, is surpassed by the fourth movement, which has always been interpreted as a requiem that Tchaikovsky wrote to himself in advance since the Russian composer died only a few days after the premiere of his Symphony No. 6, which received a restrained response.
The second performance of the Pathétique, on the other hand, was a great success, and to this day this frequently performed work is an audience favorite. Tchaikovsky's Pathétique Symphony owes its fame not least to the yearning, melancholy second theme from the first movement (04:32).
© EuroArts Music International
Watch more concerts in your personal concert hall: https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music: https://www.youtube.com/dwclassicalmusic
#tchaikovsky #pathetique #symphony
- published: 17 Oct 2021
- views: 1846767