-
Beethoven: Symphony No. 7 | Bernard Haitink & the Royal Concertgebouw Orchestra (2009)
Triumph and tragedy: Beethoven’s Symphony No. 7, performed by the Royal Concertgebouw Orchestra conducted by Bernard Haitink. The audience loved this 2009 concert at the Royal Concertgebouw Amsterdam.
(00:00) Introduction
(00:35) I. Poco sostenuto – Vivace
(14:46) II. Allegretto
(22:46) III. Presto
(32:08) IV. Allegro con brio
Ask a person on the street what their favorite Beethoven symphony is, and they’ll likely say the Fifth, or the Ninth. But ask a classical musician, and a surprising number of times you'll hear: The Seventh. "Here every impetuosity, every longing and ranting of the heart becomes a blissful exuberance of joy." Those effusive words came from the pen of composer Richard Wagner, when he was describing the Symphony No. 7 in A Major, opus 92 by Ludwig van Beethoven (1770...
published: 29 Dec 2022
-
Mahler 2nd symphony brass choral Royal Concertgebouw Orchestra, D. Gatti
Trombones:
Bart Claessens
Nico Schippers
Martin Schippers
Raymond Munnecom
Tuba:
Perry Hoogendijk
Trumpets:
Omar Tomasoni
Jacco Groenendijk
Bert Langenkamp
published: 08 Feb 2018
-
Beethoven - Symphony No. 7 - Iván Fischer | Concertgebouworkest
Ludwig van Beethoven
Symphony No. 7 in A major, Op. 92
Royal Concertgebouw Orchestra
Iván Fischer
Het Concertgebouw Amsterdam, 9 & 10 January 2014
published: 16 Feb 2015
-
Debussy: La mer | Bernard Haitink and the Royal Concertgebouw Orchestra
Multi-award-winning conductor Bernard Haitink leads the Royal Concertgebouw Orchestra in the Concertgebouw Amsterdam. They perform Claude Debussy's 'La mer, trois esquisses symphoniques pour orchestre,' known simply as 'La mer.'
Claude Debussy (1862 - 1918) wrote this composition of 'three symphonic sketches' between 1903 and 1905. Upon its premiere in Paris in October 1905, it was not well-received, provoking confusion and dismay among both audience and critics. But after performances in the United States and Britain, it was performed again in Paris in 1908, and then quickly became one of Debussy's most famous and admired orchestral works.
Along with Debussy's 'Nocturnes,' 'La mer' exemplifies musical Impressionism and serves as a transition between the Romantic and modern eras.
Berna...
published: 23 Aug 2020
-
Maria de Buenos Aires, Piazzolla - Brass of the Royal Concertgebouw Orchestra
Suite from Maria de Buenos Aires, A. Piazzolla (arr. Steven Verhelst)
- Yo soy Maria
- Balada para un organizo Loco
- Habanera
- Fuga y Misterio
Live recording (October 2016) from 'Royal Brass' concert in Bulgaria Hall, Sofia.
Trumpets: Omar Tomasoni, Miroslav Petkov
Trombones: Martin Schippers Nico Schippers
Horns: Laurens Woudenberg, Jose Sogorb Jover
Tuba: David Kutz
Percussion: Bart Claessens, Jacco Groenendijk
published: 08 Jul 2017
-
Borodin: Second Symphony - Royal Concertgebouw Orchestra - Concert HD
More concerts available on our website: http://www.avrotros.nl/klassiek/concerten
Koninklijk Concertgebouworkest o.l.v. Karel Mark Chichon / Royal Concertgebouw Orchestra
Borodin: Tweede symfonie / Second Symphony
published: 07 Dec 2010
-
Antonín Dvořák - Symphony No. 9 ‘From the New World’ - Klaus Mäkelä | Made in America
Royal Concertgebouw Orchestra
Klaus Mäkelä - conductor
Antonín Dvorák - Symphony No. 9 ‘From the New World’
00:10 I. Adagio – Allegro molto
13:05 II. Largo
26:12 III. Molto vivace
33:53 IV. Allegro con fuoco
Recorded live on 15 January 2022 at the Concertgebouw in Amsterdam.
Klaus Mäkelä is releasing his debut album, the full cycle of Sibelius symphonies, on Decca Classics. Find out more: https://KlausMakela.lnk.to/SibeliusFA
Made in America
On 28, 29 and 30 January you can experience a whole weekend of music brimming with the energy and diversity of the United States on our website. Recordings of chamber music, iconic film music and symphonic works by composers including Ives, Adams, Wolfe, Higdon, Dvořák and Copland and three concerts streams from the Concertgebouw: http://www.conce...
published: 30 Jan 2022
-
Symphonic Gems: Borodin's Prince Igor - Polovtsian Dances - Noseda | Concertgebouworkest
#SymphonicGems. Alexander Borodin's exotic Polovtsian Dances from Prince Igor brings the perfect summer vibe. Did anyone say "Stranger in Paradise"? Expertly brought by Gianandrea Noseda.
#Borodin #alexanderborodin #gianandreanoseda #symphonicgems #symphonicgem #princeigor
Our website: https://www.concertgebouworkest.nl/
Follow us on:
Facebook: https://www.facebook.com/Concertgebouworkest/
Instagram: https://www.instagram.com/concertgebouworkest/
Twitter: https://twitter.com/ConcertgbOrkest
LinkedIn: https://www.linkedin.com/company/concertgebouworkest/
#concertgebouworkest #concertgebouworchestra #classical #classicalmusic #klassiek #klassiekemuziek #symphony
published: 23 Aug 2024
-
Mozart: Symphony No. 35 Haffner | Bernard Haitink and the Royal Concertgebouw Orchestra
Multi-award-winning conductor Bernard Haitink leads the Royal Concertgebouw Orchestra in the Concertgebouw Amsterdam. They perform Wolfgang Amadeus Mozart’s Haffner Symphony.
Wolfgang Amadeus Mozart composed the Symphony No. 35 in D major, K. 385, known as the Haffner Symphony, in 1782. As early as 1776 he had been commissioned to compose a serenade for the wedding of the Salzburg bridal couple Franz Xaver Späth and Maria Elisabeth Haffner, the daughter of Salzburg's mayor Sigmund Haffner. The Haffner Serenade is Mozart's most extensive serenade (KV 250) and has eight movements.
Six years later, he was to compose another serenade on the occasion of the award of the title of nobility "Edler von Innbachhausen" to Sigmund Haffner Junior. Mozart arranged it as a symphony by omitting the move...
published: 13 Aug 2020
-
Brahms: Tragische Ouvertüre - Royal Concertgebouw Orchestra [HD]
Brahms Tragische Ouvertüre
Koninklijk Concertgebouworkest / Royal Concertgebouw Orchestra o.l.v. Daniele Gatti
3 oktober 2010 Concertgebouw Amsterdam
published: 04 Oct 2010
41:52
Beethoven: Symphony No. 7 | Bernard Haitink & the Royal Concertgebouw Orchestra (2009)
Triumph and tragedy: Beethoven’s Symphony No. 7, performed by the Royal Concertgebouw Orchestra conducted by Bernard Haitink. The audience loved this 2009 conce...
Triumph and tragedy: Beethoven’s Symphony No. 7, performed by the Royal Concertgebouw Orchestra conducted by Bernard Haitink. The audience loved this 2009 concert at the Royal Concertgebouw Amsterdam.
(00:00) Introduction
(00:35) I. Poco sostenuto – Vivace
(14:46) II. Allegretto
(22:46) III. Presto
(32:08) IV. Allegro con brio
Ask a person on the street what their favorite Beethoven symphony is, and they’ll likely say the Fifth, or the Ninth. But ask a classical musician, and a surprising number of times you'll hear: The Seventh. "Here every impetuosity, every longing and ranting of the heart becomes a blissful exuberance of joy." Those effusive words came from the pen of composer Richard Wagner, when he was describing the Symphony No. 7 in A Major, opus 92 by Ludwig van Beethoven (1770 – 1827).
Composed between 1811 and 1812, Beethoven's Seventh provoked very different reactions from the beginning – it seems to have touched everyone deeply. The main themes in Beethoven's 7th Symphony are triumph and tragedy – the tragedy having to do with the second movement, a sort of funeral procession. It was so well loved at its very first performance that the audience called for it to be repeated. This movement is marked "Allegretto," which can be translated as "slightly fast." But for a funeral march? Certainly, the first listeners must have perceived it as such. The premiere performance of Beethoven's Seventh was at a benefit concert in Vienna for wounded soldiers and their families in December 1813. It came only two months after the Battle of Nations near Leipzig. The German name is "Völkerschlacht" (Slaughter of the Peoples), one of the most catastrophic wartime events in human history. It also marked liberation from Napoleon's forces. The sad, beautiful quality of the second movement makes it very different from the other three movements of Beethoven's Seventh. Endlessly mournful, but also uplifting, it is still played at funerals today.
But the dense juxtaposition of dignified funeral marches and movements full of exuberant joy in Beethoven's Seventh also caused alienation and even rejection among the composer's contemporaries. "He's ripe for the madhouse!" wrote composer Carl Maria von Weber. Weber had just heard a performance of Beethoven's Seventh Symphony with its rollicking fourth movement. It can be amusing to read how the first listeners reacted to a composition that is today a classic. Weber wasn't the only critical voice. Clara Schumann's father, Friedrich Wieck, thought that "this symphony – particularly the first and the last movements – could only have been written in a state of inebriation."
Fast-forward from then to now: Need a little lift? Then listen to the finale to Beethoven's Symphony No. 7 in A Major, opus 92, marked "Allegro con brio" (fast, with verve). The tempestuous interpretation by Bernard Haitink and the Royal Concertgebouw Amsterdam was met with thundering applause and enthusiastic calls for an encore.
© AVRO
Watch more concerts in your personal concert hall: https://www.youtube.com/playlistlist=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
and in our Beethoven playlist:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBWcX1eOXH-w75x-_-7gRF-w
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#ludwigvanbeethoven #bernardhaitink #symphony
https://wn.com/Beethoven_Symphony_No._7_|_Bernard_Haitink_The_Royal_Concertgebouw_Orchestra_(2009)
Triumph and tragedy: Beethoven’s Symphony No. 7, performed by the Royal Concertgebouw Orchestra conducted by Bernard Haitink. The audience loved this 2009 concert at the Royal Concertgebouw Amsterdam.
(00:00) Introduction
(00:35) I. Poco sostenuto – Vivace
(14:46) II. Allegretto
(22:46) III. Presto
(32:08) IV. Allegro con brio
Ask a person on the street what their favorite Beethoven symphony is, and they’ll likely say the Fifth, or the Ninth. But ask a classical musician, and a surprising number of times you'll hear: The Seventh. "Here every impetuosity, every longing and ranting of the heart becomes a blissful exuberance of joy." Those effusive words came from the pen of composer Richard Wagner, when he was describing the Symphony No. 7 in A Major, opus 92 by Ludwig van Beethoven (1770 – 1827).
Composed between 1811 and 1812, Beethoven's Seventh provoked very different reactions from the beginning – it seems to have touched everyone deeply. The main themes in Beethoven's 7th Symphony are triumph and tragedy – the tragedy having to do with the second movement, a sort of funeral procession. It was so well loved at its very first performance that the audience called for it to be repeated. This movement is marked "Allegretto," which can be translated as "slightly fast." But for a funeral march? Certainly, the first listeners must have perceived it as such. The premiere performance of Beethoven's Seventh was at a benefit concert in Vienna for wounded soldiers and their families in December 1813. It came only two months after the Battle of Nations near Leipzig. The German name is "Völkerschlacht" (Slaughter of the Peoples), one of the most catastrophic wartime events in human history. It also marked liberation from Napoleon's forces. The sad, beautiful quality of the second movement makes it very different from the other three movements of Beethoven's Seventh. Endlessly mournful, but also uplifting, it is still played at funerals today.
But the dense juxtaposition of dignified funeral marches and movements full of exuberant joy in Beethoven's Seventh also caused alienation and even rejection among the composer's contemporaries. "He's ripe for the madhouse!" wrote composer Carl Maria von Weber. Weber had just heard a performance of Beethoven's Seventh Symphony with its rollicking fourth movement. It can be amusing to read how the first listeners reacted to a composition that is today a classic. Weber wasn't the only critical voice. Clara Schumann's father, Friedrich Wieck, thought that "this symphony – particularly the first and the last movements – could only have been written in a state of inebriation."
Fast-forward from then to now: Need a little lift? Then listen to the finale to Beethoven's Symphony No. 7 in A Major, opus 92, marked "Allegro con brio" (fast, with verve). The tempestuous interpretation by Bernard Haitink and the Royal Concertgebouw Amsterdam was met with thundering applause and enthusiastic calls for an encore.
© AVRO
Watch more concerts in your personal concert hall: https://www.youtube.com/playlistlist=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
and in our Beethoven playlist:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBWcX1eOXH-w75x-_-7gRF-w
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#ludwigvanbeethoven #bernardhaitink #symphony
- published: 29 Dec 2022
- views: 2760487
3:13
Mahler 2nd symphony brass choral Royal Concertgebouw Orchestra, D. Gatti
Trombones:
Bart Claessens
Nico Schippers
Martin Schippers
Raymond Munnecom
Tuba:
Perry Hoogendijk
Trumpets:
Omar Tomasoni
Jacco Groenendijk
Bert Langenkamp
Trombones:
Bart Claessens
Nico Schippers
Martin Schippers
Raymond Munnecom
Tuba:
Perry Hoogendijk
Trumpets:
Omar Tomasoni
Jacco Groenendijk
Bert Langenkamp
https://wn.com/Mahler_2Nd_Symphony_Brass_Choral_Royal_Concertgebouw_Orchestra,_D._Gatti
Trombones:
Bart Claessens
Nico Schippers
Martin Schippers
Raymond Munnecom
Tuba:
Perry Hoogendijk
Trumpets:
Omar Tomasoni
Jacco Groenendijk
Bert Langenkamp
- published: 08 Feb 2018
- views: 1568981
42:15
Beethoven - Symphony No. 7 - Iván Fischer | Concertgebouworkest
Ludwig van Beethoven
Symphony No. 7 in A major, Op. 92
Royal Concertgebouw Orchestra
Iván Fischer
Het Concertgebouw Amsterdam, 9 & 10 January 2014
Ludwig van Beethoven
Symphony No. 7 in A major, Op. 92
Royal Concertgebouw Orchestra
Iván Fischer
Het Concertgebouw Amsterdam, 9 & 10 January 2014
https://wn.com/Beethoven_Symphony_No._7_Iván_Fischer_|_Concertgebouworkest
Ludwig van Beethoven
Symphony No. 7 in A major, Op. 92
Royal Concertgebouw Orchestra
Iván Fischer
Het Concertgebouw Amsterdam, 9 & 10 January 2014
- published: 16 Feb 2015
- views: 14197798
27:24
Debussy: La mer | Bernard Haitink and the Royal Concertgebouw Orchestra
Multi-award-winning conductor Bernard Haitink leads the Royal Concertgebouw Orchestra in the Concertgebouw Amsterdam. They perform Claude Debussy's 'La mer, tro...
Multi-award-winning conductor Bernard Haitink leads the Royal Concertgebouw Orchestra in the Concertgebouw Amsterdam. They perform Claude Debussy's 'La mer, trois esquisses symphoniques pour orchestre,' known simply as 'La mer.'
Claude Debussy (1862 - 1918) wrote this composition of 'three symphonic sketches' between 1903 and 1905. Upon its premiere in Paris in October 1905, it was not well-received, provoking confusion and dismay among both audience and critics. But after performances in the United States and Britain, it was performed again in Paris in 1908, and then quickly became one of Debussy's most famous and admired orchestral works.
Along with Debussy's 'Nocturnes,' 'La mer' exemplifies musical Impressionism and serves as a transition between the Romantic and modern eras.
Bernard Haitink began his conducting career with Netherlands Radio: he became chief conductor of the Netherlands Radio Philharmonic in 1957. Later he was principal conductor of the Royal Concertgebouw Orchestra and held this position for 27 years. Today he is patron of the Radio Philharmonic Orchestra and Honorary Conductor of the Concertgebouw Orchestra.
Bernard Haitink has also been Music Director of the Glyndebourne Festival and the Royal Opera House, Covent Garden, and Chief Conductor of the London Philharmonic Orchestra, the Staatskapelle Dresden and the Chicago Symphony Orchestra. He is an honorary member of the Berlin Philharmonic, the Chamber Orchestra of Europe and since 2019, the Vienna Philharmonic. He has received numerous prizes and awards, including the Gramophone Lifetime Achievement Award.
(00:49) 1. De l’aube à midi sur la mer (From dawn to noon on the sea)
(09:55) 2. Jeux de vagues (Play of the waves)
(16:39) 3. Dialogue du vent et de la mer (Dialogue between wind and waves)
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#Debussy #LaMer #ConcertgebouwOrchestra #BernardHaitink
https://wn.com/Debussy_La_Mer_|_Bernard_Haitink_And_The_Royal_Concertgebouw_Orchestra
Multi-award-winning conductor Bernard Haitink leads the Royal Concertgebouw Orchestra in the Concertgebouw Amsterdam. They perform Claude Debussy's 'La mer, trois esquisses symphoniques pour orchestre,' known simply as 'La mer.'
Claude Debussy (1862 - 1918) wrote this composition of 'three symphonic sketches' between 1903 and 1905. Upon its premiere in Paris in October 1905, it was not well-received, provoking confusion and dismay among both audience and critics. But after performances in the United States and Britain, it was performed again in Paris in 1908, and then quickly became one of Debussy's most famous and admired orchestral works.
Along with Debussy's 'Nocturnes,' 'La mer' exemplifies musical Impressionism and serves as a transition between the Romantic and modern eras.
Bernard Haitink began his conducting career with Netherlands Radio: he became chief conductor of the Netherlands Radio Philharmonic in 1957. Later he was principal conductor of the Royal Concertgebouw Orchestra and held this position for 27 years. Today he is patron of the Radio Philharmonic Orchestra and Honorary Conductor of the Concertgebouw Orchestra.
Bernard Haitink has also been Music Director of the Glyndebourne Festival and the Royal Opera House, Covent Garden, and Chief Conductor of the London Philharmonic Orchestra, the Staatskapelle Dresden and the Chicago Symphony Orchestra. He is an honorary member of the Berlin Philharmonic, the Chamber Orchestra of Europe and since 2019, the Vienna Philharmonic. He has received numerous prizes and awards, including the Gramophone Lifetime Achievement Award.
(00:49) 1. De l’aube à midi sur la mer (From dawn to noon on the sea)
(09:55) 2. Jeux de vagues (Play of the waves)
(16:39) 3. Dialogue du vent et de la mer (Dialogue between wind and waves)
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#Debussy #LaMer #ConcertgebouwOrchestra #BernardHaitink
- published: 23 Aug 2020
- views: 444596
11:07
Maria de Buenos Aires, Piazzolla - Brass of the Royal Concertgebouw Orchestra
Suite from Maria de Buenos Aires, A. Piazzolla (arr. Steven Verhelst)
- Yo soy Maria
- Balada para un organizo Loco
- Habanera
- Fuga y Misterio
Live recordin...
Suite from Maria de Buenos Aires, A. Piazzolla (arr. Steven Verhelst)
- Yo soy Maria
- Balada para un organizo Loco
- Habanera
- Fuga y Misterio
Live recording (October 2016) from 'Royal Brass' concert in Bulgaria Hall, Sofia.
Trumpets: Omar Tomasoni, Miroslav Petkov
Trombones: Martin Schippers Nico Schippers
Horns: Laurens Woudenberg, Jose Sogorb Jover
Tuba: David Kutz
Percussion: Bart Claessens, Jacco Groenendijk
https://wn.com/Maria_De_Buenos_Aires,_Piazzolla_Brass_Of_The_Royal_Concertgebouw_Orchestra
Suite from Maria de Buenos Aires, A. Piazzolla (arr. Steven Verhelst)
- Yo soy Maria
- Balada para un organizo Loco
- Habanera
- Fuga y Misterio
Live recording (October 2016) from 'Royal Brass' concert in Bulgaria Hall, Sofia.
Trumpets: Omar Tomasoni, Miroslav Petkov
Trombones: Martin Schippers Nico Schippers
Horns: Laurens Woudenberg, Jose Sogorb Jover
Tuba: David Kutz
Percussion: Bart Claessens, Jacco Groenendijk
- published: 08 Jul 2017
- views: 1613249
30:15
Borodin: Second Symphony - Royal Concertgebouw Orchestra - Concert HD
More concerts available on our website: http://www.avrotros.nl/klassiek/concerten
Koninklijk Concertgebouworkest o.l.v. Karel Mark Chichon / Royal Concertgebou...
More concerts available on our website: http://www.avrotros.nl/klassiek/concerten
Koninklijk Concertgebouworkest o.l.v. Karel Mark Chichon / Royal Concertgebouw Orchestra
Borodin: Tweede symfonie / Second Symphony
https://wn.com/Borodin_Second_Symphony_Royal_Concertgebouw_Orchestra_Concert_Hd
More concerts available on our website: http://www.avrotros.nl/klassiek/concerten
Koninklijk Concertgebouworkest o.l.v. Karel Mark Chichon / Royal Concertgebouw Orchestra
Borodin: Tweede symfonie / Second Symphony
- published: 07 Dec 2010
- views: 918490
45:53
Antonín Dvořák - Symphony No. 9 ‘From the New World’ - Klaus Mäkelä | Made in America
Royal Concertgebouw Orchestra
Klaus Mäkelä - conductor
Antonín Dvorák - Symphony No. 9 ‘From the New World’
00:10 I. Adagio – Allegro molto
13:05 II. Largo
26:...
Royal Concertgebouw Orchestra
Klaus Mäkelä - conductor
Antonín Dvorák - Symphony No. 9 ‘From the New World’
00:10 I. Adagio – Allegro molto
13:05 II. Largo
26:12 III. Molto vivace
33:53 IV. Allegro con fuoco
Recorded live on 15 January 2022 at the Concertgebouw in Amsterdam.
Klaus Mäkelä is releasing his debut album, the full cycle of Sibelius symphonies, on Decca Classics. Find out more: https://KlausMakela.lnk.to/SibeliusFA
Made in America
On 28, 29 and 30 January you can experience a whole weekend of music brimming with the energy and diversity of the United States on our website. Recordings of chamber music, iconic film music and symphonic works by composers including Ives, Adams, Wolfe, Higdon, Dvořák and Copland and three concerts streams from the Concertgebouw: http://www.concertgebouworkest.nl/en/madeinamerica
https://wn.com/Antonín_Dvořák_Symphony_No._9_‘From_The_New_World’_Klaus_Mäkelä_|_Made_In_America
Royal Concertgebouw Orchestra
Klaus Mäkelä - conductor
Antonín Dvorák - Symphony No. 9 ‘From the New World’
00:10 I. Adagio – Allegro molto
13:05 II. Largo
26:12 III. Molto vivace
33:53 IV. Allegro con fuoco
Recorded live on 15 January 2022 at the Concertgebouw in Amsterdam.
Klaus Mäkelä is releasing his debut album, the full cycle of Sibelius symphonies, on Decca Classics. Find out more: https://KlausMakela.lnk.to/SibeliusFA
Made in America
On 28, 29 and 30 January you can experience a whole weekend of music brimming with the energy and diversity of the United States on our website. Recordings of chamber music, iconic film music and symphonic works by composers including Ives, Adams, Wolfe, Higdon, Dvořák and Copland and three concerts streams from the Concertgebouw: http://www.concertgebouworkest.nl/en/madeinamerica
- published: 30 Jan 2022
- views: 409466
11:34
Symphonic Gems: Borodin's Prince Igor - Polovtsian Dances - Noseda | Concertgebouworkest
#SymphonicGems. Alexander Borodin's exotic Polovtsian Dances from Prince Igor brings the perfect summer vibe. Did anyone say "Stranger in Paradise"? Expertly br...
#SymphonicGems. Alexander Borodin's exotic Polovtsian Dances from Prince Igor brings the perfect summer vibe. Did anyone say "Stranger in Paradise"? Expertly brought by Gianandrea Noseda.
#Borodin #alexanderborodin #gianandreanoseda #symphonicgems #symphonicgem #princeigor
Our website: https://www.concertgebouworkest.nl/
Follow us on:
Facebook: https://www.facebook.com/Concertgebouworkest/
Instagram: https://www.instagram.com/concertgebouworkest/
Twitter: https://twitter.com/ConcertgbOrkest
LinkedIn: https://www.linkedin.com/company/concertgebouworkest/
#concertgebouworkest #concertgebouworchestra #classical #classicalmusic #klassiek #klassiekemuziek #symphony
https://wn.com/Symphonic_Gems_Borodin's_Prince_Igor_Polovtsian_Dances_Noseda_|_Concertgebouworkest
#SymphonicGems. Alexander Borodin's exotic Polovtsian Dances from Prince Igor brings the perfect summer vibe. Did anyone say "Stranger in Paradise"? Expertly brought by Gianandrea Noseda.
#Borodin #alexanderborodin #gianandreanoseda #symphonicgems #symphonicgem #princeigor
Our website: https://www.concertgebouworkest.nl/
Follow us on:
Facebook: https://www.facebook.com/Concertgebouworkest/
Instagram: https://www.instagram.com/concertgebouworkest/
Twitter: https://twitter.com/ConcertgbOrkest
LinkedIn: https://www.linkedin.com/company/concertgebouworkest/
#concertgebouworkest #concertgebouworchestra #classical #classicalmusic #klassiek #klassiekemuziek #symphony
- published: 23 Aug 2024
- views: 4872
23:21
Mozart: Symphony No. 35 Haffner | Bernard Haitink and the Royal Concertgebouw Orchestra
Multi-award-winning conductor Bernard Haitink leads the Royal Concertgebouw Orchestra in the Concertgebouw Amsterdam. They perform Wolfgang Amadeus Mozart’s Haf...
Multi-award-winning conductor Bernard Haitink leads the Royal Concertgebouw Orchestra in the Concertgebouw Amsterdam. They perform Wolfgang Amadeus Mozart’s Haffner Symphony.
Wolfgang Amadeus Mozart composed the Symphony No. 35 in D major, K. 385, known as the Haffner Symphony, in 1782. As early as 1776 he had been commissioned to compose a serenade for the wedding of the Salzburg bridal couple Franz Xaver Späth and Maria Elisabeth Haffner, the daughter of Salzburg's mayor Sigmund Haffner. The Haffner Serenade is Mozart's most extensive serenade (KV 250) and has eight movements.
Six years later, he was to compose another serenade on the occasion of the award of the title of nobility "Edler von Innbachhausen" to Sigmund Haffner Junior. Mozart arranged it as a symphony by omitting the movements 2 to 4 or 5 of the serenade composed for Haffner's wedding, thus creating an independent work.
Bernard Haitink began his conducting career with Netherlands Radio: he became chief conductor of the Netherlands Radio Philharmonic in 1957. Later he was principal conductor of the Royal Concertgebouw Orchestra and held this position for 27 years. Today he is patron of the Radio Philharmonic Orchestra and Honorary Conductor of the Concertgebouw Orchestra.
Bernard Haitink has also been Music Director of the Glyndebourne Festival and the Royal Opera House, Covent Garden, and Chief Conductor of the London Philharmonic Orchestra, the Staatskapelle Dresden and the Chicago Symphony Orchestra. He is an honorary member of the Berlin Philharmonic, the Chamber Orchestra of Europe and since 2019, the Vienna Philharmonic. He has received numerous prizes and awards, including the Gramophone Lifetime Achievement Award.
00:00 Introduction
00:49 Allegro con spirito
09:25 Andante
15:33 Menuetto
18:33 Presto
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#Mozart #HaffnerSymphony #ConcertgebouwOrchestra #BernardHaitink
https://wn.com/Mozart_Symphony_No._35_Haffner_|_Bernard_Haitink_And_The_Royal_Concertgebouw_Orchestra
Multi-award-winning conductor Bernard Haitink leads the Royal Concertgebouw Orchestra in the Concertgebouw Amsterdam. They perform Wolfgang Amadeus Mozart’s Haffner Symphony.
Wolfgang Amadeus Mozart composed the Symphony No. 35 in D major, K. 385, known as the Haffner Symphony, in 1782. As early as 1776 he had been commissioned to compose a serenade for the wedding of the Salzburg bridal couple Franz Xaver Späth and Maria Elisabeth Haffner, the daughter of Salzburg's mayor Sigmund Haffner. The Haffner Serenade is Mozart's most extensive serenade (KV 250) and has eight movements.
Six years later, he was to compose another serenade on the occasion of the award of the title of nobility "Edler von Innbachhausen" to Sigmund Haffner Junior. Mozart arranged it as a symphony by omitting the movements 2 to 4 or 5 of the serenade composed for Haffner's wedding, thus creating an independent work.
Bernard Haitink began his conducting career with Netherlands Radio: he became chief conductor of the Netherlands Radio Philharmonic in 1957. Later he was principal conductor of the Royal Concertgebouw Orchestra and held this position for 27 years. Today he is patron of the Radio Philharmonic Orchestra and Honorary Conductor of the Concertgebouw Orchestra.
Bernard Haitink has also been Music Director of the Glyndebourne Festival and the Royal Opera House, Covent Garden, and Chief Conductor of the London Philharmonic Orchestra, the Staatskapelle Dresden and the Chicago Symphony Orchestra. He is an honorary member of the Berlin Philharmonic, the Chamber Orchestra of Europe and since 2019, the Vienna Philharmonic. He has received numerous prizes and awards, including the Gramophone Lifetime Achievement Award.
00:00 Introduction
00:49 Allegro con spirito
09:25 Andante
15:33 Menuetto
18:33 Presto
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#Mozart #HaffnerSymphony #ConcertgebouwOrchestra #BernardHaitink
- published: 13 Aug 2020
- views: 1004263
14:42
Brahms: Tragische Ouvertüre - Royal Concertgebouw Orchestra [HD]
Brahms Tragische Ouvertüre
Koninklijk Concertgebouworkest / Royal Concertgebouw Orchestra o.l.v. Daniele Gatti
3 oktober 2010 Concertgebouw Amsterdam
Brahms Tragische Ouvertüre
Koninklijk Concertgebouworkest / Royal Concertgebouw Orchestra o.l.v. Daniele Gatti
3 oktober 2010 Concertgebouw Amsterdam
https://wn.com/Brahms_Tragische_Ouvertüre_Royal_Concertgebouw_Orchestra_Hd
Brahms Tragische Ouvertüre
Koninklijk Concertgebouworkest / Royal Concertgebouw Orchestra o.l.v. Daniele Gatti
3 oktober 2010 Concertgebouw Amsterdam
- published: 04 Oct 2010
- views: 634275