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Mozart: Concerto for piano and Orchestra (d-minor) K.466, Uchida
Mitsuko Uchida, Piano & Conductor
Camerata Salzburg
0:57 - Allegro 15:42 - Romance 24:38 - Allegro assai
published: 11 Nov 2012
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Mozart Piano Concerto No 20 K 466 D minor Maria João Pires Daniel Harding Swedish Radio Symphony Orc
Wolfgang Amadeus Mozart
Piano Concerto No 20 in D minor K 466
Maria João Pires, piano.
Daniel Harding conducts Swedish Radio Symphony Orchestra
Allegro 0:00
Romanze 15:28
Allegro assai 24:13
published: 08 May 2022
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Mozart. Piano Concerto No. 20 in D minor, K466 - Martha Argerich (1998)
Wolfgang Amadeus Mozart (1756-1791).
Piano Concerto No. 20 in D minor, K 466. (Cadenzas, L. v. Beethoven)
I. Allegro
II. Romance 13:32
III. Allegro Assai 22:18
Alexandre Rabinovitch, Orchestra di Padova e del Veneto.
Martha Argerich, piano.
Palazzo Giusti, Padova, September 1998.
published: 04 Jun 2012
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Mozart:Piano Concerto No.20 in D minor, K. 466 András Schiff
András Schiff, piano and conductor
Finnish Radio Symphony Orchestra (FRSO)
Mozart: Piano Concerto No. 20 in D minor, K. 466,
Mozart: Klavierkonzert d-Moll KV 466
Helsinki in 2016
published: 04 Apr 2022
-
Seong-Jin Cho - Mozart Piano Concerto No. 20 in D minor, K.466 (2011)
14th International Tchaikovsky Competition
Round 2 Phase 2
Mozart Concerto for Piano and Orchestra No. 20 in D minor, K.466
Piano : Seong-Jin Cho (He was 17 years old, 3rd Prize)
Conductor : Alexey Utkin
Great Hall of the Moscow Conservatory, June 24, 2011
(Re-upload due to copyright issue)
published: 03 Sep 2022
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Mozart - Piano Concerto No. 20, K.466 (1785) {Youri Egorov}
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music.
Please support my channel:
https://ko-fi.com/bartjebartmans
Piano Concerto No. 20 in D minor, K.466 (02-11-1785)
I. Allegro (0:00)
Cadenza by Ludwig van Beethoven
II. Romance (14:18)
III. Allegro assai (23:14)
Cadenza by Ludwig van Beethoven
Youri Egorov, piano and the Philharmonia Orchestra conducted by Wolfgang Sawallisch
Parallels have been drawn between the playing styles of Youri Egorov (1954-1988) and Dinu Lipatti (1917-1950). Additionally, both men gave their final concert...
published: 19 Aug 2023
-
Mozart, Piano Concerto No. 20 in D minor (K. 466), 1st movement
Mozart, Piano Concerto No. 20, 1st movement, K 466, with an animated graphical score.
FAQ
Q: Who are the performers in this recording?
A: Sorry, I don't know. I licensed this from Premium Beat, who represented it as a recording by a group that preferred this recording to remain anonymous. Later, it turned out that the recording had been pirated, and PB had been swindled. PB refunded my license. I never learned whose recording it was. It may happen that YouTube will ask me to remove the video (since I don't have a valid license). So, enjoy it while you can.
Q: I appreciate the animated graphical scores you make; how can I help?
A: There are many ways you can support my work:
free: watch my videos, like them, and share them with friends
¢¢¢: buy me a coffee http://ko-fi.com/musanim ...
published: 09 Apr 2014
-
Yulia Miloslavskaya: Mozart - Piano Concerto No. 20 in d-minor K 466
Yulia Miloslavskaya, piano
PreCollege Orchestra Zürich
1st of October 2017, Zurich, Switzerland
Robert Coray, Audio; Timofey Matveev, Video; Dominykas Gircius, Audio/Video-merging.
published: 10 Jun 2018
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Mozart: Piano Concerto No.20, in D minor, K. 466 (Martha Argerich)
Martha Argerich, piano
Christian Arming, conductor
New Japan Philharmonic
Wolfgang Amadeus Mozart
Piano Concerto No. 20, in D minor, K.466
03:47 - Allegro (in D minor)
14:20 - Cadenza (by Beethoven, WoO 58)
17:23 - Romance (in B-flat major)
26:32 - Allegro assai (in D minor, ending in D major)
Recorded on January 27, 2005. (Tokyo/live)
published: 31 May 2017
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Lugansky - Mozart Piano Concerto No. 20 in D minor
Wolfgang Amadeus Mozart (1756-1791)
Piano Concerto No. 20 in D minor, K. 466 (1785)
Nikolai Lugansky, Soloist
Alexander Rudin conducting the Musica Viva Orchestra, 2012
Moscow Philharmonic Society
I.
[0:00] Orchestral Expos. (Allegro)
[2:17] Solo Expos.
[5:39] Quasi-development
[7:31] Recap.
[10:47] Cadenza
[13:10] Coda
II. Romance (Rondo. B♭major)
[14:26] A
[16:17] B
[17:38] A’
[18:22] C (G minor)
[21:06] A’’
III. Rondo
[23:18] A/B (Allegro assai)
[25:21] C
[25:46] A’/B’
[27:44] C’
[28:23] Cadenza
[29:44] Coda (D major)
"Devotees of the great Romantic piano concertos tended to hear Mozart’s examples, with their singing melodies and perfection of form, as beautiful rather than great. One exception was his No. 20, Beethoven’s favorite, and the one Mozart piano c...
published: 13 Feb 2020
34:10
Mozart: Concerto for piano and Orchestra (d-minor) K.466, Uchida
Mitsuko Uchida, Piano & Conductor
Camerata Salzburg
0:57 - Allegro 15:42 - Romance 24:38 - Allegro assai
Mitsuko Uchida, Piano & Conductor
Camerata Salzburg
0:57 - Allegro 15:42 - Romance 24:38 - Allegro assai
https://wn.com/Mozart_Concerto_For_Piano_And_Orchestra_(D_Minor)_K.466,_Uchida
Mitsuko Uchida, Piano & Conductor
Camerata Salzburg
0:57 - Allegro 15:42 - Romance 24:38 - Allegro assai
- published: 11 Nov 2012
- views: 6980908
32:38
Mozart Piano Concerto No 20 K 466 D minor Maria João Pires Daniel Harding Swedish Radio Symphony Orc
Wolfgang Amadeus Mozart
Piano Concerto No 20 in D minor K 466
Maria João Pires, piano.
Daniel Harding conducts Swedish Radio Symphony Orchestra
Allegro 0:00...
Wolfgang Amadeus Mozart
Piano Concerto No 20 in D minor K 466
Maria João Pires, piano.
Daniel Harding conducts Swedish Radio Symphony Orchestra
Allegro 0:00
Romanze 15:28
Allegro assai 24:13
https://wn.com/Mozart_Piano_Concerto_No_20_K_466_D_Minor_Maria_João_Pires_Daniel_Harding_Swedish_Radio_Symphony_Orc
Wolfgang Amadeus Mozart
Piano Concerto No 20 in D minor K 466
Maria João Pires, piano.
Daniel Harding conducts Swedish Radio Symphony Orchestra
Allegro 0:00
Romanze 15:28
Allegro assai 24:13
- published: 08 May 2022
- views: 349890
29:26
Mozart. Piano Concerto No. 20 in D minor, K466 - Martha Argerich (1998)
Wolfgang Amadeus Mozart (1756-1791).
Piano Concerto No. 20 in D minor, K 466. (Cadenzas, L. v. Beethoven)
I. Allegro
II. Romance 13:32
III. Allegro Assai 22:18
...
Wolfgang Amadeus Mozart (1756-1791).
Piano Concerto No. 20 in D minor, K 466. (Cadenzas, L. v. Beethoven)
I. Allegro
II. Romance 13:32
III. Allegro Assai 22:18
Alexandre Rabinovitch, Orchestra di Padova e del Veneto.
Martha Argerich, piano.
Palazzo Giusti, Padova, September 1998.
https://wn.com/Mozart._Piano_Concerto_No._20_In_D_Minor,_K466_Martha_Argerich_(1998)
Wolfgang Amadeus Mozart (1756-1791).
Piano Concerto No. 20 in D minor, K 466. (Cadenzas, L. v. Beethoven)
I. Allegro
II. Romance 13:32
III. Allegro Assai 22:18
Alexandre Rabinovitch, Orchestra di Padova e del Veneto.
Martha Argerich, piano.
Palazzo Giusti, Padova, September 1998.
- published: 04 Jun 2012
- views: 1552655
31:23
Mozart:Piano Concerto No.20 in D minor, K. 466 András Schiff
András Schiff, piano and conductor
Finnish Radio Symphony Orchestra (FRSO)
Mozart: Piano Concerto No. 20 in D minor, K. 466,
Mozart: Klavierkonzert d-Moll KV 46...
András Schiff, piano and conductor
Finnish Radio Symphony Orchestra (FRSO)
Mozart: Piano Concerto No. 20 in D minor, K. 466,
Mozart: Klavierkonzert d-Moll KV 466
Helsinki in 2016
https://wn.com/Mozart_Piano_Concerto_No.20_In_D_Minor,_K._466_András_Schiff
András Schiff, piano and conductor
Finnish Radio Symphony Orchestra (FRSO)
Mozart: Piano Concerto No. 20 in D minor, K. 466,
Mozart: Klavierkonzert d-Moll KV 466
Helsinki in 2016
- published: 04 Apr 2022
- views: 90576
31:09
Seong-Jin Cho - Mozart Piano Concerto No. 20 in D minor, K.466 (2011)
14th International Tchaikovsky Competition
Round 2 Phase 2
Mozart Concerto for Piano and Orchestra No. 20 in D minor, K.466
Piano : Seong-Jin Cho (He was 17 ...
14th International Tchaikovsky Competition
Round 2 Phase 2
Mozart Concerto for Piano and Orchestra No. 20 in D minor, K.466
Piano : Seong-Jin Cho (He was 17 years old, 3rd Prize)
Conductor : Alexey Utkin
Great Hall of the Moscow Conservatory, June 24, 2011
(Re-upload due to copyright issue)
https://wn.com/Seong_Jin_Cho_Mozart_Piano_Concerto_No._20_In_D_Minor,_K.466_(2011)
14th International Tchaikovsky Competition
Round 2 Phase 2
Mozart Concerto for Piano and Orchestra No. 20 in D minor, K.466
Piano : Seong-Jin Cho (He was 17 years old, 3rd Prize)
Conductor : Alexey Utkin
Great Hall of the Moscow Conservatory, June 24, 2011
(Re-upload due to copyright issue)
- published: 03 Sep 2022
- views: 274303
31:00
Mozart - Piano Concerto No. 20, K.466 (1785) {Youri Egorov}
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child pro...
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music.
Please support my channel:
https://ko-fi.com/bartjebartmans
Piano Concerto No. 20 in D minor, K.466 (02-11-1785)
I. Allegro (0:00)
Cadenza by Ludwig van Beethoven
II. Romance (14:18)
III. Allegro assai (23:14)
Cadenza by Ludwig van Beethoven
Youri Egorov, piano and the Philharmonia Orchestra conducted by Wolfgang Sawallisch
Parallels have been drawn between the playing styles of Youri Egorov (1954-1988) and Dinu Lipatti (1917-1950). Additionally, both men gave their final concert performances at the age of 33, each knowing at the time that he was afflicted with a fatal illness and had but months to live.
Egorov's posthumously released CD, "Legacy 2: Youri Egorov", received the "Perfect Five-Star Rating" from CD Review Magazine.
Today, this pianist remains "in the memory of more than one music lover for the incredible delicacy and clarity of his playing".
More about Youri here: https://en.wikipedia.org/wiki/Youri_Egorov
Description by Roger Dettmer [-]
Mozart completed this work on February 10, 1785, and played the first performance the next evening in Vienna. Scoring adds a flute and two trumpets to winds, horns, timpani, and strings.
On February 11, 1785, Leopold Mozart arrived in Vienna after a wintry, bone-rattling, coach journey from Salzburg -- his first visit to the capital in 12 years and his last. On the same night he attended an Akademie by his celebrated son, who had just turned 29 and was at the peak of his popularity in ever-fickle Vienna. Leopold wrote to daughter Nannerl that, in the Casino on the Mehlgrube, he beheld "a vast concourse of people of rank.... The concert was incomparable, the orchestra excellent." After two arias by a singer from the Italian opera, there "came a new, superb piano concerto by Wolfgang, which the copyist was still writing when we arrived, and the rondo of which your brother hadn't time to play because he had to revise copies [of the orchestral parts]." This was the trailblazing D minor Concerto that survived the neglect of so much of Mozart's music during the nineteenth century. Beethoven, both smitten and influenced, played it publicly, with his own cadenzas in the first and last movements, where Mozart had improvised. No reports have survived of the audience's acceptance, but had they been hostile or even cool, surely Leopold would have reported this to Nannerl. His son's marriage without paternal permission in 1782 to Constanze Weber still rankled; so did their newfound independence. However, Papa's immediate and unreserved acceptance of Wolfgang's departures from tradition in the new concerto -- beginning immediately with an agitated, subtly changing bass line beneath the throbbing syncopation of violins and violas -- revealed a flexibility otherwise missing in his personal character. One can almost admire the manipulative Leopold for that.
In the first movement, Allegro (D minor, common time), Mozart's themes are motivic rather than conventionally melodic; more than two centuries later it remains a miracle that the soloist never plays exactly what the orchestra sets forth in the exposition, despite a rock-solid sonata structure throughout. When the piano finally enters in measure 77, it does so as an alien in a threateningly troubled land. Nor does the soloist take complete charge until the coda of the finale where, half-an-hour later, he coaxes the music into D major.
The second movement is a Romanza (B flat major, common time). Not to underrate Mozart's incomparable genius in music before this, nothing had equaled the unity of expression achieved in 1785 and after. Beyond integrating the outer movements, he made the slow movement part and parcel of the whole. This Romanza without tempo marking (but clearly Andante) is a rondo in ABACA form that plunges dramatically into G minor before the end couplet -- a significant harmonic departure not just here but in the concerto's overall context.
Mozart returns to D minor ion the third movement (Allegro assai; alla breve). Until the coda, we hear one of Mozart's rare rondos in a minor key. More precisely, it is an extended sonata-rondo (ABACDA, plus coda), since C is a development, with the reprise in section D. The development again as before in the second movement seeks out G minor -- the darkest key in Mozart's harmonic lexicon -- before D major is finally allowed to break through, albeit a whitish and wintry sun.
https://wn.com/Mozart_Piano_Concerto_No._20,_K.466_(1785)_Youri_Egorov
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music.
Please support my channel:
https://ko-fi.com/bartjebartmans
Piano Concerto No. 20 in D minor, K.466 (02-11-1785)
I. Allegro (0:00)
Cadenza by Ludwig van Beethoven
II. Romance (14:18)
III. Allegro assai (23:14)
Cadenza by Ludwig van Beethoven
Youri Egorov, piano and the Philharmonia Orchestra conducted by Wolfgang Sawallisch
Parallels have been drawn between the playing styles of Youri Egorov (1954-1988) and Dinu Lipatti (1917-1950). Additionally, both men gave their final concert performances at the age of 33, each knowing at the time that he was afflicted with a fatal illness and had but months to live.
Egorov's posthumously released CD, "Legacy 2: Youri Egorov", received the "Perfect Five-Star Rating" from CD Review Magazine.
Today, this pianist remains "in the memory of more than one music lover for the incredible delicacy and clarity of his playing".
More about Youri here: https://en.wikipedia.org/wiki/Youri_Egorov
Description by Roger Dettmer [-]
Mozart completed this work on February 10, 1785, and played the first performance the next evening in Vienna. Scoring adds a flute and two trumpets to winds, horns, timpani, and strings.
On February 11, 1785, Leopold Mozart arrived in Vienna after a wintry, bone-rattling, coach journey from Salzburg -- his first visit to the capital in 12 years and his last. On the same night he attended an Akademie by his celebrated son, who had just turned 29 and was at the peak of his popularity in ever-fickle Vienna. Leopold wrote to daughter Nannerl that, in the Casino on the Mehlgrube, he beheld "a vast concourse of people of rank.... The concert was incomparable, the orchestra excellent." After two arias by a singer from the Italian opera, there "came a new, superb piano concerto by Wolfgang, which the copyist was still writing when we arrived, and the rondo of which your brother hadn't time to play because he had to revise copies [of the orchestral parts]." This was the trailblazing D minor Concerto that survived the neglect of so much of Mozart's music during the nineteenth century. Beethoven, both smitten and influenced, played it publicly, with his own cadenzas in the first and last movements, where Mozart had improvised. No reports have survived of the audience's acceptance, but had they been hostile or even cool, surely Leopold would have reported this to Nannerl. His son's marriage without paternal permission in 1782 to Constanze Weber still rankled; so did their newfound independence. However, Papa's immediate and unreserved acceptance of Wolfgang's departures from tradition in the new concerto -- beginning immediately with an agitated, subtly changing bass line beneath the throbbing syncopation of violins and violas -- revealed a flexibility otherwise missing in his personal character. One can almost admire the manipulative Leopold for that.
In the first movement, Allegro (D minor, common time), Mozart's themes are motivic rather than conventionally melodic; more than two centuries later it remains a miracle that the soloist never plays exactly what the orchestra sets forth in the exposition, despite a rock-solid sonata structure throughout. When the piano finally enters in measure 77, it does so as an alien in a threateningly troubled land. Nor does the soloist take complete charge until the coda of the finale where, half-an-hour later, he coaxes the music into D major.
The second movement is a Romanza (B flat major, common time). Not to underrate Mozart's incomparable genius in music before this, nothing had equaled the unity of expression achieved in 1785 and after. Beyond integrating the outer movements, he made the slow movement part and parcel of the whole. This Romanza without tempo marking (but clearly Andante) is a rondo in ABACA form that plunges dramatically into G minor before the end couplet -- a significant harmonic departure not just here but in the concerto's overall context.
Mozart returns to D minor ion the third movement (Allegro assai; alla breve). Until the coda, we hear one of Mozart's rare rondos in a minor key. More precisely, it is an extended sonata-rondo (ABACDA, plus coda), since C is a development, with the reprise in section D. The development again as before in the second movement seeks out G minor -- the darkest key in Mozart's harmonic lexicon -- before D major is finally allowed to break through, albeit a whitish and wintry sun.
- published: 19 Aug 2023
- views: 13585
14:20
Mozart, Piano Concerto No. 20 in D minor (K. 466), 1st movement
Mozart, Piano Concerto No. 20, 1st movement, K 466, with an animated graphical score.
FAQ
Q: Who are the performers in this recording?
A: Sorry, I don't know. ...
Mozart, Piano Concerto No. 20, 1st movement, K 466, with an animated graphical score.
FAQ
Q: Who are the performers in this recording?
A: Sorry, I don't know. I licensed this from Premium Beat, who represented it as a recording by a group that preferred this recording to remain anonymous. Later, it turned out that the recording had been pirated, and PB had been swindled. PB refunded my license. I never learned whose recording it was. It may happen that YouTube will ask me to remove the video (since I don't have a valid license). So, enjoy it while you can.
Q: I appreciate the animated graphical scores you make; how can I help?
A: There are many ways you can support my work:
free: watch my videos, like them, and share them with friends
¢¢¢: buy me a coffee http://ko-fi.com/musanim (one-time)
$$$: become a Patreon patron: http://www.patreon.com/musanim (per-video/per-month)
!!!!: underwrite the production of a video: http://www.musanim.com/underwriting
Q: Could you please make a video of _______?
A: Please read this:
http://www.musanim.com/requests/
https://wn.com/Mozart,_Piano_Concerto_No._20_In_D_Minor_(K._466),_1St_Movement
Mozart, Piano Concerto No. 20, 1st movement, K 466, with an animated graphical score.
FAQ
Q: Who are the performers in this recording?
A: Sorry, I don't know. I licensed this from Premium Beat, who represented it as a recording by a group that preferred this recording to remain anonymous. Later, it turned out that the recording had been pirated, and PB had been swindled. PB refunded my license. I never learned whose recording it was. It may happen that YouTube will ask me to remove the video (since I don't have a valid license). So, enjoy it while you can.
Q: I appreciate the animated graphical scores you make; how can I help?
A: There are many ways you can support my work:
free: watch my videos, like them, and share them with friends
¢¢¢: buy me a coffee http://ko-fi.com/musanim (one-time)
$$$: become a Patreon patron: http://www.patreon.com/musanim (per-video/per-month)
!!!!: underwrite the production of a video: http://www.musanim.com/underwriting
Q: Could you please make a video of _______?
A: Please read this:
http://www.musanim.com/requests/
- published: 09 Apr 2014
- views: 1423608
31:49
Yulia Miloslavskaya: Mozart - Piano Concerto No. 20 in d-minor K 466
Yulia Miloslavskaya, piano
PreCollege Orchestra Zürich
1st of October 2017, Zurich, Switzerland
Robert Coray, Audio; Timofey Matveev, Video; Dominykas Gircius,...
Yulia Miloslavskaya, piano
PreCollege Orchestra Zürich
1st of October 2017, Zurich, Switzerland
Robert Coray, Audio; Timofey Matveev, Video; Dominykas Gircius, Audio/Video-merging.
https://wn.com/Yulia_Miloslavskaya_Mozart_Piano_Concerto_No._20_In_D_Minor_K_466
Yulia Miloslavskaya, piano
PreCollege Orchestra Zürich
1st of October 2017, Zurich, Switzerland
Robert Coray, Audio; Timofey Matveev, Video; Dominykas Gircius, Audio/Video-merging.
- published: 10 Jun 2018
- views: 290548
36:39
Mozart: Piano Concerto No.20, in D minor, K. 466 (Martha Argerich)
Martha Argerich, piano
Christian Arming, conductor
New Japan Philharmonic
Wolfgang Amadeus Mozart
Piano Concerto No. 20, in D minor, K.466
03:47 - Allegro (in ...
Martha Argerich, piano
Christian Arming, conductor
New Japan Philharmonic
Wolfgang Amadeus Mozart
Piano Concerto No. 20, in D minor, K.466
03:47 - Allegro (in D minor)
14:20 - Cadenza (by Beethoven, WoO 58)
17:23 - Romance (in B-flat major)
26:32 - Allegro assai (in D minor, ending in D major)
Recorded on January 27, 2005. (Tokyo/live)
https://wn.com/Mozart_Piano_Concerto_No.20,_In_D_Minor,_K._466_(Martha_Argerich)
Martha Argerich, piano
Christian Arming, conductor
New Japan Philharmonic
Wolfgang Amadeus Mozart
Piano Concerto No. 20, in D minor, K.466
03:47 - Allegro (in D minor)
14:20 - Cadenza (by Beethoven, WoO 58)
17:23 - Romance (in B-flat major)
26:32 - Allegro assai (in D minor, ending in D major)
Recorded on January 27, 2005. (Tokyo/live)
- published: 31 May 2017
- views: 162697
30:59
Lugansky - Mozart Piano Concerto No. 20 in D minor
Wolfgang Amadeus Mozart (1756-1791)
Piano Concerto No. 20 in D minor, K. 466 (1785)
Nikolai Lugansky, Soloist
Alexander Rudin conducting the Musica Viva Orchest...
Wolfgang Amadeus Mozart (1756-1791)
Piano Concerto No. 20 in D minor, K. 466 (1785)
Nikolai Lugansky, Soloist
Alexander Rudin conducting the Musica Viva Orchestra, 2012
Moscow Philharmonic Society
I.
[0:00] Orchestral Expos. (Allegro)
[2:17] Solo Expos.
[5:39] Quasi-development
[7:31] Recap.
[10:47] Cadenza
[13:10] Coda
II. Romance (Rondo. B♭major)
[14:26] A
[16:17] B
[17:38] A’
[18:22] C (G minor)
[21:06] A’’
III. Rondo
[23:18] A/B (Allegro assai)
[25:21] C
[25:46] A’/B’
[27:44] C’
[28:23] Cadenza
[29:44] Coda (D major)
"Devotees of the great Romantic piano concertos tended to hear Mozart’s examples, with their singing melodies and perfection of form, as beautiful rather than great. One exception was his No. 20, Beethoven’s favorite, and the one Mozart piano concerto he always kept in his own performance repertory. Today, of course, we have adopted a longer view, understanding that succeeding generations have reconsidered Mozart in stages, the way most listeners discover him. First we hear the divine child with his uncanny knack for divinely beautiful melodies; then the impossibly sophisticated technician, who made complexity sound simple and pushed musical forms to new levels; then the profound, sublime Mozart of compositions such as the Piano Concerto No. 20.”
- Utah Symphony Orchestra
https://wn.com/Lugansky_Mozart_Piano_Concerto_No._20_In_D_Minor
Wolfgang Amadeus Mozart (1756-1791)
Piano Concerto No. 20 in D minor, K. 466 (1785)
Nikolai Lugansky, Soloist
Alexander Rudin conducting the Musica Viva Orchestra, 2012
Moscow Philharmonic Society
I.
[0:00] Orchestral Expos. (Allegro)
[2:17] Solo Expos.
[5:39] Quasi-development
[7:31] Recap.
[10:47] Cadenza
[13:10] Coda
II. Romance (Rondo. B♭major)
[14:26] A
[16:17] B
[17:38] A’
[18:22] C (G minor)
[21:06] A’’
III. Rondo
[23:18] A/B (Allegro assai)
[25:21] C
[25:46] A’/B’
[27:44] C’
[28:23] Cadenza
[29:44] Coda (D major)
"Devotees of the great Romantic piano concertos tended to hear Mozart’s examples, with their singing melodies and perfection of form, as beautiful rather than great. One exception was his No. 20, Beethoven’s favorite, and the one Mozart piano concerto he always kept in his own performance repertory. Today, of course, we have adopted a longer view, understanding that succeeding generations have reconsidered Mozart in stages, the way most listeners discover him. First we hear the divine child with his uncanny knack for divinely beautiful melodies; then the impossibly sophisticated technician, who made complexity sound simple and pushed musical forms to new levels; then the profound, sublime Mozart of compositions such as the Piano Concerto No. 20.”
- Utah Symphony Orchestra
- published: 13 Feb 2020
- views: 88048