Hyman Paul Bley, CM (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing. Bley was a long-time resident of the United States. His music characteristically featured strong senses both of melodic voicing and space.
Early life
Bley was born in Montreal, Quebec, on November 10, 1932. His adoptive parents were Betty Marcovitch, an immigrant from Romania, and Joe Bley, owner of an embroidery factory.
Later life and career
In the 1950s Bley founded the Jazz Workshop in Montreal, performing on piano and recording with bebop alto saxophonist and composer Charlie Parker. He also performed with tenor saxophonists Lester Young and Ben Webster at that time. In 1953 he conducted for bassist Charles Mingus on the Charles Mingus and His Orchestra album. That year Mingus produced the Introducing Paul Bley album with Mingus and drummer Art Blakey. In 1960 Bley recorded on piano with the Charles Mingus Group.
Paul Bley is the second album by Canadian jazz pianist Paul Bley featuring tracks recorded in 1954 and released on the EmArcy label.
Reception
Allmusic awarded the album 4 stars stating "Pick a personality trait of the Paul Bley style and chances are it won't be found anywhere here, as lovely a piano trio jazz record as this is... For the most part the tone of the pianist remains almost frigid in its consistency; volume level rarely varies and the direction of the improvisations is solidly mainstream... The obvious problem with someone like Bley or Jimi Hendrix is that once they developed their totally unique musical personality, their earlier work starts to sound a little boring".The Penguin Guide to Jazz said "At this stage of his career, he's a very orthodox bopper, aware of the blues but certainly not restricted by them, possibly exploring aspects of Tristano's evolution as well, and certainly listening to classical pianists for technique and harmonic ideas".
52nd Street is a 1.9-mile (3.1km) long one-waystreet traveling west to east across Midtown Manhattan, New York City. It was known as the city's center of jazz performance from the 1930s to the 1950s.
Jazz center
Following the repeal of Prohibition in 1933, 52nd Street replaced 133rd street as "Swing Street" of the city. The blocks of 52nd Street between Fifth Avenue and Seventh Avenue became renowned for the abundance of jazz clubs and lively street life. The street was convenient to musicians playing on Broadway and the 'legitimate' nightclubs and was also the site of a CBS studio. Musicians who played for others in the early evening played for themselves on 52nd Street.
52nd Street were a British jazz-funk and R&B band formed in Manchester in late 1980. Throughout the 1980s the group enjoyed success not only in the UK but also on the Billboardchart in the United States. Their biggest and best-known hit single was "Tell Me (How It Feels)", released in 1985 by the 10 Records subsidiary of Virgin Records in the UK, and then months later on in 1986 on MCA Records in the US.
The original line-up consisted of Tony Henry (guitar), Derrick Johnson (bass), Desmond Isaacs (keyboards), Tony Thompson (drums) and Jennifer McCloud (vocals). Within six months vocalist Rose Williams and saxophonist Eric Godden both came and departed before the line-up settled with John Dennison (keyboards) replacing Desmond Isaacs and Beverley McDonald (lead vocals) replacing Jennifer McCloud.
Early years
The band played gigs around the Manchester scene, whilst at the same time recording demo tapes in local studios. Local funk DJ Mike Shaft became their mentor and played 52nd Street demos on his Piccadilly Radio shows. In mid-1981 soul DJ Richard Searling and ex-Sad Café manager Derek Brandwood (both of RCA Records) put the band in Revolution Studios, Manchester, to record what was supposed to be their debut single.
Three songs reached the Top 40 in the United States, contributing to the album's success: "My Life" (#3), "Big Shot" (#14), and "Honesty" (#24). It was similarly well received by critics, earning the 1979 Grammy for Album of the Year. This Grammy was presented to its producer, Phil Ramone. Upon Ramone's death, 52nd Street's Album of the Year Grammy was passed on to Joel.
Allmusic praises Joel for expanding stylistically on 1977's The Stranger, describing 52nd Street as "more sophisticated and somewhat jazzy." (Jazz trumpeter Freddie Hubbard guests on "Zanzibar".) The title is a reference to 52nd Street, which was one of New York City's jazz centers in the middle of the century. Joel's label was headquartered on 52nd Street (in the CBS Building) at the time of the album's release. The studio in which 52nd Street was recorded was also on 52nd Street, a block away from the CBS Building.
Paul Bley - piano
Steve Swallow - bass
Pete LaRoca - drums
----
1 - When Will The Blues Leave (Ornette Coleman) - 0:00
2 - Floater (Carla Bley) - 6:10
3 - Turns - 12:41
4 - Around Again (Carla Bley) - 16:00
5 - Syndrome (Carla Bley) - 20:10
6 - Cousins - 27:23
7 - King Korn (Carla Bley) - 32:05
8 - Vashkar (Carla Bley) - 36:08
----
Tracks 1, 2 and 4 recorded at Medallion Studios, Newark, NJ, August 17, 1962.
The rest recorded at Medallion Studios, Newark, NJ, September 12, 1963.
published: 09 May 2020
Paul Bley Trio – Blood
...
Paul Bley - piano
Mark Levinson - bass
Barry Altschul - drums
A1 Blood (Annette Peacock) - 00:00
A2 Albert's Love Theme (Annette Peacock) - 04:28
A3 El Cordobes (Annette Peacock) - 09:45
A4 Only Sweetly (Paul Bley) - 13:38
A5 Seven (Carla Bley) - 20:04
B1 Mister Joy (Annette Peacock) - 22:48
B2 Ramblin' (Ornette Coleman) - 28:14
B3 Kid Dynamite (Annette Peacock) - 32:58
B4 Nothing Ever Was, Anyway (Annette Peacock) - 35:59
B5 Pig Foot (Paul Bley) - 41:48
Recorded in Baarn, Netherlands, on September 21 and October 4, 1966.
Cover art by Marte Röling.
Fontana (Japan) - 1995.
published: 09 Jul 2021
Paul Bley - Alrac (solo piano) LIVE video 1973
From French TV program Jazz harmonie - Dec. 8, 1973
published: 31 May 2012
Paul Bley Trio – Festival International De Jazz Lugano (31 August 1966 - Live Album)
Tracklist:
01. Announcement By Joyce Pataccini
Presenter [Annoucement By] – Joyce Pataccini
02. Both
Composed By – Annette Peacock
03. Mazatalon
Composed By – Paul Bley
04. Albert's Love Theme
Composed By – Annette Peacock
05. Ramblin'
Composed By – Ornette Coleman
06. Ida Lupino / Mr. Joy
Composed By [Ida Lupino] – Carla Bley
Composed By [Mr. Joy] – Annette Peacock
Credits:
Bass – Mark Levinson
Drums – Barry Altschul
Piano – Paul Bley
*Label: Hi Hat
published: 31 Aug 2019
PAUL BLEY Solo Piano 1994
For Paul Bley's 88th birthday - we are presenting "Porgy" - from a 1994 concert. The entire concert will be linked to from the improvart.com website.
published: 10 Nov 2020
Paul Bley & Niels Henning Orsted Pedersen - PB & NHOP ( Full Album )
Bass – Niels-Henning Ørsted Pedersen....
Piano – Paul Bley....
...........................................................
A1 Meeting 6:03
A2 Mating Of Urgency 3:51
A3 Carla 4:21
A4 Olhos De Gato 5:33
B1 Paradise Island 2:20
B2 Upstairs 3:07
B3 Later 5:23
B4 Summer 4:06
B5 Gesture Without Plot 5:33
.........................................................
Recorded - A1 to A3, B3 to B5 - June 24, 1973 and A4, B1, B2 July 1, 1973. - Copenhagen
.........................................................
Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings!
............................................................
Please let me know if i have missed something.
.......................................................
published: 19 Apr 2018
1998 Lee Konitz, Charlie Haden, Paul Bley
Descrizione
published: 14 May 2017
Paul Bley - Live in Châteauvallon 1972
Paul Bley Trio - Châteauvallon, France - August 27, 1972
Paul Bley (p-elp), Arjen Gorter (b), Steve McCall (d)
00:00 Pig Foot (P. Bley) - 01:32 Ida Lupino (C. Bley) - 04:37 Syndrome (C. Bley)
Paul Bley - piano
Steve Swallow - bass
Pete LaRoca - drums
----
1 - When Will The Blues Leave (Ornette Coleman) - 0:00
2 - Floater (Carla Bley) - 6:10
3 - Tur...
Paul Bley - piano
Steve Swallow - bass
Pete LaRoca - drums
----
1 - When Will The Blues Leave (Ornette Coleman) - 0:00
2 - Floater (Carla Bley) - 6:10
3 - Turns - 12:41
4 - Around Again (Carla Bley) - 16:00
5 - Syndrome (Carla Bley) - 20:10
6 - Cousins - 27:23
7 - King Korn (Carla Bley) - 32:05
8 - Vashkar (Carla Bley) - 36:08
----
Tracks 1, 2 and 4 recorded at Medallion Studios, Newark, NJ, August 17, 1962.
The rest recorded at Medallion Studios, Newark, NJ, September 12, 1963.
Tracklist:
01. Announcement By Joyce Pataccini
Presenter [Annoucement By] – Joyce Pataccini
02. Both
Composed By – Annette Peacock
03. Mazatalon
Composed By – ...
Tracklist:
01. Announcement By Joyce Pataccini
Presenter [Annoucement By] – Joyce Pataccini
02. Both
Composed By – Annette Peacock
03. Mazatalon
Composed By – Paul Bley
04. Albert's Love Theme
Composed By – Annette Peacock
05. Ramblin'
Composed By – Ornette Coleman
06. Ida Lupino / Mr. Joy
Composed By [Ida Lupino] – Carla Bley
Composed By [Mr. Joy] – Annette Peacock
Credits:
Bass – Mark Levinson
Drums – Barry Altschul
Piano – Paul Bley
*Label: Hi Hat
Tracklist:
01. Announcement By Joyce Pataccini
Presenter [Annoucement By] – Joyce Pataccini
02. Both
Composed By – Annette Peacock
03. Mazatalon
Composed By – Paul Bley
04. Albert's Love Theme
Composed By – Annette Peacock
05. Ramblin'
Composed By – Ornette Coleman
06. Ida Lupino / Mr. Joy
Composed By [Ida Lupino] – Carla Bley
Composed By [Mr. Joy] – Annette Peacock
Credits:
Bass – Mark Levinson
Drums – Barry Altschul
Piano – Paul Bley
*Label: Hi Hat
Bass – Niels-Henning Ørsted Pedersen....
Piano – Paul Bley....
...........................................................
A1 Meeting 6:03
A2 Mating Of Urgency ...
Bass – Niels-Henning Ørsted Pedersen....
Piano – Paul Bley....
...........................................................
A1 Meeting 6:03
A2 Mating Of Urgency 3:51
A3 Carla 4:21
A4 Olhos De Gato 5:33
B1 Paradise Island 2:20
B2 Upstairs 3:07
B3 Later 5:23
B4 Summer 4:06
B5 Gesture Without Plot 5:33
.........................................................
Recorded - A1 to A3, B3 to B5 - June 24, 1973 and A4, B1, B2 July 1, 1973. - Copenhagen
.........................................................
Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings!
............................................................
Please let me know if i have missed something.
............................................................
Make it easy on yourself.. check my playlists, or search my channel for your favorite artist/song.....
............................................................
Subscribe yourself to the channel to keep up with the latest uploads
............................................................
Have Fun!!
...........................................................
I Will remove any video if asked too.
...........................................................
And most of all !!!
...........................................................
I hope that , trough these video's, i have inspired you to go and get the original recordings because there is nothing like the original!!
So that's what i'm doing it for..... Go to your local recordstore, the internet or whatever, and get the original!!
...........................................................
Enjoy !!!
............................................................
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
Bass – Niels-Henning Ørsted Pedersen....
Piano – Paul Bley....
...........................................................
A1 Meeting 6:03
A2 Mating Of Urgency 3:51
A3 Carla 4:21
A4 Olhos De Gato 5:33
B1 Paradise Island 2:20
B2 Upstairs 3:07
B3 Later 5:23
B4 Summer 4:06
B5 Gesture Without Plot 5:33
.........................................................
Recorded - A1 to A3, B3 to B5 - June 24, 1973 and A4, B1, B2 July 1, 1973. - Copenhagen
.........................................................
Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings!
............................................................
Please let me know if i have missed something.
............................................................
Make it easy on yourself.. check my playlists, or search my channel for your favorite artist/song.....
............................................................
Subscribe yourself to the channel to keep up with the latest uploads
............................................................
Have Fun!!
...........................................................
I Will remove any video if asked too.
...........................................................
And most of all !!!
...........................................................
I hope that , trough these video's, i have inspired you to go and get the original recordings because there is nothing like the original!!
So that's what i'm doing it for..... Go to your local recordstore, the internet or whatever, and get the original!!
...........................................................
Enjoy !!!
............................................................
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
Paul Bley Trio - Châteauvallon, France - August 27, 1972
Paul Bley (p-elp), Arjen Gorter (b), Steve McCall (d)
00:00 Pig Foot (P. Bley) - 01:32 Ida Lupino (C. ...
Paul Bley Trio - Châteauvallon, France - August 27, 1972
Paul Bley (p-elp), Arjen Gorter (b), Steve McCall (d)
00:00 Pig Foot (P. Bley) - 01:32 Ida Lupino (C. Bley) - 04:37 Syndrome (C. Bley)
Paul Bley (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing. His music characteristically featured strong senses both of melodic voicing and space.
In the early 1960s Bley was part of the Jimmy Giuffre 3, with Giuffre on clarinet, and bassist Steve Swallow. Its repertoire included compositions by his ex-wife, pianist and organist Carla Bley. The group's music moved towards chamber jazz and free jazz.
In 1964 Bley was instrumental in the formation of the Jazz Composers Guild, a co-operative organization which brought together many free jazz musicians in New York: Roswell Rudd, Cecil Taylor, Archie Shepp, Carla Bley, Michael Mantler, Sun Ra, and others.
In...
published: 23 Jul 2016
Paul Bley - In Haarlem Blood (Full Album)
1967
A - Blood
B - Mister Joy
Bass – Mark Levinson
Composed By [Uncredited] – Annette Peacock
Drums – Barry Altschul
Graphics – Holger Matthies
Liner Notes – Victor Schonfield
Piano – Paul Bley
Producer – Alan Bates
Recorded live in Haarlem, Holland, November 4th, 1966
Manufactured By – Deutsche Grammophon Hamburg
Printed By – Gerhard Kaiser GmbH
published: 20 Oct 2024
Paul Bley • Circles (1967) US
From the ECM Records Album 'Ballads' by Paul Bley
Recorded in New York in 1967
Released by ECM Records in 1971
Bass – Gary Peacock (tracks: A), Mark Levinson (tracks: B1, B2)
Drums – Barry Altschul
Piano – Paul Bley
Composed By – Annette Peacock
published: 12 Nov 2018
Lee Konitz, Paul Bley, Bill Connors - Pyramid (Full Album)
1. Pyramid 00:00
2. Out There 4:05
3. Talk To Me 14:51
4. Tavia 17:38
5. Longer Than You Know 22:11
6. Play Blue 26:25
published: 29 Dec 2023
Paul Bley Trio The Nearness of You
published: 12 Feb 2024
Paul Bley Trio - I Want Be Happy (Full Album)
This Video include 5 tracks of Paul Bley Trio.
Subscribe for free to stay connected to our channel and easily access our video updates! http://bit.ly/2rjga9v
Tip: click on the time and listen your favorite song
Track list:
Paul Bley Trio - I Want Be Happy (Full Album)
---------------------------------
1 | 00:00 | Paul Bley Trio - I Want Be Happy
2 | 02:16 | Paul Bley Trio - Time On My Hands
3 | 05:46 | Paul Bley Trio - 52Nd Street Blues
4 | 08:33 | Paul Bley Trio - This Can't Be Love
5 | 11:41 | Paul Bley Trio - My One and Only (What Am I Gonna Do?)
---------------------------------
Playlist #WikiJazz Timeless Jazz Music: https://goo.gl/haAaKc
---------------------------------
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Lounge Sensation TV is your channel for all the Best Jazz, Chill and Lounge Music of every ...
published: 07 May 2018
Ornette Coleman with Don Cherry & Paul Bley - Complete Live At The Hilcrest Club 1958
Paul Bley (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovat...
Paul Bley (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing. His music characteristically featured strong senses both of melodic voicing and space.
In the early 1960s Bley was part of the Jimmy Giuffre 3, with Giuffre on clarinet, and bassist Steve Swallow. Its repertoire included compositions by his ex-wife, pianist and organist Carla Bley. The group's music moved towards chamber jazz and free jazz.
In 1964 Bley was instrumental in the formation of the Jazz Composers Guild, a co-operative organization which brought together many free jazz musicians in New York: Roswell Rudd, Cecil Taylor, Archie Shepp, Carla Bley, Michael Mantler, Sun Ra, and others.
In the late 1960s, Bley took an interest in new electronic possibilities. He pioneered the use of Moog synthesizers, performing with them before an audience for the first time at Philharmonic Hall in New York City on December 26, 1969. This "Bley-Peacock Synthesizer Show" performance, a group with his second wife Annette Peacock, who had written much of his personal repertoire since 1964, was followed by her playing on the recordings Dual Unity (credited to "Annette & Paul Bley") and Improvisie.
Open, to Love features Bley performing seven solo piano pieces and is considered not only one of his best albums, but a defining album in the history of the ECM record label. Three of the tracks were composed by ex-wife Carla Bley and another two by Bley's soon-to-be-ex-wife Annette Peacock. The album is one of the first showcases of the pointillism and silence that would inform much of his later work.
Paul Bley (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing. His music characteristically featured strong senses both of melodic voicing and space.
In the early 1960s Bley was part of the Jimmy Giuffre 3, with Giuffre on clarinet, and bassist Steve Swallow. Its repertoire included compositions by his ex-wife, pianist and organist Carla Bley. The group's music moved towards chamber jazz and free jazz.
In 1964 Bley was instrumental in the formation of the Jazz Composers Guild, a co-operative organization which brought together many free jazz musicians in New York: Roswell Rudd, Cecil Taylor, Archie Shepp, Carla Bley, Michael Mantler, Sun Ra, and others.
In the late 1960s, Bley took an interest in new electronic possibilities. He pioneered the use of Moog synthesizers, performing with them before an audience for the first time at Philharmonic Hall in New York City on December 26, 1969. This "Bley-Peacock Synthesizer Show" performance, a group with his second wife Annette Peacock, who had written much of his personal repertoire since 1964, was followed by her playing on the recordings Dual Unity (credited to "Annette & Paul Bley") and Improvisie.
Open, to Love features Bley performing seven solo piano pieces and is considered not only one of his best albums, but a defining album in the history of the ECM record label. Three of the tracks were composed by ex-wife Carla Bley and another two by Bley's soon-to-be-ex-wife Annette Peacock. The album is one of the first showcases of the pointillism and silence that would inform much of his later work.
1967
A - Blood
B - Mister Joy
Bass – Mark Levinson
Composed By [Uncredited] – Annette Peacock
Drums – Barry Altschul
Graphics – Holger Matthies
Liner Notes – ...
1967
A - Blood
B - Mister Joy
Bass – Mark Levinson
Composed By [Uncredited] – Annette Peacock
Drums – Barry Altschul
Graphics – Holger Matthies
Liner Notes – Victor Schonfield
Piano – Paul Bley
Producer – Alan Bates
Recorded live in Haarlem, Holland, November 4th, 1966
Manufactured By – Deutsche Grammophon Hamburg
Printed By – Gerhard Kaiser GmbH
1967
A - Blood
B - Mister Joy
Bass – Mark Levinson
Composed By [Uncredited] – Annette Peacock
Drums – Barry Altschul
Graphics – Holger Matthies
Liner Notes – Victor Schonfield
Piano – Paul Bley
Producer – Alan Bates
Recorded live in Haarlem, Holland, November 4th, 1966
Manufactured By – Deutsche Grammophon Hamburg
Printed By – Gerhard Kaiser GmbH
From the ECM Records Album 'Ballads' by Paul Bley
Recorded in New York in 1967
Released by ECM Records in 1971
Bass – Gary Peacock (tracks: A), Mark Levinson ...
From the ECM Records Album 'Ballads' by Paul Bley
Recorded in New York in 1967
Released by ECM Records in 1971
Bass – Gary Peacock (tracks: A), Mark Levinson (tracks: B1, B2)
Drums – Barry Altschul
Piano – Paul Bley
Composed By – Annette Peacock
From the ECM Records Album 'Ballads' by Paul Bley
Recorded in New York in 1967
Released by ECM Records in 1971
Bass – Gary Peacock (tracks: A), Mark Levinson (tracks: B1, B2)
Drums – Barry Altschul
Piano – Paul Bley
Composed By – Annette Peacock
This Video include 5 tracks of Paul Bley Trio.
Subscribe for free to stay connected to our channel and easily access our video updates! http://bit.ly/2rjga9v
T...
This Video include 5 tracks of Paul Bley Trio.
Subscribe for free to stay connected to our channel and easily access our video updates! http://bit.ly/2rjga9v
Tip: click on the time and listen your favorite song
Track list:
Paul Bley Trio - I Want Be Happy (Full Album)
---------------------------------
1 | 00:00 | Paul Bley Trio - I Want Be Happy
2 | 02:16 | Paul Bley Trio - Time On My Hands
3 | 05:46 | Paul Bley Trio - 52Nd Street Blues
4 | 08:33 | Paul Bley Trio - This Can't Be Love
5 | 11:41 | Paul Bley Trio - My One and Only (What Am I Gonna Do?)
---------------------------------
Playlist #WikiJazz Timeless Jazz Music: https://goo.gl/haAaKc
---------------------------------
Subscribe Channel
Lounge Sensation TV is your channel for all the Best Jazz, Chill and Lounge Music of every time!
Find your favorite songs and artists and experience the best of Music.
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---------------------------------
® 2018 Lounge Sensation TV
This Video include 5 tracks of Paul Bley Trio.
Subscribe for free to stay connected to our channel and easily access our video updates! http://bit.ly/2rjga9v
Tip: click on the time and listen your favorite song
Track list:
Paul Bley Trio - I Want Be Happy (Full Album)
---------------------------------
1 | 00:00 | Paul Bley Trio - I Want Be Happy
2 | 02:16 | Paul Bley Trio - Time On My Hands
3 | 05:46 | Paul Bley Trio - 52Nd Street Blues
4 | 08:33 | Paul Bley Trio - This Can't Be Love
5 | 11:41 | Paul Bley Trio - My One and Only (What Am I Gonna Do?)
---------------------------------
Playlist #WikiJazz Timeless Jazz Music: https://goo.gl/haAaKc
---------------------------------
Subscribe Channel
Lounge Sensation TV is your channel for all the Best Jazz, Chill and Lounge Music of every time!
Find your favorite songs and artists and experience the best of Music.
Facebook: https://goo.gl/N3DgsI
Twitter: https://goo.gl/iVpnOy
Google+ https://goo.gl/5Vjcgk
---------------------------------
® 2018 Lounge Sensation TV
Tracklist:
01. Announcement By Joyce Pataccini
Presenter [Annoucement By] – Joyce Pataccini
02. Both
Composed By – Annette Peacock
03. Mazatalon
Composed By – Paul Bley
04. Albert's Love Theme
Composed By – Annette Peacock
05. Ramblin'
Composed By – Ornette Coleman
06. Ida Lupino / Mr. Joy
Composed By [Ida Lupino] – Carla Bley
Composed By [Mr. Joy] – Annette Peacock
Credits:
Bass – Mark Levinson
Drums – Barry Altschul
Piano – Paul Bley
*Label: Hi Hat
Bass – Niels-Henning Ørsted Pedersen....
Piano – Paul Bley....
...........................................................
A1 Meeting 6:03
A2 Mating Of Urgency 3:51
A3 Carla 4:21
A4 Olhos De Gato 5:33
B1 Paradise Island 2:20
B2 Upstairs 3:07
B3 Later 5:23
B4 Summer 4:06
B5 Gesture Without Plot 5:33
.........................................................
Recorded - A1 to A3, B3 to B5 - June 24, 1973 and A4, B1, B2 July 1, 1973. - Copenhagen
.........................................................
Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings!
............................................................
Please let me know if i have missed something.
............................................................
Make it easy on yourself.. check my playlists, or search my channel for your favorite artist/song.....
............................................................
Subscribe yourself to the channel to keep up with the latest uploads
............................................................
Have Fun!!
...........................................................
I Will remove any video if asked too.
...........................................................
And most of all !!!
...........................................................
I hope that , trough these video's, i have inspired you to go and get the original recordings because there is nothing like the original!!
So that's what i'm doing it for..... Go to your local recordstore, the internet or whatever, and get the original!!
...........................................................
Enjoy !!!
............................................................
FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
Hyman Paul Bley, CM (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing. Bley was a long-time resident of the United States. His music characteristically featured strong senses both of melodic voicing and space.
Early life
Bley was born in Montreal, Quebec, on November 10, 1932. His adoptive parents were Betty Marcovitch, an immigrant from Romania, and Joe Bley, owner of an embroidery factory.
Later life and career
In the 1950s Bley founded the Jazz Workshop in Montreal, performing on piano and recording with bebop alto saxophonist and composer Charlie Parker. He also performed with tenor saxophonists Lester Young and Ben Webster at that time. In 1953 he conducted for bassist Charles Mingus on the Charles Mingus and His Orchestra album. That year Mingus produced the Introducing Paul Bley album with Mingus and drummer Art Blakey. In 1960 Bley recorded on piano with the Charles Mingus Group.
Paul Bley (November 10, 1932 – January 3, 2016) was a Canadian pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing. His music characteristically featured strong senses both of melodic voicing and space.
In the early 1960s Bley was part of the Jimmy Giuffre 3, with Giuffre on clarinet, and bassist Steve Swallow. Its repertoire included compositions by his ex-wife, pianist and organist Carla Bley. The group's music moved towards chamber jazz and free jazz.
In 1964 Bley was instrumental in the formation of the Jazz Composers Guild, a co-operative organization which brought together many free jazz musicians in New York: Roswell Rudd, Cecil Taylor, Archie Shepp, Carla Bley, Michael Mantler, Sun Ra, and others.
In the late 1960s, Bley took an interest in new electronic possibilities. He pioneered the use of Moog synthesizers, performing with them before an audience for the first time at Philharmonic Hall in New York City on December 26, 1969. This "Bley-Peacock Synthesizer Show" performance, a group with his second wife Annette Peacock, who had written much of his personal repertoire since 1964, was followed by her playing on the recordings Dual Unity (credited to "Annette & Paul Bley") and Improvisie.
Open, to Love features Bley performing seven solo piano pieces and is considered not only one of his best albums, but a defining album in the history of the ECM record label. Three of the tracks were composed by ex-wife Carla Bley and another two by Bley's soon-to-be-ex-wife Annette Peacock. The album is one of the first showcases of the pointillism and silence that would inform much of his later work.
1967
A - Blood
B - Mister Joy
Bass – Mark Levinson
Composed By [Uncredited] – Annette Peacock
Drums – Barry Altschul
Graphics – Holger Matthies
Liner Notes – Victor Schonfield
Piano – Paul Bley
Producer – Alan Bates
Recorded live in Haarlem, Holland, November 4th, 1966
Manufactured By – Deutsche Grammophon Hamburg
Printed By – Gerhard Kaiser GmbH
From the ECM Records Album 'Ballads' by Paul Bley
Recorded in New York in 1967
Released by ECM Records in 1971
Bass – Gary Peacock (tracks: A), Mark Levinson (tracks: B1, B2)
Drums – Barry Altschul
Piano – Paul Bley
Composed By – Annette Peacock
This Video include 5 tracks of Paul Bley Trio.
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Track list:
Paul Bley Trio - I Want Be Happy (Full Album)
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1 | 00:00 | Paul Bley Trio - I Want Be Happy
2 | 02:16 | Paul Bley Trio - Time On My Hands
3 | 05:46 | Paul Bley Trio - 52Nd Street Blues
4 | 08:33 | Paul Bley Trio - This Can't Be Love
5 | 11:41 | Paul Bley Trio - My One and Only (What Am I Gonna Do?)
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It's always raining in here Each time I walk thro' these doors Expensive suits and cheap whores And I'm always sorry Money flows real fast Though I'm not supposed to touch But they always say how much They love my music No matter what I wear It's always freezing cold And their teeth are made of sharpened gold Tho' their smiles are polished white Lives turn into units In this building built with fear They breathe contempt in here And they call it the record business Justice day will come And this steel will turn to rust And this concrete turn to dust And I won't be sorry My life outside of power I see myself in the faces Classes, groups and races Locked out of power Workers Blacks Jews Children Africa Cuba