- published: 18 Oct 2018
- views: 16978
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. 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Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
María María is a Venezuelan telenovela which starred Alba Roversi and Arturo Peniche. It was produced and broadcast on Marte TV in 1990.
María María is the continuing story of Julia Mendoza who, after suffering amnesia from an accident, assumes the identity of Maria Alcantara, a young, frivolous millionaire. Julia's innocent act has starling repercussions, which shatter her life and the lives of those around her. Maria and Julia are in a terrible car accident together but only Julia is found at the accident site. She is horribly disfigured and is mistaken for María when she is unable to remember even her name. Later, she undergoes plastic surgery and is recreated as Maria. While a gang of beggars holds the real Maria captive, who also survived the crash, Julia adopts Maria's identity. She grows to love Maria's husband, Esteban Araujo, who ironically is accused of the death of her father. Julia's memory finally returns and life becomes an endless cycle of struggles, passion and torments.
Daniel is a masculine given name and a surname of Hebrew origin. It means, "God is my judge", and derives from two early biblical figures, primary among them Daniel from the Book of Daniel. It is a common given name for males, and is also used as a surname. It is also the basis for various derived given names and surnames.
The name evolved into over 100 different spellings in countries around the world. Nicknames (Dan, Danny) are common in both English and Hebrew, although in some instances "Dan" may be a complete given name rather than a nickname. The name "Daniil" (Даниил) is common in Russia. Feminine versions (Danielle, Daniela, Daniella, Dani, Danitza) are prevalent as well. The Dutch names "Daan" and "Daniël" are also variations of Daniel. A related surname developed as a patronymic, Daniels. Other surnames derived from "Daniel" include McDaniel and Danielson.
In the United States, the U.S. Social Security Administration reports that Daniel has peaked as the fifth most popular name for newborns in 1985, 1990, 2007, and 2008. The U.S. Census Bureau reported that in the 2000 census, "Daniels" was the 182nd most common surname in the U.S., while "McDaniel" was ranked at 323, and "Daniel" (without a final "s") was ranked at 380.
"Daniel" is a song by English recording artist Bat for Lashes, from her second studio album, Two Suns. It is her best selling single to date, selling over 46,000 copies worldwide. The song was announced as the lead single from Two Suns in January 2009, then released as a digital download single on 1 March 2009, and as a 7" vinyl single on 6 April 2009. The track was written by Natasha Khan and produced by David Kosten, as with all tracks on the album. Ira Wolf Tuton from Yeasayer provided the bass lines for the song and Khan did the rest of the instrumentation herself. Khan said in an interview with The Sun newspaper that "Daniel" is based on a fictional character that she fell in love with as a teenager. The single's cover features Khan with an image of the character Daniel LaRusso, from the film The Karate Kid, painted on her back. A character much like LaRusso also features at the end of the music video which goes with the song. The B-side of the 7" is a cover version of a 1980 single by The Cure.
Daniel is an English department store chain and Royal Warrant holder, with its flagship store situated in central Windsor. It was established in 1901 by Walter James Daniel, and is privately owned.
Coordinates: 51°28′55″N 0°36′35″W / 51.4820°N 0.6097°W / 51.4820; -0.6097
PEÇAM NAS RÁDIOS DONA DE MIM, GINGA E PESADÃO RÁDIO MIX: http://radiomixfm.com.br/contato/ FM O DIA: http://www.fmodia.com.br/pedido-musical/ 🔹 Já participa do nosso Fã Clube? 🔸 Acesse o nosso site: https://izalegion.com 🔸 Nossas redes sociais: 🔺 Instagram: http://instagram.com/izalegion 🔺 Facebook: http://facebook.com/izalegion 🔺 Twitter: http://twitter.com/izalegion 🔸 Canal no Telegram: http://t.me/izalegion 🔸 Spotify: https://open.spotify.com/user/izalegion
LIKE, SHARE & SUBSCRIBETE PARA MAS VIDEOS! Hola, Si quieres enviarme alguito y luego verme abriendo lo que me enviaste en un vídeo puedes enviarme lo que quieras a la siguiente dirección: DANIEL EL TRAVIESO PMB 434 100 GRAND PASEO BLVD STE 112 SAN JUAN PR 00926-5955 Dale click al link y automáticamente me sigues en SnapChat: https://www.snapchat.com/add/danieltraviesoo
Productions video Davaï www.davai.ca
El infierno regresó a la vida de María Dolores, pues tras salir de la cárcel Daniel se presentó ante ella para atormentarla. Ve los capítulos completos aquí https://www.uvideos.com/nocreoenloshombres Síguenos en: Facebook: http://uni.vi/VbbEU Twitter: http://uni.vi/VbbRf Instagram: http://uni.vi/VbbvM
En esta segunda noche del 51º Festival de Doma y Folklore de Jesús María 2016 se presentaron Nacho y Daniel tocando sus canciones tradicionales como: 01:10 Zamba de amor y mar 03:00 Gallitos del aire 04:40 Mamá vieja 07:10 Lamento Mataco 11:45 Yo soy tu curandero 16:10 Dijo la chacarera 19:45 Un amor así http://www.tvpublica.com.ar https://www.facebook.com/tvpublica https://twitter.com/TV_Publica http://www.instagram.com/tv_publica
En Yo No Creo En Los Hombres, María Dolores le dio un golpe al orgullo de Daniel, pues le aclaró que no quiere volverlo a ver en su vida. ¿Se dará por vencido?
Daniel - Santa Maria do Brasil/Hino Nacional [Clipe oficial] Inscreva-se no meu canal e ative o sino de notificações para não perder nenhum lançamento. Ouça em todas as plataformas: https://ONErpm.lnk.to/SantaMariaeHinoNacional ----- Registro de "Santa Maria do Brasil/Hino Nacional ". Show Gravado dia 12 de Outubro de 2018 na Tribuna Dom Aloísio Lorscheider, Pátio das Palmeiras – Santuário Nacional de Aparecida – São Paulo ----- [FICHA TÉCNICA PROJETO] Direção geral: JEFERSON DIEGO Direção musical, arranjos e piano: Rodrigo Costa Músicos convidados: Bateria - Tarcisio Buiochy, Baixo - Iono Bass, Guitarra - Enoque Rodolfo, Violão - Franco Alencar Orquestra PEMSA (Projeto de Educação Musical do Santuário Nacional): Regência - Altair Lobato, Júlio Ricarte, José Otávio, Fábio Gomes...
María María is a Venezuelan telenovela which starred Alba Roversi and Arturo Peniche. It was produced and broadcast on Marte TV in 1990.
María María is the continuing story of Julia Mendoza who, after suffering amnesia from an accident, assumes the identity of Maria Alcantara, a young, frivolous millionaire. Julia's innocent act has starling repercussions, which shatter her life and the lives of those around her. Maria and Julia are in a terrible car accident together but only Julia is found at the accident site. She is horribly disfigured and is mistaken for María when she is unable to remember even her name. Later, she undergoes plastic surgery and is recreated as Maria. While a gang of beggars holds the real Maria captive, who also survived the crash, Julia adopts Maria's identity. She grows to love Maria's husband, Esteban Araujo, who ironically is accused of the death of her father. Julia's memory finally returns and life becomes an endless cycle of struggles, passion and torments.
Hey we're gonna be around
Hey we're gonna work it out
Hey there's nothing to fight about
Today we're gonna be about
You hardly know me, you say I'm your best friend
Everything's ace, it'll work out in the end
Say that you love us, I don't believe that you want me to stay
You're hoping that I'll go away
I'm gonna be around
Hey I'm gonna work it out
Hey there's plenty to fight about
No way I'm ever going down
You hardly know me, you say I'm your best friend
Everything's ace, it'll work out in the end
Say that you love us, I don't believe that you want me to stay
You're hoping that I'll go away
You follow me here, follow me there
You mess me around like you think that I care
You think that I need you, you think that you own me
You don't think I see you, you don't think you know me
You can tell me all the things you want to say