- published: 04 Oct 2010
- views: 5403740
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
HIDDEN ERROR: Usage of "signature" is not recognized
Raymond Charles Robinson (September 23, 1930 – June 10, 2004), professionally known as Ray Charles, was an American singer, songwriter, musician, and composer. He was sometimes referred to as "The Genius", and was also nicknamed "The High Priest of Soul".
He pioneered the genre of soul music during the 1950s by combining rhythm and blues, Gospel, and blues styles into the music he recorded for Atlantic Records. He also contributed to the racial integration of country and pop music during the 1960s with his crossover success on ABC Records, most notably with his two Modern Sounds albums. While he was with ABC, Charles became one of the first African-American musicians to be granted artistic control by a mainstream record company.
Charles was blind from the age of seven. Charles cited Nat King Cole as a primary influence, but his music was also influenced by jazz, blues, rhythm and blues, and country artists of the day, including Art Tatum, Louis Jordan, Charles Brown, and Louis Armstrong. Charles' playing reflected influences from country blues, barrelhouse, and stride piano styles. He had strong ties to Quincy Jones, who often cared for him and showed him the ropes of the "music club industry."
Charles Ray may refer to:
Ray Charles (1930–2004) was an American singer-songwriter, musician and composer.
Ray Charles may also refer to:
"I Got a Woman" (originally titled "I've Got a Woman") is a song co-written and recorded by American R&B/soul musician Ray Charles and released as a single in December 1954 on the Atlantic label as Atlantic 45-1050 b/w "Come Back Baby." Both sides later appeared on his 1957 album Ray Charles (subsequently reissued as Hallelujah I Love Her So).
The song builds on "It Must Be Jesus" by the Southern Tones, which Ray Charles was listening to on the radio while on the road with his band in the summer of 1954. He and a member of his band, trumpeter Renald Richard, penned a song that was built along a gospel-frenetic pace with secular lyrics and a jazz-inspired rhythm and blues (R&B) background. The song would be one of the prototypes for what later became termed as "soul music" after Charles released "What'd I Say" nearly five years later.
The song was recorded late 1954 in the Atlanta studios of Georgia Tech radio station WGST. It was a hit—Charles' first—climbing quickly to #1 R&B in January 1955. Charles told the Pop Chronicles that he performed this song for about a year before he recorded it on November 18, 1954. The song would lead to more hits for Charles during this period when he was on Atlantic. It was later ranked No. 239 on Rolling Stone′s list of the 500 Greatest Songs of All Time, one of Charles' five songs on the list. A re-recorded version by Ray Charles, entitled "I Gotta Woman" (ABC-Paramount 10649) reached No. 79 on the Billboard pop chart in 1965.
I Got a Woman is an album by organist Jack McDuff recorded between 1964 and 1966 and released on the Prestige label.
Allmusic awarded the album 3 stars.
All compositions by Jack McDuff except as indicated
Drôle de parcours is the fifth studio album by French rapper La Fouine. It was released on 4 February 2013 by his record label Banlieue Sale and Jive Records, and peaked at number 1 on the French Albums Chart.
After the release of his fourth studio album La Fouine vs. Laouni on 14 February 2011, La Fouine released the mixtape Capitale du crime, Vol. 3 on 28 November the same year, that featured artists such as T-Pain, Orelsan, Mister You, Nessbeal, Alonzo or even Amel Bent and Corneille, who are both featured in Drôle de parcours. Corneille also released the single "Des pères, des hommes et des frères" with La Fouine the same year.
In March 2012, La Fouine announced that he was working on a fifth studio album, and was working with Amel Bent in the studio. In September 2012, he revealed February 2013 as the release month for the album, as well as its title.
"Ray Charles" is a single released from American rap group Chiddy Bang. It was released in Canada on November 14, 2011 as a digital download as the second single from their debut studio album Breakfast. The song is an homage to the musician of the same name.
A music video to accompany the release of "Ray Charles" was first released onto YouTube on January 5, 2012. The music video features the duo watching videos on VEVO, including one that features the duo dressed up like Ray Charles, performing with woman as well. Briefly, "Pass Out" and "So What Cha Want", by Tinie Tempah and the Beastie Boys, respectively, can be heard. After one and week of being on the site the official video had been viewed just over 3.8 million times.
Robert Copsey of Digital Spy gave the song a positive review stating:
It's easy to see how they've come to appreciate the late star as their soul homage not only fully embodies his sound, but also highlights how popular it remains today. Over a vintage piano riff and bouncy jazz section they rap a tribute to the legend that falls somewhere between profound and dangerously tongue-in-cheek ("You're too blind to see it"), but the result nonetheless sounds genuinely heartfelt.
The Miami Lighthouse for the Blind James L.Knight Center in Miami, Florida, 1999 Composer : Ray Charles , Renald Richard Lyrics : Hhhhhm... Baby please don't go Baby please don't gooo Baby please don't go back to New Orlean You know I love you so I'll be your dog Rooo! Girl I'll be your dog I'll be your dog,you won't make me walk alone,baby Please don't go Fulfil me I want you to know tonight But I've got a woman over town,good,hnn Woman,over town,good to me,he! She gives me money when Im in need Yeah she's a kind of friend indeed I got a woman way,well,over town,good to me yeah She saves her lovin early in the morning for me oh yeah She saves her lovin early in the morning just for me he! She saves her lovin just for me oh she love me so tenderly I got a woman way over town that's ...
Ray Charles - I Got A Woman
Great song! https://paypal.me/pools/c/8yNItUeYGZ
it's live, found it on some website and downloaded it, decided it's definetley worth uploading
Ray Charles -- keyboards, vocals, alto saxophone Marcus Belgrave -- trumpet Lee Harper -- trumpet David Newman -- tenor saxophone Bennie Crawford -- baritone saxophone Edgar Wills -- bass Richie Goldberg -- drums Marjorie Hendricks -- vocals The Raeletts -- vocal group Released November 1958 Recorded July 5, 1958 in Newport, Rhode Island
stevie wonder plays for his good freind ray charles whose died.
The Song "I Got A Woman" by Ray Charles. http://www.imdb.com/title/tt0350258/ One of the best scenes from this movie & this song brought him to national prominence.
HIDDEN ERROR: Usage of "signature" is not recognized
Raymond Charles Robinson (September 23, 1930 – June 10, 2004), professionally known as Ray Charles, was an American singer, songwriter, musician, and composer. He was sometimes referred to as "The Genius", and was also nicknamed "The High Priest of Soul".
He pioneered the genre of soul music during the 1950s by combining rhythm and blues, Gospel, and blues styles into the music he recorded for Atlantic Records. He also contributed to the racial integration of country and pop music during the 1960s with his crossover success on ABC Records, most notably with his two Modern Sounds albums. While he was with ABC, Charles became one of the first African-American musicians to be granted artistic control by a mainstream record company.
Charles was blind from the age of seven. Charles cited Nat King Cole as a primary influence, but his music was also influenced by jazz, blues, rhythm and blues, and country artists of the day, including Art Tatum, Louis Jordan, Charles Brown, and Louis Armstrong. Charles' playing reflected influences from country blues, barrelhouse, and stride piano styles. He had strong ties to Quincy Jones, who often cared for him and showed him the ropes of the "music club industry."
Unchain my heart, baby let me be
Unchain my heart 'cause you don't care about me
You've got me sewed up like a pillow case
but you let my love go to waste so
Unchain my heart, oh please, please set me free
Unchain my heart, baby let me go
Unchain my heart, 'cause you don't love me no more
Ev'ry time I call you on the phone
Some fella tells me that you're not at home so
Unchain my heart, oh please, please set me free
I'm under your spell like a man in a trance
But I know darn well, that I don't stand a chance so
Unchain my heart, let me go my way
Unchain my heart, you worry me night and day
Why lead me through a life of misery
when you don't care a bag of beans for me
So unchain my heart, oh please, please set me free
I'm under your spell like a man in a trance
But I know darn well, that I don't stand a chance so
Unchain my heart, let me go my way
Unchain my heart, you worry me night and day
Why lead me through a life of misery
when you don't care a bag of beans for me
So unchain my heart, please, please set me free
(please set me free)
Oh won't you set me free
(please set me free)
Woah, set me free
(please set me free)
Woowow, set me free little darlin
(please set me free)