- published: 11 Oct 2022
- views: 25733
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remove the playlistSound Art
- remove the playlistSound Art
- Urethral sounding
- Sound (medical instrument)
- Sound (Dreadzone album)
- Artò
- Artà
- ART image file format
Urethral sounding
Sounding or urethral sounding is the medical use of probes called sounds to increase the inner diameter of the urethra and to locate obstructions in it. Sounds are also used to stretch the urethra in order to receive genital piercing.
Urethral sounding and urethral play are also used to refer to this practice in a sexual context.
Urethral play can involve the introduction of either soft or rigid items into the meatus of the penis (as well as farther in). Objects such as sounds are usually only inserted about halfway into the glans and can usually be easily retrieved. Other toys and items, such as catheters, may be introduced deeper; in some cases even into the bladder. Some items may even be allowed to curl several times or expand within the bladder. This action in the male may be directly or indirectly associated with stimulation of the prostate gland and some types of bladder control.
Risks
If not conducted carefully, sounding carries a risk of irritation, tearing of the urethra, or of urinary tract infection. Infections may become serious if they progress to the bladder or kidneys, and should be referred to a doctor.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Urethral_sounding
Sound (medical instrument)
In medicine, sounds are instruments for probing and dilating passages within the body, the best-known examples of which are urethral sounds and uterine sounds. Some people enjoy using them for urethral play.
Urethral sounds
Urethral sounds are designed to be inserted into the male or female urethra, for the purpose of stretching or unblocking a stricture. There are a number of different types of urethral sounds:
Uterine sounds
These sounds or dilators are intended for probing a woman's uterus through the cervix, to measure the length and direction of the cervical canal and uterus, to determine the level of dilation, or to induce further dilation.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Sound_(medical_instrument)
Sound (Dreadzone album)
Sound is the fourth studio album by the British band Dreadzone. It was released in 2001 on Ruff Life Records.
Track listing
Personnel
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Sound_(Dreadzone_album)
Artò
Artò is a frazione (and parish) of the municipality of Madonna del Sasso, in Piedmont, northern Italy.
Overview
It is a village located some km west from the Lake Orta.
History
Since 1928 Artò was a separate comune (municipality).
References
External links
Media related to Artò at Wikimedia Commons
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Artò
Artà
Coordinates: 39°42′N 3°21′E / 39.700°N 3.350°E / 39.700; 3.350
Artà is one of the 53 independent municipalities on the Spanish Balearic island of Majorca. The small town of the same name is the administrative seat of this municipality in the region (Comarca) of Llevant.
Population
In 2008 the municipality of Artà had a population of 7,113 recorded residents within an area of 139.63 square kilometres (53.91 sq mi). This equates to 50.9 inhabitants per km2. In 2006 the percentage of foreigners was 13.2% (890), of which Germans made up 3.9% (262). In 1991 there were still 136 illiterates in the municipality. 1,292 inhabitants had no education, 1,675 only a primary school certificate and 1,210 had secondary school leaving certificates. The official languages are Catalan and Spanish (Castilian). The Catalan dialect spoken on the island is known as Mallorquí.
Geography
Location
Artà lies in the northeast of the island of Majorca, around 60 km from the island's capital of Palma. The Massís d’Artà, the highest and most compact massif in the eastern mountain chain of the Serres de Llevant, occupies more than half the area of the municipality. The municipality is located on the western part of peninsula of Artà and is bordered in the west by the Bay of Alcúdia (Badia d’Alcúdia), and in the north by the Mediterranean sea where its coast lies opposite the neighbouring island of Minorca. The coast of Artà stretches for 25 kilometres and, so far, has escaped being developed. Particularly noteworthy are the beach and sand dune formations of sa Canova d’Artà, the flat coastal strip near the settlement of Colònia de Sant Pere, the high rocky coves of the Cap de Ferrutx and a large number of smaller bays that extend from s’Arenalet des Verger to Cala Torta.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Artà
ART image file format
ART is a proprietary image file format used mostly by the America Online (AOL) service and client software.
Technical details
The ART format (file extension ".art") holds a single still image that has been highly compressed. The format was designed to facilitate the quick downloading of images, among other things. Originally, the compression was developed by the Johnson-Grace Company, which was then acquired by AOL. When an image is converted to the ART format, the image is analyzed and the software decides what compression technique would be best. The ART format has similarities to the progressive JPEG format, and certain attributes of the ART format can lead to image quality being sacrificed for the sake of image compression (for instance, the image's color palette can be limited.)
Usage by AOL
The AOL service used the ART image format for most of the image presentation of the online service. In addition, the AOL client's web browser also automatically served such images in the ART format to achieve faster downloads on the slower dialup connections that were prevalent in those days. This conversion was done in the AOL proxy servers and could be optionally disabled by the user. This image conversion process effectively reduced the download time for image files. This technology was once branded as Turboweb and is now known as AOL TopSpeed.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/ART_image_file_format
Podcasts:
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Sound art installations by Zimoun
Swiss sound artist Zimoun harnesses the power of quick, chaotic movements in his large-scale installations and kinetic sculptures. Each artwork is composed of simple materials like cardboard boxes, wooden dowels, and cotton balls, among other common objects. The frenzied movements contrast the calming, whirring sounds the artworks emit, which mimic raindrops or a repetitive drum. This juxtaposition is just one example of the many comparisons the artist draws: chaos vs. order, mass vs. individual, simplicity vs. complexity, and manufactured vs. organic. #art #artist #artwork #artinstallation #installationart #soundart #sound #soundartist #kinetic #kineticart #kineticsculptures #kineticsculpture #soundsculpture #moltenimmersiveart #immersive #immersiveart #immersiveartist #immersiveexperie...
published: 11 Oct 2022 -
Liliane Lijn – 'I Want People to See Sound' | Artist Interview | TateShots
Meet Liliane Lijn, the American artist who pioneered the use of technology to make moving art. Artist Liliane Lijn is best known for her kinetic artworks. (Kinetic art is art that moves.) In the early 1960s Liliane Lijn was at the forefront of exploring new ways of using technology and materials to make art. Surrealism, Greek mythology, female identity and developments in technology are just some of the things that have inspired the artist. 'I try to make work that will allow people to still their mind and look at things with a different eye', says Lijn. Look closer at Liliane Lijn's art: https://bit.ly/2QowG63 Subscribe for weekly films: http://goo.gl/X1ZnEl
published: 22 Feb 2019 -
"When I listen, I have to be quiet" | Sound artist Jacob Kirkegaard | Louisiana Channel
“When I press record, I accept whatever comes. And it is a gift when something unpredictable happens.” Danish artist Jacob Kirkegaard describes how he works with the sounds of the world. From border walls and abandoned spaces to the sounds of death. Jacob Kirkegaard has been recording sound since the age of six. He explains that his objectives have been the same throughout his career: “To become part of the world through sound. To engage with the world through recording.” Not only does he use regular microphones, he also uses sensors which he places on different surfaces to listen from within something: “There’s always another world when you listen closer. When you go behind the immediate. And that I think is both very reassuring but also alienating. And I like that paradox.” Opus Mors (...
published: 09 Sep 2021 -
Christoph Cox – History of Sound Art
Philosopher Christoph Cox traces the history of sound art from the invention of audio recording in the late 19th century to the genre-bending compositions of John Cage to the explosion of sound installation in the 1960s. Cox surveys a range of sonic practices, revealing how they resemble and resist approaches in the visual arts.
published: 30 Jan 2017 -
The Magic of Making Sound
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time. #Hollywood #Sound #FoleyArtists SUBSCRIBE: https://goo.gl/vR6Acb Follow us behind the scenes on Instagram: http://goo.gl/2KABeX Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ Give us a shout on Twitter: http://goo.gl/sY1GLY Come hang with us on Vimeo: http://goo.gl/T0OzjV Visit our world directly: http://www...
published: 12 Jan 2017 -
THE MAGIC OF SOUND by Zimoun
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun's minimalist constructions effortlessly reverberates. Zimoun is best known for his installative, generally site-specific, immersive works. He employs mechanical principles of rotation and oscillation to put materials into motion and thus produce sounds. For this he principally uses simple materials from everyday life and industrial usage...
published: 17 Feb 2021 -
Amazing Resonance Experiment!
Music: Dark Wave - https://open.spotify.com/track/1gnjcZeuyHg768yZBimjRb Add me on Facebook - (click LIKE on Facebook to add me) http://www.facebook.com/brusspup The song in the video is my latest song. You can find it on iTunes or Amazon. Song name: Dark Wave https://itunes.apple.com/us/album/dark-wave/id655667181?i=655667187 http://www.amazon.com/Dark-Wave/dp/B00D3J9TMA/ref=sr_1_18?ie=UTF8&qid=1370527738&sr=8-18 All of the equipment for this experiment was provided by PASCO scientific http://www.pasco.com Leave a comment letting me know what your favorite pattern is. My favorite is 5284 hz (at 3:08). So this experiment is the Chladni plate experiment. I used a tone generator, a wave driver (speaker) and a metal plate attached to the speaker. First add sand to the plate then begin ...
published: 06 Jun 2013 -
Pioneering Sound Art with Bernhard Leitner | RESONATE
“For me, sound is a building material.” -Bernhard Leitner Bernhard Leitner talks about his sound spaces with reSITE at RESONATE. Rather than the sound being seen as something existing in space, Leitner describes his work in creating spaces with sounds. Using the “vocabulary of sound,” Leitner discusses how he uses sound to create new worlds, and how sound can be a tool of design itself rather than an afterthought. RESONATE: Thinking Sound & Space was a conference on architecture, art and sound. It took place on 12 February 2018 at MAAT Museum, Lisbon, Portugal in collaboration with Meyer Sound. Video co-produced by reSITE & Canal 180 Bernhard Leitner is a Viennese artist, who after initially working with the New York Department of City Planning, taught at New York University and the Univ...
published: 15 May 2018 -
«On and Between» Sound Installation by Robin Minard | rainy days 2017
The Canadian sound artist Robin Minard transforms the signature pillars of Philharmonie Luxembourg into a sound installation. With 100 small speakers, he creates within the foyer an intimate space of delicate sounds that make the architecture of the Philharmonie audible while simultaneously reinventing it. By James Chan-A-Sue
published: 15 Nov 2017 -
Susan Philipsz | Sound in Space
Susan Philipsz doesn’t define herself as a sound artist, but for over two decades the Turner Prize winner has pursued the notion of sound as a physical or sculptural experience. Philipsz is interested in the ways that sound and space can define and mediate one another, creating poetic and immersive installations that draw from musical, literary and historical references. In this film the artist discusses her work, and how she uses sound to respond to the unique characteristics of particular spaces. Artists in Profile is a series of films that explore the ideas, materials and processes of some of the best-known contemporary artists working today. Filmed in the artists’ studios from Argyll & Bute to Berlin; in train stations, a primary school, the shore of a loch, and the Glasgow Necropolis...
published: 02 Feb 2018
developed with YouTube
1:09
Sound art installations by Zimoun
- Order: Reorder
- Duration: 1:09
- Uploaded Date: 11 Oct 2022
- views: 25733
Swiss sound artist Zimoun harnesses the power of quick, chaotic movements in his large-scale installations and kinetic sculptures. Each artwork is composed of s...
Swiss sound artist Zimoun harnesses the power of quick, chaotic movements in his large-scale installations and kinetic sculptures. Each artwork is composed of simple materials like cardboard boxes, wooden dowels, and cotton balls, among other common objects.
The frenzied movements contrast the calming, whirring sounds the artworks emit, which mimic raindrops or a repetitive drum. This juxtaposition is just one example of the many comparisons the artist draws: chaos vs. order, mass vs. individual, simplicity vs. complexity, and manufactured vs. organic.
#art #artist #artwork #artinstallation #installationart #soundart #sound #soundartist #kinetic #kineticart #kineticsculptures #kineticsculpture #soundsculpture #moltenimmersiveart #immersive #immersiveart #immersiveartist #immersiveexperience #experience #experiences #experiencedesign #artistheanswer #artmatters #artandculture #artsandculture #artcuration #artcurator #curation #curator #dorothydistefano
https://wn.com/Sound_Art_Installations_By_Zimoun
Swiss sound artist Zimoun harnesses the power of quick, chaotic movements in his large-scale installations and kinetic sculptures. Each artwork is composed of simple materials like cardboard boxes, wooden dowels, and cotton balls, among other common objects.
The frenzied movements contrast the calming, whirring sounds the artworks emit, which mimic raindrops or a repetitive drum. This juxtaposition is just one example of the many comparisons the artist draws: chaos vs. order, mass vs. individual, simplicity vs. complexity, and manufactured vs. organic.
#art #artist #artwork #artinstallation #installationart #soundart #sound #soundartist #kinetic #kineticart #kineticsculptures #kineticsculpture #soundsculpture #moltenimmersiveart #immersive #immersiveart #immersiveartist #immersiveexperience #experience #experiences #experiencedesign #artistheanswer #artmatters #artandculture #artsandculture #artcuration #artcurator #curation #curator #dorothydistefano
6:55
Liliane Lijn – 'I Want People to See Sound' | Artist Interview | TateShots
- Order: Reorder
- Duration: 6:55
- Uploaded Date: 22 Feb 2019
- views: 59294
Meet Liliane Lijn, the American artist who pioneered the use of technology to make moving art.
Artist Liliane Lijn is best known for her kinetic artworks. (Kin...
Meet Liliane Lijn, the American artist who pioneered the use of technology to make moving art.
Artist Liliane Lijn is best known for her kinetic artworks. (Kinetic art is art that moves.)
In the early 1960s Liliane Lijn was at the forefront of exploring new ways of using technology and materials to make art.
Surrealism, Greek mythology, female identity and developments in technology are just some of the things that have inspired the artist.
'I try to make work that will allow people to still their mind and look at things with a different eye', says Lijn.
Look closer at Liliane Lijn's art: https://bit.ly/2QowG63
Subscribe for weekly films: http://goo.gl/X1ZnEl
https://wn.com/Liliane_Lijn_–_'I_Want_People_To_See_Sound'_|_Artist_Interview_|_Tateshots
Meet Liliane Lijn, the American artist who pioneered the use of technology to make moving art.
Artist Liliane Lijn is best known for her kinetic artworks. (Kinetic art is art that moves.)
In the early 1960s Liliane Lijn was at the forefront of exploring new ways of using technology and materials to make art.
Surrealism, Greek mythology, female identity and developments in technology are just some of the things that have inspired the artist.
'I try to make work that will allow people to still their mind and look at things with a different eye', says Lijn.
Look closer at Liliane Lijn's art: https://bit.ly/2QowG63
Subscribe for weekly films: http://goo.gl/X1ZnEl
- published: 22 Feb 2019
- views: 59294
28:02
"When I listen, I have to be quiet" | Sound artist Jacob Kirkegaard | Louisiana Channel
- Order: Reorder
- Duration: 28:02
- Uploaded Date: 09 Sep 2021
- views: 13695
“When I press record, I accept whatever comes. And it is a gift when something unpredictable happens.” Danish artist Jacob Kirkegaard describes how he works wit...
“When I press record, I accept whatever comes. And it is a gift when something unpredictable happens.” Danish artist Jacob Kirkegaard describes how he works with the sounds of the world. From border walls and abandoned spaces to the sounds of death.
Jacob Kirkegaard has been recording sound since the age of six. He explains that his objectives have been the same throughout his career: “To become part of the world through sound. To engage with the world through recording.” Not only does he use regular microphones, he also uses sensors which he places on different surfaces to listen from within something: “There’s always another world when you listen closer. When you go behind the immediate. And that I think is both very reassuring but also alienating. And I like that paradox.”
Opus Mors (2019) is a four-part series in which Jacob Kirkegaard investigates what happens to the body after death. You hear the recordings of a morgue, an autopsy, a cremation and finally the decomposition of a body. Kirkegaard explains that with Opus Mors, he tried to get to the core of what he does: “To really try to record some of the ultimate things in life, that we all have in common.” He argues that our language for death is restricted and that listening to the sound of the different processes can provide a new perspective on death.
For Membrane (2020) Jacob Kirkegaard travelled along the border wall between the United States and Mexico. In the installation, you hear the fence and barbed wire as if it was an instrument together with video recordings of the wall, which Kirkegaard believes has a sculptural dimension to it. The border between the two countries has long been a topic of discussion and Kirkegaard wanted to investigate what the wall itself had to say: “It has its own voice and language. It’s not a language that we can understand immediately.”
“Every room is full of sound,” says Jacob Kirkegaard. In 2005 he wanted to find out what the resonance of an abandoned space might sound like and immediately Chernobyl came to mind. Kirkegaard recorded a church, a swimming pool, a gym and an auditorium there. Kirkegaard recorded ten minutes within each space and then played the recording back into the room, layering the sound to create a unique tone emanating from a seeming void. “It was like a chord, its own chord,” Kirkegaard says and explains what working in a radioactive space was like: “It was like framing something I couldn’t see, smell or understand.”
Jacob Kirkegaard (b.1975) is a Danish artist best known for his sound installations. Kirkegaard focuses on the scientific and aesthetic aspects of sonic perception, exploring acoustic spaces and phenomena that usually remain imperceptible to the immediate ear. Kirkegaard’s sound works focus on investigations into the potential musicality in hidden sound layers in the environment. He holds an MA from the Academy of Media Arts in Cologne, Germany. In 2016 Kirkegaard was the sound-artist-in-residency at St. John's College, University of Oxford, U.K. Kirkegaard has presented his works at galleries, museums, biennales and concert spaces throughout the world, including MoMA in New York, the Louisiana Museum of Modern Art and ARoS in Denmark, The Menil Collection and at the Rothko Chapel in Houston, The Sydney Biennale in Australia, Aichi Triennale in Nagoya, the Mori Art Museum in Tokyo, Japan.
Jacob Kirkegaard was interview by Roxanne Bagheshirin Lærkesen in July 2021 at his studio in Denmark.
Camera: Simon Wehye
Produced and edited by Roxanne Bagheshirin Lærkesen
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2021
Supported by Den A.P. Møllerske Fond
#JacobKirkegaard #SoundArt #ContemporaryArt
FOLLOW US HERE!
Website: http://channel.louisiana.dk
Facebook: https://www.facebook.com/LouisianaChannel
Instagram: http://www.instagram.com/louisianachannel
Twitter: http://www.twitter.com/LouisianaChann
https://wn.com/When_I_Listen,_I_Have_To_Be_Quiet_|_Sound_Artist_Jacob_Kirkegaard_|_Louisiana_Channel
“When I press record, I accept whatever comes. And it is a gift when something unpredictable happens.” Danish artist Jacob Kirkegaard describes how he works with the sounds of the world. From border walls and abandoned spaces to the sounds of death.
Jacob Kirkegaard has been recording sound since the age of six. He explains that his objectives have been the same throughout his career: “To become part of the world through sound. To engage with the world through recording.” Not only does he use regular microphones, he also uses sensors which he places on different surfaces to listen from within something: “There’s always another world when you listen closer. When you go behind the immediate. And that I think is both very reassuring but also alienating. And I like that paradox.”
Opus Mors (2019) is a four-part series in which Jacob Kirkegaard investigates what happens to the body after death. You hear the recordings of a morgue, an autopsy, a cremation and finally the decomposition of a body. Kirkegaard explains that with Opus Mors, he tried to get to the core of what he does: “To really try to record some of the ultimate things in life, that we all have in common.” He argues that our language for death is restricted and that listening to the sound of the different processes can provide a new perspective on death.
For Membrane (2020) Jacob Kirkegaard travelled along the border wall between the United States and Mexico. In the installation, you hear the fence and barbed wire as if it was an instrument together with video recordings of the wall, which Kirkegaard believes has a sculptural dimension to it. The border between the two countries has long been a topic of discussion and Kirkegaard wanted to investigate what the wall itself had to say: “It has its own voice and language. It’s not a language that we can understand immediately.”
“Every room is full of sound,” says Jacob Kirkegaard. In 2005 he wanted to find out what the resonance of an abandoned space might sound like and immediately Chernobyl came to mind. Kirkegaard recorded a church, a swimming pool, a gym and an auditorium there. Kirkegaard recorded ten minutes within each space and then played the recording back into the room, layering the sound to create a unique tone emanating from a seeming void. “It was like a chord, its own chord,” Kirkegaard says and explains what working in a radioactive space was like: “It was like framing something I couldn’t see, smell or understand.”
Jacob Kirkegaard (b.1975) is a Danish artist best known for his sound installations. Kirkegaard focuses on the scientific and aesthetic aspects of sonic perception, exploring acoustic spaces and phenomena that usually remain imperceptible to the immediate ear. Kirkegaard’s sound works focus on investigations into the potential musicality in hidden sound layers in the environment. He holds an MA from the Academy of Media Arts in Cologne, Germany. In 2016 Kirkegaard was the sound-artist-in-residency at St. John's College, University of Oxford, U.K. Kirkegaard has presented his works at galleries, museums, biennales and concert spaces throughout the world, including MoMA in New York, the Louisiana Museum of Modern Art and ARoS in Denmark, The Menil Collection and at the Rothko Chapel in Houston, The Sydney Biennale in Australia, Aichi Triennale in Nagoya, the Mori Art Museum in Tokyo, Japan.
Jacob Kirkegaard was interview by Roxanne Bagheshirin Lærkesen in July 2021 at his studio in Denmark.
Camera: Simon Wehye
Produced and edited by Roxanne Bagheshirin Lærkesen
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2021
Supported by Den A.P. Møllerske Fond
#JacobKirkegaard #SoundArt #ContemporaryArt
FOLLOW US HERE!
Website: http://channel.louisiana.dk
Facebook: https://www.facebook.com/LouisianaChannel
Instagram: http://www.instagram.com/louisianachannel
Twitter: http://www.twitter.com/LouisianaChann
- published: 09 Sep 2021
- views: 13695
1:55:02
Christoph Cox – History of Sound Art
- Order: Reorder
- Duration: 1:55:02
- Uploaded Date: 30 Jan 2017
- views: 34229
Philosopher Christoph Cox traces the history of sound art from the invention of audio recording in the late 19th century to the genre-bending compositions of Jo...
Philosopher Christoph Cox traces the history of sound art from the invention of audio recording in the late 19th century to the genre-bending compositions of John Cage to the explosion of sound installation in the 1960s. Cox surveys a range of sonic practices, revealing how they resemble and resist approaches in the visual arts.
https://wn.com/Christoph_Cox_–_History_Of_Sound_Art
Philosopher Christoph Cox traces the history of sound art from the invention of audio recording in the late 19th century to the genre-bending compositions of John Cage to the explosion of sound installation in the 1960s. Cox surveys a range of sonic practices, revealing how they resemble and resist approaches in the visual arts.
- published: 30 Jan 2017
- views: 34229
6:33
The Magic of Making Sound
- Order: Reorder
- Duration: 6:33
- Uploaded Date: 12 Jan 2017
- views: 17995434
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the wo...
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
#Hollywood #Sound #FoleyArtists
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.
https://wn.com/The_Magic_Of_Making_Sound
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
#Hollywood #Sound #FoleyArtists
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.
- published: 12 Jan 2017
- views: 17995434
3:28
THE MAGIC OF SOUND by Zimoun
- Order: Reorder
- Duration: 3:28
- Uploaded Date: 17 Feb 2021
- views: 64011
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his i...
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun's minimalist constructions effortlessly reverberates.
Zimoun is best known for his installative, generally site-specific, immersive works. He employs mechanical principles of rotation and oscillation to put materials into motion and thus produce sounds. For this he principally uses simple materials from everyday life and industrial usage, such as cardboard, DC motors, cables, welding wire, wooden spars or ventilators.
Zimoun’s works continually embrace oppositional positions, such as the principles of order and chaos. Works may be arranged in a geometrical pattern or ordered and installed according to a system, yet they behave chaotically and act – within a carefully prepared framework of possibilities – in an uncontrolled manner as soon as they are mechanically activated. As if in a clinical study, the pattern and the systematic approach enable an overview, so that the chaos generated by the mechanical process can be better analysed.
https://wn.com/The_Magic_Of_Sound_By_Zimoun
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun's minimalist constructions effortlessly reverberates.
Zimoun is best known for his installative, generally site-specific, immersive works. He employs mechanical principles of rotation and oscillation to put materials into motion and thus produce sounds. For this he principally uses simple materials from everyday life and industrial usage, such as cardboard, DC motors, cables, welding wire, wooden spars or ventilators.
Zimoun’s works continually embrace oppositional positions, such as the principles of order and chaos. Works may be arranged in a geometrical pattern or ordered and installed according to a system, yet they behave chaotically and act – within a carefully prepared framework of possibilities – in an uncontrolled manner as soon as they are mechanically activated. As if in a clinical study, the pattern and the systematic approach enable an overview, so that the chaos generated by the mechanical process can be better analysed.
- published: 17 Feb 2021
- views: 64011
3:39
Amazing Resonance Experiment!
- Order: Reorder
- Duration: 3:39
- Uploaded Date: 06 Jun 2013
- views: 21428708
Music: Dark Wave - https://open.spotify.com/track/1gnjcZeuyHg768yZBimjRb
Add me on Facebook - (click LIKE on Facebook to add me)
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Music: Dark Wave - https://open.spotify.com/track/1gnjcZeuyHg768yZBimjRb
Add me on Facebook - (click LIKE on Facebook to add me)
http://www.facebook.com/brusspup
The song in the video is my latest song. You can find it on iTunes or Amazon.
Song name: Dark Wave
https://itunes.apple.com/us/album/dark-wave/id655667181?i=655667187
http://www.amazon.com/Dark-Wave/dp/B00D3J9TMA/ref=sr_1_18?ie=UTF8&qid=1370527738&sr=8-18
All of the equipment for this experiment was provided by PASCO scientific
http://www.pasco.com
Leave a comment letting me know what your favorite pattern is. My favorite is 5284 hz (at 3:08).
So this experiment is the Chladni plate experiment. I used a tone generator, a wave driver (speaker) and a metal plate attached to the speaker. First add sand to the plate then begin playing a tone. Certain frequencies vibrate the metal plate in such a way that it creates areas where there is no vibration. The sand "falls" into those areas, creating beautiful geometric patterns. As the frequency increases in pitch the patterns become more complex.
Unedited version with tone throughout entire video:
http://www.youtube.com/watch?v=1yaqUI4b974
https://wn.com/Amazing_Resonance_Experiment
Music: Dark Wave - https://open.spotify.com/track/1gnjcZeuyHg768yZBimjRb
Add me on Facebook - (click LIKE on Facebook to add me)
http://www.facebook.com/brusspup
The song in the video is my latest song. You can find it on iTunes or Amazon.
Song name: Dark Wave
https://itunes.apple.com/us/album/dark-wave/id655667181?i=655667187
http://www.amazon.com/Dark-Wave/dp/B00D3J9TMA/ref=sr_1_18?ie=UTF8&qid=1370527738&sr=8-18
All of the equipment for this experiment was provided by PASCO scientific
http://www.pasco.com
Leave a comment letting me know what your favorite pattern is. My favorite is 5284 hz (at 3:08).
So this experiment is the Chladni plate experiment. I used a tone generator, a wave driver (speaker) and a metal plate attached to the speaker. First add sand to the plate then begin playing a tone. Certain frequencies vibrate the metal plate in such a way that it creates areas where there is no vibration. The sand "falls" into those areas, creating beautiful geometric patterns. As the frequency increases in pitch the patterns become more complex.
Unedited version with tone throughout entire video:
http://www.youtube.com/watch?v=1yaqUI4b974
- published: 06 Jun 2013
- views: 21428708
3:01
Pioneering Sound Art with Bernhard Leitner | RESONATE
- Order: Reorder
- Duration: 3:01
- Uploaded Date: 15 May 2018
- views: 14952
“For me, sound is a building material.” -Bernhard Leitner
Bernhard Leitner talks about his sound spaces with reSITE at RESONATE. Rather than the sound being se...
“For me, sound is a building material.” -Bernhard Leitner
Bernhard Leitner talks about his sound spaces with reSITE at RESONATE. Rather than the sound being seen as something existing in space, Leitner describes his work in creating spaces with sounds. Using the “vocabulary of sound,” Leitner discusses how he uses sound to create new worlds, and how sound can be a tool of design itself rather than an afterthought. RESONATE: Thinking Sound & Space was a conference on architecture, art and sound. It took place on 12 February 2018 at MAAT Museum, Lisbon, Portugal in collaboration with Meyer Sound. Video co-produced by reSITE & Canal 180
Bernhard Leitner is a Viennese artist, who after initially working with the New York Department of City Planning, taught at New York University and the University of Applied Arts, Vienna. He was been working with sound since the 1960s, and includes physical-acoustic analyses on experiences of spaces that are formed, designed, and composed with sound, as well as research on how three-dimensional movements of sounds shape new architectural spaces.
---
reSITE is an international platform connecting people and ideas to improve the urban environment. We work at the intersection of architecture, urbanism, politics, culture, and economics.
We feature thought leaders whose work pushes the boundaries on how we build, design, regenerate and create life in cities, and frame them through many lenses, convening them in one place. We act as a catalyst for social action and innovative leadership. We encourage an exchange of ideas about making cities more livable, competitive, and resilient. We protect and promote public space, architecture, and sustainable development in cities.
All to make our cities more livable, competitive, resilient, inclusive, mobile, and designed with humans in mind.
Listen to our podcast Design and the City on the link below or wherever you get your podcasts.
▫️www.reSITE.org/podcast
Learn More + Connect with Us!
www.reSITE.org
▫️https://www.facebook.com/reSITEfestival/
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https://wn.com/Pioneering_Sound_Art_With_Bernhard_Leitner_|_Resonate
“For me, sound is a building material.” -Bernhard Leitner
Bernhard Leitner talks about his sound spaces with reSITE at RESONATE. Rather than the sound being seen as something existing in space, Leitner describes his work in creating spaces with sounds. Using the “vocabulary of sound,” Leitner discusses how he uses sound to create new worlds, and how sound can be a tool of design itself rather than an afterthought. RESONATE: Thinking Sound & Space was a conference on architecture, art and sound. It took place on 12 February 2018 at MAAT Museum, Lisbon, Portugal in collaboration with Meyer Sound. Video co-produced by reSITE & Canal 180
Bernhard Leitner is a Viennese artist, who after initially working with the New York Department of City Planning, taught at New York University and the University of Applied Arts, Vienna. He was been working with sound since the 1960s, and includes physical-acoustic analyses on experiences of spaces that are formed, designed, and composed with sound, as well as research on how three-dimensional movements of sounds shape new architectural spaces.
---
reSITE is an international platform connecting people and ideas to improve the urban environment. We work at the intersection of architecture, urbanism, politics, culture, and economics.
We feature thought leaders whose work pushes the boundaries on how we build, design, regenerate and create life in cities, and frame them through many lenses, convening them in one place. We act as a catalyst for social action and innovative leadership. We encourage an exchange of ideas about making cities more livable, competitive, and resilient. We protect and promote public space, architecture, and sustainable development in cities.
All to make our cities more livable, competitive, resilient, inclusive, mobile, and designed with humans in mind.
Listen to our podcast Design and the City on the link below or wherever you get your podcasts.
▫️www.reSITE.org/podcast
Learn More + Connect with Us!
www.reSITE.org
▫️https://www.facebook.com/reSITEfestival/
▫️https://www.instagram.com/resite_/
▫️https://twitter.com/reSITE_
▫️https://www.linkedin.com/company/resite-festival/
- published: 15 May 2018
- views: 14952
5:33
«On and Between» Sound Installation by Robin Minard | rainy days 2017
- Order: Reorder
- Duration: 5:33
- Uploaded Date: 15 Nov 2017
- views: 24497
The Canadian sound artist Robin Minard transforms the signature pillars of Philharmonie Luxembourg into a sound installation. With 100 small speakers, he create...
The Canadian sound artist Robin Minard transforms the signature pillars of Philharmonie Luxembourg into a sound installation. With 100 small speakers, he creates within the foyer an intimate space of delicate sounds that make the architecture of the Philharmonie audible while simultaneously reinventing it.
By James Chan-A-Sue
https://wn.com/«On_And_Between»_Sound_Installation_By_Robin_Minard_|_Rainy_Days_2017
The Canadian sound artist Robin Minard transforms the signature pillars of Philharmonie Luxembourg into a sound installation. With 100 small speakers, he creates within the foyer an intimate space of delicate sounds that make the architecture of the Philharmonie audible while simultaneously reinventing it.
By James Chan-A-Sue
- published: 15 Nov 2017
- views: 24497
6:44
Susan Philipsz | Sound in Space
- Order: Reorder
- Duration: 6:44
- Uploaded Date: 02 Feb 2018
- views: 40549
Susan Philipsz doesn’t define herself as a sound artist, but for over two decades the Turner Prize winner has pursued the notion of sound as a physical or sculp...
Susan Philipsz doesn’t define herself as a sound artist, but for over two decades the Turner Prize winner has pursued the notion of sound as a physical or sculptural experience. Philipsz is interested in the ways that sound and space can define and mediate one another, creating poetic and immersive installations that draw from musical, literary and historical references. In this film the artist discusses her work, and how she uses sound to respond to the unique characteristics of particular spaces.
Artists in Profile is a series of films that explore the ideas, materials and processes of some of the best-known contemporary artists working today. Filmed in the artists’ studios from Argyll & Bute to Berlin; in train stations, a primary school, the shore of a loch, and the Glasgow Necropolis; these videos aim to give an insight into the spaces where artists create their work, and the places that inspire them. Watch another film in this series: https://bit.ly/2xDxlb2
Facebook: https://www.facebook.com/nationalgalleries/
Twitter: https://twitter.com/NatGalleriesSco
Instagram: https://www.instagram.com/natgalleriessco/
Website: https://www.nationalgalleries.org/
https://wn.com/Susan_Philipsz_|_Sound_In_Space
Susan Philipsz doesn’t define herself as a sound artist, but for over two decades the Turner Prize winner has pursued the notion of sound as a physical or sculptural experience. Philipsz is interested in the ways that sound and space can define and mediate one another, creating poetic and immersive installations that draw from musical, literary and historical references. In this film the artist discusses her work, and how she uses sound to respond to the unique characteristics of particular spaces.
Artists in Profile is a series of films that explore the ideas, materials and processes of some of the best-known contemporary artists working today. Filmed in the artists’ studios from Argyll & Bute to Berlin; in train stations, a primary school, the shore of a loch, and the Glasgow Necropolis; these videos aim to give an insight into the spaces where artists create their work, and the places that inspire them. Watch another film in this series: https://bit.ly/2xDxlb2
Facebook: https://www.facebook.com/nationalgalleries/
Twitter: https://twitter.com/NatGalleriesSco
Instagram: https://www.instagram.com/natgalleriessco/
Website: https://www.nationalgalleries.org/
- published: 02 Feb 2018
- views: 40549
1:09
Sound art installations by Zimoun
Swiss sound artist Zimoun harnesses the power of quick, chaotic movements in his large-sca...
published: 11 Oct 2022
Sound art installations by Zimoun
Sound art installations by Zimoun
- Report rights infringement
- published: 11 Oct 2022
- views: 25733
Swiss sound artist Zimoun harnesses the power of quick, chaotic movements in his large-scale installations and kinetic sculptures. Each artwork is composed of simple materials like cardboard boxes, wooden dowels, and cotton balls, among other common objects.
The frenzied movements contrast the calming, whirring sounds the artworks emit, which mimic raindrops or a repetitive drum. This juxtaposition is just one example of the many comparisons the artist draws: chaos vs. order, mass vs. individual, simplicity vs. complexity, and manufactured vs. organic.
#art #artist #artwork #artinstallation #installationart #soundart #sound #soundartist #kinetic #kineticart #kineticsculptures #kineticsculpture #soundsculpture #moltenimmersiveart #immersive #immersiveart #immersiveartist #immersiveexperience #experience #experiences #experiencedesign #artistheanswer #artmatters #artandculture #artsandculture #artcuration #artcurator #curation #curator #dorothydistefano
6:55
Liliane Lijn – 'I Want People to See Sound' | Artist Interview | TateShots
Meet Liliane Lijn, the American artist who pioneered the use of technology to make moving ...
published: 22 Feb 2019
Liliane Lijn – 'I Want People to See Sound' | Artist Interview | TateShots
Liliane Lijn – 'I Want People to See Sound' | Artist Interview | TateShots
- Report rights infringement
- published: 22 Feb 2019
- views: 59294
Meet Liliane Lijn, the American artist who pioneered the use of technology to make moving art.
Artist Liliane Lijn is best known for her kinetic artworks. (Kinetic art is art that moves.)
In the early 1960s Liliane Lijn was at the forefront of exploring new ways of using technology and materials to make art.
Surrealism, Greek mythology, female identity and developments in technology are just some of the things that have inspired the artist.
'I try to make work that will allow people to still their mind and look at things with a different eye', says Lijn.
Look closer at Liliane Lijn's art: https://bit.ly/2QowG63
Subscribe for weekly films: http://goo.gl/X1ZnEl
28:02
"When I listen, I have to be quiet" | Sound artist Jacob Kirkegaard | Louisiana Channel
“When I press record, I accept whatever comes. And it is a gift when something unpredictab...
published: 09 Sep 2021
"When I listen, I have to be quiet" | Sound artist Jacob Kirkegaard | Louisiana Channel
"When I listen, I have to be quiet" | Sound artist Jacob Kirkegaard | Louisiana Channel
- Report rights infringement
- published: 09 Sep 2021
- views: 13695
“When I press record, I accept whatever comes. And it is a gift when something unpredictable happens.” Danish artist Jacob Kirkegaard describes how he works with the sounds of the world. From border walls and abandoned spaces to the sounds of death.
Jacob Kirkegaard has been recording sound since the age of six. He explains that his objectives have been the same throughout his career: “To become part of the world through sound. To engage with the world through recording.” Not only does he use regular microphones, he also uses sensors which he places on different surfaces to listen from within something: “There’s always another world when you listen closer. When you go behind the immediate. And that I think is both very reassuring but also alienating. And I like that paradox.”
Opus Mors (2019) is a four-part series in which Jacob Kirkegaard investigates what happens to the body after death. You hear the recordings of a morgue, an autopsy, a cremation and finally the decomposition of a body. Kirkegaard explains that with Opus Mors, he tried to get to the core of what he does: “To really try to record some of the ultimate things in life, that we all have in common.” He argues that our language for death is restricted and that listening to the sound of the different processes can provide a new perspective on death.
For Membrane (2020) Jacob Kirkegaard travelled along the border wall between the United States and Mexico. In the installation, you hear the fence and barbed wire as if it was an instrument together with video recordings of the wall, which Kirkegaard believes has a sculptural dimension to it. The border between the two countries has long been a topic of discussion and Kirkegaard wanted to investigate what the wall itself had to say: “It has its own voice and language. It’s not a language that we can understand immediately.”
“Every room is full of sound,” says Jacob Kirkegaard. In 2005 he wanted to find out what the resonance of an abandoned space might sound like and immediately Chernobyl came to mind. Kirkegaard recorded a church, a swimming pool, a gym and an auditorium there. Kirkegaard recorded ten minutes within each space and then played the recording back into the room, layering the sound to create a unique tone emanating from a seeming void. “It was like a chord, its own chord,” Kirkegaard says and explains what working in a radioactive space was like: “It was like framing something I couldn’t see, smell or understand.”
Jacob Kirkegaard (b.1975) is a Danish artist best known for his sound installations. Kirkegaard focuses on the scientific and aesthetic aspects of sonic perception, exploring acoustic spaces and phenomena that usually remain imperceptible to the immediate ear. Kirkegaard’s sound works focus on investigations into the potential musicality in hidden sound layers in the environment. He holds an MA from the Academy of Media Arts in Cologne, Germany. In 2016 Kirkegaard was the sound-artist-in-residency at St. John's College, University of Oxford, U.K. Kirkegaard has presented his works at galleries, museums, biennales and concert spaces throughout the world, including MoMA in New York, the Louisiana Museum of Modern Art and ARoS in Denmark, The Menil Collection and at the Rothko Chapel in Houston, The Sydney Biennale in Australia, Aichi Triennale in Nagoya, the Mori Art Museum in Tokyo, Japan.
Jacob Kirkegaard was interview by Roxanne Bagheshirin Lærkesen in July 2021 at his studio in Denmark.
Camera: Simon Wehye
Produced and edited by Roxanne Bagheshirin Lærkesen
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2021
Supported by Den A.P. Møllerske Fond
#JacobKirkegaard #SoundArt #ContemporaryArt
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1:55:02
Christoph Cox – History of Sound Art
Philosopher Christoph Cox traces the history of sound art from the invention of audio reco...
published: 30 Jan 2017
Christoph Cox – History of Sound Art
Christoph Cox – History of Sound Art
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- published: 30 Jan 2017
- views: 34229
Philosopher Christoph Cox traces the history of sound art from the invention of audio recording in the late 19th century to the genre-bending compositions of John Cage to the explosion of sound installation in the 1960s. Cox surveys a range of sonic practices, revealing how they resemble and resist approaches in the visual arts.
6:33
The Magic of Making Sound
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film tha...
published: 12 Jan 2017
The Magic of Making Sound
The Magic of Making Sound
- Report rights infringement
- published: 12 Jan 2017
- views: 17995434
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
#Hollywood #Sound #FoleyArtists
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This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.
3:28
THE MAGIC OF SOUND by Zimoun
Using simple and functional components, Zimoun builds architecturally-minded platforms of ...
published: 17 Feb 2021
THE MAGIC OF SOUND by Zimoun
THE MAGIC OF SOUND by Zimoun
- Report rights infringement
- published: 17 Feb 2021
- views: 64011
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun's minimalist constructions effortlessly reverberates.
Zimoun is best known for his installative, generally site-specific, immersive works. He employs mechanical principles of rotation and oscillation to put materials into motion and thus produce sounds. For this he principally uses simple materials from everyday life and industrial usage, such as cardboard, DC motors, cables, welding wire, wooden spars or ventilators.
Zimoun’s works continually embrace oppositional positions, such as the principles of order and chaos. Works may be arranged in a geometrical pattern or ordered and installed according to a system, yet they behave chaotically and act – within a carefully prepared framework of possibilities – in an uncontrolled manner as soon as they are mechanically activated. As if in a clinical study, the pattern and the systematic approach enable an overview, so that the chaos generated by the mechanical process can be better analysed.
3:39
Amazing Resonance Experiment!
Music: Dark Wave - https://open.spotify.com/track/1gnjcZeuyHg768yZBimjRb
Add me on Facebo...
published: 06 Jun 2013
Amazing Resonance Experiment!
Amazing Resonance Experiment!
- Report rights infringement
- published: 06 Jun 2013
- views: 21428708
Music: Dark Wave - https://open.spotify.com/track/1gnjcZeuyHg768yZBimjRb
Add me on Facebook - (click LIKE on Facebook to add me)
http://www.facebook.com/brusspup
The song in the video is my latest song. You can find it on iTunes or Amazon.
Song name: Dark Wave
https://itunes.apple.com/us/album/dark-wave/id655667181?i=655667187
http://www.amazon.com/Dark-Wave/dp/B00D3J9TMA/ref=sr_1_18?ie=UTF8&qid=1370527738&sr=8-18
All of the equipment for this experiment was provided by PASCO scientific
http://www.pasco.com
Leave a comment letting me know what your favorite pattern is. My favorite is 5284 hz (at 3:08).
So this experiment is the Chladni plate experiment. I used a tone generator, a wave driver (speaker) and a metal plate attached to the speaker. First add sand to the plate then begin playing a tone. Certain frequencies vibrate the metal plate in such a way that it creates areas where there is no vibration. The sand "falls" into those areas, creating beautiful geometric patterns. As the frequency increases in pitch the patterns become more complex.
Unedited version with tone throughout entire video:
http://www.youtube.com/watch?v=1yaqUI4b974
3:01
Pioneering Sound Art with Bernhard Leitner | RESONATE
“For me, sound is a building material.” -Bernhard Leitner
Bernhard Leitner talks about hi...
published: 15 May 2018
Pioneering Sound Art with Bernhard Leitner | RESONATE
Pioneering Sound Art with Bernhard Leitner | RESONATE
- Report rights infringement
- published: 15 May 2018
- views: 14952
“For me, sound is a building material.” -Bernhard Leitner
Bernhard Leitner talks about his sound spaces with reSITE at RESONATE. Rather than the sound being seen as something existing in space, Leitner describes his work in creating spaces with sounds. Using the “vocabulary of sound,” Leitner discusses how he uses sound to create new worlds, and how sound can be a tool of design itself rather than an afterthought. RESONATE: Thinking Sound & Space was a conference on architecture, art and sound. It took place on 12 February 2018 at MAAT Museum, Lisbon, Portugal in collaboration with Meyer Sound. Video co-produced by reSITE & Canal 180
Bernhard Leitner is a Viennese artist, who after initially working with the New York Department of City Planning, taught at New York University and the University of Applied Arts, Vienna. He was been working with sound since the 1960s, and includes physical-acoustic analyses on experiences of spaces that are formed, designed, and composed with sound, as well as research on how three-dimensional movements of sounds shape new architectural spaces.
---
reSITE is an international platform connecting people and ideas to improve the urban environment. We work at the intersection of architecture, urbanism, politics, culture, and economics.
We feature thought leaders whose work pushes the boundaries on how we build, design, regenerate and create life in cities, and frame them through many lenses, convening them in one place. We act as a catalyst for social action and innovative leadership. We encourage an exchange of ideas about making cities more livable, competitive, and resilient. We protect and promote public space, architecture, and sustainable development in cities.
All to make our cities more livable, competitive, resilient, inclusive, mobile, and designed with humans in mind.
Listen to our podcast Design and the City on the link below or wherever you get your podcasts.
▫️www.reSITE.org/podcast
Learn More + Connect with Us!
www.reSITE.org
▫️https://www.facebook.com/reSITEfestival/
▫️https://www.instagram.com/resite_/
▫️https://twitter.com/reSITE_
▫️https://www.linkedin.com/company/resite-festival/
5:33
«On and Between» Sound Installation by Robin Minard | rainy days 2017
The Canadian sound artist Robin Minard transforms the signature pillars of Philharmonie Lu...
published: 15 Nov 2017
«On and Between» Sound Installation by Robin Minard | rainy days 2017
«On and Between» Sound Installation by Robin Minard | rainy days 2017
- Report rights infringement
- published: 15 Nov 2017
- views: 24497
The Canadian sound artist Robin Minard transforms the signature pillars of Philharmonie Luxembourg into a sound installation. With 100 small speakers, he creates within the foyer an intimate space of delicate sounds that make the architecture of the Philharmonie audible while simultaneously reinventing it.
By James Chan-A-Sue
6:44
Susan Philipsz | Sound in Space
Susan Philipsz doesn’t define herself as a sound artist, but for over two decades the Turn...
published: 02 Feb 2018
Susan Philipsz | Sound in Space
Susan Philipsz | Sound in Space
- Report rights infringement
- published: 02 Feb 2018
- views: 40549
Susan Philipsz doesn’t define herself as a sound artist, but for over two decades the Turner Prize winner has pursued the notion of sound as a physical or sculptural experience. Philipsz is interested in the ways that sound and space can define and mediate one another, creating poetic and immersive installations that draw from musical, literary and historical references. In this film the artist discusses her work, and how she uses sound to respond to the unique characteristics of particular spaces.
Artists in Profile is a series of films that explore the ideas, materials and processes of some of the best-known contemporary artists working today. Filmed in the artists’ studios from Argyll & Bute to Berlin; in train stations, a primary school, the shore of a loch, and the Glasgow Necropolis; these videos aim to give an insight into the spaces where artists create their work, and the places that inspire them. Watch another film in this series: https://bit.ly/2xDxlb2
Facebook: https://www.facebook.com/nationalgalleries/
Twitter: https://twitter.com/NatGalleriesSco
Instagram: https://www.instagram.com/natgalleriessco/
Website: https://www.nationalgalleries.org/
Urethral sounding
Sounding or urethral sounding is the medical use of probes called sounds to increase the inner diameter of the urethra and to locate obstructions in it. Sounds are also used to stretch the urethra in order to receive genital piercing.
Urethral sounding and urethral play are also used to refer to this practice in a sexual context.
Urethral play can involve the introduction of either soft or rigid items into the meatus of the penis (as well as farther in). Objects such as sounds are usually only inserted about halfway into the glans and can usually be easily retrieved. Other toys and items, such as catheters, may be introduced deeper; in some cases even into the bladder. Some items may even be allowed to curl several times or expand within the bladder. This action in the male may be directly or indirectly associated with stimulation of the prostate gland and some types of bladder control.
Risks
If not conducted carefully, sounding carries a risk of irritation, tearing of the urethra, or of urinary tract infection. Infections may become serious if they progress to the bladder or kidneys, and should be referred to a doctor.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Urethral_sounding
Sound art installations by Zimoun...
Liliane Lijn – 'I Want People to See Sound' | Arti...
"When I listen, I have to be quiet" | Sound artist...
Christoph Cox – History of Sound Art...
The Magic of Making Sound...
THE MAGIC OF SOUND by Zimoun...
Amazing Resonance Experiment!...
Pioneering Sound Art with Bernhard Leitner | RESON...
«On and Between» Sound Installation by Robin Minar...
Susan Philipsz | Sound in Space...
-
by Heart
-
by Planes Mistaken For Stars
-
by Donnie Klang
-
by Donnie J
Sand
by: HeartI asked a distant star, "I wonder where you are"
The shadow at my door, a friend who is no more
I watched him go to the wind
I closed my eyes, goodbye, goodbye my friend
Friends and family, the branches of the tree
Sheltered in the rain, telling me again
"No matter how the raindrops run
The world will turn, turn back to the sun"
Yeah, yeah
A trick of light upon our eyes
A trick of time upon our lives
Ancient songs cry out to you
Surely this sweet sand is slipping through
I watched him go to the wind
I closed my eyes, goodbye, goodbye my friend
Yeah
A trick of light upon our eyes
A trick of time upon our lives
Ancient songs cry out to you
Surely this sweet sand is slipping through
Slipping through the glass of time
Slipping through the glass
Surely this sweet sand will run out by and by
And while the days come down to you
While the days come down
You are just a traveler passing through
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Community events in San Diego County: From Wild Holidays to Jungle Bells
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Biggest news stories of 2024: Lake Mitchell dredging vote tops list
The 53rd annual event debuted at its new home, the Arena at Stampede Park, promising fans an exciting rodeo experience in a state-of-the-art facility. “I know it sounds like a broken record, but ...
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"The PSP was one of the first machines that had the hardware to allow you ...
... producing full-scale extensions of successful franchises like Daxter and God Of War with high production values across story, design, art, sound design, music and engineering," he continues.
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Qatari filmmaker participates in International Video Art Forum
The 6th edition of the International Video Art Forum, held in Saudi Arabia, featured a remarkable participation from Qatar ... “Video art combines image, sound, and modern technology, making it an effective medium for conveying strong messages to people.
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Colorado Springs Gazette
26 Dec 2024
Release the burden and restrictions of chronic pain with the team at Wholistic Healing Experiences!
Colorado Springs Gazette
26 Dec 2024
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The Year in Business: Hospitals cut back, malls sold and Patagonia lays off workers
Editor's note. This is the second story in a series for The Star's annual year in review and focuses on business in Ventura County ... 22. The 110-year-old playhouse, refurbished with state-of-the-art sound and projection gear, sold out its 7.30 p.m ...
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The PXI Story: Continuing Jamaica’s firework legacy since 2023 - Jamaica Observer
Pyrotechnics, colloquially known as \u201cfireworks\u201d, is the process and art of using chemicals to create special effects using light, heat, smoke, and sounds for the primary purpose of entertainment ... .
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Young artists conclude ‘Emotions of the Oceans’ with ‘Symphony of Colours’
Muscat – The second edition of the ‘Emotions of the Oceans’ Children’s Art Exhibition concluded on December 18, 2024, at the Tivan Business Center in Muscat ... ‘Emotions of the Oceans’ is a shining example of how art can create a lasting impact.”.
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