"Oblivion" is a song by British band Bastille from their 2013 album Bad Blood. It was released digitally in the UK on 5 September 2014 as the eighth overall and final single from the album. A limited edition 7-inch vinyl edition of the single, featuring the previously unreleased track "bad_news" as the B-side, was also released on 8 September.
The song was featured on an episode of the television series The Vampire Diaries in 2012.
Background and release
The band confirmed during their headline set at London’s Somerset House on July 15 that "Oblivion" will be the next single from Bad Blood.
Music video
The music video was exclusively premiered on MSN Music UK on Monday July 21. It was later published through Bastille's Vevo channel on YouTube the same day. The video was directed by Austin Peters (who previously directed the band's "Flaws" and "Laura Palmer" music videos) and stars actress Sophie Turner (known for her role in the television series Game of Thrones). She is seen lip-syncing to the lyrics of the song, singing in front of a crowd of people at a demolition derby.
Bad News is the self-titled debut album from British heavy metal group Bad News released in October 1987 by EMI. The album features a cover of the famous Queen song "Bohemian Rhapsody" and was produced by Queen's guitarist Brian May. "Bohemian Rhapsody" was released as a single and had a music video created for it, written and directed by Adrian Edmondson, who portrays Vim Fuego in the group. The video was released as a video single by Picture Music International. In 2004, EMI re-released the album with a re-ordered track listing and with additions of tracks derived from the group's follow-up album The Cash In Compilation.
Primarily produced by longtime friend, Frankfurt-based techno DJ Ulli Brenner, their debut single "Sweet Dreams (Ola Ola E)" caught the attention of producer Frank Farian, the mastermind of the infamous 1980s duo Milli Vanilli, when Thornton recorded it and found work in studios recording demos. It was released in 1994 and was a pan-European and Australian hit. It was followed by "Be My Lover" in 1995, which peaked at number one in Germany and Sweden, while also reaching the Top 10 in fourteen European countries. It also peaked at number 27 in 1995 and number 25 in 1996 in the UK Singles Chart when re-issued in that year. "Be my lover" went to number 1 on the U.S. Hot Dance Club Play chart in 1995 and climbed to number 6 on the Hot 100 in early 1996. It was then re-released in the UK and reached a new peak of number 25. It went on to win the ASCAP award for the "Most Played Song in America", and sold 6 million copies worldwide. La Bouche went on to become one of the biggest Eurodance groups of the '90s, with a string of hits worldwide. The debut album Sweet Dreams was released on June 12, 1995, which went to number 13 in the U.S., featured two more hit single releases, "Fallin' in Love" (a cover of the 1975 Hamilton, Joe Frank & Reynolds song) and "I Love to Love".
"Sweet Dreams" is the fourth single by Vamps, released on September 30, 2009. This single version is slightly different from the album's. The limited edition came with a DVD of the music videos for both songs. The single reached number 2 on the Oricon chart.
Bad News made their television debut during 1983, in the first series of The Comic Strip Presents... (written by Edmondson, and produced by Michael White/Comic Strip Productions). The episode, "Bad News Tour", took the form of a satirical fly-on-the-wallrockumentary, in which the incompetent band is followed travelling to a gig in Grantham, by an almost equally inept documentary film crew: It seemed to take much inspiration from Mark Kidel's 1976 BBC documentary So You Wanna Be a Rock 'n' Roll Star? that followed the Kursaal Flyers around Scotland and northeast England. The episode was also coincidentally in production at the same time as This Is Spinal Tap, which was released the following year to a much wider audience and subsequently greater acclaim.
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Brigade jump on a couple of punks Nigga, we bad news (We bad news, nigga) To beef for real If you step our way it's on Anybody, everybody (Oh shit) Come on Brigade jump on a couple of punks That's how we're moving it moving it moving it To beef for real If you step our way it's on Anybody, everybody (That's right) Come on We breaking every rule in the book Illegal crooks that got your mind shook Kon done with spells up Poisonous cook The Kon Artis Make way for the hell raiser Mysterious neighbor Cuttin throats with broke Coke Bottles and rusty razors I ain't the one to save you in a crisis I kick you while you're down Snatch you up and ask you who's the nicest Better say me Or I'll put your next to some vice crips And squeeze until they lifeless I stayin confidence with my mind About being good or evil I'm deceitful Lethal when I leave you Dead inside your blood brother When your hand for help reaches out We just chuckle Now where the fuck of how we is as individuals We raise wrong Politics and poverty got us head strong You dead wrong If you think you'll make it out with all your limbs Grab your camera So we can put this on film Don't get cut into hundreds over some dumb shit I advise you to run quick cuz we run this Guns click on the reg reg Put MCs on they death beads Either that or leavin' 'em walking on peg legs In various locations I'll be wylin' out at places I'm why they're running out Of handicap parking spaces Intense dreams You want suspense? It's endless How I massacre crews Leave you solo and friendless Contact lens less then lifeless The trifest MC You never wanna fight with Or rock a mic with Carry a knife with Da Brigade on the night shift Pack this big dick that I use to fuck your wife with You ain't the nicest Derelicts with intelligence Leaving your grill wide open like pelicans Just wait My words penetrate through your vertebrate Til it snap your neck brace And crack your chest plate You studies wanna job like assets Rough is ready to start teaching niggas In ass whippin' classes Breaking glasses Damage crews by the masses Shit talking like Cassius Get in your E-Class and dash bitch Kon Artis The only man that can expand the cervix With the tip of my bone Get in your girl and keep fucking Until she starts screaming "Leave me alone" Walking predacone Looking for weak grade to set it on From dusk til dawn I bomb Went through hell and remain calm The devils to stir us to fight me Just to see what type of shit that I was on Those bastards is why they got burnt And turned into crisp XXXXX With lyrics hotter than lava comes It's urgent That she splurge with Before I merge with Kuniva will make ya nerves emerge and split Heard me bitch You weren't worthy with the mic Is why I snatch it And people think and praise with words that I like With things that I say on you You need someone to spar with Put you in the back of my trunk Get in my car trick Running with nothing but thugs With the fug We more dangerous than L.A. cops with big clubs Who's arresting you when you're drunk You sick munk Spitting up bills scriptures and gumps Till you punks get the picture Get it? If rap was a whore you couldn't hit it I make it my business Twenty four seven to try and stick it Gotta get it I gotta give it to you non-stop Bombs drop lyrical warfare we onslaught Dead bodies rot We making your body rock Licking them off like lollipops That the shotty pop Kuniva snatch rolex chains, watches and anklets Dissin' the stank bitch Packing heaters to make you thank quick Now ain't this Something you don't want a piece of Don't worry about waiting these ones