-
D-50 101: Linear Arithmetic Synthesis explained. by TSF
Linear Arithmetic synthesis or L/A synthesis is whats behind D-50s awesome sound, here I explain the process of how D-50 works.
These 3 main parts of D-50s awesomeness, is:
PCMs- pulse code modulation (there are 100 of them stored to ROM)
Digitally Generated WaveForms- Saw and Square waves (remember a Saw has even and odd harmonics, a Square has only Odd harmonics)
Subtractive Synthesis- the most basic theories for 'subtracting harmonics' in a structured way'.
More videos to come!
Please enjoy! :)
TSF & D-50
published: 21 Feb 2011
-
Back to the future with linear arithmetic synthesis in Ableton
In this video I discuss LA synthesis —linear arithmetic— which is basically combining samples with subtractive synthesis in order to create different, interesting, and somewhat (retro-)futuristic sounds. I show a few examples of patches I created in Ableton and walk you through the recording and sound design process of creating a LA synthesis patch from scratch. Time stamps below!
Linear arithmetic: https://en.wikipedia.org/wiki/Linear_arithmetic_synthesis
Interview: https://www.muzines.co.uk/articles/l-a-synthesis-what-is-it/1975
00:00 Intro: LA what?
01:29 Example 1 Glass bottle
02:11 Example 2 Kalimba
02:51 Example 3 Cowbell
03:31 Sound design: Glockenspiel and Drift
08:32 Wrap-up
Get my sample library with 50 sampled instruments (free!):
https://klankenkabaal.gumroad.com/l/keep-it-s...
published: 07 Dec 2023
-
Strategy Synthesis for Linear Arithmetic Games
published: 19 Jan 2018
-
ROLAND D-50 - Synth Review, Sounds & Demo | Linear Synthesizer
Roland D-50 synth review, sounds and demo. In this synthesizer review of the Roland D-50, I provide an overview of the synth, it's digital sample-based linear arithmetic synthesis engine, play Roland D-50 sounds, and provide my final thoughts on the Roland D50 including pros and cons.
TIMECODES
===========
00:00 - Intro
01:15- Overview
14:12 - Sounds & Patches
30:27 - Pad Sound Design
32:49 - Pros
36:42 - Cons
40:12 - Final Thoughts
---------------------------------------
► SUBSCRBE
http://www.youtube.com/subscription_center?add_user=synth4ever
► Support the channel (affiliate links):
Sweetwater US: https://imp.i114863.net/xA9nR
Perfect Circuit US: https://link.perfectcircuit.com/t/v1/8-12626-261262-9759
Guitar Center US: https://guitar-center.pxf.io/jrvXGP
Thomann EU: https://www.tho...
published: 16 Aug 2023
-
Roland D-50 VST Tutorial - Intro to LA Synthesis
published: 22 Feb 2022
-
FM Synthesis 101: FM Synthesis Explored - 3. Exponential Vs Linear VS Thru Zero FM
Additional videos for this title: https://j.mp/2LAXYEG
FM Synthesis 101: FM Synthesis Explored by Rishabh Rajan
Video 3 of 22 for FM Synthesis 101: FM Synthesis Explored
FM (Frequency Modulation) synthesis always had a reputation of being challenging to program, but once you learn it, it's a very rewarding synthesis method for sound designers and musicians. The most popular hardware FM synth is the vintage Yamaha DX7, but nowadays FM is available in a variety of software instruments. Thankfully it's much easier to program on a big computer screen than on a tiny DX7 16 x 2 LCD display! With its soft synth shootout approach, this course explores the creative possibilities offered by FM synthesis.
FM synthesis is very different from more traditional synthesis methods, so that's why Rishabh ...
published: 16 May 2020
-
Just physics student things #shorts #math #astrophysics
published: 03 Oct 2022
-
Linear arithmetic
published: 26 Feb 2018
-
AudioPanicRoom - Episode #012: Linear Arithmetic
A little excursion into the wonderful world of Roland's LA synth modules.
AudioPanicRoom Podcast
-------------------------------------------
Website: https://audiopanicroom.wordpress.com
RSS: http://feeds.feedburner.com/AudioPanicRoom
iTunes: https://itunes.apple.com/de/podcast/audiopanicroom/id1131197847?l=e
Playlist:
01 00:00:00 "Introduction" - Monkey Island 2 (1991, MS-DOS) by Michael Land, Clint Bajakian, Peter McConnell
02 00:03:59 "Hot Wind" - Overtake (1992, X68000) by Hideyuki Shimono, Naoyuki Kimura
03 00:06:20 "ChiChi Bar Theme 2" - Code Name: Iceman (1989, MS-DOS) by Mark Seibert
04 00:08:19 "K-RAP Rock" - Leisure Suit Larry 5 (1991, MS-DOS) by Craig Safan, Chris Braymen
05 00:10:21 "Spice Opera" - Dune (1992, MS-DOS) by Stéphane Picq
06 00:11:42 "Stage 1" - Gemini Wing (199...
published: 22 May 2016
-
HOW CHINESE STUDENTS SO FAST IN SOLVING MATH OVER AMERICAN STUDENTS
published: 19 Nov 2021
5:57
D-50 101: Linear Arithmetic Synthesis explained. by TSF
Linear Arithmetic synthesis or L/A synthesis is whats behind D-50s awesome sound, here I explain the process of how D-50 works.
These 3 main parts of D-50s awes...
Linear Arithmetic synthesis or L/A synthesis is whats behind D-50s awesome sound, here I explain the process of how D-50 works.
These 3 main parts of D-50s awesomeness, is:
PCMs- pulse code modulation (there are 100 of them stored to ROM)
Digitally Generated WaveForms- Saw and Square waves (remember a Saw has even and odd harmonics, a Square has only Odd harmonics)
Subtractive Synthesis- the most basic theories for 'subtracting harmonics' in a structured way'.
More videos to come!
Please enjoy! :)
TSF & D-50
https://wn.com/D_50_101_Linear_Arithmetic_Synthesis_Explained._By_Tsf
Linear Arithmetic synthesis or L/A synthesis is whats behind D-50s awesome sound, here I explain the process of how D-50 works.
These 3 main parts of D-50s awesomeness, is:
PCMs- pulse code modulation (there are 100 of them stored to ROM)
Digitally Generated WaveForms- Saw and Square waves (remember a Saw has even and odd harmonics, a Square has only Odd harmonics)
Subtractive Synthesis- the most basic theories for 'subtracting harmonics' in a structured way'.
More videos to come!
Please enjoy! :)
TSF & D-50
- published: 21 Feb 2011
- views: 5658
10:05
Back to the future with linear arithmetic synthesis in Ableton
In this video I discuss LA synthesis —linear arithmetic— which is basically combining samples with subtractive synthesis in order to create different, interesti...
In this video I discuss LA synthesis —linear arithmetic— which is basically combining samples with subtractive synthesis in order to create different, interesting, and somewhat (retro-)futuristic sounds. I show a few examples of patches I created in Ableton and walk you through the recording and sound design process of creating a LA synthesis patch from scratch. Time stamps below!
Linear arithmetic: https://en.wikipedia.org/wiki/Linear_arithmetic_synthesis
Interview: https://www.muzines.co.uk/articles/l-a-synthesis-what-is-it/1975
00:00 Intro: LA what?
01:29 Example 1 Glass bottle
02:11 Example 2 Kalimba
02:51 Example 3 Cowbell
03:31 Sound design: Glockenspiel and Drift
08:32 Wrap-up
Get my sample library with 50 sampled instruments (free!):
https://klankenkabaal.gumroad.com/l/keep-it-simpler
Follow me on Bandcamp:
http://klankenkabaal.bandcamp.com
#electronicmusic #sounddesign #ableton #makingmusic #abletonlive #musicproduction #musicproducer #makingbeats #beats #sounds #exploringsounds #sampling #recording #samples #klankenkabaal #tutorial #lasynthesis #rolandd50 #lineararithmetic #roland #synthesis
https://wn.com/Back_To_The_Future_With_Linear_Arithmetic_Synthesis_In_Ableton
In this video I discuss LA synthesis —linear arithmetic— which is basically combining samples with subtractive synthesis in order to create different, interesting, and somewhat (retro-)futuristic sounds. I show a few examples of patches I created in Ableton and walk you through the recording and sound design process of creating a LA synthesis patch from scratch. Time stamps below!
Linear arithmetic: https://en.wikipedia.org/wiki/Linear_arithmetic_synthesis
Interview: https://www.muzines.co.uk/articles/l-a-synthesis-what-is-it/1975
00:00 Intro: LA what?
01:29 Example 1 Glass bottle
02:11 Example 2 Kalimba
02:51 Example 3 Cowbell
03:31 Sound design: Glockenspiel and Drift
08:32 Wrap-up
Get my sample library with 50 sampled instruments (free!):
https://klankenkabaal.gumroad.com/l/keep-it-simpler
Follow me on Bandcamp:
http://klankenkabaal.bandcamp.com
#electronicmusic #sounddesign #ableton #makingmusic #abletonlive #musicproduction #musicproducer #makingbeats #beats #sounds #exploringsounds #sampling #recording #samples #klankenkabaal #tutorial #lasynthesis #rolandd50 #lineararithmetic #roland #synthesis
- published: 07 Dec 2023
- views: 1073
45:17
ROLAND D-50 - Synth Review, Sounds & Demo | Linear Synthesizer
Roland D-50 synth review, sounds and demo. In this synthesizer review of the Roland D-50, I provide an overview of the synth, it's digital sample-based linear a...
Roland D-50 synth review, sounds and demo. In this synthesizer review of the Roland D-50, I provide an overview of the synth, it's digital sample-based linear arithmetic synthesis engine, play Roland D-50 sounds, and provide my final thoughts on the Roland D50 including pros and cons.
TIMECODES
===========
00:00 - Intro
01:15- Overview
14:12 - Sounds & Patches
30:27 - Pad Sound Design
32:49 - Pros
36:42 - Cons
40:12 - Final Thoughts
---------------------------------------
► SUBSCRBE
http://www.youtube.com/subscription_center?add_user=synth4ever
► Support the channel (affiliate links):
Sweetwater US: https://imp.i114863.net/xA9nR
Perfect Circuit US: https://link.perfectcircuit.com/t/v1/8-12626-261262-9759
Guitar Center US: https://guitar-center.pxf.io/jrvXGP
Thomann EU: https://www.thomann.de/intl/index.html?offid=1&affid=747
Reverb.com: https://reverb.grsm.io/synth4ever
Buy me a coffee: https://www.buymeacoffee.com/synth4ever
► CONNECT ON SOCIAL:
Instagram: https://www.instagram.com/synth4ever
Facebook: https://www.facebook.com/synth4ever.music
Twitter: https://twitter.com/synth4ever
Soundcloud: https://soundcloud.com/synth4ever
► MY MUSIC:
Bandcamp: http://synth4ever.bandcamp.com
Spotify: https://bit.ly/synth4everSpotify
Apple Music: https://bit.ly/synth4everAppleMusic
Youtube Music: https://bit.ly/synth4everYoutubeMusic
Amazon: https://bit.ly/synth4everAmazonMusic
---------------------------------------
Released in 1987, the Roland D-50 is a classic digital synthesizer that still remains popular to this day. It began the new era of digital synths at Roland and featured linear arithmetic synthesis (LAS), a groundbreaking combination of PCM samples and loops for attack transients, with traditional subtractive synthesis waveforms.
The Roland D-50 has a deep and complex synthesis engine which features 16-voices and is 2-part multitimbral. Sound can be constructed using 2 tones, each which has 2 partials per tone. There are 7 different "structures" (algorithms) which enable you to change how the PCM and subtractive engine interact, including ring modulation.
The synth engine has 100 PCM samples and combines it with traditional saw or square waveforms, digital filters and effects. It has 3 LFOs, 3 envelopes (5-stage pitch, filter, amp), low and high equalizer, chorus, 32-types reverb, portamento, low-pass filter, chase (delay) mode, room for 64 patches, 61 keys with velocity and aftertouch, MIDI in/out, a joystick for mixing audio levels, and various key modes including whole/dual/split.
The Roland D-50 is well known for classic and nostalgic sounds which have been played on many hit records by artists including Enya, Prince, Michael Jackson, Sting and many others. Famous presets like "Digital Native Dance" and "Soundtrack" were designed by Eric Persing and Adrian Scott and showcased the capabilities of linear arithmetic synthesis and flexibility of the D-50's versatile sound engine.
The Roland D50 is also well known for having warm overtones and a gritty and airy organic sound, which makes it incredible for ethereal pads and soundscapes. Aside from that it can produce incredible bass, bells, leads, keys, brass and many other traditional sounds, but it can really transport you to other worlds with a little experimentation.
The Roland D-50 interface has buttons and a screen for editing, but thankfully there is the PG-1000 controller which enables you to edit sounds using sliders. The PG-1000 is somewhat rare and expensive, but really speeds up sound design on the Roland D-50 so if you have the chance to get one, go for it!
Overall the Roland D-50 is a versatile and classic digital synthesizer which still remains a popular synth to this day. It has a unique sound legacy thanks to the linear arithmetic synthesis engine and can really take you places. If you have the opportunity to get your hands on one and enjoy what it does, the Roland D-50 is still well worth picking up.
Hope you enjoy this Roland D-50 review, sounds and demo.
#roland #d50 #review #synth #synthesizer
https://wn.com/Roland_D_50_Synth_Review,_Sounds_Demo_|_Linear_Synthesizer
Roland D-50 synth review, sounds and demo. In this synthesizer review of the Roland D-50, I provide an overview of the synth, it's digital sample-based linear arithmetic synthesis engine, play Roland D-50 sounds, and provide my final thoughts on the Roland D50 including pros and cons.
TIMECODES
===========
00:00 - Intro
01:15- Overview
14:12 - Sounds & Patches
30:27 - Pad Sound Design
32:49 - Pros
36:42 - Cons
40:12 - Final Thoughts
---------------------------------------
► SUBSCRBE
http://www.youtube.com/subscription_center?add_user=synth4ever
► Support the channel (affiliate links):
Sweetwater US: https://imp.i114863.net/xA9nR
Perfect Circuit US: https://link.perfectcircuit.com/t/v1/8-12626-261262-9759
Guitar Center US: https://guitar-center.pxf.io/jrvXGP
Thomann EU: https://www.thomann.de/intl/index.html?offid=1&affid=747
Reverb.com: https://reverb.grsm.io/synth4ever
Buy me a coffee: https://www.buymeacoffee.com/synth4ever
► CONNECT ON SOCIAL:
Instagram: https://www.instagram.com/synth4ever
Facebook: https://www.facebook.com/synth4ever.music
Twitter: https://twitter.com/synth4ever
Soundcloud: https://soundcloud.com/synth4ever
► MY MUSIC:
Bandcamp: http://synth4ever.bandcamp.com
Spotify: https://bit.ly/synth4everSpotify
Apple Music: https://bit.ly/synth4everAppleMusic
Youtube Music: https://bit.ly/synth4everYoutubeMusic
Amazon: https://bit.ly/synth4everAmazonMusic
---------------------------------------
Released in 1987, the Roland D-50 is a classic digital synthesizer that still remains popular to this day. It began the new era of digital synths at Roland and featured linear arithmetic synthesis (LAS), a groundbreaking combination of PCM samples and loops for attack transients, with traditional subtractive synthesis waveforms.
The Roland D-50 has a deep and complex synthesis engine which features 16-voices and is 2-part multitimbral. Sound can be constructed using 2 tones, each which has 2 partials per tone. There are 7 different "structures" (algorithms) which enable you to change how the PCM and subtractive engine interact, including ring modulation.
The synth engine has 100 PCM samples and combines it with traditional saw or square waveforms, digital filters and effects. It has 3 LFOs, 3 envelopes (5-stage pitch, filter, amp), low and high equalizer, chorus, 32-types reverb, portamento, low-pass filter, chase (delay) mode, room for 64 patches, 61 keys with velocity and aftertouch, MIDI in/out, a joystick for mixing audio levels, and various key modes including whole/dual/split.
The Roland D-50 is well known for classic and nostalgic sounds which have been played on many hit records by artists including Enya, Prince, Michael Jackson, Sting and many others. Famous presets like "Digital Native Dance" and "Soundtrack" were designed by Eric Persing and Adrian Scott and showcased the capabilities of linear arithmetic synthesis and flexibility of the D-50's versatile sound engine.
The Roland D50 is also well known for having warm overtones and a gritty and airy organic sound, which makes it incredible for ethereal pads and soundscapes. Aside from that it can produce incredible bass, bells, leads, keys, brass and many other traditional sounds, but it can really transport you to other worlds with a little experimentation.
The Roland D-50 interface has buttons and a screen for editing, but thankfully there is the PG-1000 controller which enables you to edit sounds using sliders. The PG-1000 is somewhat rare and expensive, but really speeds up sound design on the Roland D-50 so if you have the chance to get one, go for it!
Overall the Roland D-50 is a versatile and classic digital synthesizer which still remains a popular synth to this day. It has a unique sound legacy thanks to the linear arithmetic synthesis engine and can really take you places. If you have the opportunity to get your hands on one and enjoy what it does, the Roland D-50 is still well worth picking up.
Hope you enjoy this Roland D-50 review, sounds and demo.
#roland #d50 #review #synth #synthesizer
- published: 16 Aug 2023
- views: 23054
4:25
FM Synthesis 101: FM Synthesis Explored - 3. Exponential Vs Linear VS Thru Zero FM
Additional videos for this title: https://j.mp/2LAXYEG
FM Synthesis 101: FM Synthesis Explored by Rishabh Rajan
Video 3 of 22 for FM Synthesis 101: FM Synthesis...
Additional videos for this title: https://j.mp/2LAXYEG
FM Synthesis 101: FM Synthesis Explored by Rishabh Rajan
Video 3 of 22 for FM Synthesis 101: FM Synthesis Explored
FM (Frequency Modulation) synthesis always had a reputation of being challenging to program, but once you learn it, it's a very rewarding synthesis method for sound designers and musicians. The most popular hardware FM synth is the vintage Yamaha DX7, but nowadays FM is available in a variety of software instruments. Thankfully it's much easier to program on a big computer screen than on a tiny DX7 16 x 2 LCD display! With its soft synth shootout approach, this course explores the creative possibilities offered by FM synthesis.
FM synthesis is very different from more traditional synthesis methods, so that's why Rishabh starts the course by diving into some important FM synthesis theory. Operators, carriers and modulators are clearly demonstrated using Reaktor Blocks. The differences between Exponential, Linear and Linear Thru Zero are also explained in an easy-to-understand fashion.
First in the synth shootout is the appropriately named Operator synth that comes bundled with Ableton Live. Rishabh reveals how to harness the FM power that lurks under Operator's deceptively simple user interface. He applies FM concepts by creating a deep and wide pad sound with Operator. Next, you get a tour of a Logic classic, the EFM1. This synth may date back to Logic's Emagic era, but as you will see and hear it still packs a lot of FM punch!
FL Studios user will like the following tutorials, where Rishabh covers Sytrus in detail, complete with a sound design example. Native Instruments FM8 is next on the menu. Like the other synths, all parameters are explored with another sound design demonstration.
Next, Rishabh covers a recent addition to Logic, the Retro Synth. The rich-sounding synthesis possibilities hidden under the FM tab are explored and demonstrated. The course concludes with the Arturia DX7 V, which is a virtual recreation of the most famous synth of all time, the Yamaha DX7.
So get ready to delve in Frequency Modulation synthesis with this course by Rishabh Rajan!
More info on this title: https://j.mp/2LAXYEG
https://wn.com/Fm_Synthesis_101_Fm_Synthesis_Explored_3._Exponential_Vs_Linear_Vs_Thru_Zero_Fm
Additional videos for this title: https://j.mp/2LAXYEG
FM Synthesis 101: FM Synthesis Explored by Rishabh Rajan
Video 3 of 22 for FM Synthesis 101: FM Synthesis Explored
FM (Frequency Modulation) synthesis always had a reputation of being challenging to program, but once you learn it, it's a very rewarding synthesis method for sound designers and musicians. The most popular hardware FM synth is the vintage Yamaha DX7, but nowadays FM is available in a variety of software instruments. Thankfully it's much easier to program on a big computer screen than on a tiny DX7 16 x 2 LCD display! With its soft synth shootout approach, this course explores the creative possibilities offered by FM synthesis.
FM synthesis is very different from more traditional synthesis methods, so that's why Rishabh starts the course by diving into some important FM synthesis theory. Operators, carriers and modulators are clearly demonstrated using Reaktor Blocks. The differences between Exponential, Linear and Linear Thru Zero are also explained in an easy-to-understand fashion.
First in the synth shootout is the appropriately named Operator synth that comes bundled with Ableton Live. Rishabh reveals how to harness the FM power that lurks under Operator's deceptively simple user interface. He applies FM concepts by creating a deep and wide pad sound with Operator. Next, you get a tour of a Logic classic, the EFM1. This synth may date back to Logic's Emagic era, but as you will see and hear it still packs a lot of FM punch!
FL Studios user will like the following tutorials, where Rishabh covers Sytrus in detail, complete with a sound design example. Native Instruments FM8 is next on the menu. Like the other synths, all parameters are explored with another sound design demonstration.
Next, Rishabh covers a recent addition to Logic, the Retro Synth. The rich-sounding synthesis possibilities hidden under the FM tab are explored and demonstrated. The course concludes with the Arturia DX7 V, which is a virtual recreation of the most famous synth of all time, the Yamaha DX7.
So get ready to delve in Frequency Modulation synthesis with this course by Rishabh Rajan!
More info on this title: https://j.mp/2LAXYEG
- published: 16 May 2020
- views: 1291
48:48
AudioPanicRoom - Episode #012: Linear Arithmetic
A little excursion into the wonderful world of Roland's LA synth modules.
AudioPanicRoom Podcast
-------------------------------------------
Website: https://a...
A little excursion into the wonderful world of Roland's LA synth modules.
AudioPanicRoom Podcast
-------------------------------------------
Website: https://audiopanicroom.wordpress.com
RSS: http://feeds.feedburner.com/AudioPanicRoom
iTunes: https://itunes.apple.com/de/podcast/audiopanicroom/id1131197847?l=e
Playlist:
01 00:00:00 "Introduction" - Monkey Island 2 (1991, MS-DOS) by Michael Land, Clint Bajakian, Peter McConnell
02 00:03:59 "Hot Wind" - Overtake (1992, X68000) by Hideyuki Shimono, Naoyuki Kimura
03 00:06:20 "ChiChi Bar Theme 2" - Code Name: Iceman (1989, MS-DOS) by Mark Seibert
04 00:08:19 "K-RAP Rock" - Leisure Suit Larry 5 (1991, MS-DOS) by Craig Safan, Chris Braymen
05 00:10:21 "Spice Opera" - Dune (1992, MS-DOS) by Stéphane Picq
06 00:11:42 "Stage 1" - Gemini Wing (1990, X68000) by Manabu Saito, Mikio Saito
07 00:14:28 "Pulsating Pectorals" - Leisure Suit Larry III (1989, MS-DOS) by Mike Dana
08 00:17:15 "0EC_MI01" - Span of Dream (1990, PC-9801) by Yoshinobu Hiraiwa, Motoi Sakuraba
09 00:19:45 "Season Winner" - Team Suzuki (1991, MS-DOS) by Barry Leitch, Ian Howe
10 00:21:44 "Stage 5" - Phalanx (1991, X68000) by Kenichi Kamio
11 00:23:31 "At the Sign of the Drunken Druid" - Simon the Sorcerer (1993, MS-DOS) by Mark McLeod
12 00:26:08 "Opening Title" - Ski or Die (1990, MS-DOS) by Rob Hubbard
13 00:29:16 "Opening Demo" - Hioden II Dash (1994, PC-9801) by Motoi Sakuraba, Shinji Tamura, Hiroya Hatsushiba, Ryota Furuya
14 00:33:30 "Orpheus Hanley (The Speeder)" - Police Quest 3 (1991, MS-DOS) by Jan Hammer
15 00:35:58 "Gift From the Wind" - Detana!! Twinbee (1991, X68000) by Michiru Yamame, Hidenori Maezawa, Masae Nakashima
16 00:38:21 "Necrotaur Battle" - Quest for Glory IV (1993, MS-DOS) by Aubrey Hodges
17 00:40:26 "054_MI12" - D: European Mirage (1990, PC-9801) by Masaaki Uno, Motoi Sakuraba, Yasunori Shiono
18 00:43:53 "Baz Speed" - Speedball 2 (1991, MS-DOS) by Bitmap Brothers
19 00:46:48 "Oasis" - King's Quest V (1990, MS-DOS) by Mark Seibert, Ken Allen
https://wn.com/Audiopanicroom_Episode_012_Linear_Arithmetic
A little excursion into the wonderful world of Roland's LA synth modules.
AudioPanicRoom Podcast
-------------------------------------------
Website: https://audiopanicroom.wordpress.com
RSS: http://feeds.feedburner.com/AudioPanicRoom
iTunes: https://itunes.apple.com/de/podcast/audiopanicroom/id1131197847?l=e
Playlist:
01 00:00:00 "Introduction" - Monkey Island 2 (1991, MS-DOS) by Michael Land, Clint Bajakian, Peter McConnell
02 00:03:59 "Hot Wind" - Overtake (1992, X68000) by Hideyuki Shimono, Naoyuki Kimura
03 00:06:20 "ChiChi Bar Theme 2" - Code Name: Iceman (1989, MS-DOS) by Mark Seibert
04 00:08:19 "K-RAP Rock" - Leisure Suit Larry 5 (1991, MS-DOS) by Craig Safan, Chris Braymen
05 00:10:21 "Spice Opera" - Dune (1992, MS-DOS) by Stéphane Picq
06 00:11:42 "Stage 1" - Gemini Wing (1990, X68000) by Manabu Saito, Mikio Saito
07 00:14:28 "Pulsating Pectorals" - Leisure Suit Larry III (1989, MS-DOS) by Mike Dana
08 00:17:15 "0EC_MI01" - Span of Dream (1990, PC-9801) by Yoshinobu Hiraiwa, Motoi Sakuraba
09 00:19:45 "Season Winner" - Team Suzuki (1991, MS-DOS) by Barry Leitch, Ian Howe
10 00:21:44 "Stage 5" - Phalanx (1991, X68000) by Kenichi Kamio
11 00:23:31 "At the Sign of the Drunken Druid" - Simon the Sorcerer (1993, MS-DOS) by Mark McLeod
12 00:26:08 "Opening Title" - Ski or Die (1990, MS-DOS) by Rob Hubbard
13 00:29:16 "Opening Demo" - Hioden II Dash (1994, PC-9801) by Motoi Sakuraba, Shinji Tamura, Hiroya Hatsushiba, Ryota Furuya
14 00:33:30 "Orpheus Hanley (The Speeder)" - Police Quest 3 (1991, MS-DOS) by Jan Hammer
15 00:35:58 "Gift From the Wind" - Detana!! Twinbee (1991, X68000) by Michiru Yamame, Hidenori Maezawa, Masae Nakashima
16 00:38:21 "Necrotaur Battle" - Quest for Glory IV (1993, MS-DOS) by Aubrey Hodges
17 00:40:26 "054_MI12" - D: European Mirage (1990, PC-9801) by Masaaki Uno, Motoi Sakuraba, Yasunori Shiono
18 00:43:53 "Baz Speed" - Speedball 2 (1991, MS-DOS) by Bitmap Brothers
19 00:46:48 "Oasis" - King's Quest V (1990, MS-DOS) by Mark Seibert, Ken Allen
- published: 22 May 2016
- views: 162