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Ustad Enayat Khan | Sitar Classics | Hindustani Classical Raga
Ustad Enayat Khan was one of India's most influential sitar and surbahar players in the history of Hindusthani Classical Music in the first decades of the 20th Century. He was the father of Vilayat Khan, one of the top most sitariyas in the field of Indian Classical Music of the postwar period.
Enayat Khan was born in Uttar Pradesh into a family of musicians.His father was the great sitar maestro Imdad Khan, who taught him the sitar and surbahar (bass sitar) in the family style, known as the Imdadkhani Gharana or Etawah Gharana (school),named after a small village near Agra called Etawah. He married Basiran Bibi, daughter of khyal singer Bande Hussain. The Imdadkhani gharana is a North Indian school of sitar and surbahar music. It was named after its founder, Imdad Khan (1848–1920), and i...
published: 26 Aug 2015
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Ustad Allauddin Khan & Ustad Enayat Khan | Hindustani Classical | Raga Vairabi | Raga Behag
Ustad Allauddin Khan and Ustad Enayat Khan compiled under one Hindustani Classical album. It does not get bigger than this in Hindustani Classical or Indian Classical Music. This one is a special compilation of small pieces played by this two stalwarts in various ragas. Both the maestros have played six tracks each. The first six tracks are played by Ustad Enayat Khan.
Ustad Enayat Khan was one of India's most influential sitar and surbahar players in the history of Hindustani Classical Music in the first decades of the 20th Century. He was the father of Vilayat Khan, one of the top most sitar players in the field of Indian Classical Music of the postwar period. Ustad Enayat Khan belonged to the Imdadkhani Gharana named after his father the legendary Sitar maestro Ustad Imdad Khan. It is...
published: 24 Sep 2015
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The Mystic Sound: Hazrat Inayat Khan
This is a visual book. Hazrat Inayat Khan (1882-1927) was a distinguished musician, a prolific writer, and a great advocate of Sufi mysticism. I first learned about Khan from a long quote on “abstract sound” that was included in Julian P. Johnson’s famous book, The Path of the Masters (1939). It focused on listening to the inner sound as a spiritual practice and underlined how such was efficacious for uplifting one’s consciousness to higher regions. The following excerpt is from Khan’s 1923 work, The Mysticism of Sound.
published: 08 Jan 2019
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Ustad Enayet Khan Raga Khamaj
published: 27 Jun 2012
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INAAYAT | Tanzeel Khan | Ashi Khanna | (Prod. By Nemo)
YEH GAANA USKE LIYE HAI JISKE NAAM KA MATLAB HAI BLESSING.. AND EVERYONE HERE KNOWS I CANT SING #Inaayat
This is a much awaited one, for you guys and for me!!
Last year, I started my journey as an artist very unknowingly, I had no idea I had this incredible journey ahead of me!!
It still seems like a blessing🤞🏻
Well, it all started because of a person very close to my heart! Actually it all started because all of this was FOR her!
She’s the reason, my Inaayat 🤍
Thankyou so much Ashi for being my muse, my dilli ki ladki🤍 I HOPE YOU GUYS ENJOY THIS SONG, IT IS REALLY CLOSE TO MY HEART!
#TanzeelKhan #AshiKhanna #AkTk
Audio:
Lyricist, Composer & Singer : Tanzeel Khan
Produced by Nemo
Mix & Mastered by Hanish Taneja
Video:
Executive Producer : Dane Pereira
Conceptualised and Produced by...
published: 07 Apr 2021
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Enayat Khan ~ Bageshri (Alap) (1933)
http://excavatedshellac.com/category/india/
Imdad's son, Enayat Khan (also spelled Inayat, Enayet, etc.) was born in 1894 and studied under his father, who taught him both the sitar and the surbahar, also known as the bass sitar. The surbahar's origins trace back to ca. 1825-1830 in Lucknow. It has fixed frets and a wider neck than the traditional sitar. It generally has 6-8 strings (4 for melody and 2-4 for drones) and 13-17 sympathetic strings. Enayat was more commonly a sitar player, yet I chose here an example of his surbahar playing -- an alap (an introduction) to the Bageshri raga. He died young, in 1938.
Interestingly, Enayat Khan recorded this piece in early 1933 thanks to the newly established Megaphone label. Megaphone, launched by an entrepreneur named J. N. Ghosh, had it's or...
published: 16 Oct 2012
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Ustad Enayet Khan Pilu Gat
published: 03 Jun 2018
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Ustad Enayat Khan - a presentation - Subhranil Sarkar
from the presentation on the Etawah Gharana by Subhranil Sarkar
"The Great Masters of Etawah"
Ustad Enayat Khan, the Sitar and Surbahar maestro...
(note: some photos have been taken from Tushar & E.Parker's albums)
published: 08 Oct 2010
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Ustad Enayat Khan's Virtuosity on Sitar & Surbahar: Insight From Ustad Shafaat Khan
This is a segment from the memorial event hosted by ICMC in conversation with Hidayat ji & Ram ji
published: 02 Dec 2020
51:13
Ustad Enayat Khan | Sitar Classics | Hindustani Classical Raga
Ustad Enayat Khan was one of India's most influential sitar and surbahar players in the history of Hindusthani Classical Music in the first decades of the 20th ...
Ustad Enayat Khan was one of India's most influential sitar and surbahar players in the history of Hindusthani Classical Music in the first decades of the 20th Century. He was the father of Vilayat Khan, one of the top most sitariyas in the field of Indian Classical Music of the postwar period.
Enayat Khan was born in Uttar Pradesh into a family of musicians.His father was the great sitar maestro Imdad Khan, who taught him the sitar and surbahar (bass sitar) in the family style, known as the Imdadkhani Gharana or Etawah Gharana (school),named after a small village near Agra called Etawah. He married Basiran Bibi, daughter of khyal singer Bande Hussain. The Imdadkhani gharana is a North Indian school of sitar and surbahar music. It was named after its founder, Imdad Khan (1848–1920), and is also known as the Etawah gharana, after a small town close to Agra where Imdad Khan lived. The Khan family is one of the most renowned musical familiess from India. With its roots in Etawah on the outskirts of Agra before finally branching out to Calcutta with Enayat Khan and Hyderabad, Indore and Mumbai with Wahid Khan and Vilayat Khan.The gharana's achievements include the development of the Surbahar, major structural changes to both the sitar and surbahar and the creation and development of the instrumental style known as the gayaki ang (vocal style performed on sitar) by Vilayat Khan and this style of sitar is now known as the Vilayatkhani sitar.Living performers of the family include Imrat Khan, Shahid Parvez, Shujaat Khan, Nishat Khan, Irshad Khan, Wajahat Khan, Hidayat Khan and Zila Khan who is the first female performer of this gharana.Ustad Enayat Khan settled with his family in Calcutta, where, though he only lived to 43, he did much pioneering work on the sitar. For example, he standardised its physical dimensions and added the upper resonator gourd, which is very popular with today's players (though his own descendants have not kept using it). In a place rapidly developing into an important North Indian centre of the arts, at a time where interest in national culture was strong fuelled by the struggle for independence, he brought sitar music out from its narrow connoisseur circles to new mass audiences. Nobel laureate Rabindranath Tagore was a musical collaborator and personal friend of Ustadji's. Ustad Enayat Khan died young, with four children. His two sons, Vilayat Khan and Imrat,were trained in the Imdadkhani style by other members of his extended family. Vilayat learned the sitar and Imrat the surbahar; both were to become milestones of Indian Classical Music.Some of Enayat Khan's recordings have been released on CD.
This is such a rare compilation released from the precious archives. This is a collection of ragas brilliantly rendered by ustadji such as BHairavi, Multan, Pilu, Jogiya, Bhupali etc. This one is a rare jewel worthy of a true Hindusthani Classical Music lover.
=== ALBUM SONG DATA ===
All tracks performed by Prof. Enayet Khan
► Bagesri Alaap 0:00:03
► Gat Pilu 0:03:27
► Jogiya 0:06:53
► Bhairavi 0:10:25
► Multani Aalap 0:13:56
► Purvi Aalap 0:17:15
► Purvi Jhala 0:20:44
► Bhupali 0:24:09
► Bhairon Aalap 0:27:51
► Bhairon Jhala 0:31:19
► Behag Aalap 0:34:37
► Behag Jhala 0:37:54
► Khambaj Gat 0:41:09
► Khambaj 0:44:27
► Bihari Gat 0:47:36
https://wn.com/Ustad_Enayat_Khan_|_Sitar_Classics_|_Hindustani_Classical_Raga
Ustad Enayat Khan was one of India's most influential sitar and surbahar players in the history of Hindusthani Classical Music in the first decades of the 20th Century. He was the father of Vilayat Khan, one of the top most sitariyas in the field of Indian Classical Music of the postwar period.
Enayat Khan was born in Uttar Pradesh into a family of musicians.His father was the great sitar maestro Imdad Khan, who taught him the sitar and surbahar (bass sitar) in the family style, known as the Imdadkhani Gharana or Etawah Gharana (school),named after a small village near Agra called Etawah. He married Basiran Bibi, daughter of khyal singer Bande Hussain. The Imdadkhani gharana is a North Indian school of sitar and surbahar music. It was named after its founder, Imdad Khan (1848–1920), and is also known as the Etawah gharana, after a small town close to Agra where Imdad Khan lived. The Khan family is one of the most renowned musical familiess from India. With its roots in Etawah on the outskirts of Agra before finally branching out to Calcutta with Enayat Khan and Hyderabad, Indore and Mumbai with Wahid Khan and Vilayat Khan.The gharana's achievements include the development of the Surbahar, major structural changes to both the sitar and surbahar and the creation and development of the instrumental style known as the gayaki ang (vocal style performed on sitar) by Vilayat Khan and this style of sitar is now known as the Vilayatkhani sitar.Living performers of the family include Imrat Khan, Shahid Parvez, Shujaat Khan, Nishat Khan, Irshad Khan, Wajahat Khan, Hidayat Khan and Zila Khan who is the first female performer of this gharana.Ustad Enayat Khan settled with his family in Calcutta, where, though he only lived to 43, he did much pioneering work on the sitar. For example, he standardised its physical dimensions and added the upper resonator gourd, which is very popular with today's players (though his own descendants have not kept using it). In a place rapidly developing into an important North Indian centre of the arts, at a time where interest in national culture was strong fuelled by the struggle for independence, he brought sitar music out from its narrow connoisseur circles to new mass audiences. Nobel laureate Rabindranath Tagore was a musical collaborator and personal friend of Ustadji's. Ustad Enayat Khan died young, with four children. His two sons, Vilayat Khan and Imrat,were trained in the Imdadkhani style by other members of his extended family. Vilayat learned the sitar and Imrat the surbahar; both were to become milestones of Indian Classical Music.Some of Enayat Khan's recordings have been released on CD.
This is such a rare compilation released from the precious archives. This is a collection of ragas brilliantly rendered by ustadji such as BHairavi, Multan, Pilu, Jogiya, Bhupali etc. This one is a rare jewel worthy of a true Hindusthani Classical Music lover.
=== ALBUM SONG DATA ===
All tracks performed by Prof. Enayet Khan
► Bagesri Alaap 0:00:03
► Gat Pilu 0:03:27
► Jogiya 0:06:53
► Bhairavi 0:10:25
► Multani Aalap 0:13:56
► Purvi Aalap 0:17:15
► Purvi Jhala 0:20:44
► Bhupali 0:24:09
► Bhairon Aalap 0:27:51
► Bhairon Jhala 0:31:19
► Behag Aalap 0:34:37
► Behag Jhala 0:37:54
► Khambaj Gat 0:41:09
► Khambaj 0:44:27
► Bihari Gat 0:47:36
- published: 26 Aug 2015
- views: 13042
39:19
Ustad Allauddin Khan & Ustad Enayat Khan | Hindustani Classical | Raga Vairabi | Raga Behag
Ustad Allauddin Khan and Ustad Enayat Khan compiled under one Hindustani Classical album. It does not get bigger than this in Hindustani Classical or Indian Cla...
Ustad Allauddin Khan and Ustad Enayat Khan compiled under one Hindustani Classical album. It does not get bigger than this in Hindustani Classical or Indian Classical Music. This one is a special compilation of small pieces played by this two stalwarts in various ragas. Both the maestros have played six tracks each. The first six tracks are played by Ustad Enayat Khan.
Ustad Enayat Khan was one of India's most influential sitar and surbahar players in the history of Hindustani Classical Music in the first decades of the 20th Century. He was the father of Vilayat Khan, one of the top most sitar players in the field of Indian Classical Music of the postwar period. Ustad Enayat Khan belonged to the Imdadkhani Gharana named after his father the legendary Sitar maestro Ustad Imdad Khan. It is also known as the Etawah gharana, after a small town close to Agra where Imdad Khan lived. Ustad Enayat Khan settled with his family in Calcutta, where, though he only lived to 43, he did much pioneering work on the sitar. For example, he standardized its physical dimensions and added the upper resonator gourd, which is very popular with today's players. Ustad Enayat Khan Sahib brought sitar music out from its narrow connoisseur circles to new mass audiences. He was one of the major spearheads behind popularizing Indian Classical Music among the masses. The other six tracks compiled in this album are played by none other than the legendary Ustad Allauddin Khan Sahib very fondly remembered as Baba Allauddin Khan Saib. Baba Allauddin Khan was a Bengali sarod player and a multi- instrumentalist, composer and one of the most renowned music teachers of the 20th century in Indian classical music. He was the father of sarod maestro Ali Akbar Khan and Annapurna Devi, and the uncle of Raja Hossain Khan, as well as the guru of Ravi Shankar, Nikhil Banerjee, Vasant Rai, Pannalal Ghosh, Bahadur Khan, Sharan Rani, Jyotin Bhattacharya and other influential musicians. During his lifetime, he composed several ragas and laid the foundation of a modern Maihar gharana. He later became the court musician of Brijnath Singh Maharaja of Maihar Estate in Central Province. During his time as a court musician, Khan completely reshaped the Maihar gharana of Indian classical music. The Maihar gharana was established in the 19th Century, but Khan's contribution was so fundamental that he is often thought to be its creator. These two maestros have laid down some of the very popular Gats of Hindustani Classical Ragas. Some Gats like Vairabi Gat and Behag Gat based on the Ragas Vairabi and Behag are extremely popular amidst the masses. Overall this is a rare classic and a connoisseur's delight.
=== ALBUM SONG DATA ===
► Vairabi Gat 0:00:03
Artist- Prof.Enayet Khan
► Gat Pilu 0:03:34
Artist- Prof.Enayet Khan
► Bagesri Alap 0:07:00
Artist- Prof.Enayet Khan
► Khambaj 0:10:23
Artist- Prof.Enayet Khan
► Bhupali 0:13:31
Artist- Prof.Enayet Khan
► Purvi Jhala 0:17:13
Artist- Prof.Enayet Khan
► Vairabi Gat 0:20:37
Artist- Ustad Alauddin Khan
► Gara Gat 0:23:53
Artist- Ustad Alauddin Khan
► Lalit 0:27:01
Artist- Ustad Alauddin Khan
► Jila Bilambit 0:29:57
Artist- Ustad Alauddin Khan
► Tilak Kamode Gat 0:32:59
Artist- Ustad Alauddin Khan
► Behag Gat 0:36:09
Artist- Ustad Alauddin Khan
https://wn.com/Ustad_Allauddin_Khan_Ustad_Enayat_Khan_|_Hindustani_Classical_|_Raga_Vairabi_|_Raga_Behag
Ustad Allauddin Khan and Ustad Enayat Khan compiled under one Hindustani Classical album. It does not get bigger than this in Hindustani Classical or Indian Classical Music. This one is a special compilation of small pieces played by this two stalwarts in various ragas. Both the maestros have played six tracks each. The first six tracks are played by Ustad Enayat Khan.
Ustad Enayat Khan was one of India's most influential sitar and surbahar players in the history of Hindustani Classical Music in the first decades of the 20th Century. He was the father of Vilayat Khan, one of the top most sitar players in the field of Indian Classical Music of the postwar period. Ustad Enayat Khan belonged to the Imdadkhani Gharana named after his father the legendary Sitar maestro Ustad Imdad Khan. It is also known as the Etawah gharana, after a small town close to Agra where Imdad Khan lived. Ustad Enayat Khan settled with his family in Calcutta, where, though he only lived to 43, he did much pioneering work on the sitar. For example, he standardized its physical dimensions and added the upper resonator gourd, which is very popular with today's players. Ustad Enayat Khan Sahib brought sitar music out from its narrow connoisseur circles to new mass audiences. He was one of the major spearheads behind popularizing Indian Classical Music among the masses. The other six tracks compiled in this album are played by none other than the legendary Ustad Allauddin Khan Sahib very fondly remembered as Baba Allauddin Khan Saib. Baba Allauddin Khan was a Bengali sarod player and a multi- instrumentalist, composer and one of the most renowned music teachers of the 20th century in Indian classical music. He was the father of sarod maestro Ali Akbar Khan and Annapurna Devi, and the uncle of Raja Hossain Khan, as well as the guru of Ravi Shankar, Nikhil Banerjee, Vasant Rai, Pannalal Ghosh, Bahadur Khan, Sharan Rani, Jyotin Bhattacharya and other influential musicians. During his lifetime, he composed several ragas and laid the foundation of a modern Maihar gharana. He later became the court musician of Brijnath Singh Maharaja of Maihar Estate in Central Province. During his time as a court musician, Khan completely reshaped the Maihar gharana of Indian classical music. The Maihar gharana was established in the 19th Century, but Khan's contribution was so fundamental that he is often thought to be its creator. These two maestros have laid down some of the very popular Gats of Hindustani Classical Ragas. Some Gats like Vairabi Gat and Behag Gat based on the Ragas Vairabi and Behag are extremely popular amidst the masses. Overall this is a rare classic and a connoisseur's delight.
=== ALBUM SONG DATA ===
► Vairabi Gat 0:00:03
Artist- Prof.Enayet Khan
► Gat Pilu 0:03:34
Artist- Prof.Enayet Khan
► Bagesri Alap 0:07:00
Artist- Prof.Enayet Khan
► Khambaj 0:10:23
Artist- Prof.Enayet Khan
► Bhupali 0:13:31
Artist- Prof.Enayet Khan
► Purvi Jhala 0:17:13
Artist- Prof.Enayet Khan
► Vairabi Gat 0:20:37
Artist- Ustad Alauddin Khan
► Gara Gat 0:23:53
Artist- Ustad Alauddin Khan
► Lalit 0:27:01
Artist- Ustad Alauddin Khan
► Jila Bilambit 0:29:57
Artist- Ustad Alauddin Khan
► Tilak Kamode Gat 0:32:59
Artist- Ustad Alauddin Khan
► Behag Gat 0:36:09
Artist- Ustad Alauddin Khan
- published: 24 Sep 2015
- views: 28721
20:07
The Mystic Sound: Hazrat Inayat Khan
This is a visual book. Hazrat Inayat Khan (1882-1927) was a distinguished musician, a prolific writer, and a great advocate of Sufi mysticism. I first learned a...
This is a visual book. Hazrat Inayat Khan (1882-1927) was a distinguished musician, a prolific writer, and a great advocate of Sufi mysticism. I first learned about Khan from a long quote on “abstract sound” that was included in Julian P. Johnson’s famous book, The Path of the Masters (1939). It focused on listening to the inner sound as a spiritual practice and underlined how such was efficacious for uplifting one’s consciousness to higher regions. The following excerpt is from Khan’s 1923 work, The Mysticism of Sound.
https://wn.com/The_Mystic_Sound_Hazrat_Inayat_Khan
This is a visual book. Hazrat Inayat Khan (1882-1927) was a distinguished musician, a prolific writer, and a great advocate of Sufi mysticism. I first learned about Khan from a long quote on “abstract sound” that was included in Julian P. Johnson’s famous book, The Path of the Masters (1939). It focused on listening to the inner sound as a spiritual practice and underlined how such was efficacious for uplifting one’s consciousness to higher regions. The following excerpt is from Khan’s 1923 work, The Mysticism of Sound.
- published: 08 Jan 2019
- views: 58456
4:07
INAAYAT | Tanzeel Khan | Ashi Khanna | (Prod. By Nemo)
YEH GAANA USKE LIYE HAI JISKE NAAM KA MATLAB HAI BLESSING.. AND EVERYONE HERE KNOWS I CANT SING #Inaayat
This is a much awaited one, for you guys and for me!! ...
YEH GAANA USKE LIYE HAI JISKE NAAM KA MATLAB HAI BLESSING.. AND EVERYONE HERE KNOWS I CANT SING #Inaayat
This is a much awaited one, for you guys and for me!!
Last year, I started my journey as an artist very unknowingly, I had no idea I had this incredible journey ahead of me!!
It still seems like a blessing🤞🏻
Well, it all started because of a person very close to my heart! Actually it all started because all of this was FOR her!
She’s the reason, my Inaayat 🤍
Thankyou so much Ashi for being my muse, my dilli ki ladki🤍 I HOPE YOU GUYS ENJOY THIS SONG, IT IS REALLY CLOSE TO MY HEART!
#TanzeelKhan #AshiKhanna #AkTk
Audio:
Lyricist, Composer & Singer : Tanzeel Khan
Produced by Nemo
Mix & Mastered by Hanish Taneja
Video:
Executive Producer : Dane Pereira
Conceptualised and Produced by The Gonzo Studio
Director/DOP - Sarthak Chand
DOP - Sabit Tisekar
Assistant - Sanket Chavan
Line Producer - Siddharth Ojha
Editor & DI Colourist : Abhishek Kini
Styled by:
Akansha Aggarwal
Poonam Chippa
The Costume Team (TCT)
Ashi's Outfits -
Mixouse Designer's hub (Mixouse)
Thread n Button
AMANI
Tanzeel's Outfits -
Kudratcouture
Team Believe Artist Services :
Shilpa Sharda & Akshay Kapoor
For Licensing Enquiries :
[email protected]
Special thanks:
Arjun Kanungo
Team C21
Listen to Inaayat on your favourite Streaming Platforms:
Spotify: https://open.spotify.com/album/4zGe3ux5N7VhfEsAcOTWKg
Apple Music: https://music.apple.com/in/album/inaayat-single/1560782791
JioSaavn: https://www.jiosaavn.com/album/inaayat/GUygcjqOZhY_
Gaana: https://gaana.com/album/inaayat
Wynk: https://wynk.in/music/album/inaayat/bl_3616554433194
Amazon: https://music.amazon.com/albums/B091C8RF2K
Hungama: https://www.hungama.com/album/inaayat/64237890/
Resso: https://m.resso.app/ZSJM2K7g2/
https://wn.com/Inaayat_|_Tanzeel_Khan_|_Ashi_Khanna_|_(Prod._By_Nemo)
YEH GAANA USKE LIYE HAI JISKE NAAM KA MATLAB HAI BLESSING.. AND EVERYONE HERE KNOWS I CANT SING #Inaayat
This is a much awaited one, for you guys and for me!!
Last year, I started my journey as an artist very unknowingly, I had no idea I had this incredible journey ahead of me!!
It still seems like a blessing🤞🏻
Well, it all started because of a person very close to my heart! Actually it all started because all of this was FOR her!
She’s the reason, my Inaayat 🤍
Thankyou so much Ashi for being my muse, my dilli ki ladki🤍 I HOPE YOU GUYS ENJOY THIS SONG, IT IS REALLY CLOSE TO MY HEART!
#TanzeelKhan #AshiKhanna #AkTk
Audio:
Lyricist, Composer & Singer : Tanzeel Khan
Produced by Nemo
Mix & Mastered by Hanish Taneja
Video:
Executive Producer : Dane Pereira
Conceptualised and Produced by The Gonzo Studio
Director/DOP - Sarthak Chand
DOP - Sabit Tisekar
Assistant - Sanket Chavan
Line Producer - Siddharth Ojha
Editor & DI Colourist : Abhishek Kini
Styled by:
Akansha Aggarwal
Poonam Chippa
The Costume Team (TCT)
Ashi's Outfits -
Mixouse Designer's hub (Mixouse)
Thread n Button
AMANI
Tanzeel's Outfits -
Kudratcouture
Team Believe Artist Services :
Shilpa Sharda & Akshay Kapoor
For Licensing Enquiries :
[email protected]
Special thanks:
Arjun Kanungo
Team C21
Listen to Inaayat on your favourite Streaming Platforms:
Spotify: https://open.spotify.com/album/4zGe3ux5N7VhfEsAcOTWKg
Apple Music: https://music.apple.com/in/album/inaayat-single/1560782791
JioSaavn: https://www.jiosaavn.com/album/inaayat/GUygcjqOZhY_
Gaana: https://gaana.com/album/inaayat
Wynk: https://wynk.in/music/album/inaayat/bl_3616554433194
Amazon: https://music.amazon.com/albums/B091C8RF2K
Hungama: https://www.hungama.com/album/inaayat/64237890/
Resso: https://m.resso.app/ZSJM2K7g2/
- published: 07 Apr 2021
- views: 3102416
3:21
Enayat Khan ~ Bageshri (Alap) (1933)
http://excavatedshellac.com/category/india/
Imdad's son, Enayat Khan (also spelled Inayat, Enayet, etc.) was born in 1894 and studied under his father, who tau...
http://excavatedshellac.com/category/india/
Imdad's son, Enayat Khan (also spelled Inayat, Enayet, etc.) was born in 1894 and studied under his father, who taught him both the sitar and the surbahar, also known as the bass sitar. The surbahar's origins trace back to ca. 1825-1830 in Lucknow. It has fixed frets and a wider neck than the traditional sitar. It generally has 6-8 strings (4 for melody and 2-4 for drones) and 13-17 sympathetic strings. Enayat was more commonly a sitar player, yet I chose here an example of his surbahar playing -- an alap (an introduction) to the Bageshri raga. He died young, in 1938.
Interestingly, Enayat Khan recorded this piece in early 1933 thanks to the newly established Megaphone label. Megaphone, launched by an entrepreneur named J. N. Ghosh, had it's origins ca. 1910 as a gramophone machine and harmonium manufacturer. However, by the late 1920s, Ghosh wanted to compete with the Gramophone Company, issuing 78s of artists he felt were ignored by the massive label, including Enayat Khan. By July of 1932, Ghosh began recording and releasing his own Megaphone discs, though they were pressed (rather poorly, I'm afraid -- at least my examples are!) by the Gramophone Company at their plant in Dum Dum. Over the next 25 years, Megaphone released thousands of discs. Ghosh died in 1958, and his nephews took over the company -- in the 1980s, they were making Megaphone cassettes.
https://wn.com/Enayat_Khan_~_Bageshri_(Alap)_(1933)
http://excavatedshellac.com/category/india/
Imdad's son, Enayat Khan (also spelled Inayat, Enayet, etc.) was born in 1894 and studied under his father, who taught him both the sitar and the surbahar, also known as the bass sitar. The surbahar's origins trace back to ca. 1825-1830 in Lucknow. It has fixed frets and a wider neck than the traditional sitar. It generally has 6-8 strings (4 for melody and 2-4 for drones) and 13-17 sympathetic strings. Enayat was more commonly a sitar player, yet I chose here an example of his surbahar playing -- an alap (an introduction) to the Bageshri raga. He died young, in 1938.
Interestingly, Enayat Khan recorded this piece in early 1933 thanks to the newly established Megaphone label. Megaphone, launched by an entrepreneur named J. N. Ghosh, had it's origins ca. 1910 as a gramophone machine and harmonium manufacturer. However, by the late 1920s, Ghosh wanted to compete with the Gramophone Company, issuing 78s of artists he felt were ignored by the massive label, including Enayat Khan. By July of 1932, Ghosh began recording and releasing his own Megaphone discs, though they were pressed (rather poorly, I'm afraid -- at least my examples are!) by the Gramophone Company at their plant in Dum Dum. Over the next 25 years, Megaphone released thousands of discs. Ghosh died in 1958, and his nephews took over the company -- in the 1980s, they were making Megaphone cassettes.
- published: 16 Oct 2012
- views: 2751
3:21
Ustad Enayat Khan - a presentation - Subhranil Sarkar
from the presentation on the Etawah Gharana by Subhranil Sarkar
"The Great Masters of Etawah"
Ustad Enayat Khan, the Sitar and Surbahar maestro...
(note: some...
from the presentation on the Etawah Gharana by Subhranil Sarkar
"The Great Masters of Etawah"
Ustad Enayat Khan, the Sitar and Surbahar maestro...
(note: some photos have been taken from Tushar & E.Parker's albums)
https://wn.com/Ustad_Enayat_Khan_A_Presentation_Subhranil_Sarkar
from the presentation on the Etawah Gharana by Subhranil Sarkar
"The Great Masters of Etawah"
Ustad Enayat Khan, the Sitar and Surbahar maestro...
(note: some photos have been taken from Tushar & E.Parker's albums)
- published: 08 Oct 2010
- views: 14856
51:43
Ustad Enayat Khan's Virtuosity on Sitar & Surbahar: Insight From Ustad Shafaat Khan
This is a segment from the memorial event hosted by ICMC in conversation with Hidayat ji & Ram ji
This is a segment from the memorial event hosted by ICMC in conversation with Hidayat ji & Ram ji
https://wn.com/Ustad_Enayat_Khan's_Virtuosity_On_Sitar_Surbahar_Insight_From_Ustad_Shafaat_Khan
This is a segment from the memorial event hosted by ICMC in conversation with Hidayat ji & Ram ji
- published: 02 Dec 2020
- views: 111