- published: 27 May 2020
- views: 26054
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Niccolò (or Nicolò) Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op.1 are among the best known of his compositions, and have served as an inspiration for many prominent composers.
Niccolò Paganini was born in Genoa, then capital of the Republic of Genoa, the third of the six children of Antonio and Teresa (née Bocciardo) Paganini. Paganini's father was an unsuccessful trader, but he managed to supplement his income through playing music on the mandolin. At the age of five, Paganini started learning the mandolin from his father, and moved to the violin by the age of seven. His musical talents were quickly recognized, earning him numerous scholarships for violin lessons. The young Paganini studied under various local violinists, including Giovanni Servetto and Giacomo Costa, but his progress quickly outpaced their abilities. Paganini and his father then traveled to Parma to seek further guidance from Alessandro Rolla. But upon listening to Paganini's playing, Rolla immediately referred him to his own teacher, Ferdinando Paer and, later, Paer's own teacher, Gasparo Ghiretti. Though Paganini did not stay long with Paer or Ghiretti, the two had considerable influence on his composition style.
Paganini is an operetta in three acts by Franz Lehár. The German libretto was by Paul Knepler and Béla Jenbach.
Lehár composed the work as a vehicle for Richard Tauber, the acclaimed Austrian tenor, though he assumed the role (with Vera Schwarz as the princess) in Berlin on 30 January 1926, rather than the Vienna premiere which was at the Johann Strauss Theater on 30 October 1925 with Carl Clewing in the title role. Tauber's contract with the Berlin State Opera required him to be in Stockholm at the time of the Vienna premiere. The operetta was so coolly received in Vienna that the Berlin impresario, Heinz Saltenberg, was reluctant to mount it at the Deutsches Künstlertheater without guarantees against losses. In the event, Tauber and Schwarz made it a huge success in Berlin, where it ran for three months. It was the first Lehár operetta specially written for Tauber, who had previously appeared in the composer's Zigeunerliebe in 1920 and Frasquita in 1922 with great success. A new production was mounted in Berlin at the Theater des Westens in April 1930, again with Tauber and Schwarz, and the composer conducting.
Paganini or I Liked Kissing Women (German: Gern hab' ich die Frau'n geküßt) is a 1934 German operetta film directed by E. W. Emo and starring Iván Petrovich, Eliza Illiard and Theo Lingen. It is an adaptation of Franz Lehár's 1925 operetta Paganini.
Anton Theba (Paganini), Teresa Stratas (Anna Elisa), Johannes Heesters (Principe Felice), Dagmar Keller (Bella Giretti), Peter Kraus (Pimpinelli), Fritz Tillmann (Conte Carcasona), Wolfgang Luckschy (Hedouville), Klaus Havenstein (Bartucci)... dir. Wolfgang Ebert regia Eugen York ZDF/Unitel, 1973
Melodien aus der Operette Paganini 1997 Melodies from the operetta 'Paganini ' by Franz Lehár 1925 Melodien aus der Operette 'Paganini' von Franz Lehár mit dem RIAS-Bigband unter Leitung von Victor Behrens 1. Karel Gott (Paganini) - Gern hab ich die Fraun geküsst (Girls Were Made to Love and Kiss) 2. Dagmar Schellenberger (Elisa) - Liebe, du Himmel auf Erden (Love, Live Forever) 3. Andrea Moon & Christian Bauer (Bella Giretti & Pimpinelli) - Einmal möcht' ich was Närrisches tun (For Once I Would Like to do Something Crazy) 4. Dagmar Schellenberger & Karel Gott - Niemand liebt dich so wie ich (Who could love you more than I?)
Violin : Patrice FONTANAROSA Conductor : Adolphe SIBERT LIVE RECORDED
Paganini: Karl Friedrich Maria Anna Elisa: Esther Réthy Fürst Felice Bacciocchi, ihr Gemahl: Georg Oeggl Bartucci: Hans Schirmeisen Hedouville: Hans Hais Pimpinelli: Toni Niessner Bella Ciretti: Else Macha Corallina: Cilly Togel Wirt: Fritz Goetz Hofdame: Lia Landt Jäger: Franz Emmerich Franz Lehár "Paganini" Operetta in three acts Libretto by Paul Knepler and Bela Jenbach Chor der Wiener Volksoper Großes Wiener Rundfunkorchester Conductor: Franz Lehár
Franz Lehar: Paganini arija / aria from operetta Pagnini Simfonični orkester HRTV - Zagreb Zdravko Perger - bariton Dirigent: Vladimir Kobler Novoletni koncert v Festivalni dvorani n Bledu 97
Lehár’s 28th completed work for the stage, Paganini (1925), took fourteen months to compose, and typifies the last phase of the silver age of operetta. It is also one of the many biographical operettas that were popular in the first part of the twentieth century, in which historical figures became the central figures in theatrically bittersweet love affairs. The success of Paganini encouraged the composer to continue in this direction of historical drama, and he went on to write both Der Zarewitsch (1926) and Friederike (1928) as a result. Paganini was again tailored for the voice of Richard Tauber, the Austrian tenor who had become the composer’s standard interpreter. Unfortunately, Tauber was unavailable for the Vienna premiere of Paganini, on October 30, 1925, but he was able to partici...
15.01.2018 Hfm Hanns Eisler Berlin im Studiosaal Prof.Ewa Wolak's Klassenabend Gern hab'ich die fraun geküsst F.Lehàr,Operetta Paganini Tenor Sungho Kim 테너 김성호
Provided to YouTube by Universal Music Group Lehár: Paganini - operetta in 3 acts / Act 1 - Mancher Mann ist eine Sünde wert · Dagmar Koller · Teresa Stratas · Wolfgang Ebert · Symphonieorchester Graunke Das Grosse Operetten Festival ℗ 1975 Deutsche Grammophon GmbH, Berlin Released on: 1998-01-01 Associated Performer, Recording Arranger: Bert Grund Composer: Franz Lehár Author: Paul Knepler Author: Béla Jenbach Arranger, Work Arranger: Rolf Becker Arranger, Work Arranger: Alexandra Becker Arranger, Work Arranger: Eugen York Auto-generated by YouTube.
The great German coloratura soprano Erika Köth (1925-1989) delivers superb renditions of two lovely numbers from the operetta "Paganini" by Franz Lehár: 1) Liebe, du Himmel auf Erden (with coloratura interpolation) 2) Niemand liebt dich so wie ich (with Cesare Curzi) This precious clip is from 1966. Visit my channel for many more rare videos of great singers. Subscribe and share if you wish to see more.
Сергей Менахин Ария Паганини Оперетта "Паганини" Ф.Легар Оркестр Гостелерадио СССР Дир. - Юрий Силантьев Sergei Menakhin Paganini's Aria "Gern hab ich die Fraun geküsst" Operetta "Paganini" Franz Lehár State RT Orchestra USSR Cond.-Yuri Silantiev
Niccolò (or Nicolò) Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op.1 are among the best known of his compositions, and have served as an inspiration for many prominent composers.
Niccolò Paganini was born in Genoa, then capital of the Republic of Genoa, the third of the six children of Antonio and Teresa (née Bocciardo) Paganini. Paganini's father was an unsuccessful trader, but he managed to supplement his income through playing music on the mandolin. At the age of five, Paganini started learning the mandolin from his father, and moved to the violin by the age of seven. His musical talents were quickly recognized, earning him numerous scholarships for violin lessons. The young Paganini studied under various local violinists, including Giovanni Servetto and Giacomo Costa, but his progress quickly outpaced their abilities. Paganini and his father then traveled to Parma to seek further guidance from Alessandro Rolla. But upon listening to Paganini's playing, Rolla immediately referred him to his own teacher, Ferdinando Paer and, later, Paer's own teacher, Gasparo Ghiretti. Though Paganini did not stay long with Paer or Ghiretti, the two had considerable influence on his composition style.
Come round friend
Come down, and then
Go let it out
Go let it out
When the sun comes round again
Keep you honest
Come round again
Come down, and then
Go let it out
Go let it out
When the sun comes round again
Keep you honest
Days keep on falling, renounce,
The stocks will weigh upon us
Wait for the banks to fold up
And patience goes out to sea
Float out to see
Go let it out x4
Our lens distorted,
Try to paint a bright picture
We rest in peace to find an answer,
Not a simple guess
Go let it out
Go let it out
When the sun comes round again
When the sun comes round again
When the sun comes round again
Keep you falling