- published: 08 Nov 2021
- views: 236677
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Piano Concerto No. 3 (Beethoven)
The Piano Concerto No. 3 in C minor, Op. 37, was composed by Ludwig van Beethoven in 1800 and was first performed on 5 April 1803, with the composer as soloist. The year for which the concerto was composed (1800) has however been questioned by contemporary musicologists. It was published in 1804. During that same performance, the Second Symphony and the oratorio Christ on the Mount of Olives were also premiered. The composition was dedicated to Prince Louis Ferdinand of Prussia. The first primary theme is reminiscent of that of Mozart's 24th Piano Concerto.
Structure
The concerto is scored for 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, 2 horns in E-flat, 2 trumpets in C, timpani, strings and piano soloist.
As is standard for Classical/Romantic-era concertos, the work is in three movements:
I. Allegro con brio
This movement is known to make forceful use of the theme (direct and indirect) throughout.
Orchestral exposition: In the orchestral exposition, the theme is introduced by the strings, and used throughout the movement. It is developed several times. In the third section (second subject), the clarinet and violin 1 introduce the second main theme, which is in the relative major key, E-flat major.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_Concerto_No._3_(Beethoven)
Piano Concerto No. 3
Piano Concerto No. 3 refers to the third piano concerto written by one of a number of composers:
See also
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_Concerto_No._3
Piano Concerto No. 3 (Ohzawa)
The Piano Concerto No. 3 in A-flat major is the piano concerto composed by Japanese composer Hisato Ohzawa. This work is subtitled Kamikaze after the aircraft Kamikaze, and was premiered by the baton of the composer on June 6, 1938, a month after the work was completed.
As obvious as it is from the year of composition, the name "Kamikaze" is not related to the suicide attack Kamikaze employed by the Empire of Japan during World War II. This work was not successful partly because the progressive style of Ohzawa was beyond the comprehension of audiences of those days. Although the recording was broadcast on radio after the premiere, this concerto, quite demanding for both performer and audience, was not performed again for a long time. The composer's family published the score of this work on their own after his death.
Structure
This work consists of three traditional movements. This work is marked as A-flat, but he treated the tonality considerably freely.
The first movement, alleglo assai, begins with the declaration, by trombones and strigns, of "motto for whole work", three notes; A-flat, E-flat and F, which later appear as the fundamental elements of this work written in sonata form. First subject is gathered motives which remind the audiences of the aircraft flying through the clouds. The second subject is the melody savage as well as brilliant. Throughout the development, the music never fails to recall the sky journey. In the short coda, long tone of piccolo sounds as the aircraft flying away.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_Concerto_No._3_(Ohzawa)
Piano Concerto No. 3 (Rachmaninoff)
The Piano Concerto No. 3 in D minor, Op. 30 composed in 1909 by Sergei Rachmaninoff has the reputation of being one of the most technically challenging piano concertos in the standard classical repertoire.
Form
Following the form of a standard concerto, the piece is in three movements:
- The first movement revolves around a diatonic melody that soon develops into complex pianistic figuration. The second theme opens with quiet exchanges between the orchestra and the piano before fully diving into a slower theme in a major key. The first part of the first theme is restated before the movement is pulled into a loud development section which opens with toccata like quavers in the piano and reaches a loud chordal section. The whole development exhibits features similar to a canon, such as an eighth note passage in the piano in which the left hand and the right hand play overlapping figures. The movement reaches a number of ferocious climaxes, especially in the cadenza. Rachmaninoff wrote two versions of this cadenza: the chordal original, which is commonly notated as the ossia, and a second one with a lighter, toccata-like style. Both cadenzas lead into a quiet solo section where the flute, oboe, clarinet and horn restate the first theme of the exposition, accompanied by delicate arpeggios in the piano. The cadenza then ends quietly, but the piano alone continues to play a quiet development of the exposition's second theme before leading to the recapitulation, where the first theme is restated by the piano, with the orchestra accompanying, soon closing with a quiet, rippling coda reminiscent of the second theme.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_Concerto_No._3_(Rachmaninoff)
Podcasts:
-
Beethoven Piano Concerto No 3 │Wiener Philharmoniker, Bernstein 1989
One of the best Beethoven Piano Concerto No.3
published: 08 Nov 2021 -
Beethoven: Piano Concerto No.3 in Cm, Op.37 (Argerich)
Argerich never produces recordings that are anything less than excellent, but even by her atmospheric standards this recording is unbelievably good. The playing is mercurial and fiery – but there’s also a real sense of integrity to it, and in the middle movement the pianism reaches a trancelike level of concentration. It’s a very Argerich thing, actually, to play in a manner that sounds completely spontaneous while also having every musical decision also make total sense – consider how carefully she varies her trills, for instance: 5:41 (quiet, even), 8:30 (percussive), 14:27 (from forceful to wafer-thin pianissimo), and 26:59 (mechanical, rigid, even a bit frightening). In the first movement, you’ve got the granite-hewn hardness of the piano’s entry put in violent contrast against the ...
published: 30 May 2020 -
Beethoven - Piano Concerto No. 3 in C Minor Op. 37 (Daniel Barenboim & West-Eastern Divan Orchestra)
From the "Concert pour la paix" at Victoria Hall in Geneva, Daniel Barenboim and the West-Eastern Divan Orchestra perform Ludwig van Beethoven's Piano Concerto No. 3 in C Minor Op. 37. Ludwig van Beethoven - Piano Concerto No. 3 in C Minor, Opus 37 00:00 Entrance 00:21 I Allegro con brio 18:08 II Largo 27:58 III Rondo: Allegro Daniel Barenboim - conductor and piano West-Eastern Divan Orchestra Subscribe to EuroArts: https://goo.gl/jrui3M Watch Daniel Barenboim and Staatskapelle Berlin perform Beethoven's piano concertos: https://www.youtube.com/watch?v=VANISn_HIrs&list=PLBjoEdEVMABIP9duGkgD3NCUIIKuQXmVu&index=1 In the face of political and ideological divides between their respective countries, five years ago Daniel Barenboim, an Argentinean Jew and Israel’s most famous conductor and ...
published: 31 Dec 2022 -
Yunchan Lim 임윤찬 – BEETHOVEN Piano Concerto No. 3 in C Minor, op. 37 – 2022 Cliburn Competition
Final Round Concerto I June 14, 2022 Bass Performance Hall YUNCHAN LIM South Korea I Age 18 Fort Worth Symphony Orchestra Marin Alsop, conductor BEETHOVEN Piano Concerto No. 3 in C Minor, op. 37 Yunchan Lim launched onto the international music stage when he was 14. He won second prize and the Chopin Special Award in his first-ever competition, the Cleveland International Piano Competition for Young Artists in 2018. That same year, he stood out as the youngest participant in the Cooper International Competition, where he won the third prize and the audience prize, which provided the opportunity for him to perform with the Cleveland Orchestra. 2019 meant more accolades, when, at the age of 15, he was the youngest to win Korea’s IsangYun International Competition, where he also took hom...
published: 16 Jun 2022 -
(HD) Beethoven Concerto pour piano No.3 Alice Sara Ott Orchestre philharmonique de Radio France
HD Quality This is one of the best concert by Alice Sara Otto. This video was no longer on Youtube.
published: 06 Nov 2021 -
Artur Rubinstein - Beethoven: Piano Concerto No.3 - Concertgebouw Orch. - Bernard Haitink (1973)
LUDWIG VAN BEETHOVEN Piano Concerto No.3 in C minor, Op.37 00:18 I. Allegro con brio 17:35 II. Largo 26:39 III. Rondo. Allegro ARTHUR RUBINSTEIN, piano Concertgebouw Orchestra BERNARD HAITINK, conductor Filmed at the Concertgebouw, Amsterdam, 27-31 August 1973
published: 24 Dec 2017 -
Beethoven Piano Concerto No 3 Filharmonie Bohuslava Martinů / Robert Kružík Olga Scheps Piano live
Ludwig van Beethoven: Piano Concerto No.3, Op.37 Conductor: Robert Kružík, Šéfdirigent Filharmonie Bohuslava Martinů Piano: Olga Scheps Orchestra: Filharmonie Bohuslava Martinů Zlín Recorded live in Zlín, Czech Republic 2021
published: 28 Jan 2023 -
Beethoven - Piano Concerto No. 3 (Brendel, Abbado)
Ludwig van Beethoven - Piano Concerto No. 3 in C minor, Op. 37 Piano: Alfred Brendel Conductor: Claudio Abbado Lucerne Festival Orchestra 1:04 - Allegro con brio 17:59 - Largo 27:25 - Rondo. Allegro
published: 16 Oct 2015 -
Beethoven: Piano Concerto No.3 Op.37 - Maya Oganyan, Eduard Topchjan, Armenian National Philarmonic
00:30 - I. Allegro con brio 18:40 - II. Largo 29:07 - III. Rondo. Allegro Maya Oganyan, piano Eduard Topchjan, conductor Armenian National Philharmonic Orchestra Recorded on 12/12/2023 in Teatro Verdi, Pordenone, Italy
published: 03 May 2024 -
Beethoven: Piano Concerto No. 3 | Fabian Müller, Paavo Järvi & Tonhalle Orchestra Zürich
It is Beethoven's only piano concerto in a minor key, the “sad” C minor. And yet the ending is a joyful. You are listening to a live recording of Beethoven's Piano Concerto No. 3 in C minor, Op. 37, played by the Tonhalle Orchestra Zurich under its chief conductor Paavo Järvi. The solo part on the piano is performed by the German pianist Fabian Müller. The concert took place on September 2, 2023 at Bonn Opera House as part of the Beethovenfest Bonn. 00:00 Coming on stage 00:31 I. Allegro con brio 18:11 II. Largo 27:17 III. Rondo. Allegro TONHALLE ORCHESTRA ZÜRICH Paavo Järvi | CONDUCTOR Fabian Müller | PIANO At the premiere on April 5, 1803, Beethoven (1770-1827) himself sat at the piano. He had asked his friend Ignaz Xaver von Seyfried to turn over the sheet music during the performanc...
published: 02 Jun 2024
developed with YouTube
42:11
Beethoven Piano Concerto No 3 │Wiener Philharmoniker, Bernstein 1989
- Order: Reorder
- Duration: 42:11
- Uploaded Date: 08 Nov 2021
- views: 236677
One of the best Beethoven Piano Concerto No.3
One of the best Beethoven Piano Concerto No.3
https://wn.com/Beethoven_Piano_Concerto_No_3_│Wiener_Philharmoniker,_Bernstein_1989
One of the best Beethoven Piano Concerto No.3
35:19
Beethoven: Piano Concerto No.3 in Cm, Op.37 (Argerich)
- Order: Reorder
- Duration: 35:19
- Uploaded Date: 30 May 2020
- views: 528324
Argerich never produces recordings that are anything less than excellent, but even by her atmospheric standards this recording is unbelievably good. The playing...
Argerich never produces recordings that are anything less than excellent, but even by her atmospheric standards this recording is unbelievably good. The playing is mercurial and fiery – but there’s also a real sense of integrity to it, and in the middle movement the pianism reaches a trancelike level of concentration. It’s a very Argerich thing, actually, to play in a manner that sounds completely spontaneous while also having every musical decision also make total sense – consider how carefully she varies her trills, for instance: 5:41 (quiet, even), 8:30 (percussive), 14:27 (from forceful to wafer-thin pianissimo), and 26:59 (mechanical, rigid, even a bit frightening).
In the first movement, you’ve got the granite-hewn hardness of the piano’s entry put in violent contrast against the expressiveness of the rising chords at 3:28. And immediately after, the melodic lines at 3:37 and 4:17 are presented improvisationally, with dozens of dynamic dips/rises and microscopic changes in tempo. Even a simple thing like the falling arpeggio at 4:07 is given a steely brilliance that lifts it a notch above what you usually hear.
The second movement is taken at a really slow tempo, but this works wonders – the ending of the movement seems to stretch to musical infinity, and 20:09 becomes into a moving meditation between piano and winds. And I’ve not heard a better handling of the LH tremolo at 17:17, which here dissolves into a translucent haze of sound.
The last movement is taut and combative, filled with jabbing accent, and some surprisingly coy moments (e.g., 28:14, where Argerich plays the alternating high and low phrases very differently: the first rhythmically tight and detached, the second drowsily legato and noticeably slower, with a hair’s-breadth pause between the two). My favourite modulation in all the Beethoven concertos is also handled brilliantly here: the piano cuts off the orchestra mid-sentence at 31:17 by coming in very loud, and with these arrogant agogic accents. And needless to say, the coda is taken at a blistering, reckless speed: 34:24.
https://wn.com/Beethoven_Piano_Concerto_No.3_In_Cm,_Op.37_(Argerich)
Argerich never produces recordings that are anything less than excellent, but even by her atmospheric standards this recording is unbelievably good. The playing is mercurial and fiery – but there’s also a real sense of integrity to it, and in the middle movement the pianism reaches a trancelike level of concentration. It’s a very Argerich thing, actually, to play in a manner that sounds completely spontaneous while also having every musical decision also make total sense – consider how carefully she varies her trills, for instance: 5:41 (quiet, even), 8:30 (percussive), 14:27 (from forceful to wafer-thin pianissimo), and 26:59 (mechanical, rigid, even a bit frightening).
In the first movement, you’ve got the granite-hewn hardness of the piano’s entry put in violent contrast against the expressiveness of the rising chords at 3:28. And immediately after, the melodic lines at 3:37 and 4:17 are presented improvisationally, with dozens of dynamic dips/rises and microscopic changes in tempo. Even a simple thing like the falling arpeggio at 4:07 is given a steely brilliance that lifts it a notch above what you usually hear.
The second movement is taken at a really slow tempo, but this works wonders – the ending of the movement seems to stretch to musical infinity, and 20:09 becomes into a moving meditation between piano and winds. And I’ve not heard a better handling of the LH tremolo at 17:17, which here dissolves into a translucent haze of sound.
The last movement is taut and combative, filled with jabbing accent, and some surprisingly coy moments (e.g., 28:14, where Argerich plays the alternating high and low phrases very differently: the first rhythmically tight and detached, the second drowsily legato and noticeably slower, with a hair’s-breadth pause between the two). My favourite modulation in all the Beethoven concertos is also handled brilliantly here: the piano cuts off the orchestra mid-sentence at 31:17 by coming in very loud, and with these arrogant agogic accents. And needless to say, the coda is taken at a blistering, reckless speed: 34:24.
- published: 30 May 2020
- views: 528324
37:59
Beethoven - Piano Concerto No. 3 in C Minor Op. 37 (Daniel Barenboim & West-Eastern Divan Orchestra)
- Order: Reorder
- Duration: 37:59
- Uploaded Date: 31 Dec 2022
- views: 564616
From the "Concert pour la paix" at Victoria Hall in Geneva,
Daniel Barenboim and the West-Eastern Divan Orchestra perform Ludwig van Beethoven's Piano Concerto ...
From the "Concert pour la paix" at Victoria Hall in Geneva,
Daniel Barenboim and the West-Eastern Divan Orchestra perform Ludwig van Beethoven's Piano Concerto No. 3 in C Minor Op. 37.
Ludwig van Beethoven - Piano Concerto No. 3 in C Minor, Opus 37
00:00 Entrance
00:21 I Allegro con brio
18:08 II Largo
27:58 III Rondo: Allegro
Daniel Barenboim - conductor and piano
West-Eastern Divan Orchestra
Subscribe to EuroArts: https://goo.gl/jrui3M
Watch Daniel Barenboim and Staatskapelle Berlin perform Beethoven's piano concertos:
https://www.youtube.com/watch?v=VANISn_HIrs&list=PLBjoEdEVMABIP9duGkgD3NCUIIKuQXmVu&index=1
In the face of political and ideological divides between their respective countries, five years ago Daniel Barenboim, an Argentinean Jew and Israel’s most famous conductor and pianist, along with
Christian Palestinian philosopher Edward Said, put together the West-Eastern Divan Orchestra.
Symbolically named after Goethe’s book of poems called West-Östlicher Divan, a synthesis of Islamic and European poetry published as the Napoleonic Wars drew to a close, the Orchestra comprises an equal number of young Israeli and Arab musicians aged between 13 and 26. For all its symbolism, and hopefully something rather more than that, the aims and ambitions of the West-Eastern Divan Orchestra are first and foremost musical ones: the Middle East’s political divides are eschewed for a union of musical talent, which speaks volumes for cultural interaction. Once the music starts, that is what matters. And it mattered considerably at this concert, the orchestra’s members fresh from a residency in Seville – radiating learning and conviction, and sharing the wonderful power of music in no uncertain terms. In this live recording from a concert in the Victoria Hall in Geneva two familiar masterworks were presented with significant import, Beethoven’s 3rd piano concerto and Tchaikovsky's famous 5th Symphony. As an encore, we also hear the overture from Verdi's La Forza del destino and Jean Sibelius' "Valse triste".
Directed by Bob Cole
A production of EuroArts Music International
In Coproduction with Fundación tres Culturas del Mediterráneo
© 2004 EuroArts Music International
https://wn.com/Beethoven_Piano_Concerto_No._3_In_C_Minor_Op._37_(Daniel_Barenboim_West_Eastern_Divan_Orchestra)
From the "Concert pour la paix" at Victoria Hall in Geneva,
Daniel Barenboim and the West-Eastern Divan Orchestra perform Ludwig van Beethoven's Piano Concerto No. 3 in C Minor Op. 37.
Ludwig van Beethoven - Piano Concerto No. 3 in C Minor, Opus 37
00:00 Entrance
00:21 I Allegro con brio
18:08 II Largo
27:58 III Rondo: Allegro
Daniel Barenboim - conductor and piano
West-Eastern Divan Orchestra
Subscribe to EuroArts: https://goo.gl/jrui3M
Watch Daniel Barenboim and Staatskapelle Berlin perform Beethoven's piano concertos:
https://www.youtube.com/watch?v=VANISn_HIrs&list=PLBjoEdEVMABIP9duGkgD3NCUIIKuQXmVu&index=1
In the face of political and ideological divides between their respective countries, five years ago Daniel Barenboim, an Argentinean Jew and Israel’s most famous conductor and pianist, along with
Christian Palestinian philosopher Edward Said, put together the West-Eastern Divan Orchestra.
Symbolically named after Goethe’s book of poems called West-Östlicher Divan, a synthesis of Islamic and European poetry published as the Napoleonic Wars drew to a close, the Orchestra comprises an equal number of young Israeli and Arab musicians aged between 13 and 26. For all its symbolism, and hopefully something rather more than that, the aims and ambitions of the West-Eastern Divan Orchestra are first and foremost musical ones: the Middle East’s political divides are eschewed for a union of musical talent, which speaks volumes for cultural interaction. Once the music starts, that is what matters. And it mattered considerably at this concert, the orchestra’s members fresh from a residency in Seville – radiating learning and conviction, and sharing the wonderful power of music in no uncertain terms. In this live recording from a concert in the Victoria Hall in Geneva two familiar masterworks were presented with significant import, Beethoven’s 3rd piano concerto and Tchaikovsky's famous 5th Symphony. As an encore, we also hear the overture from Verdi's La Forza del destino and Jean Sibelius' "Valse triste".
Directed by Bob Cole
A production of EuroArts Music International
In Coproduction with Fundación tres Culturas del Mediterráneo
© 2004 EuroArts Music International
- published: 31 Dec 2022
- views: 564616
38:45
Yunchan Lim 임윤찬 – BEETHOVEN Piano Concerto No. 3 in C Minor, op. 37 – 2022 Cliburn Competition
- Order: Reorder
- Duration: 38:45
- Uploaded Date: 16 Jun 2022
- views: 4912465
Final Round Concerto I
June 14, 2022
Bass Performance Hall
YUNCHAN LIM
South Korea I Age 18
Fort Worth Symphony Orchestra
Marin Alsop, conductor
BEETHOVEN P...
Final Round Concerto I
June 14, 2022
Bass Performance Hall
YUNCHAN LIM
South Korea I Age 18
Fort Worth Symphony Orchestra
Marin Alsop, conductor
BEETHOVEN Piano Concerto No. 3 in C Minor, op. 37
Yunchan Lim launched onto the international music stage when he was 14. He won second prize and the Chopin Special Award in his first-ever competition, the Cleveland International Piano Competition for Young Artists in 2018. That same year, he stood out as the youngest participant in the Cooper International Competition, where he won the third prize and the audience prize, which provided the opportunity for him to perform with the Cleveland Orchestra. 2019 meant more accolades, when, at the age of 15, he was the youngest to win Korea’s IsangYun International Competition, where he also took home two special prizes.
Now just 18, he has performed across South Korea—including with the Korean Orchestra Festival, Korea Symphony, Suwon Philharmonic, and Busan Philharmonic Orchestras, among others—as well as in Madrid, at the invitation of the Korea Cultural Center in Spain. He also participated in the recording of “2020 Young Musicians of Korea,” organized by the Korean Broadcasting System and released that November.
A native of Siheung, Yunchan currently studies at the Korea National University of Arts under Minsoo Sohn. Coming to Fort Worth, he says he is “looking forward to playing in front of the warmest and most passionate audience in the world.”
https://wn.com/Yunchan_Lim_임윤찬_–_Beethoven_Piano_Concerto_No._3_In_C_Minor,_Op._37_–_2022_Cliburn_Competition
Final Round Concerto I
June 14, 2022
Bass Performance Hall
YUNCHAN LIM
South Korea I Age 18
Fort Worth Symphony Orchestra
Marin Alsop, conductor
BEETHOVEN Piano Concerto No. 3 in C Minor, op. 37
Yunchan Lim launched onto the international music stage when he was 14. He won second prize and the Chopin Special Award in his first-ever competition, the Cleveland International Piano Competition for Young Artists in 2018. That same year, he stood out as the youngest participant in the Cooper International Competition, where he won the third prize and the audience prize, which provided the opportunity for him to perform with the Cleveland Orchestra. 2019 meant more accolades, when, at the age of 15, he was the youngest to win Korea’s IsangYun International Competition, where he also took home two special prizes.
Now just 18, he has performed across South Korea—including with the Korean Orchestra Festival, Korea Symphony, Suwon Philharmonic, and Busan Philharmonic Orchestras, among others—as well as in Madrid, at the invitation of the Korea Cultural Center in Spain. He also participated in the recording of “2020 Young Musicians of Korea,” organized by the Korean Broadcasting System and released that November.
A native of Siheung, Yunchan currently studies at the Korea National University of Arts under Minsoo Sohn. Coming to Fort Worth, he says he is “looking forward to playing in front of the warmest and most passionate audience in the world.”
- published: 16 Jun 2022
- views: 4912465
48:04
(HD) Beethoven Concerto pour piano No.3 Alice Sara Ott Orchestre philharmonique de Radio France
- Order: Reorder
- Duration: 48:04
- Uploaded Date: 06 Nov 2021
- views: 94249
HD Quality
This is one of the best concert by Alice Sara Otto. This video was no longer on Youtube.
HD Quality
This is one of the best concert by Alice Sara Otto. This video was no longer on Youtube.
https://wn.com/(Hd)_Beethoven_Concerto_Pour_Piano_No.3_Alice_Sara_Ott_Orchestre_Philharmonique_De_Radio_France
HD Quality
This is one of the best concert by Alice Sara Otto. This video was no longer on Youtube.
- published: 06 Nov 2021
- views: 94249
35:44
Artur Rubinstein - Beethoven: Piano Concerto No.3 - Concertgebouw Orch. - Bernard Haitink (1973)
- Order: Reorder
- Duration: 35:44
- Uploaded Date: 24 Dec 2017
- views: 348333
LUDWIG VAN BEETHOVEN
Piano Concerto No.3 in C minor, Op.37
00:18 I. Allegro con brio
17:35 II. Largo
26:39 III. Rondo. Allegro
ARTHUR RUBINSTEIN, piano
Concert...
LUDWIG VAN BEETHOVEN
Piano Concerto No.3 in C minor, Op.37
00:18 I. Allegro con brio
17:35 II. Largo
26:39 III. Rondo. Allegro
ARTHUR RUBINSTEIN, piano
Concertgebouw Orchestra
BERNARD HAITINK, conductor
Filmed at the Concertgebouw, Amsterdam, 27-31 August 1973
https://wn.com/Artur_Rubinstein_Beethoven_Piano_Concerto_No.3_Concertgebouw_Orch._Bernard_Haitink_(1973)
LUDWIG VAN BEETHOVEN
Piano Concerto No.3 in C minor, Op.37
00:18 I. Allegro con brio
17:35 II. Largo
26:39 III. Rondo. Allegro
ARTHUR RUBINSTEIN, piano
Concertgebouw Orchestra
BERNARD HAITINK, conductor
Filmed at the Concertgebouw, Amsterdam, 27-31 August 1973
- published: 24 Dec 2017
- views: 348333
40:36
Beethoven Piano Concerto No 3 Filharmonie Bohuslava Martinů / Robert Kružík Olga Scheps Piano live
- Order: Reorder
- Duration: 40:36
- Uploaded Date: 28 Jan 2023
- views: 908983
Ludwig van Beethoven: Piano Concerto No.3, Op.37
Conductor: Robert Kružík, Šéfdirigent Filharmonie Bohuslava Martinů
Piano: Olga Scheps
Orchestra: Filharmonie ...
Ludwig van Beethoven: Piano Concerto No.3, Op.37
Conductor: Robert Kružík, Šéfdirigent Filharmonie Bohuslava Martinů
Piano: Olga Scheps
Orchestra: Filharmonie Bohuslava Martinů Zlín
Recorded live in Zlín, Czech Republic 2021
https://wn.com/Beethoven_Piano_Concerto_No_3_Filharmonie_Bohuslava_Martinů_Robert_Kružík_Olga_Scheps_Piano_Live
Ludwig van Beethoven: Piano Concerto No.3, Op.37
Conductor: Robert Kružík, Šéfdirigent Filharmonie Bohuslava Martinů
Piano: Olga Scheps
Orchestra: Filharmonie Bohuslava Martinů Zlín
Recorded live in Zlín, Czech Republic 2021
- published: 28 Jan 2023
- views: 908983
38:33
Beethoven - Piano Concerto No. 3 (Brendel, Abbado)
- Order: Reorder
- Duration: 38:33
- Uploaded Date: 16 Oct 2015
- views: 1621375
Ludwig van Beethoven - Piano Concerto No. 3 in C minor, Op. 37
Piano: Alfred Brendel
Conductor: Claudio Abbado
Lucerne Festival Orchestra
1:04 - Allegro con br...
Ludwig van Beethoven - Piano Concerto No. 3 in C minor, Op. 37
Piano: Alfred Brendel
Conductor: Claudio Abbado
Lucerne Festival Orchestra
1:04 - Allegro con brio
17:59 - Largo
27:25 - Rondo. Allegro
https://wn.com/Beethoven_Piano_Concerto_No._3_(Brendel,_Abbado)
Ludwig van Beethoven - Piano Concerto No. 3 in C minor, Op. 37
Piano: Alfred Brendel
Conductor: Claudio Abbado
Lucerne Festival Orchestra
1:04 - Allegro con brio
17:59 - Largo
27:25 - Rondo. Allegro
- published: 16 Oct 2015
- views: 1621375
42:43
Beethoven: Piano Concerto No.3 Op.37 - Maya Oganyan, Eduard Topchjan, Armenian National Philarmonic
- Order: Reorder
- Duration: 42:43
- Uploaded Date: 03 May 2024
- views: 658599
00:30 - I. Allegro con brio
18:40 - II. Largo
29:07 - III. Rondo. Allegro
Maya Oganyan, piano
Eduard Topchjan, conductor
Armenian National Philharmonic Orchest...
00:30 - I. Allegro con brio
18:40 - II. Largo
29:07 - III. Rondo. Allegro
Maya Oganyan, piano
Eduard Topchjan, conductor
Armenian National Philharmonic Orchestra
Recorded on 12/12/2023 in Teatro Verdi, Pordenone, Italy
https://wn.com/Beethoven_Piano_Concerto_No.3_Op.37_Maya_Oganyan,_Eduard_Topchjan,_Armenian_National_Philarmonic
00:30 - I. Allegro con brio
18:40 - II. Largo
29:07 - III. Rondo. Allegro
Maya Oganyan, piano
Eduard Topchjan, conductor
Armenian National Philharmonic Orchestra
Recorded on 12/12/2023 in Teatro Verdi, Pordenone, Italy
- published: 03 May 2024
- views: 658599
37:00
Beethoven: Piano Concerto No. 3 | Fabian Müller, Paavo Järvi & Tonhalle Orchestra Zürich
- Order: Reorder
- Duration: 37:00
- Uploaded Date: 02 Jun 2024
- views: 32098
It is Beethoven's only piano concerto in a minor key, the “sad” C minor. And yet the ending is a joyful. You are listening to a live recording of Beethoven's Pi...
It is Beethoven's only piano concerto in a minor key, the “sad” C minor. And yet the ending is a joyful. You are listening to a live recording of Beethoven's Piano Concerto No. 3 in C minor, Op. 37, played by the Tonhalle Orchestra Zurich under its chief conductor Paavo Järvi. The solo part on the piano is performed by the German pianist Fabian Müller. The concert took place on September 2, 2023 at Bonn Opera House as part of the Beethovenfest Bonn.
00:00 Coming on stage
00:31 I. Allegro con brio
18:11 II. Largo
27:17 III. Rondo. Allegro
TONHALLE ORCHESTRA ZÜRICH
Paavo Järvi | CONDUCTOR
Fabian Müller | PIANO
At the premiere on April 5, 1803, Beethoven (1770-1827) himself sat at the piano. He had asked his friend Ignaz Xaver von Seyfried to turn over the sheet music during the performance. Unlike the orchestral parts, however, he had not yet put the solo part down on paper. Apart from a few marks that were illegible to his friend and some notations on how the piece was to progress, the sheets are said to have been completely blank. Whether Beethoven was in a hurry - as was often the case - and thus improvised the performance, or whether he played from memory and was having a laugh with his friend, is not known for certain.
Of Beethoven's five piano concertos, only the third is in a minor key. To be more precise, it is in C minor, inspired by Mozart's C minor Concerto K. 491. And yet Beethoven liked to experiment with classical forms and musical motifs. This is why this third piano concerto is also described as a symphonic solo concerto. This concerto form developed in the course of the 19th century and is characterized by the close interweaving of the motivic and thematic development of the orchestral parts and the solo piano.
In the final movement, the Rondo Allegro, Beethoven switches from the rather somber and sad key of C minor to E-flat major, bringing the concerto to a joyful and virtuosic conclusion. For the German pianist Fabian Müller, it is the work of a young man who had a lot of dark, but also a lot of joyful energy. Müller particularly loves the fact that the piece ends on such a happy and joyful note.
Fabian Müller is an award-winning pianist who has played with numerous orchestras. Müller is also artistic director of the chamber music series “Bonner Zwischentöne,” which he founded. He’s also involved in the field of music education. In 2014, his role in the education project of the Ruhr Piano Festival was awarded the Junge Ohren Prize, and in 2016 he received an Echo Klassik award. Like Beethoven, Müller was born in Bonn, albeit 220 years later, in 1990. The Beethovenfest Bonn is a festival that's very close to his heart.
Grammy Award-winning Estonian conductor Paavo Järvi is widely recognized as one of today’s most eminent conductors and has worked closely with the world's finest orchestras. He serves as chief conductor of the Tonhalle Orchestra Zürich, the long-standing artistic director of the Deutsche Kammerphilharmonie Bremen since 2004, and as both the founder and artistic director of the Estonian Festival Orchestra. From the start of the 2022/23 season, he was also Honorary Conductor of the NHK Symphony Orchestra.
Founded in 1868, the Tonhalle Orchestra Zürich is one of Switzerland’s leading ensembles. Around 100 musicians perform about 50 different programs in over 100 concerts each season. Guest performances have taken the orchestra to cities in over 30 countries. Recently, the orchestra received the European Culture Prize 2022 together with Paavo Järvi.
© 2024 Deutsche Welle
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
in our Beethoven playlist:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBWcX1eOXH-w75x-_-7gRF-w
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https://wn.com/Beethoven_Piano_Concerto_No._3_|_Fabian_Müller,_Paavo_Järvi_Tonhalle_Orchestra_Zürich
It is Beethoven's only piano concerto in a minor key, the “sad” C minor. And yet the ending is a joyful. You are listening to a live recording of Beethoven's Piano Concerto No. 3 in C minor, Op. 37, played by the Tonhalle Orchestra Zurich under its chief conductor Paavo Järvi. The solo part on the piano is performed by the German pianist Fabian Müller. The concert took place on September 2, 2023 at Bonn Opera House as part of the Beethovenfest Bonn.
00:00 Coming on stage
00:31 I. Allegro con brio
18:11 II. Largo
27:17 III. Rondo. Allegro
TONHALLE ORCHESTRA ZÜRICH
Paavo Järvi | CONDUCTOR
Fabian Müller | PIANO
At the premiere on April 5, 1803, Beethoven (1770-1827) himself sat at the piano. He had asked his friend Ignaz Xaver von Seyfried to turn over the sheet music during the performance. Unlike the orchestral parts, however, he had not yet put the solo part down on paper. Apart from a few marks that were illegible to his friend and some notations on how the piece was to progress, the sheets are said to have been completely blank. Whether Beethoven was in a hurry - as was often the case - and thus improvised the performance, or whether he played from memory and was having a laugh with his friend, is not known for certain.
Of Beethoven's five piano concertos, only the third is in a minor key. To be more precise, it is in C minor, inspired by Mozart's C minor Concerto K. 491. And yet Beethoven liked to experiment with classical forms and musical motifs. This is why this third piano concerto is also described as a symphonic solo concerto. This concerto form developed in the course of the 19th century and is characterized by the close interweaving of the motivic and thematic development of the orchestral parts and the solo piano.
In the final movement, the Rondo Allegro, Beethoven switches from the rather somber and sad key of C minor to E-flat major, bringing the concerto to a joyful and virtuosic conclusion. For the German pianist Fabian Müller, it is the work of a young man who had a lot of dark, but also a lot of joyful energy. Müller particularly loves the fact that the piece ends on such a happy and joyful note.
Fabian Müller is an award-winning pianist who has played with numerous orchestras. Müller is also artistic director of the chamber music series “Bonner Zwischentöne,” which he founded. He’s also involved in the field of music education. In 2014, his role in the education project of the Ruhr Piano Festival was awarded the Junge Ohren Prize, and in 2016 he received an Echo Klassik award. Like Beethoven, Müller was born in Bonn, albeit 220 years later, in 1990. The Beethovenfest Bonn is a festival that's very close to his heart.
Grammy Award-winning Estonian conductor Paavo Järvi is widely recognized as one of today’s most eminent conductors and has worked closely with the world's finest orchestras. He serves as chief conductor of the Tonhalle Orchestra Zürich, the long-standing artistic director of the Deutsche Kammerphilharmonie Bremen since 2004, and as both the founder and artistic director of the Estonian Festival Orchestra. From the start of the 2022/23 season, he was also Honorary Conductor of the NHK Symphony Orchestra.
Founded in 1868, the Tonhalle Orchestra Zürich is one of Switzerland’s leading ensembles. Around 100 musicians perform about 50 different programs in over 100 concerts each season. Guest performances have taken the orchestra to cities in over 30 countries. Recently, the orchestra received the European Culture Prize 2022 together with Paavo Järvi.
© 2024 Deutsche Welle
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
in our Beethoven playlist:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBWcX1eOXH-w75x-_-7gRF-w
and in our playlist with piano concertos:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBU7k2TJgrgNCc9aygnNkaGZ
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#beethoven #pianoconcerto #classicalmusic
- published: 02 Jun 2024
- views: 32098
42:11
Beethoven Piano Concerto No 3 │Wiener Philharmoniker, Bernstein 1989
One of the best Beethoven Piano Concerto No.3
published: 08 Nov 2021
Beethoven Piano Concerto No 3 │Wiener Philharmoniker, Bernstein 1989
Beethoven Piano Concerto No 3 │Wiener Philharmoniker, Bernstein 1989
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- published: 08 Nov 2021
- views: 236677
One of the best Beethoven Piano Concerto No.3
35:19
Beethoven: Piano Concerto No.3 in Cm, Op.37 (Argerich)
Argerich never produces recordings that are anything less than excellent, but even by her ...
published: 30 May 2020
Beethoven: Piano Concerto No.3 in Cm, Op.37 (Argerich)
Beethoven: Piano Concerto No.3 in Cm, Op.37 (Argerich)
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- published: 30 May 2020
- views: 528324
Argerich never produces recordings that are anything less than excellent, but even by her atmospheric standards this recording is unbelievably good. The playing is mercurial and fiery – but there’s also a real sense of integrity to it, and in the middle movement the pianism reaches a trancelike level of concentration. It’s a very Argerich thing, actually, to play in a manner that sounds completely spontaneous while also having every musical decision also make total sense – consider how carefully she varies her trills, for instance: 5:41 (quiet, even), 8:30 (percussive), 14:27 (from forceful to wafer-thin pianissimo), and 26:59 (mechanical, rigid, even a bit frightening).
In the first movement, you’ve got the granite-hewn hardness of the piano’s entry put in violent contrast against the expressiveness of the rising chords at 3:28. And immediately after, the melodic lines at 3:37 and 4:17 are presented improvisationally, with dozens of dynamic dips/rises and microscopic changes in tempo. Even a simple thing like the falling arpeggio at 4:07 is given a steely brilliance that lifts it a notch above what you usually hear.
The second movement is taken at a really slow tempo, but this works wonders – the ending of the movement seems to stretch to musical infinity, and 20:09 becomes into a moving meditation between piano and winds. And I’ve not heard a better handling of the LH tremolo at 17:17, which here dissolves into a translucent haze of sound.
The last movement is taut and combative, filled with jabbing accent, and some surprisingly coy moments (e.g., 28:14, where Argerich plays the alternating high and low phrases very differently: the first rhythmically tight and detached, the second drowsily legato and noticeably slower, with a hair’s-breadth pause between the two). My favourite modulation in all the Beethoven concertos is also handled brilliantly here: the piano cuts off the orchestra mid-sentence at 31:17 by coming in very loud, and with these arrogant agogic accents. And needless to say, the coda is taken at a blistering, reckless speed: 34:24.
37:59
Beethoven - Piano Concerto No. 3 in C Minor Op. 37 (Daniel Barenboim & West-Eastern Divan Orchestra)
From the "Concert pour la paix" at Victoria Hall in Geneva,
Daniel Barenboim and the West-...
published: 31 Dec 2022
Beethoven - Piano Concerto No. 3 in C Minor Op. 37 (Daniel Barenboim & West-Eastern Divan Orchestra)
Beethoven - Piano Concerto No. 3 in C Minor Op. 37 (Daniel Barenboim & West-Eastern Divan Orchestra)
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- published: 31 Dec 2022
- views: 564616
From the "Concert pour la paix" at Victoria Hall in Geneva,
Daniel Barenboim and the West-Eastern Divan Orchestra perform Ludwig van Beethoven's Piano Concerto No. 3 in C Minor Op. 37.
Ludwig van Beethoven - Piano Concerto No. 3 in C Minor, Opus 37
00:00 Entrance
00:21 I Allegro con brio
18:08 II Largo
27:58 III Rondo: Allegro
Daniel Barenboim - conductor and piano
West-Eastern Divan Orchestra
Subscribe to EuroArts: https://goo.gl/jrui3M
Watch Daniel Barenboim and Staatskapelle Berlin perform Beethoven's piano concertos:
https://www.youtube.com/watch?v=VANISn_HIrs&list=PLBjoEdEVMABIP9duGkgD3NCUIIKuQXmVu&index=1
In the face of political and ideological divides between their respective countries, five years ago Daniel Barenboim, an Argentinean Jew and Israel’s most famous conductor and pianist, along with
Christian Palestinian philosopher Edward Said, put together the West-Eastern Divan Orchestra.
Symbolically named after Goethe’s book of poems called West-Östlicher Divan, a synthesis of Islamic and European poetry published as the Napoleonic Wars drew to a close, the Orchestra comprises an equal number of young Israeli and Arab musicians aged between 13 and 26. For all its symbolism, and hopefully something rather more than that, the aims and ambitions of the West-Eastern Divan Orchestra are first and foremost musical ones: the Middle East’s political divides are eschewed for a union of musical talent, which speaks volumes for cultural interaction. Once the music starts, that is what matters. And it mattered considerably at this concert, the orchestra’s members fresh from a residency in Seville – radiating learning and conviction, and sharing the wonderful power of music in no uncertain terms. In this live recording from a concert in the Victoria Hall in Geneva two familiar masterworks were presented with significant import, Beethoven’s 3rd piano concerto and Tchaikovsky's famous 5th Symphony. As an encore, we also hear the overture from Verdi's La Forza del destino and Jean Sibelius' "Valse triste".
Directed by Bob Cole
A production of EuroArts Music International
In Coproduction with Fundación tres Culturas del Mediterráneo
© 2004 EuroArts Music International
38:45
Yunchan Lim 임윤찬 – BEETHOVEN Piano Concerto No. 3 in C Minor, op. 37 – 2022 Cliburn Competition
Final Round Concerto I
June 14, 2022
Bass Performance Hall
YUNCHAN LIM
South Korea I Ag...
published: 16 Jun 2022
Yunchan Lim 임윤찬 – BEETHOVEN Piano Concerto No. 3 in C Minor, op. 37 – 2022 Cliburn Competition
Yunchan Lim 임윤찬 – BEETHOVEN Piano Concerto No. 3 in C Minor, op. 37 – 2022 Cliburn Competition
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- published: 16 Jun 2022
- views: 4912465
Final Round Concerto I
June 14, 2022
Bass Performance Hall
YUNCHAN LIM
South Korea I Age 18
Fort Worth Symphony Orchestra
Marin Alsop, conductor
BEETHOVEN Piano Concerto No. 3 in C Minor, op. 37
Yunchan Lim launched onto the international music stage when he was 14. He won second prize and the Chopin Special Award in his first-ever competition, the Cleveland International Piano Competition for Young Artists in 2018. That same year, he stood out as the youngest participant in the Cooper International Competition, where he won the third prize and the audience prize, which provided the opportunity for him to perform with the Cleveland Orchestra. 2019 meant more accolades, when, at the age of 15, he was the youngest to win Korea’s IsangYun International Competition, where he also took home two special prizes.
Now just 18, he has performed across South Korea—including with the Korean Orchestra Festival, Korea Symphony, Suwon Philharmonic, and Busan Philharmonic Orchestras, among others—as well as in Madrid, at the invitation of the Korea Cultural Center in Spain. He also participated in the recording of “2020 Young Musicians of Korea,” organized by the Korean Broadcasting System and released that November.
A native of Siheung, Yunchan currently studies at the Korea National University of Arts under Minsoo Sohn. Coming to Fort Worth, he says he is “looking forward to playing in front of the warmest and most passionate audience in the world.”
48:04
(HD) Beethoven Concerto pour piano No.3 Alice Sara Ott Orchestre philharmonique de Radio France
HD Quality
This is one of the best concert by Alice Sara Otto. This video was no longer o...
published: 06 Nov 2021
(HD) Beethoven Concerto pour piano No.3 Alice Sara Ott Orchestre philharmonique de Radio France
(HD) Beethoven Concerto pour piano No.3 Alice Sara Ott Orchestre philharmonique de Radio France
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- published: 06 Nov 2021
- views: 94249
HD Quality
This is one of the best concert by Alice Sara Otto. This video was no longer on Youtube.
35:44
Artur Rubinstein - Beethoven: Piano Concerto No.3 - Concertgebouw Orch. - Bernard Haitink (1973)
LUDWIG VAN BEETHOVEN
Piano Concerto No.3 in C minor, Op.37
00:18 I. Allegro con brio
17:35...
published: 24 Dec 2017
Artur Rubinstein - Beethoven: Piano Concerto No.3 - Concertgebouw Orch. - Bernard Haitink (1973)
Artur Rubinstein - Beethoven: Piano Concerto No.3 - Concertgebouw Orch. - Bernard Haitink (1973)
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- published: 24 Dec 2017
- views: 348333
LUDWIG VAN BEETHOVEN
Piano Concerto No.3 in C minor, Op.37
00:18 I. Allegro con brio
17:35 II. Largo
26:39 III. Rondo. Allegro
ARTHUR RUBINSTEIN, piano
Concertgebouw Orchestra
BERNARD HAITINK, conductor
Filmed at the Concertgebouw, Amsterdam, 27-31 August 1973
40:36
Beethoven Piano Concerto No 3 Filharmonie Bohuslava Martinů / Robert Kružík Olga Scheps Piano live
Ludwig van Beethoven: Piano Concerto No.3, Op.37
Conductor: Robert Kružík, Šéfdirigent Fil...
published: 28 Jan 2023
Beethoven Piano Concerto No 3 Filharmonie Bohuslava Martinů / Robert Kružík Olga Scheps Piano live
Beethoven Piano Concerto No 3 Filharmonie Bohuslava Martinů / Robert Kružík Olga Scheps Piano live
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- published: 28 Jan 2023
- views: 908983
Ludwig van Beethoven: Piano Concerto No.3, Op.37
Conductor: Robert Kružík, Šéfdirigent Filharmonie Bohuslava Martinů
Piano: Olga Scheps
Orchestra: Filharmonie Bohuslava Martinů Zlín
Recorded live in Zlín, Czech Republic 2021
38:33
Beethoven - Piano Concerto No. 3 (Brendel, Abbado)
Ludwig van Beethoven - Piano Concerto No. 3 in C minor, Op. 37
Piano: Alfred Brendel
Condu...
published: 16 Oct 2015
Beethoven - Piano Concerto No. 3 (Brendel, Abbado)
Beethoven - Piano Concerto No. 3 (Brendel, Abbado)
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- published: 16 Oct 2015
- views: 1621375
Ludwig van Beethoven - Piano Concerto No. 3 in C minor, Op. 37
Piano: Alfred Brendel
Conductor: Claudio Abbado
Lucerne Festival Orchestra
1:04 - Allegro con brio
17:59 - Largo
27:25 - Rondo. Allegro
42:43
Beethoven: Piano Concerto No.3 Op.37 - Maya Oganyan, Eduard Topchjan, Armenian National Philarmonic
00:30 - I. Allegro con brio
18:40 - II. Largo
29:07 - III. Rondo. Allegro
Maya Oganyan, p...
published: 03 May 2024
Beethoven: Piano Concerto No.3 Op.37 - Maya Oganyan, Eduard Topchjan, Armenian National Philarmonic
Beethoven: Piano Concerto No.3 Op.37 - Maya Oganyan, Eduard Topchjan, Armenian National Philarmonic
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- published: 03 May 2024
- views: 658599
00:30 - I. Allegro con brio
18:40 - II. Largo
29:07 - III. Rondo. Allegro
Maya Oganyan, piano
Eduard Topchjan, conductor
Armenian National Philharmonic Orchestra
Recorded on 12/12/2023 in Teatro Verdi, Pordenone, Italy
37:00
Beethoven: Piano Concerto No. 3 | Fabian Müller, Paavo Järvi & Tonhalle Orchestra Zürich
It is Beethoven's only piano concerto in a minor key, the “sad” C minor. And yet the endin...
published: 02 Jun 2024
Beethoven: Piano Concerto No. 3 | Fabian Müller, Paavo Järvi & Tonhalle Orchestra Zürich
Beethoven: Piano Concerto No. 3 | Fabian Müller, Paavo Järvi & Tonhalle Orchestra Zürich
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- published: 02 Jun 2024
- views: 32098
It is Beethoven's only piano concerto in a minor key, the “sad” C minor. And yet the ending is a joyful. You are listening to a live recording of Beethoven's Piano Concerto No. 3 in C minor, Op. 37, played by the Tonhalle Orchestra Zurich under its chief conductor Paavo Järvi. The solo part on the piano is performed by the German pianist Fabian Müller. The concert took place on September 2, 2023 at Bonn Opera House as part of the Beethovenfest Bonn.
00:00 Coming on stage
00:31 I. Allegro con brio
18:11 II. Largo
27:17 III. Rondo. Allegro
TONHALLE ORCHESTRA ZÜRICH
Paavo Järvi | CONDUCTOR
Fabian Müller | PIANO
At the premiere on April 5, 1803, Beethoven (1770-1827) himself sat at the piano. He had asked his friend Ignaz Xaver von Seyfried to turn over the sheet music during the performance. Unlike the orchestral parts, however, he had not yet put the solo part down on paper. Apart from a few marks that were illegible to his friend and some notations on how the piece was to progress, the sheets are said to have been completely blank. Whether Beethoven was in a hurry - as was often the case - and thus improvised the performance, or whether he played from memory and was having a laugh with his friend, is not known for certain.
Of Beethoven's five piano concertos, only the third is in a minor key. To be more precise, it is in C minor, inspired by Mozart's C minor Concerto K. 491. And yet Beethoven liked to experiment with classical forms and musical motifs. This is why this third piano concerto is also described as a symphonic solo concerto. This concerto form developed in the course of the 19th century and is characterized by the close interweaving of the motivic and thematic development of the orchestral parts and the solo piano.
In the final movement, the Rondo Allegro, Beethoven switches from the rather somber and sad key of C minor to E-flat major, bringing the concerto to a joyful and virtuosic conclusion. For the German pianist Fabian Müller, it is the work of a young man who had a lot of dark, but also a lot of joyful energy. Müller particularly loves the fact that the piece ends on such a happy and joyful note.
Fabian Müller is an award-winning pianist who has played with numerous orchestras. Müller is also artistic director of the chamber music series “Bonner Zwischentöne,” which he founded. He’s also involved in the field of music education. In 2014, his role in the education project of the Ruhr Piano Festival was awarded the Junge Ohren Prize, and in 2016 he received an Echo Klassik award. Like Beethoven, Müller was born in Bonn, albeit 220 years later, in 1990. The Beethovenfest Bonn is a festival that's very close to his heart.
Grammy Award-winning Estonian conductor Paavo Järvi is widely recognized as one of today’s most eminent conductors and has worked closely with the world's finest orchestras. He serves as chief conductor of the Tonhalle Orchestra Zürich, the long-standing artistic director of the Deutsche Kammerphilharmonie Bremen since 2004, and as both the founder and artistic director of the Estonian Festival Orchestra. From the start of the 2022/23 season, he was also Honorary Conductor of the NHK Symphony Orchestra.
Founded in 1868, the Tonhalle Orchestra Zürich is one of Switzerland’s leading ensembles. Around 100 musicians perform about 50 different programs in over 100 concerts each season. Guest performances have taken the orchestra to cities in over 30 countries. Recently, the orchestra received the European Culture Prize 2022 together with Paavo Järvi.
© 2024 Deutsche Welle
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
in our Beethoven playlist:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBWcX1eOXH-w75x-_-7gRF-w
and in our playlist with piano concertos:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBU7k2TJgrgNCc9aygnNkaGZ
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#beethoven #pianoconcerto #classicalmusic
Piano Concerto No. 3 (Beethoven)
The Piano Concerto No. 3 in C minor, Op. 37, was composed by Ludwig van Beethoven in 1800 and was first performed on 5 April 1803, with the composer as soloist. The year for which the concerto was composed (1800) has however been questioned by contemporary musicologists. It was published in 1804. During that same performance, the Second Symphony and the oratorio Christ on the Mount of Olives were also premiered. The composition was dedicated to Prince Louis Ferdinand of Prussia. The first primary theme is reminiscent of that of Mozart's 24th Piano Concerto.
Structure
The concerto is scored for 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, 2 horns in E-flat, 2 trumpets in C, timpani, strings and piano soloist.
As is standard for Classical/Romantic-era concertos, the work is in three movements:
I. Allegro con brio
This movement is known to make forceful use of the theme (direct and indirect) throughout.
Orchestral exposition: In the orchestral exposition, the theme is introduced by the strings, and used throughout the movement. It is developed several times. In the third section (second subject), the clarinet and violin 1 introduce the second main theme, which is in the relative major key, E-flat major.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_Concerto_No._3_(Beethoven)
Beethoven Piano Concerto No 3 │Wiener Philharmonik...
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(HD) Beethoven Concerto pour piano No.3 Alice Sar...
Artur Rubinstein - Beethoven: Piano Concerto No.3 ...
Beethoven Piano Concerto No 3 Filharmonie Bohuslav...
Beethoven - Piano Concerto No. 3 (Brendel, Abbado)...
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