HIDDEN ERROR: Usage of "imagesize" is not recognized
Salome Mc (Persian: سالومه, born 1985), is a female Hip Hop and Multi-media artist from Iran. She is known for being Iran's first female rapper and Hip-Hop producer. Even though the topics expressed in her lyrics are a mixture of politics, social issues and personal matters, she defines herself as "apolitical" and her poetry being about "whatever occupies her mind."
Philosophy
Being questioned about being a female rapper in Iran, she mentioned in several interviews that she wouldn’t say she faced many challenges just because she was a female. "I might be the first female rapper to ever step in a studio in Iran, yes, but from people around me I mostly got courage after they got over the surprise. The other challenges that you might guess was there for my male counterparts too. Of course you get a certain amount of sexist comments from lack of common sense or education, but that is a global problem. " She also believes Hip-Hop can be a tool for empowerment, saying "it can be used to make people aware of their rights and their position, realize their own potential and at the end, empowerment, yes. But I am not one to speak big. I think change comes slowly and locally, so instead of talking big and throw slogans, I prefer to metaphorize my own experiences and hope that I inspire a person or two.
While in the French navy in the Far East, Mariotte had read the Oscar Wilde play Salome, and decided to set it to music. During his return to Europe by sea, he had access to a piano to continue his work, and while on leave, he took a course at the Conservatoire by Charles-Marie Widor, then resigned from the navy in 1897, and entered the Schola Cantorum where he was taught by Vincent d'Indy. After being appointed professor of piano at the Conservatoire in Lyon, he completed the score of his Salomé, believing himself to have permission from Wilde's estate and the publisher Methuen.
In fact, having obtained the agreement to use the play, Richard Strauss had in turn asked his publisher Fürstner to acquire the rights. Wilde's particularly complicated estate led to a court case that favoured the rights of Fürstner. Mariotte learnt that Fürstner would oppose the production of a "Salomé française" and after going to Berlin, he obtained permission to have his piece staged, on condition that 40% royalties went to Richard Strauss and 10% to Fürstner, with all scores to be sent after the run to Fürstner to be destroyed. Romain Rolland, having read an article by Mariotte in the Revue internationale de musique, helped him to obtain a more generous settlement from Strauss.
Although based on the New Testament story, the film does not follow the biblical text.
In Galilee, during the rule of Rome's Tiberius Caesar, King Herod (Charles Laughton) and Queen Herodias (Judith Anderson) sit on the throne and are condemned by a prophet known as John the Baptist (Alan Badel). Herodias resents John's denunciation of her marriage to the king, her former husband's brother, and the Baptist's claim that she is an adulteress. The king is not pleased with the Baptist condemning his rule, but fears a slow and agonizing death that his father, the elder Herod, suffered after ordering the murder of firstborn males when Jesus was born. The prophecy states that if Herod kills the Messiah, he will suffer and die. The king believes John the Baptist is the Messiah because of the mistaken belief of some peasants.
Baghdad (Arabic:بغداد ,بغداد Kurdish:Bexda, Iraqi pronunciation: [bɐʁˈd̪ɑːd̪]) is the capital of the Republic of Iraq. The population of Baghdad, as of 2011, is approximately 7,216,040, making it the largest city in Iraq, the second largest city in the Arab world (after Cairo, Egypt), and the second largest city in Western Asia (after Tehran, Iran). According to the government, the population of the country has reached 35million, with 9million in the capital.
Located along the Tigris River, the city was founded in the 8th century and became the capital of the Abbasid Caliphate. Within a short time of its inception, Baghdad evolved into a significant cultural, commercial, and intellectual center for the Islamic world. This, in addition to housing several key academic institutions (e.g. House of Wisdom), garnered the city a worldwide reputation as the "Center of Learning".
Throughout the High Middle Ages, Baghdad was considered to be the largest city in the world with an estimated population of 1,200,000 people. The city was largely destroyed at the hands of the Mongol Empire in 1258, resulting in a decline that would linger through many centuries due to frequent plagues and multiple successive empires. With the recognition of Iraq as an independent state (formerly the British Mandate of Mesopotamia) in 1938, Baghdad gradually regained some of its former prominence as a significant center of Arab culture.
Baghdad is a 7-inchEP released by Americanpunk rock band The Offspring on May 15, 1991. It is currently out of print, but sold 3000 copies within one week of its release. Although Baghdad has never been reissued on CD in its entirety, one of the songs were later released on compilations: "Baghdad" was released on Rock Against Bush, Vol. 1 (Fat Wreck Chords, 2004). The band's official website does not list Baghdad in the otherwise comprehensive discography anymore (as of July 2013, the website lists only the studio albums and their Greatest Hits compilation album).
Track listing
Track Notes
The EP includes an early version of "Get It Right" of which a later version was released on their second studio albumIgnition. The title track "Baghdad" was a re-recording of the song "Tehran" which appeared on the Offspring's debut self-titled album in 1989. It switches the words "Tehran" (the capital of Iran) for "Baghdad" (the capital of Iraq). The EP also includes a cover version of "Hey Joe" by Billy Roberts (a different version from what was later released on "Gone Away") and a previous unreleased instrumental track "The Blurb", which would not appear on any future recordings, but served as the basis for an early version of "Genocide", as well as "Change the World".
Provided to YouTube by DistroKid
María Salome · Grupo Bagdad
Por Muchas Razones
℗ Discos Volkan ℗ 1991 DLV Discos Musart
Released on: 1991-07-03
Auto-generated by YouTube.
published: 07 Jul 2021
Salome
Provided to YouTube by Kontor New Media GmbH
Salome · The Best Men
Marrakesh Express
℗ VEAC - Visual Entertainment & Audio Corporation
Released on: 1987-12-28
Artist: The Best Men
Producer: Alexander Gietz
Composer, Lyricist: Gino La Moon
Composer: Kim Ivory
Lyricist: Alexander Gietz
Music Publisher: Rhine Music Gietz & Gietz OHG
Auto-generated by YouTube.
published: 27 Dec 2018
Mandojo & Domokaya - Wanok Nok
published: 17 Oct 2022
SALOMÉ - Making-of répétitions (Behind the scenes with english subtitles)
Voici le making-of des répétitions du spectacle SALOMÉ, pièce d’Oscar Wilde écrite en français, méconnue mais qui possède une puissance dramatique exceptionnelle. Longtemps interdite, il semble qu’elle le soit toujours, en France du moins, à ceux qui souhaitent la monter intégralement, sans la couper, ni réduire la portée de ses enjeux.
En effet, nous avons tourné ce petit film au débotté, à l’issue d’une première période de répétitions en novembre 2018, aucun théâtre parisien ne voulant finalement accueillir ne serait-ce qu’une représentation promotionnelle de ce spectacle (même en louant la salle).
De même, avec ce court making-of et un dossier complet, nous avons démarché durant deux ans auprès de nombreux producteurs et directeurs de théâtres, en vain (la plupart des professionnels pa...
published: 02 Feb 2021
Salomé Leclerc - Tourne encore
Vidéoclip officiel de la chanson Tourne encore, filmé lors d'une prestation intime.
Retrouvez «Tourne encore » sur l'album « Sous les arbres » (2011) de Salomé Leclerc: https://orcd.co/souslesarbres
Réalisation / montage: Philippe Craig
Direction photo: Mathieu Fortin
Prise de son / Mixage: Francis Beaulieu
salomeleclerc.com
published: 24 Sep 2012
Patrick Fiori - Je m'appelle Bagdad
published: 19 Jan 2015
Salome (2002 Remastered Version) : Tanz der Sieben Schleier/Dance of the Seven Veils
Provided to YouTube by Warner Classics
Salome (2002 Remastered Version) : Tanz der Sieben Schleier/Dance of the Seven Veils · Staatskapelle Dresden · Rudolf Kempe
Icon: Rudolf Kempe
℗ 1975 Warner Classics, Warner Music UK Ltd Digital remastering (p) 2002 Warner Classics, Warner Music UK Ltd
Remastering Engineer: Andrew Walter
Tonmeister: Claus Strüben
Producer: David Mottley
Conductor, Performance: Rudolf Kempe
Lead Vocals: Rudolf Kempe
Orchestra: Staatskapelle Dresden
Lead Vocals: Staatskapelle Dresden
Composer: Richard Strauss
Auto-generated by YouTube.
published: 18 Feb 2017
SIDI GHALEM à ORAN ET LE TOMBEAU DE SALOME EN PALESTINE BENHALIMA ABDERRAOUF
LE MAUSOLEE DE SIDI GHANEM, LE CULTE DES TOMBEAUX DES SAINTS, LA TOMBE DE SALOME EN PALESTINE, LES DERNIERES NOUVELLES DES BERMUDES ET LES DERNIERS BUNKERS DES DJINNS SATANIQUES EN ALGERIE.
published: 26 Jan 2023
baghdad-We Need Somebody To Rock
s/t-1987
-uploaded in HD at http://www.TunesToTube.com
Provided to YouTube by DistroKid
María Salome · Grupo Bagdad
Por Muchas Razones
℗ Discos Volkan ℗ 1991 DLV Discos Musart
Released on: 1991-07-03
Auto-gener...
Provided to YouTube by DistroKid
María Salome · Grupo Bagdad
Por Muchas Razones
℗ Discos Volkan ℗ 1991 DLV Discos Musart
Released on: 1991-07-03
Auto-generated by YouTube.
Provided to YouTube by DistroKid
María Salome · Grupo Bagdad
Por Muchas Razones
℗ Discos Volkan ℗ 1991 DLV Discos Musart
Released on: 1991-07-03
Auto-generated by YouTube.
Provided to YouTube by Kontor New Media GmbH
Salome · The Best Men
Marrakesh Express
℗ VEAC - Visual Entertainment & Audio Corporation
Released on: 1987-12-...
Provided to YouTube by Kontor New Media GmbH
Salome · The Best Men
Marrakesh Express
℗ VEAC - Visual Entertainment & Audio Corporation
Released on: 1987-12-28
Artist: The Best Men
Producer: Alexander Gietz
Composer, Lyricist: Gino La Moon
Composer: Kim Ivory
Lyricist: Alexander Gietz
Music Publisher: Rhine Music Gietz & Gietz OHG
Auto-generated by YouTube.
Provided to YouTube by Kontor New Media GmbH
Salome · The Best Men
Marrakesh Express
℗ VEAC - Visual Entertainment & Audio Corporation
Released on: 1987-12-28
Artist: The Best Men
Producer: Alexander Gietz
Composer, Lyricist: Gino La Moon
Composer: Kim Ivory
Lyricist: Alexander Gietz
Music Publisher: Rhine Music Gietz & Gietz OHG
Auto-generated by YouTube.
Voici le making-of des répétitions du spectacle SALOMÉ, pièce d’Oscar Wilde écrite en français, méconnue mais qui possède une puissance dramatique exceptionnell...
Voici le making-of des répétitions du spectacle SALOMÉ, pièce d’Oscar Wilde écrite en français, méconnue mais qui possède une puissance dramatique exceptionnelle. Longtemps interdite, il semble qu’elle le soit toujours, en France du moins, à ceux qui souhaitent la monter intégralement, sans la couper, ni réduire la portée de ses enjeux.
En effet, nous avons tourné ce petit film au débotté, à l’issue d’une première période de répétitions en novembre 2018, aucun théâtre parisien ne voulant finalement accueillir ne serait-ce qu’une représentation promotionnelle de ce spectacle (même en louant la salle).
De même, avec ce court making-of et un dossier complet, nous avons démarché durant deux ans auprès de nombreux producteurs et directeurs de théâtres, en vain (la plupart des professionnels parisiens n’ont même pas répondu).
Persuadés qu’il existe un décalage entre la frilosité des instances culturelles et la curiosité d’un public plus large, nous avons mis ce délai à profit pour finaliser tous les costumes et les accessoires du spectacle.
De tout coeur, nous remercions les contributeurs, amis et soutiens dont l’aide précieuse a permis que ce premier travail voie le jour - et nous espérons que ce projet, sur scène ou à l’écran, en France ou ailleurs, puisse un jour donner sa pleine mesure.
* * *
This is a behind-the-scenes documentary about our production of Oscar Wilde’s SALOMÉ. The play, written in french, is relatively unknown (in France), but possesses exceptional dramatic intensity.
It was banned for a long time, and it seems that it still is, in France at least, for those who want to put on this play without cutting it or minimalizing what’s at stake.
We actually shot this little film at the last minute, after a first period of rehearsals around November 2018, because no theatre in Paris wanted to welcome even one promotional performance of this production (although we were prepared to rent the venue for the evening).
Even so, with this brief behind-the scenes documentary and a complete presentation program, we tried in vain for two years to have many producers and theatre owners accept to produce or accept the show, all in vain (most of these « professionals » - strange as it may sound to Anglo-Saxons readers - never bothered to answer or invite us for an audition.)
Despite these obstacles, we remain convinced that there is a gap between the reluctance of french cultural decision-makers et the curiosity of a wider audience, so we took advantage of this delay to finalize all the costumes and props of the show.
We wholeheartedly thank all the contributors, friends and supporters whose precious help allowed this first work to come to life - and we hope that this project, on stage or on screen, in France or elsewhere, can one day deliver its full potential.
* * *
SALOMÉ
La pièce interdite d’OSCAR WILDE / OSCAR WILDE’s forbidden play
Mise en scène / Directed by • Baptiste BELLEUDY
Compagnie Les Mille Chandelles
Avec / Cast :
Agnès AFRIAT (Hérodias / Herodias)
Fabrice ARCHIREL (Tigellin, ambassadeur romain / Tigellinus, roman ambassador)
Baptiste BELLEUDY (Hérode Antipas / Herod Antipas)
Alex CHEVALEYRE (Cappadocien, Pharisien / Cappadocian, Pharisee)
Thomas DE LA TAILLE (Narraboth, jeune Syrien, capitaine de la garde / Narraboth, a young Syrian, captain of the guards)
Yann DENÉCÉ (Premier Nazaréen, Esclave / First Nazarene, Slave)
Sébastien EHLINGER (Manassé, page d'Hérodias / Manasseh, the page of Herodias)
Laurent EVUORT-ORLANDI (Ozias, un soldat / Ozias, a soldier)
Sophie GARMILLA (Salomé)
Gil GEISWEILLER (Sadducéen / Sadducee)
Norman PARAISY (Issachar, un soldat / Issachar, a soldier)
Gilbert PASCAL (Second Nazaréen / Second Nazarene)
Jean-Baptiste PONSOT (Iokanaan)
Ndiassé SAMBE (Nubien, Ambassadeur romain / Nubian, Roman ambassador)
Musicien / Musician • Mandaakhai DAANSUREN
Scénographie & costumes / Set & costume design • Baptiste BELLEUDY
Chorégraphie / Choreography • Laurent EVUORT-ORLANDI
assisté de / assisted by Soline BEILLARD
Lumières / Lighting design • Fabien FERRY
Conception maquillages SFX / SFX Makeup design • Matt LAMBERT
Machinerie / Stage engineering • Sébastien EHLINGER
Création sonore / Sound design • Barthélémy BELLEUDY
Régie / Stage manager • Fabien FERRY
Habillage & maquillage / Dressing & makeup • Soline BEILLARD, Jeanne AUFFRET
Construction décor / Set construction • Pierre PERNOIS
Co-réalisation costumes en cuir / Leather costumes co-maker • Jean-Luc ROCHE
Aide confection costumes / Additional costume makers • Claire BELLEUDY, Suzanne SERROU
Administration / Administrator • Élise TEILLARD
Making-of & photos / Behind the scenes & photos • Thomas DE LA TAILLE
Making-of /Behind the scenes :
Mise en scène / Director • Baptiste BELLEUDY
Montage / Editor • Thomas DE LA TAILLE
Conception / Screenwriter • Jean-Baptiste PONSOT
Mixage / Sound mixing • Barthélémy BELLEUDY
lesmillechandelles.com
Voici le making-of des répétitions du spectacle SALOMÉ, pièce d’Oscar Wilde écrite en français, méconnue mais qui possède une puissance dramatique exceptionnelle. Longtemps interdite, il semble qu’elle le soit toujours, en France du moins, à ceux qui souhaitent la monter intégralement, sans la couper, ni réduire la portée de ses enjeux.
En effet, nous avons tourné ce petit film au débotté, à l’issue d’une première période de répétitions en novembre 2018, aucun théâtre parisien ne voulant finalement accueillir ne serait-ce qu’une représentation promotionnelle de ce spectacle (même en louant la salle).
De même, avec ce court making-of et un dossier complet, nous avons démarché durant deux ans auprès de nombreux producteurs et directeurs de théâtres, en vain (la plupart des professionnels parisiens n’ont même pas répondu).
Persuadés qu’il existe un décalage entre la frilosité des instances culturelles et la curiosité d’un public plus large, nous avons mis ce délai à profit pour finaliser tous les costumes et les accessoires du spectacle.
De tout coeur, nous remercions les contributeurs, amis et soutiens dont l’aide précieuse a permis que ce premier travail voie le jour - et nous espérons que ce projet, sur scène ou à l’écran, en France ou ailleurs, puisse un jour donner sa pleine mesure.
* * *
This is a behind-the-scenes documentary about our production of Oscar Wilde’s SALOMÉ. The play, written in french, is relatively unknown (in France), but possesses exceptional dramatic intensity.
It was banned for a long time, and it seems that it still is, in France at least, for those who want to put on this play without cutting it or minimalizing what’s at stake.
We actually shot this little film at the last minute, after a first period of rehearsals around November 2018, because no theatre in Paris wanted to welcome even one promotional performance of this production (although we were prepared to rent the venue for the evening).
Even so, with this brief behind-the scenes documentary and a complete presentation program, we tried in vain for two years to have many producers and theatre owners accept to produce or accept the show, all in vain (most of these « professionals » - strange as it may sound to Anglo-Saxons readers - never bothered to answer or invite us for an audition.)
Despite these obstacles, we remain convinced that there is a gap between the reluctance of french cultural decision-makers et the curiosity of a wider audience, so we took advantage of this delay to finalize all the costumes and props of the show.
We wholeheartedly thank all the contributors, friends and supporters whose precious help allowed this first work to come to life - and we hope that this project, on stage or on screen, in France or elsewhere, can one day deliver its full potential.
* * *
SALOMÉ
La pièce interdite d’OSCAR WILDE / OSCAR WILDE’s forbidden play
Mise en scène / Directed by • Baptiste BELLEUDY
Compagnie Les Mille Chandelles
Avec / Cast :
Agnès AFRIAT (Hérodias / Herodias)
Fabrice ARCHIREL (Tigellin, ambassadeur romain / Tigellinus, roman ambassador)
Baptiste BELLEUDY (Hérode Antipas / Herod Antipas)
Alex CHEVALEYRE (Cappadocien, Pharisien / Cappadocian, Pharisee)
Thomas DE LA TAILLE (Narraboth, jeune Syrien, capitaine de la garde / Narraboth, a young Syrian, captain of the guards)
Yann DENÉCÉ (Premier Nazaréen, Esclave / First Nazarene, Slave)
Sébastien EHLINGER (Manassé, page d'Hérodias / Manasseh, the page of Herodias)
Laurent EVUORT-ORLANDI (Ozias, un soldat / Ozias, a soldier)
Sophie GARMILLA (Salomé)
Gil GEISWEILLER (Sadducéen / Sadducee)
Norman PARAISY (Issachar, un soldat / Issachar, a soldier)
Gilbert PASCAL (Second Nazaréen / Second Nazarene)
Jean-Baptiste PONSOT (Iokanaan)
Ndiassé SAMBE (Nubien, Ambassadeur romain / Nubian, Roman ambassador)
Musicien / Musician • Mandaakhai DAANSUREN
Scénographie & costumes / Set & costume design • Baptiste BELLEUDY
Chorégraphie / Choreography • Laurent EVUORT-ORLANDI
assisté de / assisted by Soline BEILLARD
Lumières / Lighting design • Fabien FERRY
Conception maquillages SFX / SFX Makeup design • Matt LAMBERT
Machinerie / Stage engineering • Sébastien EHLINGER
Création sonore / Sound design • Barthélémy BELLEUDY
Régie / Stage manager • Fabien FERRY
Habillage & maquillage / Dressing & makeup • Soline BEILLARD, Jeanne AUFFRET
Construction décor / Set construction • Pierre PERNOIS
Co-réalisation costumes en cuir / Leather costumes co-maker • Jean-Luc ROCHE
Aide confection costumes / Additional costume makers • Claire BELLEUDY, Suzanne SERROU
Administration / Administrator • Élise TEILLARD
Making-of & photos / Behind the scenes & photos • Thomas DE LA TAILLE
Making-of /Behind the scenes :
Mise en scène / Director • Baptiste BELLEUDY
Montage / Editor • Thomas DE LA TAILLE
Conception / Screenwriter • Jean-Baptiste PONSOT
Mixage / Sound mixing • Barthélémy BELLEUDY
lesmillechandelles.com
Vidéoclip officiel de la chanson Tourne encore, filmé lors d'une prestation intime.
Retrouvez «Tourne encore » sur l'album « Sous les arbres » (2011) de Salomé...
Vidéoclip officiel de la chanson Tourne encore, filmé lors d'une prestation intime.
Retrouvez «Tourne encore » sur l'album « Sous les arbres » (2011) de Salomé Leclerc: https://orcd.co/souslesarbres
Réalisation / montage: Philippe Craig
Direction photo: Mathieu Fortin
Prise de son / Mixage: Francis Beaulieu
salomeleclerc.com
Vidéoclip officiel de la chanson Tourne encore, filmé lors d'une prestation intime.
Retrouvez «Tourne encore » sur l'album « Sous les arbres » (2011) de Salomé Leclerc: https://orcd.co/souslesarbres
Réalisation / montage: Philippe Craig
Direction photo: Mathieu Fortin
Prise de son / Mixage: Francis Beaulieu
salomeleclerc.com
Provided to YouTube by Warner Classics
Salome (2002 Remastered Version) : Tanz der Sieben Schleier/Dance of the Seven Veils · Staatskapelle Dresden · Rudolf Ke...
Provided to YouTube by Warner Classics
Salome (2002 Remastered Version) : Tanz der Sieben Schleier/Dance of the Seven Veils · Staatskapelle Dresden · Rudolf Kempe
Icon: Rudolf Kempe
℗ 1975 Warner Classics, Warner Music UK Ltd Digital remastering (p) 2002 Warner Classics, Warner Music UK Ltd
Remastering Engineer: Andrew Walter
Tonmeister: Claus Strüben
Producer: David Mottley
Conductor, Performance: Rudolf Kempe
Lead Vocals: Rudolf Kempe
Orchestra: Staatskapelle Dresden
Lead Vocals: Staatskapelle Dresden
Composer: Richard Strauss
Auto-generated by YouTube.
Provided to YouTube by Warner Classics
Salome (2002 Remastered Version) : Tanz der Sieben Schleier/Dance of the Seven Veils · Staatskapelle Dresden · Rudolf Kempe
Icon: Rudolf Kempe
℗ 1975 Warner Classics, Warner Music UK Ltd Digital remastering (p) 2002 Warner Classics, Warner Music UK Ltd
Remastering Engineer: Andrew Walter
Tonmeister: Claus Strüben
Producer: David Mottley
Conductor, Performance: Rudolf Kempe
Lead Vocals: Rudolf Kempe
Orchestra: Staatskapelle Dresden
Lead Vocals: Staatskapelle Dresden
Composer: Richard Strauss
Auto-generated by YouTube.
LE MAUSOLEE DE SIDI GHANEM, LE CULTE DES TOMBEAUX DES SAINTS, LA TOMBE DE SALOME EN PALESTINE, LES DERNIERES NOUVELLES DES BERMUDES ET LES DERNIERS BUNKERS DES ...
LE MAUSOLEE DE SIDI GHANEM, LE CULTE DES TOMBEAUX DES SAINTS, LA TOMBE DE SALOME EN PALESTINE, LES DERNIERES NOUVELLES DES BERMUDES ET LES DERNIERS BUNKERS DES DJINNS SATANIQUES EN ALGERIE.
LE MAUSOLEE DE SIDI GHANEM, LE CULTE DES TOMBEAUX DES SAINTS, LA TOMBE DE SALOME EN PALESTINE, LES DERNIERES NOUVELLES DES BERMUDES ET LES DERNIERS BUNKERS DES DJINNS SATANIQUES EN ALGERIE.
Provided to YouTube by DistroKid
María Salome · Grupo Bagdad
Por Muchas Razones
℗ Discos Volkan ℗ 1991 DLV Discos Musart
Released on: 1991-07-03
Auto-generated by YouTube.
Provided to YouTube by Kontor New Media GmbH
Salome · The Best Men
Marrakesh Express
℗ VEAC - Visual Entertainment & Audio Corporation
Released on: 1987-12-28
Artist: The Best Men
Producer: Alexander Gietz
Composer, Lyricist: Gino La Moon
Composer: Kim Ivory
Lyricist: Alexander Gietz
Music Publisher: Rhine Music Gietz & Gietz OHG
Auto-generated by YouTube.
Voici le making-of des répétitions du spectacle SALOMÉ, pièce d’Oscar Wilde écrite en français, méconnue mais qui possède une puissance dramatique exceptionnelle. Longtemps interdite, il semble qu’elle le soit toujours, en France du moins, à ceux qui souhaitent la monter intégralement, sans la couper, ni réduire la portée de ses enjeux.
En effet, nous avons tourné ce petit film au débotté, à l’issue d’une première période de répétitions en novembre 2018, aucun théâtre parisien ne voulant finalement accueillir ne serait-ce qu’une représentation promotionnelle de ce spectacle (même en louant la salle).
De même, avec ce court making-of et un dossier complet, nous avons démarché durant deux ans auprès de nombreux producteurs et directeurs de théâtres, en vain (la plupart des professionnels parisiens n’ont même pas répondu).
Persuadés qu’il existe un décalage entre la frilosité des instances culturelles et la curiosité d’un public plus large, nous avons mis ce délai à profit pour finaliser tous les costumes et les accessoires du spectacle.
De tout coeur, nous remercions les contributeurs, amis et soutiens dont l’aide précieuse a permis que ce premier travail voie le jour - et nous espérons que ce projet, sur scène ou à l’écran, en France ou ailleurs, puisse un jour donner sa pleine mesure.
* * *
This is a behind-the-scenes documentary about our production of Oscar Wilde’s SALOMÉ. The play, written in french, is relatively unknown (in France), but possesses exceptional dramatic intensity.
It was banned for a long time, and it seems that it still is, in France at least, for those who want to put on this play without cutting it or minimalizing what’s at stake.
We actually shot this little film at the last minute, after a first period of rehearsals around November 2018, because no theatre in Paris wanted to welcome even one promotional performance of this production (although we were prepared to rent the venue for the evening).
Even so, with this brief behind-the scenes documentary and a complete presentation program, we tried in vain for two years to have many producers and theatre owners accept to produce or accept the show, all in vain (most of these « professionals » - strange as it may sound to Anglo-Saxons readers - never bothered to answer or invite us for an audition.)
Despite these obstacles, we remain convinced that there is a gap between the reluctance of french cultural decision-makers et the curiosity of a wider audience, so we took advantage of this delay to finalize all the costumes and props of the show.
We wholeheartedly thank all the contributors, friends and supporters whose precious help allowed this first work to come to life - and we hope that this project, on stage or on screen, in France or elsewhere, can one day deliver its full potential.
* * *
SALOMÉ
La pièce interdite d’OSCAR WILDE / OSCAR WILDE’s forbidden play
Mise en scène / Directed by • Baptiste BELLEUDY
Compagnie Les Mille Chandelles
Avec / Cast :
Agnès AFRIAT (Hérodias / Herodias)
Fabrice ARCHIREL (Tigellin, ambassadeur romain / Tigellinus, roman ambassador)
Baptiste BELLEUDY (Hérode Antipas / Herod Antipas)
Alex CHEVALEYRE (Cappadocien, Pharisien / Cappadocian, Pharisee)
Thomas DE LA TAILLE (Narraboth, jeune Syrien, capitaine de la garde / Narraboth, a young Syrian, captain of the guards)
Yann DENÉCÉ (Premier Nazaréen, Esclave / First Nazarene, Slave)
Sébastien EHLINGER (Manassé, page d'Hérodias / Manasseh, the page of Herodias)
Laurent EVUORT-ORLANDI (Ozias, un soldat / Ozias, a soldier)
Sophie GARMILLA (Salomé)
Gil GEISWEILLER (Sadducéen / Sadducee)
Norman PARAISY (Issachar, un soldat / Issachar, a soldier)
Gilbert PASCAL (Second Nazaréen / Second Nazarene)
Jean-Baptiste PONSOT (Iokanaan)
Ndiassé SAMBE (Nubien, Ambassadeur romain / Nubian, Roman ambassador)
Musicien / Musician • Mandaakhai DAANSUREN
Scénographie & costumes / Set & costume design • Baptiste BELLEUDY
Chorégraphie / Choreography • Laurent EVUORT-ORLANDI
assisté de / assisted by Soline BEILLARD
Lumières / Lighting design • Fabien FERRY
Conception maquillages SFX / SFX Makeup design • Matt LAMBERT
Machinerie / Stage engineering • Sébastien EHLINGER
Création sonore / Sound design • Barthélémy BELLEUDY
Régie / Stage manager • Fabien FERRY
Habillage & maquillage / Dressing & makeup • Soline BEILLARD, Jeanne AUFFRET
Construction décor / Set construction • Pierre PERNOIS
Co-réalisation costumes en cuir / Leather costumes co-maker • Jean-Luc ROCHE
Aide confection costumes / Additional costume makers • Claire BELLEUDY, Suzanne SERROU
Administration / Administrator • Élise TEILLARD
Making-of & photos / Behind the scenes & photos • Thomas DE LA TAILLE
Making-of /Behind the scenes :
Mise en scène / Director • Baptiste BELLEUDY
Montage / Editor • Thomas DE LA TAILLE
Conception / Screenwriter • Jean-Baptiste PONSOT
Mixage / Sound mixing • Barthélémy BELLEUDY
lesmillechandelles.com
Vidéoclip officiel de la chanson Tourne encore, filmé lors d'une prestation intime.
Retrouvez «Tourne encore » sur l'album « Sous les arbres » (2011) de Salomé Leclerc: https://orcd.co/souslesarbres
Réalisation / montage: Philippe Craig
Direction photo: Mathieu Fortin
Prise de son / Mixage: Francis Beaulieu
salomeleclerc.com
Provided to YouTube by Warner Classics
Salome (2002 Remastered Version) : Tanz der Sieben Schleier/Dance of the Seven Veils · Staatskapelle Dresden · Rudolf Kempe
Icon: Rudolf Kempe
℗ 1975 Warner Classics, Warner Music UK Ltd Digital remastering (p) 2002 Warner Classics, Warner Music UK Ltd
Remastering Engineer: Andrew Walter
Tonmeister: Claus Strüben
Producer: David Mottley
Conductor, Performance: Rudolf Kempe
Lead Vocals: Rudolf Kempe
Orchestra: Staatskapelle Dresden
Lead Vocals: Staatskapelle Dresden
Composer: Richard Strauss
Auto-generated by YouTube.
LE MAUSOLEE DE SIDI GHANEM, LE CULTE DES TOMBEAUX DES SAINTS, LA TOMBE DE SALOME EN PALESTINE, LES DERNIERES NOUVELLES DES BERMUDES ET LES DERNIERS BUNKERS DES DJINNS SATANIQUES EN ALGERIE.
HIDDEN ERROR: Usage of "imagesize" is not recognized
Salome Mc (Persian: سالومه, born 1985), is a female Hip Hop and Multi-media artist from Iran. She is known for being Iran's first female rapper and Hip-Hop producer. Even though the topics expressed in her lyrics are a mixture of politics, social issues and personal matters, she defines herself as "apolitical" and her poetry being about "whatever occupies her mind."
Philosophy
Being questioned about being a female rapper in Iran, she mentioned in several interviews that she wouldn’t say she faced many challenges just because she was a female. "I might be the first female rapper to ever step in a studio in Iran, yes, but from people around me I mostly got courage after they got over the surprise. The other challenges that you might guess was there for my male counterparts too. Of course you get a certain amount of sexist comments from lack of common sense or education, but that is a global problem. " She also believes Hip-Hop can be a tool for empowerment, saying "it can be used to make people aware of their rights and their position, realize their own potential and at the end, empowerment, yes. But I am not one to speak big. I think change comes slowly and locally, so instead of talking big and throw slogans, I prefer to metaphorize my own experiences and hope that I inspire a person or two.