-
Ben Bliss, Tenor - 'L'heure Exquise' by Reynaldo Hahn (song only)
A favorite tune from my 2015 recital tour with pianist Lachlan Glen
Now available on all platforms:
https://open.spotify.com/album/7kQaPcpn8bbwLMqHNoTTS0
https://music.apple.com/us/album/overture-ep/1489304179?ign-mpt=uo%3D4
https://play.google.com/store/music/album/Ben_Bliss_Overture?id=Ber35qhyz3femi6cnvp3hrrqhoe
published: 10 Jun 2016
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Reynaldo Hahn, A Chloris (1913)
published: 24 Feb 2012
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Reynaldo Hahn - 20 Mélodies Book I, Nos. 1-10 (1895)
Reynaldo Hahn (August 9, 1874 – January 28, 1947) was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theater director, and salon singer. Best known as a composer of more than 100 songs, he wrote in the French classical tradition of the mélodie.
He was close friends with Marcel Proust and Sarah Bernhardt amongst many others.
Please support my channel:
https://ko-fi.com/bartjebartmans
1. Rêverie (0:00)
Poetry: Victor Hugo.
Dedication: à Mademoiselle J. Ciceri
2. Si mes vers avient des ailes (1888) (2:44)
Poetry: Victor Hugo
Dedication: à ma soeur, Mademoiselle Maria Hahn
3. Mai (1889) (5:06)
Poetry: François Coppée (1842-1908)
4. Paysage (7:17)
Poetry: André Theuriet (1833-1907)
Dedication: à mon maitre; Jules Massenet
5. L'énamourée (9:43)
Poetry: ...
published: 31 Aug 2021
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Reynaldo Hahn : A Chloris (Jaroussky / Kadouch)
Philippe Jaroussky (contreténor) et David Kadouch (piano) interprètent A Chloris de Reynaldo Hahn. Soirée enregistrée en public dimanche 10 mars 2019 à 18h au Studio 104 de la Maison de la Radio et présenté par Clément Rochefort.
A Chloris est une des chansons les plus populaires du compositeur français d’origine vénézuélienne Reynaldo Hahn, avec l’Heure exquise. Il s’inspire du poème de Théophile de Viau, écrit en 1620, un poème d’amour aux paroles simples, et crée une chanson à partir des dix premiers vers. Entre musique française du XIXe siècle et inspiration baroque, l’accompagnement fait penser à la basse continue de l’air sur la corde de sol de Jean-Sébastien Bach. Ayant déjà fait l’objet d’un enregistrement de Philippe Jaroussky avec Jérôme Ducros en 2009, il est cette fois-ci accom...
published: 15 Mar 2019
-
Lea Desandre & Thomas Dunford perform "À Chloris" (Reynaldo Hahn)
In the program of their album Idylle, Lea Desandre and Thomas Dunford explore musical expressions of love, in its many divergent forms, through songs from across three centuries. Discover here: https://w.lnk.to/idylleLY
Video: Pierre Fontbonne
#ClassicalMusic
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
► Facebook: http://www.fb.com/WarnerClassicsErato
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Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.dee...
published: 13 Oct 2023
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Reynaldo Hahn - Premières valses
10 incredibly tasteful and charming waltzes. Lots of motives from Chopin, Schumann, Liszt and others. I enjoyed these waltzes extremely and definitely want to play them as a set in a concert once.
---
0:00 Invitation à la valse
1:00 I. (Avec élégance)
2:50 II. (Allegretto con moto avec beaucoup de caprice)
4:33 III. Ninette (Très, très vite à un temps)
5:20 IV. Valse Noble (Avec du mouvement)
6:45 V. (Pas vite, simplement: à l'Ombre rêveuse de CHOPIN)
8:51 VI. (Assez vite)
10:38 VII. Berceau (Modéré)
12:35 VIII. (Pas vite)
14:56 IX. La feuille (Un peu languissant)
18:14 X. (Sans rigueur)
"... Le plaisir vaporeux fuira vers l'horizon..."
"...nebulous pleasure will flee toward the horizon..."
---
published: 21 Feb 2019
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Reynaldo Hahn - Piano Concerto (1930)
Reynaldo Hahn (August 9, 1874 – January 28, 1947) was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theater director, and salon singer. Best known as a composer of more than 100 songs, he wrote in the French classical tradition of the mélodie.
He was close friends with Marcel Proust and Sarah Bernhardt amongst many others.
Please support my channel:
https://ko-fi.com/bartjebartmans
Piano Concerto in E major (1930)
Dedication: à Magda Tagliaferro
1. Improvisation: Modéré très liberement (0:00)
2. Danse: Vif (12:12)
3. Rêverie (15:02), Toccata (23:00) et Finale
Angelyne Pondepeyre, piano and Orchestre National de Lorraine conducted by Fernand Quatrocchi
Graham Johnson writes that Hahn "was never truly of the twentieth century"; he was for many years rega...
published: 25 Mar 2021
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Reynaldo Hahn - Chansons Grises.
Rachel Yakar/Claude Lavoix.
I do not own the score or the recording, so if YT adds advertising it is for compensate copyrights. All income go to the artists.
These 7 pieces from Reynaldo Hahn (1874 - 1947), are all based on poems of Verlaine. For the anecdot Hahn sang himself his songs for musical receptions, such as Mr Lemaire's where he met Marcel Proust.
-----------------------------------------------------------------------------------------------------------
1.- Chanson d'automne. 0:03
2.- Tous deux. 1:57
3.- L’Allée est sans fin… 3:34
4.- En sourdine. 5:15
5.- L’heure exquise. 8:56
6.- Paysage triste. 10:49
7.- La bonne Chanson. 13:28
-----------------------------------------------------------------------------------------------------------
published: 11 Jun 2019
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Joyce DiDonato sings "À Chloris" by Reynaldo Hahn
I was happy to participate in The Call to Unite organized by Oprah Winfrey and Tim Shriver. My song - one of the most beautiful I know - is about love. Wishing each of you an abundance of love within and around you. If we can nurture that, we are rich beyond measure. From my home to yours...
published: 03 May 2020
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À Chloris
Provided to YouTube by Sony Classical
À Chloris · Susan Graham · Roger Vignoles · Reynaldo Hahn
La Belle Époque: The Songs of Reynaldo Hahn
℗ 1998 SONY BMG MUSIC ENTERTAINMENT
Released on: 1991-01-01
Producer: Grace Row
Executive Producer: Jeremy Caulton
Librettist: Théophile de Viau
Auto-generated by YouTube.
published: 08 Nov 2014
2:38
Ben Bliss, Tenor - 'L'heure Exquise' by Reynaldo Hahn (song only)
A favorite tune from my 2015 recital tour with pianist Lachlan Glen
Now available on all platforms:
https://open.spotify.com/album/7kQaPcpn8bbwLMqHNoTTS0
https:...
A favorite tune from my 2015 recital tour with pianist Lachlan Glen
Now available on all platforms:
https://open.spotify.com/album/7kQaPcpn8bbwLMqHNoTTS0
https://music.apple.com/us/album/overture-ep/1489304179?ign-mpt=uo%3D4
https://play.google.com/store/music/album/Ben_Bliss_Overture?id=Ber35qhyz3femi6cnvp3hrrqhoe
https://wn.com/Ben_Bliss,_Tenor_'L'Heure_Exquise'_By_Reynaldo_Hahn_(Song_Only)
A favorite tune from my 2015 recital tour with pianist Lachlan Glen
Now available on all platforms:
https://open.spotify.com/album/7kQaPcpn8bbwLMqHNoTTS0
https://music.apple.com/us/album/overture-ep/1489304179?ign-mpt=uo%3D4
https://play.google.com/store/music/album/Ben_Bliss_Overture?id=Ber35qhyz3femi6cnvp3hrrqhoe
- published: 10 Jun 2016
- views: 198267
27:40
Reynaldo Hahn - 20 Mélodies Book I, Nos. 1-10 (1895)
Reynaldo Hahn (August 9, 1874 – January 28, 1947) was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theater director, and salon ...
Reynaldo Hahn (August 9, 1874 – January 28, 1947) was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theater director, and salon singer. Best known as a composer of more than 100 songs, he wrote in the French classical tradition of the mélodie.
He was close friends with Marcel Proust and Sarah Bernhardt amongst many others.
Please support my channel:
https://ko-fi.com/bartjebartmans
1. Rêverie (0:00)
Poetry: Victor Hugo.
Dedication: à Mademoiselle J. Ciceri
2. Si mes vers avient des ailes (1888) (2:44)
Poetry: Victor Hugo
Dedication: à ma soeur, Mademoiselle Maria Hahn
3. Mai (1889) (5:06)
Poetry: François Coppée (1842-1908)
4. Paysage (7:17)
Poetry: André Theuriet (1833-1907)
Dedication: à mon maitre; Jules Massenet
5. L'énamourée (9:43)
Poetry: Théodore de Banville (1823-1891)
Dedication: à Miss Sybil Sanderson
6. Seule (13:13)
Poetry: Théophile Gautier (1811-1872)
Dedication: à Monsieur Georges Hartmann
7. La Nuit (Mai, 1891) (15:33)
Poetry: Théodore de Banville (1823-1891)
Dedication: à Monsieur Delmas
8. Offrande (1891, au printemps) (17:51)
Poetry: Paul Verlaine
Dedication: à ***
9. Trois Jours de Vendange (1891) (20:43)
Poetry: Alphonse Daudet
Dedication: à Madame Alphonse Daudet
10. Infidélité (1891) (24:38)
Poetry: Théophile Gautier (1811-1872)
Dedication: à Marguerite Naudin
Susan Graham, mezzo-soprano & Roger Vignoles, piano (#2, 3, 4, 5, 9, 10)
Felicity Lott, soprano & Graham Johnson, piano (#1)
Rachel Yakar & Claude Levoix, piano (#7)
Susan Bickley, mezzo-soprano & Graham Johnson, piano (#6, 8)
https://wn.com/Reynaldo_Hahn_20_Mélodies_Book_I,_Nos._1_10_(1895)
Reynaldo Hahn (August 9, 1874 – January 28, 1947) was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theater director, and salon singer. Best known as a composer of more than 100 songs, he wrote in the French classical tradition of the mélodie.
He was close friends with Marcel Proust and Sarah Bernhardt amongst many others.
Please support my channel:
https://ko-fi.com/bartjebartmans
1. Rêverie (0:00)
Poetry: Victor Hugo.
Dedication: à Mademoiselle J. Ciceri
2. Si mes vers avient des ailes (1888) (2:44)
Poetry: Victor Hugo
Dedication: à ma soeur, Mademoiselle Maria Hahn
3. Mai (1889) (5:06)
Poetry: François Coppée (1842-1908)
4. Paysage (7:17)
Poetry: André Theuriet (1833-1907)
Dedication: à mon maitre; Jules Massenet
5. L'énamourée (9:43)
Poetry: Théodore de Banville (1823-1891)
Dedication: à Miss Sybil Sanderson
6. Seule (13:13)
Poetry: Théophile Gautier (1811-1872)
Dedication: à Monsieur Georges Hartmann
7. La Nuit (Mai, 1891) (15:33)
Poetry: Théodore de Banville (1823-1891)
Dedication: à Monsieur Delmas
8. Offrande (1891, au printemps) (17:51)
Poetry: Paul Verlaine
Dedication: à ***
9. Trois Jours de Vendange (1891) (20:43)
Poetry: Alphonse Daudet
Dedication: à Madame Alphonse Daudet
10. Infidélité (1891) (24:38)
Poetry: Théophile Gautier (1811-1872)
Dedication: à Marguerite Naudin
Susan Graham, mezzo-soprano & Roger Vignoles, piano (#2, 3, 4, 5, 9, 10)
Felicity Lott, soprano & Graham Johnson, piano (#1)
Rachel Yakar & Claude Levoix, piano (#7)
Susan Bickley, mezzo-soprano & Graham Johnson, piano (#6, 8)
- published: 31 Aug 2021
- views: 28227
3:15
Reynaldo Hahn : A Chloris (Jaroussky / Kadouch)
Philippe Jaroussky (contreténor) et David Kadouch (piano) interprètent A Chloris de Reynaldo Hahn. Soirée enregistrée en public dimanche 10 mars 2019 à 18h au S...
Philippe Jaroussky (contreténor) et David Kadouch (piano) interprètent A Chloris de Reynaldo Hahn. Soirée enregistrée en public dimanche 10 mars 2019 à 18h au Studio 104 de la Maison de la Radio et présenté par Clément Rochefort.
A Chloris est une des chansons les plus populaires du compositeur français d’origine vénézuélienne Reynaldo Hahn, avec l’Heure exquise. Il s’inspire du poème de Théophile de Viau, écrit en 1620, un poème d’amour aux paroles simples, et crée une chanson à partir des dix premiers vers. Entre musique française du XIXe siècle et inspiration baroque, l’accompagnement fait penser à la basse continue de l’air sur la corde de sol de Jean-Sébastien Bach. Ayant déjà fait l’objet d’un enregistrement de Philippe Jaroussky avec Jérôme Ducros en 2009, il est cette fois-ci accompagné de David Kadouch
S'il est vrai, Chloris, que tu m'aimes,
Mais j'entends, que tu m'aimes bien,
Je ne crois point que les rois mêmes
Aient un bonheur pareil au mien.
Que la mort serait importune
De venir changer ma fortune
A la félicité des cieux!
Tout ce qu'on dit de l'ambroisie
Ne touche point ma fantaisie
Au prix des grâces de tes yeux.
Retrouvez tous les concerts vidéos de France Musique sur https://www.francemusique.fr/concerts
Les 10 choses que vous ne savez pas sur Reynaldo Hahn : https://www.francemusique.fr/musique-classique/10-petites-choses-que-vous-ne-savez-peut-etre-pas-sur-reynaldo-hahn-36278
Les mélodies de Rehnaldo Hahn : https://www.francemusique.fr/emissions/le-matin-des-musiciens/les-melodies-de-reynaldo-hahn-25510
Biographie de Reynaldo Hahn : https://www.francemusique.fr/personne/reynaldo-hahn
Cliquez ici pour vous abonner : http://bit.ly/2oeEr3e
Suivez nous sur :
► Facebook - https://bit.ly/2nWRmVu
► Twitter - http://bit.ly/2okZSfP
► Instagram - http://bit.ly/2nDA547
Réalisation et montage : Dimitri Scapolan
Cadreur : Israel Solorzano
https://wn.com/Reynaldo_Hahn_A_Chloris_(Jaroussky_Kadouch)
Philippe Jaroussky (contreténor) et David Kadouch (piano) interprètent A Chloris de Reynaldo Hahn. Soirée enregistrée en public dimanche 10 mars 2019 à 18h au Studio 104 de la Maison de la Radio et présenté par Clément Rochefort.
A Chloris est une des chansons les plus populaires du compositeur français d’origine vénézuélienne Reynaldo Hahn, avec l’Heure exquise. Il s’inspire du poème de Théophile de Viau, écrit en 1620, un poème d’amour aux paroles simples, et crée une chanson à partir des dix premiers vers. Entre musique française du XIXe siècle et inspiration baroque, l’accompagnement fait penser à la basse continue de l’air sur la corde de sol de Jean-Sébastien Bach. Ayant déjà fait l’objet d’un enregistrement de Philippe Jaroussky avec Jérôme Ducros en 2009, il est cette fois-ci accompagné de David Kadouch
S'il est vrai, Chloris, que tu m'aimes,
Mais j'entends, que tu m'aimes bien,
Je ne crois point que les rois mêmes
Aient un bonheur pareil au mien.
Que la mort serait importune
De venir changer ma fortune
A la félicité des cieux!
Tout ce qu'on dit de l'ambroisie
Ne touche point ma fantaisie
Au prix des grâces de tes yeux.
Retrouvez tous les concerts vidéos de France Musique sur https://www.francemusique.fr/concerts
Les 10 choses que vous ne savez pas sur Reynaldo Hahn : https://www.francemusique.fr/musique-classique/10-petites-choses-que-vous-ne-savez-peut-etre-pas-sur-reynaldo-hahn-36278
Les mélodies de Rehnaldo Hahn : https://www.francemusique.fr/emissions/le-matin-des-musiciens/les-melodies-de-reynaldo-hahn-25510
Biographie de Reynaldo Hahn : https://www.francemusique.fr/personne/reynaldo-hahn
Cliquez ici pour vous abonner : http://bit.ly/2oeEr3e
Suivez nous sur :
► Facebook - https://bit.ly/2nWRmVu
► Twitter - http://bit.ly/2okZSfP
► Instagram - http://bit.ly/2nDA547
Réalisation et montage : Dimitri Scapolan
Cadreur : Israel Solorzano
- published: 15 Mar 2019
- views: 76070
3:22
Lea Desandre & Thomas Dunford perform "À Chloris" (Reynaldo Hahn)
In the program of their album Idylle, Lea Desandre and Thomas Dunford explore musical expressions of love, in its many divergent forms, through songs from acros...
In the program of their album Idylle, Lea Desandre and Thomas Dunford explore musical expressions of love, in its many divergent forms, through songs from across three centuries. Discover here: https://w.lnk.to/idylleLY
Video: Pierre Fontbonne
#ClassicalMusic
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
► Facebook: http://www.fb.com/WarnerClassicsErato
► Instagram: http://www.instagram.com/warner_classics
► Twitter: http://twitter.com/WarnerClassics
► YouTube: @WarnerClassics
Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
https://wn.com/Lea_Desandre_Thomas_Dunford_Perform_À_Chloris_(Reynaldo_Hahn)
In the program of their album Idylle, Lea Desandre and Thomas Dunford explore musical expressions of love, in its many divergent forms, through songs from across three centuries. Discover here: https://w.lnk.to/idylleLY
Video: Pierre Fontbonne
#ClassicalMusic
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
► Facebook: http://www.fb.com/WarnerClassicsErato
► Instagram: http://www.instagram.com/warner_classics
► Twitter: http://twitter.com/WarnerClassics
► YouTube: @WarnerClassics
Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
- published: 13 Oct 2023
- views: 49167
23:01
Reynaldo Hahn - Premières valses
10 incredibly tasteful and charming waltzes. Lots of motives from Chopin, Schumann, Liszt and others. I enjoyed these waltzes extremely and definitely want to p...
10 incredibly tasteful and charming waltzes. Lots of motives from Chopin, Schumann, Liszt and others. I enjoyed these waltzes extremely and definitely want to play them as a set in a concert once.
---
0:00 Invitation à la valse
1:00 I. (Avec élégance)
2:50 II. (Allegretto con moto avec beaucoup de caprice)
4:33 III. Ninette (Très, très vite à un temps)
5:20 IV. Valse Noble (Avec du mouvement)
6:45 V. (Pas vite, simplement: à l'Ombre rêveuse de CHOPIN)
8:51 VI. (Assez vite)
10:38 VII. Berceau (Modéré)
12:35 VIII. (Pas vite)
14:56 IX. La feuille (Un peu languissant)
18:14 X. (Sans rigueur)
"... Le plaisir vaporeux fuira vers l'horizon..."
"...nebulous pleasure will flee toward the horizon..."
---
https://wn.com/Reynaldo_Hahn_Premières_Valses
10 incredibly tasteful and charming waltzes. Lots of motives from Chopin, Schumann, Liszt and others. I enjoyed these waltzes extremely and definitely want to play them as a set in a concert once.
---
0:00 Invitation à la valse
1:00 I. (Avec élégance)
2:50 II. (Allegretto con moto avec beaucoup de caprice)
4:33 III. Ninette (Très, très vite à un temps)
5:20 IV. Valse Noble (Avec du mouvement)
6:45 V. (Pas vite, simplement: à l'Ombre rêveuse de CHOPIN)
8:51 VI. (Assez vite)
10:38 VII. Berceau (Modéré)
12:35 VIII. (Pas vite)
14:56 IX. La feuille (Un peu languissant)
18:14 X. (Sans rigueur)
"... Le plaisir vaporeux fuira vers l'horizon..."
"...nebulous pleasure will flee toward the horizon..."
---
- published: 21 Feb 2019
- views: 6403
28:40
Reynaldo Hahn - Piano Concerto (1930)
Reynaldo Hahn (August 9, 1874 – January 28, 1947) was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theater director, and salon ...
Reynaldo Hahn (August 9, 1874 – January 28, 1947) was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theater director, and salon singer. Best known as a composer of more than 100 songs, he wrote in the French classical tradition of the mélodie.
He was close friends with Marcel Proust and Sarah Bernhardt amongst many others.
Please support my channel:
https://ko-fi.com/bartjebartmans
Piano Concerto in E major (1930)
Dedication: à Magda Tagliaferro
1. Improvisation: Modéré très liberement (0:00)
2. Danse: Vif (12:12)
3. Rêverie (15:02), Toccata (23:00) et Finale
Angelyne Pondepeyre, piano and Orchestre National de Lorraine conducted by Fernand Quatrocchi
Graham Johnson writes that Hahn "was never truly of the twentieth century"; he was for many years regarded chiefly as evoking the spirit of fin de siècle Paris. He was not in sympathy with the more obviously modern music of the early decades of the 20th century, but he moved with the times. According to a 2020 analysis:
Trained in the canons of Late Romanticism by his mentor and patron Jules Massenet, he succeeded in adjusting his style to the modernity of the Années folles, composing musical comedies with echoes of jazz, foxtrot and Argentinian tango, making masterly use of the saxophone and the piano in his orchestra … a catalogue of compositions ranging from chamber music – the sublime Piano Quartet and Piano Quintet – to ballet and the orchestral repertory.
Hahn's biographer Jacques Depaulis writing in 2006, comments that many composers suffer a period of neglect after their deaths and are then rediscovered, a process known in France as "la traversée du désert" – crossing the desert. In 1947 a British newspaper remarked that Hahn "is hardly remembered today outside the boundaries of France". In 1961, 14 years after the composer's death, the musicologist Hans Heinz Stuckenschmidt dismissed Hahn as "a talented gossip who had a gift for grinding out operettas and little, tastefully performed ballads in limitless quantities". In the last decades of the 20th century there was a revival in interest in Hahn's music: Johnson (2002) refers to "an ever-widening range of his mélodies to be heard regularly on the concert platform".
https://wn.com/Reynaldo_Hahn_Piano_Concerto_(1930)
Reynaldo Hahn (August 9, 1874 – January 28, 1947) was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theater director, and salon singer. Best known as a composer of more than 100 songs, he wrote in the French classical tradition of the mélodie.
He was close friends with Marcel Proust and Sarah Bernhardt amongst many others.
Please support my channel:
https://ko-fi.com/bartjebartmans
Piano Concerto in E major (1930)
Dedication: à Magda Tagliaferro
1. Improvisation: Modéré très liberement (0:00)
2. Danse: Vif (12:12)
3. Rêverie (15:02), Toccata (23:00) et Finale
Angelyne Pondepeyre, piano and Orchestre National de Lorraine conducted by Fernand Quatrocchi
Graham Johnson writes that Hahn "was never truly of the twentieth century"; he was for many years regarded chiefly as evoking the spirit of fin de siècle Paris. He was not in sympathy with the more obviously modern music of the early decades of the 20th century, but he moved with the times. According to a 2020 analysis:
Trained in the canons of Late Romanticism by his mentor and patron Jules Massenet, he succeeded in adjusting his style to the modernity of the Années folles, composing musical comedies with echoes of jazz, foxtrot and Argentinian tango, making masterly use of the saxophone and the piano in his orchestra … a catalogue of compositions ranging from chamber music – the sublime Piano Quartet and Piano Quintet – to ballet and the orchestral repertory.
Hahn's biographer Jacques Depaulis writing in 2006, comments that many composers suffer a period of neglect after their deaths and are then rediscovered, a process known in France as "la traversée du désert" – crossing the desert. In 1947 a British newspaper remarked that Hahn "is hardly remembered today outside the boundaries of France". In 1961, 14 years after the composer's death, the musicologist Hans Heinz Stuckenschmidt dismissed Hahn as "a talented gossip who had a gift for grinding out operettas and little, tastefully performed ballads in limitless quantities". In the last decades of the 20th century there was a revival in interest in Hahn's music: Johnson (2002) refers to "an ever-widening range of his mélodies to be heard regularly on the concert platform".
- published: 25 Mar 2021
- views: 19946
15:08
Reynaldo Hahn - Chansons Grises.
Rachel Yakar/Claude Lavoix.
I do not own the score or the recording, so if YT adds advertising it is for compensate copyrights. All income go to the artists.
...
Rachel Yakar/Claude Lavoix.
I do not own the score or the recording, so if YT adds advertising it is for compensate copyrights. All income go to the artists.
These 7 pieces from Reynaldo Hahn (1874 - 1947), are all based on poems of Verlaine. For the anecdot Hahn sang himself his songs for musical receptions, such as Mr Lemaire's where he met Marcel Proust.
-----------------------------------------------------------------------------------------------------------
1.- Chanson d'automne. 0:03
2.- Tous deux. 1:57
3.- L’Allée est sans fin… 3:34
4.- En sourdine. 5:15
5.- L’heure exquise. 8:56
6.- Paysage triste. 10:49
7.- La bonne Chanson. 13:28
-----------------------------------------------------------------------------------------------------------
https://wn.com/Reynaldo_Hahn_Chansons_Grises.
Rachel Yakar/Claude Lavoix.
I do not own the score or the recording, so if YT adds advertising it is for compensate copyrights. All income go to the artists.
These 7 pieces from Reynaldo Hahn (1874 - 1947), are all based on poems of Verlaine. For the anecdot Hahn sang himself his songs for musical receptions, such as Mr Lemaire's where he met Marcel Proust.
-----------------------------------------------------------------------------------------------------------
1.- Chanson d'automne. 0:03
2.- Tous deux. 1:57
3.- L’Allée est sans fin… 3:34
4.- En sourdine. 5:15
5.- L’heure exquise. 8:56
6.- Paysage triste. 10:49
7.- La bonne Chanson. 13:28
-----------------------------------------------------------------------------------------------------------
- published: 11 Jun 2019
- views: 12224
3:07
Joyce DiDonato sings "À Chloris" by Reynaldo Hahn
I was happy to participate in The Call to Unite organized by Oprah Winfrey and Tim Shriver. My song - one of the most beautiful I know - is about love. Wishing ...
I was happy to participate in The Call to Unite organized by Oprah Winfrey and Tim Shriver. My song - one of the most beautiful I know - is about love. Wishing each of you an abundance of love within and around you. If we can nurture that, we are rich beyond measure. From my home to yours...
https://wn.com/Joyce_Didonato_Sings_À_Chloris_By_Reynaldo_Hahn
I was happy to participate in The Call to Unite organized by Oprah Winfrey and Tim Shriver. My song - one of the most beautiful I know - is about love. Wishing each of you an abundance of love within and around you. If we can nurture that, we are rich beyond measure. From my home to yours...
- published: 03 May 2020
- views: 142928
3:03
À Chloris
Provided to YouTube by Sony Classical
À Chloris · Susan Graham · Roger Vignoles · Reynaldo Hahn
La Belle Époque: The Songs of Reynaldo Hahn
℗ 1998 SONY BMG M...
Provided to YouTube by Sony Classical
À Chloris · Susan Graham · Roger Vignoles · Reynaldo Hahn
La Belle Époque: The Songs of Reynaldo Hahn
℗ 1998 SONY BMG MUSIC ENTERTAINMENT
Released on: 1991-01-01
Producer: Grace Row
Executive Producer: Jeremy Caulton
Librettist: Théophile de Viau
Auto-generated by YouTube.
https://wn.com/À_Chloris
Provided to YouTube by Sony Classical
À Chloris · Susan Graham · Roger Vignoles · Reynaldo Hahn
La Belle Époque: The Songs of Reynaldo Hahn
℗ 1998 SONY BMG MUSIC ENTERTAINMENT
Released on: 1991-01-01
Producer: Grace Row
Executive Producer: Jeremy Caulton
Librettist: Théophile de Viau
Auto-generated by YouTube.
- published: 08 Nov 2014
- views: 145561
-
Martha Argerich: Ravel - Piano Concerto in G Major | Nobel Prize Concert 2009
From the Stockholm Concert Hall,
The Nobel Prize Concert with the Crown Princess, Victoria
Martha Argerich - piano
The Royal Stockholm Philharmonic Orchestra
Yuri Temirkanov - conductor
Maurice Ravel - Piano Concerto in G Major
0:00 I. Allegramente
8:40 II. Adagio assai
18:44 III. Presto
Click here to watch the full Nobel Prize Concert: https://goo.gl/7thmTX
Click here to compare Martha Argerich's interpretation with David Fray's: https://youtu.be/cJOW5mlhH_Y
Subscribe to EuroArts: https://goo.gl/jrui3M
As part of the official Nobel Week, the world’s most renowned artists are gathering each year to pay tribute to the Nobel Laureates. The 2009 concert offered a special highlight in the series with Martha Argerich performing Ravel’s Piano Concerto in G Major by Maurice Ravel under Yuri...
published: 30 Jun 2018
-
Seong-Jin Cho: Ravel Piano Concerto in G major(with the BPO and Sir Simon Rattle, 2017)
Berliner Philharmoniker conducted by Sir Simon Rattle
November 4, 2017 Berliner Philharmonie
00:00 I. Allegrament
09:05 II. Adagio assai
18:25 III. Presto
published: 10 Oct 2021
-
Maurice Ravel - Piano Concerto in G major
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Philharmonia Orchestra
- Conductor: Ettore Gracis
- Soloist: Arturo Benedetti Michelangeli
- Year of recording: 1957
Piano Concerto in G major, written in 1929-1931.
00:00 - I. Allegramente
08:37 - II. Adagio assai
18:02 - III. Presto
The piano was Ravel's favorite instrument, and of his two extraordinary concertos, the Piano Concerto in G major was, in his opinion, "more Ravelian." Indeed, the two works are profoundly different, but without being, as Vladimir Jankélévitch observed in his book about the composer, more (or less) Ravelian than the other. Nevertheless, Ravel's opinion should not be dismissed, for it reflects his personal predilection, and, as any listener can tell, the work literally ...
published: 15 Nov 2015
-
Jean-Yves Thibaudet - Ravel - Piano Concerto in G major
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
Maurice Ravel
Piano Concerto in G major
1 Allegramente
2 Adagio assai
3 Presto
Jean-Yves Thibaudet, piano
Gustav Mahler Jugendorchester
Philippe Jordan. conductor
Live recording. London, Proms 2013
published: 04 Nov 2013
-
Yuja Wang - Ravel G Major Piano Concerto plus encores
Yuja Wang plays Ravel's piano concerto in G minor with Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome in June 2016. Lionel Bringuier conducting.
Encores: Carmen Variations (Horowitz), Melody (Guck/Sgambati)
published: 02 Jan 2017
-
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai
Provided to YouTube by Universal Music Group
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai · Krystian Zimerman · The Cleveland Orchestra · Pierre Boulez · Maurice Ravel
Ravel: Piano Concertos; Valses nobles et sentimentales
℗ 1998 Deutsche Grammophon GmbH, Berlin
Released on: 1998-01-01
Producer: Roger Wright
Producer: Dr. Marion Thiem
Recording Producer, Producer: Helmut Burk
Balance Engineer, Studio Personnel: Rainer Maillard
Studio Personnel, Recording Engineer: Klaus Behrens
Studio Personnel, Recording Engineer: Stephan Flock
Studio Personnel, Recording Engineer: Reinhard Lagemann
Editor: Jürgen Bulgrin
Composer: Maurice Ravel
Auto-generated by YouTube.
published: 30 Jul 2018
-
Arturo Benedetti Michelangeli - Ravel Piano Concerto
Ravel: Concerto in Sol per pianoforte e orchestra
Arturo Benedetti Michelangeli
London Symphony Orchestra - Sergiu Celibidache
1982
sobriofestival.com
published: 21 May 2012
-
Ravel : Concerto en sol (Martha Argerich / Orchestre national de France / Emmanuel Krivine)
Martha Argerich interprète le Concerto pour piano et orchestre en sol majeur de Maurice Ravel aux côtés de l’Orchestre National de France, dirigé par Emmanuel Krivine.
Enregistré le 5 octobre 2017 à l’Auditorium de la Maison de la Radio (Paris).
#MauriceRavel #argerich #OrchestreNationalDeFrance #piano
00:00 - Début du concert
01:11 - 1er mouvement : Allegramente
09:30 - 2ème mouvement : Adagio assai
18:46 - 3ème mouvement : Presto
25:37 - Encore 1: Kreisler - Schon Rosmarin
28:47 - Encore 2: Scarlatti - Sonata K141 in D minor
La composition du Concerto pour piano en sol majeur de Ravel est contemporaine de celle de son Concerto pour la main gauche, en 1929. Le premier est « solaire et turbulent », le second « sombre et désespéré », note le musicologue Nicolas Southon.
A la fois po...
published: 03 May 2018
-
Ravel - Piano Concerto in G [Seong-Jin Cho]
Maurice Ravel
M. 83, Piano Concerto in G major
Performer : Seong-Jin Cho
00:00 I. Allegramente
06:00 Cadenza
06:56 I. Allegramente
08:37 II. Adagio assai
18:27 III. Presto
Original Video : https://youtu.be/qJFLrGQMJZ4?si=AOcWWJi9aDABu8li
published: 14 Jun 2024
-
Martha Argerich: Ravel - Concerto for Piano and Orchestra (Orchestre National de France)
From Alte Oper Frankfurt, 1990
Pianist Martha Argerich and the Orchestre National de France under the baton of Charles Dutoit
Are you a Martha Argerich fan? Don't miss this intimate documentary on Martha Argerich, recorded by her daughter Stéphanie Argerich on @Euroarts: https://youtu.be/WV2jPWyQOqE
You may also find it with Spanish subtitles: https://youtu.be/22PvxFcMFxA
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
Maurice Ravel - Concerto for Piano and Orchestra in G Major
0:00 Intro
0:44 I. Allegramente
9:00 II. Adagio assai
17:55 III. Presto
© Licensed by Digital Classics Distribution
published: 29 Oct 2020
23:40
Martha Argerich: Ravel - Piano Concerto in G Major | Nobel Prize Concert 2009
From the Stockholm Concert Hall,
The Nobel Prize Concert with the Crown Princess, Victoria
Martha Argerich - piano
The Royal Stockholm Philharmonic Orchestra
Y...
From the Stockholm Concert Hall,
The Nobel Prize Concert with the Crown Princess, Victoria
Martha Argerich - piano
The Royal Stockholm Philharmonic Orchestra
Yuri Temirkanov - conductor
Maurice Ravel - Piano Concerto in G Major
0:00 I. Allegramente
8:40 II. Adagio assai
18:44 III. Presto
Click here to watch the full Nobel Prize Concert: https://goo.gl/7thmTX
Click here to compare Martha Argerich's interpretation with David Fray's: https://youtu.be/cJOW5mlhH_Y
Subscribe to EuroArts: https://goo.gl/jrui3M
As part of the official Nobel Week, the world’s most renowned artists are gathering each year to pay tribute to the Nobel Laureates. The 2009 concert offered a special highlight in the series with Martha Argerich performing Ravel’s Piano Concerto in G Major by Maurice Ravel under Yuri Temirkanov, this time leading the Royal Stockholm Philharmonic Orchestra. Members of the Swedish Royal Family as well as guests of the Nobel Foundation are also attending the highly acclaimed event, which gathers internationally renowned artists and conductors each year.
https://wn.com/Martha_Argerich_Ravel_Piano_Concerto_In_G_Major_|_Nobel_Prize_Concert_2009
From the Stockholm Concert Hall,
The Nobel Prize Concert with the Crown Princess, Victoria
Martha Argerich - piano
The Royal Stockholm Philharmonic Orchestra
Yuri Temirkanov - conductor
Maurice Ravel - Piano Concerto in G Major
0:00 I. Allegramente
8:40 II. Adagio assai
18:44 III. Presto
Click here to watch the full Nobel Prize Concert: https://goo.gl/7thmTX
Click here to compare Martha Argerich's interpretation with David Fray's: https://youtu.be/cJOW5mlhH_Y
Subscribe to EuroArts: https://goo.gl/jrui3M
As part of the official Nobel Week, the world’s most renowned artists are gathering each year to pay tribute to the Nobel Laureates. The 2009 concert offered a special highlight in the series with Martha Argerich performing Ravel’s Piano Concerto in G Major by Maurice Ravel under Yuri Temirkanov, this time leading the Royal Stockholm Philharmonic Orchestra. Members of the Swedish Royal Family as well as guests of the Nobel Foundation are also attending the highly acclaimed event, which gathers internationally renowned artists and conductors each year.
- published: 30 Jun 2018
- views: 1399707
25:05
Seong-Jin Cho: Ravel Piano Concerto in G major(with the BPO and Sir Simon Rattle, 2017)
Berliner Philharmoniker conducted by Sir Simon Rattle
November 4, 2017 Berliner Philharmonie
00:00 I. Allegrament
09:05 II. Adagio assai
18:25 III. Presto
Berliner Philharmoniker conducted by Sir Simon Rattle
November 4, 2017 Berliner Philharmonie
00:00 I. Allegrament
09:05 II. Adagio assai
18:25 III. Presto
https://wn.com/Seong_Jin_Cho_Ravel_Piano_Concerto_In_G_Major(With_The_Bpo_And_Sir_Simon_Rattle,_2017)
Berliner Philharmoniker conducted by Sir Simon Rattle
November 4, 2017 Berliner Philharmonie
00:00 I. Allegrament
09:05 II. Adagio assai
18:25 III. Presto
- published: 10 Oct 2021
- views: 169673
21:58
Maurice Ravel - Piano Concerto in G major
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Philharmonia Orchestra
- Conductor: Ettore Gracis
- Soloist: Arturo Benedett...
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Philharmonia Orchestra
- Conductor: Ettore Gracis
- Soloist: Arturo Benedetti Michelangeli
- Year of recording: 1957
Piano Concerto in G major, written in 1929-1931.
00:00 - I. Allegramente
08:37 - II. Adagio assai
18:02 - III. Presto
The piano was Ravel's favorite instrument, and of his two extraordinary concertos, the Piano Concerto in G major was, in his opinion, "more Ravelian." Indeed, the two works are profoundly different, but without being, as Vladimir Jankélévitch observed in his book about the composer, more (or less) Ravelian than the other. Nevertheless, Ravel's opinion should not be dismissed, for it reflects his personal predilection, and, as any listener can tell, the work literally overflows with exuberance, delight, and verve. The Concerto may have been conceived in 1928, the year Ravel received his honorary doctorate from the University of Oxford. While some commentators have found the source of this Concerto in Ravel's Rhapsody on Basque themes Zazpiak bat, a project which remained unfinished, Robert de Fragny remembered that the composer had remarked that the dazzling opening theme came to him during a train ride from Oxford to London in 1928. In 1929, despite failing health, Ravel talked about a world tour on which he would perform his Concerto. While the world tour never materialized, the composer's life was sufficiently hectic, as he received a commission to compose another piano concerto, the Piano Concerto in D major (for the left hand).
Completed in November 1931, the concerto was premiered in January 1932, in a legendary performance by Marguerite Long. The sensations that this work conjures up, right from the beginning, are brightness and boundless energy.
- Opening with a whiplash sound, the first movement, Allegramente, proceeds rapidly, from an initial burst of light, composed of a lively piccolo tune threading through crystalline, harp-like piano figuration, to the incisive ending, traversing the many truly magical, even mysterious, moments of repose, when the piano indulges in dreamy, languid soliloquies. Delighting in the piano's expressive potential, Ravel fully employs the instrument's sonority, weaving, for example, a trill into a melody. The piano's rich and subtle discourse is magnificently matched by the orchestra, which, appearing in many guises, mimics and complements the piano, reinforcing the sensation of relentless energy by sharp, metallic, insistent statements by the trumpet. Ravel's splendid orchestration (like his "Daphnis and Chloe", uploaded on this channel), which tempts the listener to experience this work as a brilliant, and almost self-sufficient, demonstration of sheer musical color, reflects the composer's interest in jazz, evidenced by blue notes, trombone glissandi, and similar effects. However, the jazz elements are profoundly Ravelian, which means that they hardly strike the listener as out of context.
- The remarkable second movement introduces an introspective, soulful atmosphere, seemingly quite remote from the bustle of the previous movement. A simply stated solo piano theme, of a disarming yet profoundly soulful simplicity, suggesting, perhaps, the image of a solitary promenade in the moonlight, yields to a timeless flute theme which expresses feelings of longing, sorrow, and subdued, yet clearly stated, passion.
- The final movement, as the piano wends its way through a series of shrieks and wails, executed by woodwind and brass instruments, affects the listener as a mounting wave of sound. A sudden, abrupt exclamation concludes the seductive cacophony of this climactic movement, and the listener experiences a desire to revisit the enchanted landscape of a musical work whose limpid formal structure contains a seemingly boundless world -- without a trace of creative fatigue or ambivalence -- of elegantly turned musical ideas.
The concerto is dedicated "à Marguerite Long".
https://wn.com/Maurice_Ravel_Piano_Concerto_In_G_Major
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Philharmonia Orchestra
- Conductor: Ettore Gracis
- Soloist: Arturo Benedetti Michelangeli
- Year of recording: 1957
Piano Concerto in G major, written in 1929-1931.
00:00 - I. Allegramente
08:37 - II. Adagio assai
18:02 - III. Presto
The piano was Ravel's favorite instrument, and of his two extraordinary concertos, the Piano Concerto in G major was, in his opinion, "more Ravelian." Indeed, the two works are profoundly different, but without being, as Vladimir Jankélévitch observed in his book about the composer, more (or less) Ravelian than the other. Nevertheless, Ravel's opinion should not be dismissed, for it reflects his personal predilection, and, as any listener can tell, the work literally overflows with exuberance, delight, and verve. The Concerto may have been conceived in 1928, the year Ravel received his honorary doctorate from the University of Oxford. While some commentators have found the source of this Concerto in Ravel's Rhapsody on Basque themes Zazpiak bat, a project which remained unfinished, Robert de Fragny remembered that the composer had remarked that the dazzling opening theme came to him during a train ride from Oxford to London in 1928. In 1929, despite failing health, Ravel talked about a world tour on which he would perform his Concerto. While the world tour never materialized, the composer's life was sufficiently hectic, as he received a commission to compose another piano concerto, the Piano Concerto in D major (for the left hand).
Completed in November 1931, the concerto was premiered in January 1932, in a legendary performance by Marguerite Long. The sensations that this work conjures up, right from the beginning, are brightness and boundless energy.
- Opening with a whiplash sound, the first movement, Allegramente, proceeds rapidly, from an initial burst of light, composed of a lively piccolo tune threading through crystalline, harp-like piano figuration, to the incisive ending, traversing the many truly magical, even mysterious, moments of repose, when the piano indulges in dreamy, languid soliloquies. Delighting in the piano's expressive potential, Ravel fully employs the instrument's sonority, weaving, for example, a trill into a melody. The piano's rich and subtle discourse is magnificently matched by the orchestra, which, appearing in many guises, mimics and complements the piano, reinforcing the sensation of relentless energy by sharp, metallic, insistent statements by the trumpet. Ravel's splendid orchestration (like his "Daphnis and Chloe", uploaded on this channel), which tempts the listener to experience this work as a brilliant, and almost self-sufficient, demonstration of sheer musical color, reflects the composer's interest in jazz, evidenced by blue notes, trombone glissandi, and similar effects. However, the jazz elements are profoundly Ravelian, which means that they hardly strike the listener as out of context.
- The remarkable second movement introduces an introspective, soulful atmosphere, seemingly quite remote from the bustle of the previous movement. A simply stated solo piano theme, of a disarming yet profoundly soulful simplicity, suggesting, perhaps, the image of a solitary promenade in the moonlight, yields to a timeless flute theme which expresses feelings of longing, sorrow, and subdued, yet clearly stated, passion.
- The final movement, as the piano wends its way through a series of shrieks and wails, executed by woodwind and brass instruments, affects the listener as a mounting wave of sound. A sudden, abrupt exclamation concludes the seductive cacophony of this climactic movement, and the listener experiences a desire to revisit the enchanted landscape of a musical work whose limpid formal structure contains a seemingly boundless world -- without a trace of creative fatigue or ambivalence -- of elegantly turned musical ideas.
The concerto is dedicated "à Marguerite Long".
- published: 15 Nov 2015
- views: 755127
20:50
Jean-Yves Thibaudet - Ravel - Piano Concerto in G major
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
Maurice Ravel
Piano Concerto in G major
1 Allegramente
2 Adagio assa...
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
Maurice Ravel
Piano Concerto in G major
1 Allegramente
2 Adagio assai
3 Presto
Jean-Yves Thibaudet, piano
Gustav Mahler Jugendorchester
Philippe Jordan. conductor
Live recording. London, Proms 2013
https://wn.com/Jean_Yves_Thibaudet_Ravel_Piano_Concerto_In_G_Major
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
Maurice Ravel
Piano Concerto in G major
1 Allegramente
2 Adagio assai
3 Presto
Jean-Yves Thibaudet, piano
Gustav Mahler Jugendorchester
Philippe Jordan. conductor
Live recording. London, Proms 2013
- published: 04 Nov 2013
- views: 461897
29:17
Yuja Wang - Ravel G Major Piano Concerto plus encores
Yuja Wang plays Ravel's piano concerto in G minor with Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome in June 2016. Lionel Bringuier conducting.
E...
Yuja Wang plays Ravel's piano concerto in G minor with Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome in June 2016. Lionel Bringuier conducting.
Encores: Carmen Variations (Horowitz), Melody (Guck/Sgambati)
https://wn.com/Yuja_Wang_Ravel_G_Major_Piano_Concerto_Plus_Encores
Yuja Wang plays Ravel's piano concerto in G minor with Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome in June 2016. Lionel Bringuier conducting.
Encores: Carmen Variations (Horowitz), Melody (Guck/Sgambati)
- published: 02 Jan 2017
- views: 327925
9:23
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai
Provided to YouTube by Universal Music Group
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai · Krystian Zimerman · The Cleveland Orchestra · Pierre B...
Provided to YouTube by Universal Music Group
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai · Krystian Zimerman · The Cleveland Orchestra · Pierre Boulez · Maurice Ravel
Ravel: Piano Concertos; Valses nobles et sentimentales
℗ 1998 Deutsche Grammophon GmbH, Berlin
Released on: 1998-01-01
Producer: Roger Wright
Producer: Dr. Marion Thiem
Recording Producer, Producer: Helmut Burk
Balance Engineer, Studio Personnel: Rainer Maillard
Studio Personnel, Recording Engineer: Klaus Behrens
Studio Personnel, Recording Engineer: Stephan Flock
Studio Personnel, Recording Engineer: Reinhard Lagemann
Editor: Jürgen Bulgrin
Composer: Maurice Ravel
Auto-generated by YouTube.
https://wn.com/Ravel_Piano_Concerto_In_G_Major,_M._83_Ii._Adagio_Assai
Provided to YouTube by Universal Music Group
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai · Krystian Zimerman · The Cleveland Orchestra · Pierre Boulez · Maurice Ravel
Ravel: Piano Concertos; Valses nobles et sentimentales
℗ 1998 Deutsche Grammophon GmbH, Berlin
Released on: 1998-01-01
Producer: Roger Wright
Producer: Dr. Marion Thiem
Recording Producer, Producer: Helmut Burk
Balance Engineer, Studio Personnel: Rainer Maillard
Studio Personnel, Recording Engineer: Klaus Behrens
Studio Personnel, Recording Engineer: Stephan Flock
Studio Personnel, Recording Engineer: Reinhard Lagemann
Editor: Jürgen Bulgrin
Composer: Maurice Ravel
Auto-generated by YouTube.
- published: 30 Jul 2018
- views: 665270
25:52
Arturo Benedetti Michelangeli - Ravel Piano Concerto
Ravel: Concerto in Sol per pianoforte e orchestra
Arturo Benedetti Michelangeli
London Symphony Orchestra - Sergiu Celibidache
1982
sobriofestival.com
Ravel: Concerto in Sol per pianoforte e orchestra
Arturo Benedetti Michelangeli
London Symphony Orchestra - Sergiu Celibidache
1982
sobriofestival.com
https://wn.com/Arturo_Benedetti_Michelangeli_Ravel_Piano_Concerto
Ravel: Concerto in Sol per pianoforte e orchestra
Arturo Benedetti Michelangeli
London Symphony Orchestra - Sergiu Celibidache
1982
sobriofestival.com
- published: 21 May 2012
- views: 580264
32:54
Ravel : Concerto en sol (Martha Argerich / Orchestre national de France / Emmanuel Krivine)
Martha Argerich interprète le Concerto pour piano et orchestre en sol majeur de Maurice Ravel aux côtés de l’Orchestre National de France, dirigé par Emmanuel K...
Martha Argerich interprète le Concerto pour piano et orchestre en sol majeur de Maurice Ravel aux côtés de l’Orchestre National de France, dirigé par Emmanuel Krivine.
Enregistré le 5 octobre 2017 à l’Auditorium de la Maison de la Radio (Paris).
#MauriceRavel #argerich #OrchestreNationalDeFrance #piano
00:00 - Début du concert
01:11 - 1er mouvement : Allegramente
09:30 - 2ème mouvement : Adagio assai
18:46 - 3ème mouvement : Presto
25:37 - Encore 1: Kreisler - Schon Rosmarin
28:47 - Encore 2: Scarlatti - Sonata K141 in D minor
La composition du Concerto pour piano en sol majeur de Ravel est contemporaine de celle de son Concerto pour la main gauche, en 1929. Le premier est « solaire et turbulent », le second « sombre et désespéré », note le musicologue Nicolas Southon.
A la fois poétique, envolée et formelle, l’œuvre fait référence à deux maîtres du concerto pour piano. A travers son deuxième mouvement, Ravel s’inspire directement du Larghetto tiré du Quintette avec clarinette de Mozart, compositeur qui demeure sa principale référence en termes de forme. Il se nourrit aussi de la musique de Saint-Saëns, modèle de virtuosité et d’éclat pianistique, et de celle de Liszt, avec son Concerto pour piano n°1.
Classique par sa forme en trois mouvements (Allegramente, Adagio assai et Presto), l’œuvre n’en est pas moins extrêmement moderne par ses emprunts au jazz, en particulier dans les deux derniers mouvements. L’Adagio est « comme improvisé », il « fait usage de la blue note et rappelle le récent jazz symphonique de Gershwin. » Le Presto mêle quant à lui jazz et folklore dans une course effrénée entre le piano et l’orchestre.
10 choses que vous ne savez peut être pas sur Ravel:
https://www.francemusique.fr/musique-classique/10-petites-choses-que-vous-ne-savez-peut-etre-pas-sur-ravel-33496
Le concerto en sol par Fazil Say :
https://www.youtube.com/watch?v=J9O_JwYuhWo
Biographie de Maurice Ravel
https://www.francemusique.fr/personne/maurice-ravel?xtmc=maurice%20ravel&xtnp=1&xtcr=1
-----------------------
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https://wn.com/Ravel_Concerto_En_Sol_(Martha_Argerich_Orchestre_National_De_France_Emmanuel_Krivine)
Martha Argerich interprète le Concerto pour piano et orchestre en sol majeur de Maurice Ravel aux côtés de l’Orchestre National de France, dirigé par Emmanuel Krivine.
Enregistré le 5 octobre 2017 à l’Auditorium de la Maison de la Radio (Paris).
#MauriceRavel #argerich #OrchestreNationalDeFrance #piano
00:00 - Début du concert
01:11 - 1er mouvement : Allegramente
09:30 - 2ème mouvement : Adagio assai
18:46 - 3ème mouvement : Presto
25:37 - Encore 1: Kreisler - Schon Rosmarin
28:47 - Encore 2: Scarlatti - Sonata K141 in D minor
La composition du Concerto pour piano en sol majeur de Ravel est contemporaine de celle de son Concerto pour la main gauche, en 1929. Le premier est « solaire et turbulent », le second « sombre et désespéré », note le musicologue Nicolas Southon.
A la fois poétique, envolée et formelle, l’œuvre fait référence à deux maîtres du concerto pour piano. A travers son deuxième mouvement, Ravel s’inspire directement du Larghetto tiré du Quintette avec clarinette de Mozart, compositeur qui demeure sa principale référence en termes de forme. Il se nourrit aussi de la musique de Saint-Saëns, modèle de virtuosité et d’éclat pianistique, et de celle de Liszt, avec son Concerto pour piano n°1.
Classique par sa forme en trois mouvements (Allegramente, Adagio assai et Presto), l’œuvre n’en est pas moins extrêmement moderne par ses emprunts au jazz, en particulier dans les deux derniers mouvements. L’Adagio est « comme improvisé », il « fait usage de la blue note et rappelle le récent jazz symphonique de Gershwin. » Le Presto mêle quant à lui jazz et folklore dans une course effrénée entre le piano et l’orchestre.
10 choses que vous ne savez peut être pas sur Ravel:
https://www.francemusique.fr/musique-classique/10-petites-choses-que-vous-ne-savez-peut-etre-pas-sur-ravel-33496
Le concerto en sol par Fazil Say :
https://www.youtube.com/watch?v=J9O_JwYuhWo
Biographie de Maurice Ravel
https://www.francemusique.fr/personne/maurice-ravel?xtmc=maurice%20ravel&xtnp=1&xtcr=1
-----------------------
⭐ NOUVEAU ⭐ comprendre et explorer la musique avec la nouvelle chaîne YouTube de France Musique : https://www.youtube.com/@francemusique
🔔 Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
► Site internet - https://www.radiofrance.fr/francemusique
► Espace Concerts - https://www.radiofrance.fr/concerts
► Newsletters - https://www.radiofrance.fr/francemusique/newsletters
Suivez-nous sur les réseaux sociaux :
► Facebook - https://facebook.com/FranceMusique
► Twitter - https://twitter.com/francemusique?lang=fr
► Instagram - https://www.instagram.com/francemusique/?hl=fr
► TikTok - https://www.tiktok.com/@francemusique?lang=fr
- published: 03 May 2018
- views: 662295
22:27
Ravel - Piano Concerto in G [Seong-Jin Cho]
Maurice Ravel
M. 83, Piano Concerto in G major
Performer : Seong-Jin Cho
00:00 I. Allegramente
06:00 Cadenza
06:56 I. Allegramente
08:37 II. Adagio assai
18:27...
Maurice Ravel
M. 83, Piano Concerto in G major
Performer : Seong-Jin Cho
00:00 I. Allegramente
06:00 Cadenza
06:56 I. Allegramente
08:37 II. Adagio assai
18:27 III. Presto
Original Video : https://youtu.be/qJFLrGQMJZ4?si=AOcWWJi9aDABu8li
https://wn.com/Ravel_Piano_Concerto_In_G_Seong_Jin_Cho
Maurice Ravel
M. 83, Piano Concerto in G major
Performer : Seong-Jin Cho
00:00 I. Allegramente
06:00 Cadenza
06:56 I. Allegramente
08:37 II. Adagio assai
18:27 III. Presto
Original Video : https://youtu.be/qJFLrGQMJZ4?si=AOcWWJi9aDABu8li
- published: 14 Jun 2024
- views: 757
23:15
Martha Argerich: Ravel - Concerto for Piano and Orchestra (Orchestre National de France)
From Alte Oper Frankfurt, 1990
Pianist Martha Argerich and the Orchestre National de France under the baton of Charles Dutoit
Are you a Martha Argerich fan? Don...
From Alte Oper Frankfurt, 1990
Pianist Martha Argerich and the Orchestre National de France under the baton of Charles Dutoit
Are you a Martha Argerich fan? Don't miss this intimate documentary on Martha Argerich, recorded by her daughter Stéphanie Argerich on @Euroarts: https://youtu.be/WV2jPWyQOqE
You may also find it with Spanish subtitles: https://youtu.be/22PvxFcMFxA
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
Maurice Ravel - Concerto for Piano and Orchestra in G Major
0:00 Intro
0:44 I. Allegramente
9:00 II. Adagio assai
17:55 III. Presto
© Licensed by Digital Classics Distribution
https://wn.com/Martha_Argerich_Ravel_Concerto_For_Piano_And_Orchestra_(Orchestre_National_De_France)
From Alte Oper Frankfurt, 1990
Pianist Martha Argerich and the Orchestre National de France under the baton of Charles Dutoit
Are you a Martha Argerich fan? Don't miss this intimate documentary on Martha Argerich, recorded by her daughter Stéphanie Argerich on @Euroarts: https://youtu.be/WV2jPWyQOqE
You may also find it with Spanish subtitles: https://youtu.be/22PvxFcMFxA
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
Maurice Ravel - Concerto for Piano and Orchestra in G Major
0:00 Intro
0:44 I. Allegramente
9:00 II. Adagio assai
17:55 III. Presto
© Licensed by Digital Classics Distribution
- published: 29 Oct 2020
- views: 74141