Madrid is a Canadian electronic music group formed in 2003 in Toronto. The band consists of Adam Perry (guitars, keys, vox), Duncan Christie (bass, keys, vox) and Eric Lightfoot (drums). Their music is a combination of Electro, Shoegaze, and Psychedelia.
Madrid's 2003 debut Warm Waters was released on record label Aporia and was featured on the BBC. Madrid's followed-up this release with the First Message EP.
Madrid's unique live performance has seen them share the stage with international artists such as Friendly Fires and M83. In November 2009, Madrid toured across Canada with DJ Champion & His G-Strings.
Vinos de Madrid is a Spanish Denominación de Origen (DO), located in the southern part of the province of Madrid, (Spain). It covers 54 municipalities and is divided into the three sub-zones (Arganda, Navalcarnero, and San Martín), each of which produce different types of wine.
History
The ancient Romans likely introduced vines in the area as they did throughout the rest of the Iberian peninsula. However, the first documented evidence of wine production in the area dates from the 13th century. Legal documents indicate a dispute between some monks and a local feudal lord over the ownership of a vineyard.
Vinos de Madrid acquired its DO status in 1990.
Geography and Soils
The three sub-zones are all at an elevation of between 500 and 800 m above sea level. Arganda is the largest sub-zone, containing about 50% of the vines and comprising 26 municipalities. The soil here contains mainly clay and lime over a granite subsoil. To the southwest, close to the Sierra de Gredos range, is the San Martín sub-zone, which contains 35% of the DO's vines. Further to the southwest is the Navalcarnero sub-zone with 15% of the vines. Rich dark soils are more abundant in San Martín, while in Navalcarnero the soils lack carbonates, are low in nutrients, and lie over a clay subsoil.
Provided to YouTube by Pschent
Fagotto · Madrid
Madrid
℗ Ici d'ailleurs
Released on: 2005-12-20
Artist: Madrid
Auto-generated by YouTube.
published: 12 Dec 2019
Concierto para fagot - Carl Maria von Weber - María José Rielo (fagot) - Dir. Zoi Tsokanou - OSRTVE
XV Ciclo de Jóvenes Músicos. Concierto n.º 2 (Parte 1)
Desde el Teatro Monumental (Madrid), la Orquesta Sinfónica RTVE, dirigidos por Zoi Tsokanou y la solista María José Rielo (fagot) interpretan:
"Concierto para fagot en Fa mayor, Op 75" de Carl Maria Von Weber (1786 - 1826), en sus movimientos:
Allegro ma non troppo
Adagio
Rondo. Allegro.
Fecha de emisión: 18 de enero de 2015
published: 10 Apr 2023
Enrique Abargues visits the Yamaha Artist Services Madrid | Yamaha Music
Enrique Abargues, bassoonist of the Spanish National Orchestra visits the Yamaha Artist Services Madrid.
Yamaha Artist Services Madrid, like the other highly specialised Artist Services centres in Europe, act as a hub for professional musicians from Spain and Portugal, providing support from experienced instrument technicians along with access to the full range of Yamaha professional brass and woodwind instruments.
Enrique Abargues, fagot solista de la Orquesta Nacional de España, visita Yamaha Artist Services Madrid.
Yamaha Artist Services Madrid, al igual que los otros centros de Servicio a Artistas altamente especializados de Europa, actúan como un centro para los músicos profesionales de España y Portugal, proporcionando el más completo servicio técnico, así como acceso a una ampli...
published: 08 Jan 2021
Giorgio Fagotto e le sue sfide...la Cattedrale di ASTORGA 330 km da MADRID-EMOZIONE
published: 20 Oct 2023
Dag Jensen Masterclass - Bassoon - Ravel: Bolero
Masterclass with Professor Dag Jensen in which they work on basson part of Ravel's Bolero. This masterclass took place at Sony Auditorium of the Escuela Superior de Música Reina Sofía, Madrid 2011.
Student: Lucía Molina
Venue: Auditorio Sony from the Escuela Superior de Música Reina Sofía, Madrid (Spain) March 2011
M. Ravel: Bolero (bassoon part)
Abstract:
Professor Jensen talks about accents and articulation in this bassoon famous excerpt. He explains the way to close the sound at the end of a phrase and the main notes within phrasing. Moreover, the student should be aware of the internal rhythm as a support while playing the sixteenth notes.
***********
By donating to the School, you help support the free tuition of more than 150 young great talents from all around the world, while...
published: 03 Jun 2019
Masterclass de Gustavo Núñez - Fagot - Mozart: Concierto K 191 - Allegro
Masterclass del profesor Gustavo Núñez en la que trabajan el primer movimiento del Concierto para fagot y orquesta K 191 de Mozart, en su versión para fagot y piano. Esta clase magistral tuvo lugar en el Auditorio Sony de la Escuela Superior de Música Reina Sofía, Madrid 2019.
Alumna: María Bernal
Pianista acompañante: Juan Barahona
Lugar: Escuela Superior de Música Reina Sofía, Auditorio Sony, Madrid (España). Enero 2019
W. A. Mozart: Concierto para fagot y orquesta en si bemol mayor K 191 (reducción para fagot y piano) - I. Allegro
Resumen:
El Profesor Núñez habla del carácter más heroico del movimiento y explica cuestiones de fraseo y acentos. Además, trabajan sobre trinos y saltos interválicos.
***********
Apoyando a la Escuela contribuyes a que más de 150 jóvenes de gran talent...
published: 04 Feb 2019
Sergio Azzolini Masterclass - Bassoon - Weber: Concerto op 75 - I. Allegro ma non troppo
Masterclass by Professor Sergio Azzolini in which they work on the fist movement of Weber's Concerto for bassoon and orchestra op 75. This masterclass took place at the Escuela Superior de Música Reina Sofía, Madrid 2009.
Student: Amber Mallee
Accompanying pianist: Alina Artemyeva
Venue: Escuela Superior de Música Reina Sofía, Madrid (Spain) 16/04/2009
C. M. von Weber: Bassoon Concerto in F major J 127 op 75 - I. Allegro ma non troppo
Abstract:
In this fragment of the masterclass, Professor Azzolini mainly explains aspects about articulation, differences between legato and staccato (parlato, as he says). In both cases, sound should not change its quality - with tongue control and without changing the tone. Azzolini also makes some corrections on dynamics and sound balance, air and en...
published: 08 Jun 2018
Madrid - "s/t" (2000)
from Grenoble, released on Ici D'Ailleurs, 2000.
0:00 - Camden
2:03 - Sri Sri
6:29 - Une Pluie Sèche
13:32 - Téo
15:50 - Magree
17:58 - Odelho
18:51 - Tsumida
21:33 - Sept Cents Millions De Grelots
26:13 - Oña
27:49 - Tous A La Plage!
30:00 - Namo
31:52 - Fagotto
33:42 - Dooh
this is one of those fun albums where it's impossible to google information about the band.
published: 12 Oct 2021
Adagetto per fagotto di M. Mangani " fag. Giuseppe Ciabocchi
Orchestra A. Vivaldi di Valle Camonica direttore Silvio Maggioni
published: 04 May 2015
170322 marta alvarez fagot orq clasica RCSMM bis
Concierto de la Orquesta Clásica del Real Conservatorio Superior de Música de Madrid en el Auditorio Nacional de Música el 22 de febrero de 2017. Solista - Marta Álvarez, fagot. Director - Sebastián Mariné.
XV Ciclo de Jóvenes Músicos. Concierto n.º 2 (Parte 1)
Desde el Teatro Monumental (Madrid), la Orquesta Sinfónica RTVE, dirigidos por Zoi Tsokanou y la solista...
XV Ciclo de Jóvenes Músicos. Concierto n.º 2 (Parte 1)
Desde el Teatro Monumental (Madrid), la Orquesta Sinfónica RTVE, dirigidos por Zoi Tsokanou y la solista María José Rielo (fagot) interpretan:
"Concierto para fagot en Fa mayor, Op 75" de Carl Maria Von Weber (1786 - 1826), en sus movimientos:
Allegro ma non troppo
Adagio
Rondo. Allegro.
Fecha de emisión: 18 de enero de 2015
XV Ciclo de Jóvenes Músicos. Concierto n.º 2 (Parte 1)
Desde el Teatro Monumental (Madrid), la Orquesta Sinfónica RTVE, dirigidos por Zoi Tsokanou y la solista María José Rielo (fagot) interpretan:
"Concierto para fagot en Fa mayor, Op 75" de Carl Maria Von Weber (1786 - 1826), en sus movimientos:
Allegro ma non troppo
Adagio
Rondo. Allegro.
Fecha de emisión: 18 de enero de 2015
Enrique Abargues, bassoonist of the Spanish National Orchestra visits the Yamaha Artist Services Madrid.
Yamaha Artist Services Madrid, like the other highly ...
Enrique Abargues, bassoonist of the Spanish National Orchestra visits the Yamaha Artist Services Madrid.
Yamaha Artist Services Madrid, like the other highly specialised Artist Services centres in Europe, act as a hub for professional musicians from Spain and Portugal, providing support from experienced instrument technicians along with access to the full range of Yamaha professional brass and woodwind instruments.
Enrique Abargues, fagot solista de la Orquesta Nacional de España, visita Yamaha Artist Services Madrid.
Yamaha Artist Services Madrid, al igual que los otros centros de Servicio a Artistas altamente especializados de Europa, actúan como un centro para los músicos profesionales de España y Portugal, proporcionando el más completo servicio técnico, así como acceso a una amplia gama de instrumentos profesionales de viento madera y viento metal de Yamaha.
For more info visit: http://europe.yamaha.com
Follow us:
https://www.facebook.com/YamahaMusicEurope/
https://twitter.com/YamahaMusicEU
https://www.instagram.com/yamahamusiceurope/
https://www.linkedin.com/company/yamaha-corporation
Enrique Abargues, bassoonist of the Spanish National Orchestra visits the Yamaha Artist Services Madrid.
Yamaha Artist Services Madrid, like the other highly specialised Artist Services centres in Europe, act as a hub for professional musicians from Spain and Portugal, providing support from experienced instrument technicians along with access to the full range of Yamaha professional brass and woodwind instruments.
Enrique Abargues, fagot solista de la Orquesta Nacional de España, visita Yamaha Artist Services Madrid.
Yamaha Artist Services Madrid, al igual que los otros centros de Servicio a Artistas altamente especializados de Europa, actúan como un centro para los músicos profesionales de España y Portugal, proporcionando el más completo servicio técnico, así como acceso a una amplia gama de instrumentos profesionales de viento madera y viento metal de Yamaha.
For more info visit: http://europe.yamaha.com
Follow us:
https://www.facebook.com/YamahaMusicEurope/
https://twitter.com/YamahaMusicEU
https://www.instagram.com/yamahamusiceurope/
https://www.linkedin.com/company/yamaha-corporation
Masterclass with Professor Dag Jensen in which they work on basson part of Ravel's Bolero. This masterclass took place at Sony Auditorium of the Escuela Superio...
Masterclass with Professor Dag Jensen in which they work on basson part of Ravel's Bolero. This masterclass took place at Sony Auditorium of the Escuela Superior de Música Reina Sofía, Madrid 2011.
Student: Lucía Molina
Venue: Auditorio Sony from the Escuela Superior de Música Reina Sofía, Madrid (Spain) March 2011
M. Ravel: Bolero (bassoon part)
Abstract:
Professor Jensen talks about accents and articulation in this bassoon famous excerpt. He explains the way to close the sound at the end of a phrase and the main notes within phrasing. Moreover, the student should be aware of the internal rhythm as a support while playing the sixteenth notes.
***********
By donating to the School, you help support the free tuition of more than 150 young great talents from all around the world, while we bring Classical music closer to society. If you wish to give your support: https://escuelasuperiordemusicareinasofia.es/en/donations
https://www.escuelasuperiordemusicare...
https://www.instagram.com/escuelarein...
https://www.facebook.com/escuelareina...
https://twitter.com/EscuelaRSofia
https://www.linkedin.com/school/escuelareinasofia/
***********
The Reina Sofía School of Music was created in 1991 as a social project to help both young people and musical culture. Since then, the School has worked to support highly talented young people in their personal and artistic development, and to bring the best music to all audiences. The School offers a comprehensive musical education with the best international faculty and an intense and demanding artistic life, along with an open-audition admission policy, based exclusively on talent.
Masterclass with Professor Dag Jensen in which they work on basson part of Ravel's Bolero. This masterclass took place at Sony Auditorium of the Escuela Superior de Música Reina Sofía, Madrid 2011.
Student: Lucía Molina
Venue: Auditorio Sony from the Escuela Superior de Música Reina Sofía, Madrid (Spain) March 2011
M. Ravel: Bolero (bassoon part)
Abstract:
Professor Jensen talks about accents and articulation in this bassoon famous excerpt. He explains the way to close the sound at the end of a phrase and the main notes within phrasing. Moreover, the student should be aware of the internal rhythm as a support while playing the sixteenth notes.
***********
By donating to the School, you help support the free tuition of more than 150 young great talents from all around the world, while we bring Classical music closer to society. If you wish to give your support: https://escuelasuperiordemusicareinasofia.es/en/donations
https://www.escuelasuperiordemusicare...
https://www.instagram.com/escuelarein...
https://www.facebook.com/escuelareina...
https://twitter.com/EscuelaRSofia
https://www.linkedin.com/school/escuelareinasofia/
***********
The Reina Sofía School of Music was created in 1991 as a social project to help both young people and musical culture. Since then, the School has worked to support highly talented young people in their personal and artistic development, and to bring the best music to all audiences. The School offers a comprehensive musical education with the best international faculty and an intense and demanding artistic life, along with an open-audition admission policy, based exclusively on talent.
Masterclass del profesor Gustavo Núñez en la que trabajan el primer movimiento del Concierto para fagot y orquesta K 191 de Mozart, en su versión para fagot y p...
Masterclass del profesor Gustavo Núñez en la que trabajan el primer movimiento del Concierto para fagot y orquesta K 191 de Mozart, en su versión para fagot y piano. Esta clase magistral tuvo lugar en el Auditorio Sony de la Escuela Superior de Música Reina Sofía, Madrid 2019.
Alumna: María Bernal
Pianista acompañante: Juan Barahona
Lugar: Escuela Superior de Música Reina Sofía, Auditorio Sony, Madrid (España). Enero 2019
W. A. Mozart: Concierto para fagot y orquesta en si bemol mayor K 191 (reducción para fagot y piano) - I. Allegro
Resumen:
El Profesor Núñez habla del carácter más heroico del movimiento y explica cuestiones de fraseo y acentos. Además, trabajan sobre trinos y saltos interválicos.
***********
Apoyando a la Escuela contribuyes a que más de 150 jóvenes de gran talento de todo el mundo puedan realizar sus estudios con matrícula gratuita, mientras acercamos la música a la sociedad. Si quieres colaborar: https://escuelasuperiordemusicareinasofia.es/donaciones
https://www.escuelasuperiordemusicareinasofia.es/
https://www.facebook.com/escuelareinasofia/
https://twitter.com/EscuelaRSofia
https://www.instagram.com/escuelareinasofia/
https://www.linkedin.com/school/escuelareinasofia/
***********
La Escuela Superior de Música Reina Sofía se fundó en Madrid en 1991 como proyecto social de ayuda a la juventud y a la cultura musical. Desde entonces, la Escuela trabaja para apoyar a los jóvenes de mayor talento en su desarrollo personal y artístico; y acercar la mejor música a todos los públicos. La Escuela ofrece una formación musical integral con los mejores profesores internacionales y una vida artística intensa y exigente, junto a una política de admisión de alumnos en audición abierta y basada exclusivamente en el talento.
Masterclass del profesor Gustavo Núñez en la que trabajan el primer movimiento del Concierto para fagot y orquesta K 191 de Mozart, en su versión para fagot y piano. Esta clase magistral tuvo lugar en el Auditorio Sony de la Escuela Superior de Música Reina Sofía, Madrid 2019.
Alumna: María Bernal
Pianista acompañante: Juan Barahona
Lugar: Escuela Superior de Música Reina Sofía, Auditorio Sony, Madrid (España). Enero 2019
W. A. Mozart: Concierto para fagot y orquesta en si bemol mayor K 191 (reducción para fagot y piano) - I. Allegro
Resumen:
El Profesor Núñez habla del carácter más heroico del movimiento y explica cuestiones de fraseo y acentos. Además, trabajan sobre trinos y saltos interválicos.
***********
Apoyando a la Escuela contribuyes a que más de 150 jóvenes de gran talento de todo el mundo puedan realizar sus estudios con matrícula gratuita, mientras acercamos la música a la sociedad. Si quieres colaborar: https://escuelasuperiordemusicareinasofia.es/donaciones
https://www.escuelasuperiordemusicareinasofia.es/
https://www.facebook.com/escuelareinasofia/
https://twitter.com/EscuelaRSofia
https://www.instagram.com/escuelareinasofia/
https://www.linkedin.com/school/escuelareinasofia/
***********
La Escuela Superior de Música Reina Sofía se fundó en Madrid en 1991 como proyecto social de ayuda a la juventud y a la cultura musical. Desde entonces, la Escuela trabaja para apoyar a los jóvenes de mayor talento en su desarrollo personal y artístico; y acercar la mejor música a todos los públicos. La Escuela ofrece una formación musical integral con los mejores profesores internacionales y una vida artística intensa y exigente, junto a una política de admisión de alumnos en audición abierta y basada exclusivamente en el talento.
Masterclass by Professor Sergio Azzolini in which they work on the fist movement of Weber's Concerto for bassoon and orchestra op 75. This masterclass took plac...
Masterclass by Professor Sergio Azzolini in which they work on the fist movement of Weber's Concerto for bassoon and orchestra op 75. This masterclass took place at the Escuela Superior de Música Reina Sofía, Madrid 2009.
Student: Amber Mallee
Accompanying pianist: Alina Artemyeva
Venue: Escuela Superior de Música Reina Sofía, Madrid (Spain) 16/04/2009
C. M. von Weber: Bassoon Concerto in F major J 127 op 75 - I. Allegro ma non troppo
Abstract:
In this fragment of the masterclass, Professor Azzolini mainly explains aspects about articulation, differences between legato and staccato (parlato, as he says). In both cases, sound should not change its quality - with tongue control and without changing the tone. Azzolini also makes some corrections on dynamics and sound balance, air and energy, among other issues related to the first movement from the Bassoon Concerto op 75 by C. M. von Weber.
***********
By donating to the School, you help support the free tuition of more than 150 young great talents from all around the world, while we bring Classical music closer to society. If you wish to give your support: https://escuelasuperiordemusicareinasofia.es/en/donations
https://www.escuelasuperiordemusicare...
https://www.instagram.com/escuelarein...
https://www.facebook.com/escuelareina...
https://twitter.com/EscuelaRSofia
https://www.linkedin.com/school/escuelareinasofia/
***********
The Reina Sofía School of Music was created in 1991 as a social project to help both young people and musical culture. Since then, the School has worked to support highly talented young people in their personal and artistic development, and to bring the best music to all audiences. The School offers a comprehensive musical education with the best international faculty and an intense and demanding artistic life, along with an open-audition admission policy, based exclusively on talent.
Masterclass by Professor Sergio Azzolini in which they work on the fist movement of Weber's Concerto for bassoon and orchestra op 75. This masterclass took place at the Escuela Superior de Música Reina Sofía, Madrid 2009.
Student: Amber Mallee
Accompanying pianist: Alina Artemyeva
Venue: Escuela Superior de Música Reina Sofía, Madrid (Spain) 16/04/2009
C. M. von Weber: Bassoon Concerto in F major J 127 op 75 - I. Allegro ma non troppo
Abstract:
In this fragment of the masterclass, Professor Azzolini mainly explains aspects about articulation, differences between legato and staccato (parlato, as he says). In both cases, sound should not change its quality - with tongue control and without changing the tone. Azzolini also makes some corrections on dynamics and sound balance, air and energy, among other issues related to the first movement from the Bassoon Concerto op 75 by C. M. von Weber.
***********
By donating to the School, you help support the free tuition of more than 150 young great talents from all around the world, while we bring Classical music closer to society. If you wish to give your support: https://escuelasuperiordemusicareinasofia.es/en/donations
https://www.escuelasuperiordemusicare...
https://www.instagram.com/escuelarein...
https://www.facebook.com/escuelareina...
https://twitter.com/EscuelaRSofia
https://www.linkedin.com/school/escuelareinasofia/
***********
The Reina Sofía School of Music was created in 1991 as a social project to help both young people and musical culture. Since then, the School has worked to support highly talented young people in their personal and artistic development, and to bring the best music to all audiences. The School offers a comprehensive musical education with the best international faculty and an intense and demanding artistic life, along with an open-audition admission policy, based exclusively on talent.
from Grenoble, released on Ici D'Ailleurs, 2000.
0:00 - Camden
2:03 - Sri Sri
6:29 - Une Pluie Sèche
13:32 - Téo
15:50 - Magree
17:58 - Odelho
18:51 - Tsumida
...
from Grenoble, released on Ici D'Ailleurs, 2000.
0:00 - Camden
2:03 - Sri Sri
6:29 - Une Pluie Sèche
13:32 - Téo
15:50 - Magree
17:58 - Odelho
18:51 - Tsumida
21:33 - Sept Cents Millions De Grelots
26:13 - Oña
27:49 - Tous A La Plage!
30:00 - Namo
31:52 - Fagotto
33:42 - Dooh
this is one of those fun albums where it's impossible to google information about the band.
from Grenoble, released on Ici D'Ailleurs, 2000.
0:00 - Camden
2:03 - Sri Sri
6:29 - Une Pluie Sèche
13:32 - Téo
15:50 - Magree
17:58 - Odelho
18:51 - Tsumida
21:33 - Sept Cents Millions De Grelots
26:13 - Oña
27:49 - Tous A La Plage!
30:00 - Namo
31:52 - Fagotto
33:42 - Dooh
this is one of those fun albums where it's impossible to google information about the band.
Concierto de la Orquesta Clásica del Real Conservatorio Superior de Música de Madrid en el Auditorio Nacional de Música el 22 de febrero de 2017. Solista - Mart...
Concierto de la Orquesta Clásica del Real Conservatorio Superior de Música de Madrid en el Auditorio Nacional de Música el 22 de febrero de 2017. Solista - Marta Álvarez, fagot. Director - Sebastián Mariné.
Concierto de la Orquesta Clásica del Real Conservatorio Superior de Música de Madrid en el Auditorio Nacional de Música el 22 de febrero de 2017. Solista - Marta Álvarez, fagot. Director - Sebastián Mariné.
XV Ciclo de Jóvenes Músicos. Concierto n.º 2 (Parte 1)
Desde el Teatro Monumental (Madrid), la Orquesta Sinfónica RTVE, dirigidos por Zoi Tsokanou y la solista María José Rielo (fagot) interpretan:
"Concierto para fagot en Fa mayor, Op 75" de Carl Maria Von Weber (1786 - 1826), en sus movimientos:
Allegro ma non troppo
Adagio
Rondo. Allegro.
Fecha de emisión: 18 de enero de 2015
Enrique Abargues, bassoonist of the Spanish National Orchestra visits the Yamaha Artist Services Madrid.
Yamaha Artist Services Madrid, like the other highly specialised Artist Services centres in Europe, act as a hub for professional musicians from Spain and Portugal, providing support from experienced instrument technicians along with access to the full range of Yamaha professional brass and woodwind instruments.
Enrique Abargues, fagot solista de la Orquesta Nacional de España, visita Yamaha Artist Services Madrid.
Yamaha Artist Services Madrid, al igual que los otros centros de Servicio a Artistas altamente especializados de Europa, actúan como un centro para los músicos profesionales de España y Portugal, proporcionando el más completo servicio técnico, así como acceso a una amplia gama de instrumentos profesionales de viento madera y viento metal de Yamaha.
For more info visit: http://europe.yamaha.com
Follow us:
https://www.facebook.com/YamahaMusicEurope/
https://twitter.com/YamahaMusicEU
https://www.instagram.com/yamahamusiceurope/
https://www.linkedin.com/company/yamaha-corporation
Masterclass with Professor Dag Jensen in which they work on basson part of Ravel's Bolero. This masterclass took place at Sony Auditorium of the Escuela Superior de Música Reina Sofía, Madrid 2011.
Student: Lucía Molina
Venue: Auditorio Sony from the Escuela Superior de Música Reina Sofía, Madrid (Spain) March 2011
M. Ravel: Bolero (bassoon part)
Abstract:
Professor Jensen talks about accents and articulation in this bassoon famous excerpt. He explains the way to close the sound at the end of a phrase and the main notes within phrasing. Moreover, the student should be aware of the internal rhythm as a support while playing the sixteenth notes.
***********
By donating to the School, you help support the free tuition of more than 150 young great talents from all around the world, while we bring Classical music closer to society. If you wish to give your support: https://escuelasuperiordemusicareinasofia.es/en/donations
https://www.escuelasuperiordemusicare...
https://www.instagram.com/escuelarein...
https://www.facebook.com/escuelareina...
https://twitter.com/EscuelaRSofia
https://www.linkedin.com/school/escuelareinasofia/
***********
The Reina Sofía School of Music was created in 1991 as a social project to help both young people and musical culture. Since then, the School has worked to support highly talented young people in their personal and artistic development, and to bring the best music to all audiences. The School offers a comprehensive musical education with the best international faculty and an intense and demanding artistic life, along with an open-audition admission policy, based exclusively on talent.
Masterclass del profesor Gustavo Núñez en la que trabajan el primer movimiento del Concierto para fagot y orquesta K 191 de Mozart, en su versión para fagot y piano. Esta clase magistral tuvo lugar en el Auditorio Sony de la Escuela Superior de Música Reina Sofía, Madrid 2019.
Alumna: María Bernal
Pianista acompañante: Juan Barahona
Lugar: Escuela Superior de Música Reina Sofía, Auditorio Sony, Madrid (España). Enero 2019
W. A. Mozart: Concierto para fagot y orquesta en si bemol mayor K 191 (reducción para fagot y piano) - I. Allegro
Resumen:
El Profesor Núñez habla del carácter más heroico del movimiento y explica cuestiones de fraseo y acentos. Además, trabajan sobre trinos y saltos interválicos.
***********
Apoyando a la Escuela contribuyes a que más de 150 jóvenes de gran talento de todo el mundo puedan realizar sus estudios con matrícula gratuita, mientras acercamos la música a la sociedad. Si quieres colaborar: https://escuelasuperiordemusicareinasofia.es/donaciones
https://www.escuelasuperiordemusicareinasofia.es/
https://www.facebook.com/escuelareinasofia/
https://twitter.com/EscuelaRSofia
https://www.instagram.com/escuelareinasofia/
https://www.linkedin.com/school/escuelareinasofia/
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La Escuela Superior de Música Reina Sofía se fundó en Madrid en 1991 como proyecto social de ayuda a la juventud y a la cultura musical. Desde entonces, la Escuela trabaja para apoyar a los jóvenes de mayor talento en su desarrollo personal y artístico; y acercar la mejor música a todos los públicos. La Escuela ofrece una formación musical integral con los mejores profesores internacionales y una vida artística intensa y exigente, junto a una política de admisión de alumnos en audición abierta y basada exclusivamente en el talento.
Masterclass by Professor Sergio Azzolini in which they work on the fist movement of Weber's Concerto for bassoon and orchestra op 75. This masterclass took place at the Escuela Superior de Música Reina Sofía, Madrid 2009.
Student: Amber Mallee
Accompanying pianist: Alina Artemyeva
Venue: Escuela Superior de Música Reina Sofía, Madrid (Spain) 16/04/2009
C. M. von Weber: Bassoon Concerto in F major J 127 op 75 - I. Allegro ma non troppo
Abstract:
In this fragment of the masterclass, Professor Azzolini mainly explains aspects about articulation, differences between legato and staccato (parlato, as he says). In both cases, sound should not change its quality - with tongue control and without changing the tone. Azzolini also makes some corrections on dynamics and sound balance, air and energy, among other issues related to the first movement from the Bassoon Concerto op 75 by C. M. von Weber.
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The Reina Sofía School of Music was created in 1991 as a social project to help both young people and musical culture. Since then, the School has worked to support highly talented young people in their personal and artistic development, and to bring the best music to all audiences. The School offers a comprehensive musical education with the best international faculty and an intense and demanding artistic life, along with an open-audition admission policy, based exclusively on talent.
from Grenoble, released on Ici D'Ailleurs, 2000.
0:00 - Camden
2:03 - Sri Sri
6:29 - Une Pluie Sèche
13:32 - Téo
15:50 - Magree
17:58 - Odelho
18:51 - Tsumida
21:33 - Sept Cents Millions De Grelots
26:13 - Oña
27:49 - Tous A La Plage!
30:00 - Namo
31:52 - Fagotto
33:42 - Dooh
this is one of those fun albums where it's impossible to google information about the band.
Concierto de la Orquesta Clásica del Real Conservatorio Superior de Música de Madrid en el Auditorio Nacional de Música el 22 de febrero de 2017. Solista - Marta Álvarez, fagot. Director - Sebastián Mariné.