- published: 09 May 2020
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Hyman Paul Bley, CM (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing. Bley was a long-time resident of the United States. His music characteristically featured strong senses both of melodic voicing and space.
Bley was born in Montreal, Quebec, on November 10, 1932. His adoptive parents were Betty Marcovitch, an immigrant from Romania, and Joe Bley, owner of an embroidery factory.
In the 1950s Bley founded the Jazz Workshop in Montreal, performing on piano and recording with bebop alto saxophonist and composer Charlie Parker. He also performed with tenor saxophonists Lester Young and Ben Webster at that time. In 1953 he conducted for bassist Charles Mingus on the Charles Mingus and His Orchestra album. That year Mingus produced the Introducing Paul Bley album with Mingus and drummer Art Blakey. In 1960 Bley recorded on piano with the Charles Mingus Group.
Paul Bley is the second album by Canadian jazz pianist Paul Bley featuring tracks recorded in 1954 and released on the EmArcy label.
Allmusic awarded the album 4 stars stating "Pick a personality trait of the Paul Bley style and chances are it won't be found anywhere here, as lovely a piano trio jazz record as this is... For the most part the tone of the pianist remains almost frigid in its consistency; volume level rarely varies and the direction of the improvisations is solidly mainstream... The obvious problem with someone like Bley or Jimi Hendrix is that once they developed their totally unique musical personality, their earlier work starts to sound a little boring".The Penguin Guide to Jazz said "At this stage of his career, he's a very orthodox bopper, aware of the blues but certainly not restricted by them, possibly exploring aspects of Tristano's evolution as well, and certainly listening to classical pianists for technique and harmonic ideas".
Artistic license (also known as art licenselo, historical license, dramatic license, poetic license, narrative license, licentia poetica, or simply license) is a colloquial term, sometimes a euphemism, used to denote the distortion of fact, alteration of the conventions of grammar or language, or rewording of pre-existing text made by an artist in the name of art.
In British English, "license" is a verb, the noun "licence". To a British reader, the article refers to artistic licence.
The artistic license may also refer to the ability of an artist to apply smaller distortions, such as a poet ignoring some of the minor requirements of grammar for poetic effect. For example, Mark Antony's "Friends, Romans, Countrymen, lend me your ears" from Shakespeare's Julius Caesar would technically require the word "and" before "countrymen", but the conjunction "and" is omitted to preserve the rhythm of iambic pentameter (the resulting conjunction is called an asyndetic tricolon). Conversely, on the next line, the end of "I come to bury Caesar, not to praise him" has an extra syllable because omitting the word "him" would make the sentence unclear, but adding a syllable at the end would not disrupt the meter. Both of these are examples of artistic license.
Paul Bley - piano Steve Swallow - bass Pete LaRoca - drums ---- 1 - When Will The Blues Leave (Ornette Coleman) - 0:00 2 - Floater (Carla Bley) - 6:10 3 - Turns - 12:41 4 - Around Again (Carla Bley) - 16:00 5 - Syndrome (Carla Bley) - 20:10 6 - Cousins - 27:23 7 - King Korn (Carla Bley) - 32:05 8 - Vashkar (Carla Bley) - 36:08 ---- Tracks 1, 2 and 4 recorded at Medallion Studios, Newark, NJ, August 17, 1962. The rest recorded at Medallion Studios, Newark, NJ, September 12, 1963.
... Paul Bley - piano Mark Levinson - bass Barry Altschul - drums A1 Blood (Annette Peacock) - 00:00 A2 Albert's Love Theme (Annette Peacock) - 04:28 A3 El Cordobes (Annette Peacock) - 09:45 A4 Only Sweetly (Paul Bley) - 13:38 A5 Seven (Carla Bley) - 20:04 B1 Mister Joy (Annette Peacock) - 22:48 B2 Ramblin' (Ornette Coleman) - 28:14 B3 Kid Dynamite (Annette Peacock) - 32:58 B4 Nothing Ever Was, Anyway (Annette Peacock) - 35:59 B5 Pig Foot (Paul Bley) - 41:48 Recorded in Baarn, Netherlands, on September 21 and October 4, 1966. Cover art by Marte Röling. Fontana (Japan) - 1995.
From French TV program Jazz harmonie - Dec. 8, 1973
Tracklist: 01. Announcement By Joyce Pataccini Presenter [Annoucement By] – Joyce Pataccini 02. Both Composed By – Annette Peacock 03. Mazatalon Composed By – Paul Bley 04. Albert's Love Theme Composed By – Annette Peacock 05. Ramblin' Composed By – Ornette Coleman 06. Ida Lupino / Mr. Joy Composed By [Ida Lupino] – Carla Bley Composed By [Mr. Joy] – Annette Peacock Credits: Bass – Mark Levinson Drums – Barry Altschul Piano – Paul Bley *Label: Hi Hat
For Paul Bley's 88th birthday - we are presenting "Porgy" - from a 1994 concert. The entire concert will be linked to from the improvart.com website.
Bass – Niels-Henning Ørsted Pedersen.... Piano – Paul Bley.... ........................................................... A1 Meeting 6:03 A2 Mating Of Urgency 3:51 A3 Carla 4:21 A4 Olhos De Gato 5:33 B1 Paradise Island 2:20 B2 Upstairs 3:07 B3 Later 5:23 B4 Summer 4:06 B5 Gesture Without Plot 5:33 ......................................................... Recorded - A1 to A3, B3 to B5 - June 24, 1973 and A4, B1, B2 July 1, 1973. - Copenhagen ......................................................... Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings! ............................................................ Please let me know if i have missed something. .......................................................
Descrizione
Paul Bley Trio - Châteauvallon, France - August 27, 1972 Paul Bley (p-elp), Arjen Gorter (b), Steve McCall (d) 00:00 Pig Foot (P. Bley) - 01:32 Ida Lupino (C. Bley) - 04:37 Syndrome (C. Bley)
Double Bass – Gary Peacock Drums – Barry Altschul Piano – Paul Bley
tracks: 0:00:02 M̲e̲e̲t̲i̲n̲g̲ 0:06:11 ̲M̲a̲t̲i̲n̲g̲ ̲O̲f̲ ̲U̲r̲g̲e̲n̲c̲y̲ 0:10:08 ̲C̲a̲r̲l̲a̲ 0:14:36 ̲O̲l̲h̲o̲s̲ ̲D̲e̲ ̲G̲a̲t̲o̲ 0:20:13 ̲S̲t̲r̲u̲n̲g̲ ̲O̲u̲t̲ 0:25:27 ̲P̲a̲r̲a̲d̲i̲s̲e̲ ̲I̲s̲l̲a̲n̲d̲ 0:27:52 ̲U̲p̲s̲t̲a̲i̲r̲s̲ 0:31:01 ̲L̲a̲t̲e̲r̲ 0:36:30 ̲S̲u̲m̲m̲e̲r̲ 0:40:42 ̲G̲e̲s̲t̲u̲r̲e̲ ̲W̲i̲t̲h̲o̲u̲t̲ ̲P̲l̲o̲t̲
Paul Bley (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing. His music characteristically featured strong senses both of melodic voicing and space. In the early 1960s Bley was part of the Jimmy Giuffre 3, with Giuffre on clarinet, and bassist Steve Swallow. Its repertoire included compositions by his ex-wife, pianist and organist Carla Bley. The group's music moved towards chamber jazz and free jazz. In 1964 Bley was instrumental in the formation of the Jazz Composers Guild, a co-operative organization which brought together many free jazz musicians in New York: Roswell Rudd, Cecil Taylor, Archie Shepp, Carla Bley, Michael Mantler, Sun Ra, and others. In...
1967 A - Blood B - Mister Joy Bass – Mark Levinson Composed By [Uncredited] – Annette Peacock Drums – Barry Altschul Graphics – Holger Matthies Liner Notes – Victor Schonfield Piano – Paul Bley Producer – Alan Bates Recorded live in Haarlem, Holland, November 4th, 1966 Manufactured By – Deutsche Grammophon Hamburg Printed By – Gerhard Kaiser GmbH
From the ECM Records Album 'Ballads' by Paul Bley Recorded in New York in 1967 Released by ECM Records in 1971 Bass – Gary Peacock (tracks: A), Mark Levinson (tracks: B1, B2) Drums – Barry Altschul Piano – Paul Bley Composed By – Annette Peacock
1. Pyramid 00:00 2. Out There 4:05 3. Talk To Me 14:51 4. Tavia 17:38 5. Longer Than You Know 22:11 6. Play Blue 26:25
This Video include 5 tracks of Paul Bley Trio. Subscribe for free to stay connected to our channel and easily access our video updates! http://bit.ly/2rjga9v Tip: click on the time and listen your favorite song Track list: Paul Bley Trio - I Want Be Happy (Full Album) --------------------------------- 1 | 00:00 | Paul Bley Trio - I Want Be Happy 2 | 02:16 | Paul Bley Trio - Time On My Hands 3 | 05:46 | Paul Bley Trio - 52Nd Street Blues 4 | 08:33 | Paul Bley Trio - This Can't Be Love 5 | 11:41 | Paul Bley Trio - My One and Only (What Am I Gonna Do?) --------------------------------- Playlist #WikiJazz Timeless Jazz Music: https://goo.gl/haAaKc --------------------------------- Subscribe Channel Lounge Sensation TV is your channel for all the Best Jazz, Chill and Lounge Music of every ...
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"Artistic License: Six Takes on the Guggenheim Collection" is the museum’s first artist-curated exhibition. In this video, artists Cai Guo-Qiang, Paul Chan, Jenny Holzer, Julie Mehretu, Richard Prince, and Carrie Mae Weems discuss how they selected nearly 300 paintings, sculptures, works on paper, and installations from the turn of the century to 1980 for an exhibition in the rotunda of the iconic Frank Lloyd Wright–designed building. Nancy Spector, Artistic Director and Jennifer and David Stockman Chief Curator, says, “What I’ve found through the process is that all of them, each in different ways, gravitated to a really intimate, personal engagement with the collection.” "Artistic License: Six Takes on the Guggenheim Collection" is on view through January 12, 2020 at the Solomon R. Gugg...
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For more information, visit: https://www.lawdepot.com/?pid=pg-BFYMIBUINL-generaltextlink Artistic license allows artists to distort facts, change rules or omit details to improve their work of art. It also is often referred to as historical license or poetic license, though it also can be called narrative license. While it is expected to be tolerated by audiences for the sake of the art, it may offend some viewers, who might be annoyed when their favorite work of art is altered by an artist to create a new piece. In general, artistic license allows artists to be creative without getting into legal trouble for distorting real life or modifying original art to create new artistic objects.
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Hyman Paul Bley, CM (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing. Bley was a long-time resident of the United States. His music characteristically featured strong senses both of melodic voicing and space.
Bley was born in Montreal, Quebec, on November 10, 1932. His adoptive parents were Betty Marcovitch, an immigrant from Romania, and Joe Bley, owner of an embroidery factory.
In the 1950s Bley founded the Jazz Workshop in Montreal, performing on piano and recording with bebop alto saxophonist and composer Charlie Parker. He also performed with tenor saxophonists Lester Young and Ben Webster at that time. In 1953 he conducted for bassist Charles Mingus on the Charles Mingus and His Orchestra album. That year Mingus produced the Introducing Paul Bley album with Mingus and drummer Art Blakey. In 1960 Bley recorded on piano with the Charles Mingus Group.