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Emil von Sauer (1862-1942): Liszt - Etude: "La Campanella"
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique.
This etude is the famous no.3 from Liszt's set of Grandes Etudes de Paganini and the performance was recorded in around 1930. Sauer is recorded as having remarked that Liszt's own performance of this work as "generous" but that most modern pianists (in the early 20th century) seemed "more interested in breaking speed records" than in providing any kind of appropriate interpretation.
published: 09 Feb 2008
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EMIL VON SAUER - Liszt "MAZEPPA" (1925) Transcendental Etude no.4 (piano roll)
EMIL VON SAUER OLD AND RARE RECORDING of LISZT Transcendental Etude no.4 "Mazeppa" (1925)
published: 31 Aug 2008
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Emil von Sauer (1862-1942): Liszt - Liebestraum no. 3
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique.
This recording of the famous third Liebestraum in A flat was made in around 1925.
published: 09 Feb 2008
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Emil von Sauer (1862-1942): Chopin - Fantasy-Impromptu op.66
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique.
This recording of Chopin's Fantasie-Impromptu op.66 was made in 1928.
published: 09 Feb 2008
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[Emil von Sauer] Etudes de Concert No.1-10 (Score-Video)
No.1 in G-Flat Major
No.2 in E-Flat Major "Vogelstimmen"
No.3 in B Major "Windes Flüstern"
No.4 in E Major "Octaven-Etüde"
No.5 in F Major "Am Bache"
No.6 in B Minor "Espenlaub" (*
No.7 in E Minor "Meeresleuchten" (¤
No.8 in G Major "Im Fluge"
No.9 in D Major "Frühlingssturm"
No.10 in G Major "Lichtelfen"
Perfermer:
Oleg Marshev / *Emil von Sauer / ¤ Martin Jones
Audio from https://www.youtube.com/playlist?list=OLAK5uy_nIeZeoQqboP10IM7ptR6xKSeTkD0qugaY
Score from IMSLP
——————
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.
published: 14 May 2021
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Emil von Sauer plays Chopin Etude in C minor op 25 "Ocean" (1940)
Please subscribe to my channel.
Emil von Sauer plays Chopin Etude in C minor op 25 "Ocean" (1940)
Sauer was born in Hamburg, Germany on 8 October 1862 as Emil Georg Conrad Sauer. He studied with Nikolai Rubinstein at the Moscow Conservatory between 1879 and 1881. On an 1884 visit to Italy he met the Countess von Sayn-Wittgenstein, who recommended him to her former paramour, Franz Liszt. He went on to study with Liszt for two years, but did not for some time consider himself a Liszt pupil. In an 1895 interview, he even denied it: "It is not correct to regard me as a pupil of Liszt, though I stayed with him for a few months. He was then very old, and could not teach me much. My chief teacher has been, undoubtedly, Nicholas Rubinstein." In his later years, however, Sauer realized the influen...
published: 04 Nov 2019
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Emil von Sauer plays Liszt Réminiscences de Don Juan
piano roll
(quite surreal...)
published: 25 Jul 2014
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[Emil von Sauer] Piano Concerto No.2 in C Minor (Score-Video)
The concerto has 4 parts:
I. Moderato lamentoso - Animato - Allegretto - Allegro moderato assai - Moderato - Tempo I - attacca:
II. Vivacissimo - attacca:
III. Adagio - Andante - Molto moderato - attacca:
IV. Allegro deciso, assai moderato
Performers:
Angelica von Sauer-Morales, piano
Vienna Symphony / Robert Heger
ORF, 1953
Score from IMSLP
Audio from https://www.youtube.com/watch?v=jOksnhlBL30
——————
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.
published: 12 May 2021
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Emil Von Sauer plays Schumann: Piano Concerto in A minor, Op.54 (live in Amsterdam 1940)
Legendary live performance on 10th October 1940 in Amsterdam. Emil Von Sauer (1862-1942) plays Schumann: Piano Concerto in A minor, Op.54 with the Amsterdam Concertgebouw Orchestra conducted by Willem Mengelberg. Taken from a private 33 rpm of OPUS-78.
シューマン:ピアノ協奏曲 イ短調 作品54
エミール・フォン・ザウアー (p)
ウィレム・メンゲルベルク指揮
アムステルダム・コンセルトヘボウ管弦楽団
1940年10月10日、アムステルダムでのライブ
米Opus Records OPUS-78より収録
This channel is not participating in nor earning any money from the YouTube Partner program. If you are kindly willing to help me to keep this channel going on, you can buy me a cup of coffee at:
https://www.paypal.me/pppatmidnight
このチャンネルはYouTubeパートナー・プログラムに参加しておらず、同プログラムに基づく広告収入を一切得ていません。コーヒー一杯分のご厚意で、チャンネル主を激励していただければ幸いです。当チャンネルをご支援なさりたい方は、お手数ですが以下のリンクからどうぞ:
https://www.paypal.me/pppatmidnight
published: 25 Jul 2022
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Liszt: Piano Concerto no.1, S.124 played by Emil von Sauer
Recorded in 1938, with Emil von Sauer at the piano and the orchestra conducted by Felix Weingartner. Two of Liszt's pupils.
0:00 - 1. Allegro maestoso
5:43 - 2. Quasi Adagio
10:01 - 3. Allegretto vivace - Allegro animato
14:33 - 4. Allegro marziale animato
published: 17 Jun 2022
4:36
Emil von Sauer (1862-1942): Liszt - Etude: "La Campanella"
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocrat...
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique.
This etude is the famous no.3 from Liszt's set of Grandes Etudes de Paganini and the performance was recorded in around 1930. Sauer is recorded as having remarked that Liszt's own performance of this work as "generous" but that most modern pianists (in the early 20th century) seemed "more interested in breaking speed records" than in providing any kind of appropriate interpretation.
https://wn.com/Emil_Von_Sauer_(1862_1942)_Liszt_Etude_La_Campanella
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique.
This etude is the famous no.3 from Liszt's set of Grandes Etudes de Paganini and the performance was recorded in around 1930. Sauer is recorded as having remarked that Liszt's own performance of this work as "generous" but that most modern pianists (in the early 20th century) seemed "more interested in breaking speed records" than in providing any kind of appropriate interpretation.
- published: 09 Feb 2008
- views: 31068
6:03
EMIL VON SAUER - Liszt "MAZEPPA" (1925) Transcendental Etude no.4 (piano roll)
EMIL VON SAUER OLD AND RARE RECORDING of LISZT Transcendental Etude no.4 "Mazeppa" (1925)
EMIL VON SAUER OLD AND RARE RECORDING of LISZT Transcendental Etude no.4 "Mazeppa" (1925)
https://wn.com/Emil_Von_Sauer_Liszt_Mazeppa_(1925)_Transcendental_Etude_No.4_(Piano_Roll)
EMIL VON SAUER OLD AND RARE RECORDING of LISZT Transcendental Etude no.4 "Mazeppa" (1925)
- published: 31 Aug 2008
- views: 64613
4:36
Emil von Sauer (1862-1942): Liszt - Liebestraum no. 3
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocrat...
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique.
This recording of the famous third Liebestraum in A flat was made in around 1925.
https://wn.com/Emil_Von_Sauer_(1862_1942)_Liszt_Liebestraum_No._3
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique.
This recording of the famous third Liebestraum in A flat was made in around 1925.
- published: 09 Feb 2008
- views: 30465
4:19
Emil von Sauer (1862-1942): Chopin - Fantasy-Impromptu op.66
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocrat...
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique.
This recording of Chopin's Fantasie-Impromptu op.66 was made in 1928.
https://wn.com/Emil_Von_Sauer_(1862_1942)_Chopin_Fantasy_Impromptu_Op.66
Emil von Sauer was a pupil of Liszt (1811-1886), who made probably the most successful recordings of any of the Liszt pupils. Sauer was noted for his aristocratic approach to music-making, with lashings of charm, elegance and style backed up by phenomenal technique.
This recording of Chopin's Fantasie-Impromptu op.66 was made in 1928.
- published: 09 Feb 2008
- views: 35994
39:56
[Emil von Sauer] Etudes de Concert No.1-10 (Score-Video)
No.1 in G-Flat Major
No.2 in E-Flat Major "Vogelstimmen"
No.3 in B Major "Windes Flüstern"
No.4 in E Major "Octaven-Etüde"
No.5 in F Major "Am Bache"
No.6 in B ...
No.1 in G-Flat Major
No.2 in E-Flat Major "Vogelstimmen"
No.3 in B Major "Windes Flüstern"
No.4 in E Major "Octaven-Etüde"
No.5 in F Major "Am Bache"
No.6 in B Minor "Espenlaub" (*
No.7 in E Minor "Meeresleuchten" (¤
No.8 in G Major "Im Fluge"
No.9 in D Major "Frühlingssturm"
No.10 in G Major "Lichtelfen"
Perfermer:
Oleg Marshev / *Emil von Sauer / ¤ Martin Jones
Audio from https://www.youtube.com/playlist?list=OLAK5uy_nIeZeoQqboP10IM7ptR6xKSeTkD0qugaY
Score from IMSLP
——————
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.
https://wn.com/Emil_Von_Sauer_Etudes_De_Concert_No.1_10_(Score_Video)
No.1 in G-Flat Major
No.2 in E-Flat Major "Vogelstimmen"
No.3 in B Major "Windes Flüstern"
No.4 in E Major "Octaven-Etüde"
No.5 in F Major "Am Bache"
No.6 in B Minor "Espenlaub" (*
No.7 in E Minor "Meeresleuchten" (¤
No.8 in G Major "Im Fluge"
No.9 in D Major "Frühlingssturm"
No.10 in G Major "Lichtelfen"
Perfermer:
Oleg Marshev / *Emil von Sauer / ¤ Martin Jones
Audio from https://www.youtube.com/playlist?list=OLAK5uy_nIeZeoQqboP10IM7ptR6xKSeTkD0qugaY
Score from IMSLP
——————
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.
- published: 14 May 2021
- views: 6604
2:50
Emil von Sauer plays Chopin Etude in C minor op 25 "Ocean" (1940)
Please subscribe to my channel.
Emil von Sauer plays Chopin Etude in C minor op 25 "Ocean" (1940)
Sauer was born in Hamburg, Germany on 8 October 1862 as Emil ...
Please subscribe to my channel.
Emil von Sauer plays Chopin Etude in C minor op 25 "Ocean" (1940)
Sauer was born in Hamburg, Germany on 8 October 1862 as Emil Georg Conrad Sauer. He studied with Nikolai Rubinstein at the Moscow Conservatory between 1879 and 1881. On an 1884 visit to Italy he met the Countess von Sayn-Wittgenstein, who recommended him to her former paramour, Franz Liszt. He went on to study with Liszt for two years, but did not for some time consider himself a Liszt pupil. In an 1895 interview, he even denied it: "It is not correct to regard me as a pupil of Liszt, though I stayed with him for a few months. He was then very old, and could not teach me much. My chief teacher has been, undoubtedly, Nicholas Rubinstein." In his later years, however, Sauer realized the influence of Liszt on himself and on music in general.
From 1882 Sauer made frequent and successful tours as a virtuoso pianist; his performing career lasted until 1940. He premiered in London in 1894 and New York in 1899. In 1901 he was appointed head of the Meisterschule für Klavierspiel at the Vienna Academy. Sauer left this post in April 1907 but returned to it in 1915. Some of his pupils continued on to successful concert or other significant music career.
In 1917, Sauer was raised to the peerage by the Austrian-Hungarian Monarchy, which added the nobiliary particle "von" to his name. He was also awarded the Gold Medal of the Royal Philharmonic Society of London.
Emil von Sauer was married twice. Angelica Morales (Sauer), his second wife, carried on his legacy in teaching. Sauer had two sons with Morales — Julio and Franz.
He died in Vienna, Austria on 27 April 1942, aged 79.
Sauer’s playing was elegant and polished, aristocratic, refined and beautiful. He possessed a great dignity and taste that infused all his recordings. His first discs were made in Spain around 1923 for Regal and include Liszt’s Hungarian Rhapsody No. 12. When he had played this work to Liszt at their first meeting, the composer was delighted and Sauer received a kiss on the forehead. An abridged Carnaval Op. 9 of Schumann gives us the rare opportunity of hearing Sauer in an extended work, whilst his exquisite tone quality is heard in Liszt’s transcription of Mendelssohn’s Auf Flügeln des Gesanges. Recordings made for the German Vox company around 1925 are again all of the highest quality, particularly Liszt’s Hungarian Rhapsody No. 15. The extraordinary fact is that not only did Sauer have the technique to play anything, he retained this technique right to the end of his career; he was already sixty when his first discs were made. If La Campanella of Liszt sounds slow by today’s standards one should remember what Sauer said concerning this: ‘You should have heard how Liszt played Campanella: with what generosity he attacked the octave passages… and with what refinement he played the bell. How different appear to me the Campanellas that I hear today, which always seem to aim at breaking speed records.’ Although evident in the acoustic discs, the electrical Odéon recordings from 1928 allow us for the first time to accurately hear Sauer’s glorious tone. The middle section of Chopin’s Fantaisie-Impromptu Op. 66 is ample evidence of this, whilst Chopin’s Waltz Op. 42 and his own Concert Étude Espenlaub are given exemplary performances. The six sides he made for Pathé around 1930 include his own arrangement of the Scherzo from Mendelssohn’s music for A Midsummer Night’s Dream, and a glorious Chopin Étude Op. 25 No. 7. Between 1938 and 1941 Sauer recorded for Columbia. Both Liszt piano concertos are given stately, noble readings conducted by Weingartner; some Chopin études and a couple of Schubert’s Moments Musicaux are all extremely fine, but the last disc he made in 1941 at the age of seventy-nine is one of the glories of the gramophone. It is of Liszt’s Étude d’exécution transcendante No. 9 Ricordanza. A daunting work to play effectively at any age, Sauer’s lifetime of experience seems distilled into this performance. Poetry, elegance, poise, expression are all here. As the great pianist Josef Hofmann once said, ‘Sauer was a truly great virtuoso.’
Available here : https://www.marstonrecords.com/products/sauer
https://wn.com/Emil_Von_Sauer_Plays_Chopin_Etude_In_C_Minor_Op_25_Ocean_(1940)
Please subscribe to my channel.
Emil von Sauer plays Chopin Etude in C minor op 25 "Ocean" (1940)
Sauer was born in Hamburg, Germany on 8 October 1862 as Emil Georg Conrad Sauer. He studied with Nikolai Rubinstein at the Moscow Conservatory between 1879 and 1881. On an 1884 visit to Italy he met the Countess von Sayn-Wittgenstein, who recommended him to her former paramour, Franz Liszt. He went on to study with Liszt for two years, but did not for some time consider himself a Liszt pupil. In an 1895 interview, he even denied it: "It is not correct to regard me as a pupil of Liszt, though I stayed with him for a few months. He was then very old, and could not teach me much. My chief teacher has been, undoubtedly, Nicholas Rubinstein." In his later years, however, Sauer realized the influence of Liszt on himself and on music in general.
From 1882 Sauer made frequent and successful tours as a virtuoso pianist; his performing career lasted until 1940. He premiered in London in 1894 and New York in 1899. In 1901 he was appointed head of the Meisterschule für Klavierspiel at the Vienna Academy. Sauer left this post in April 1907 but returned to it in 1915. Some of his pupils continued on to successful concert or other significant music career.
In 1917, Sauer was raised to the peerage by the Austrian-Hungarian Monarchy, which added the nobiliary particle "von" to his name. He was also awarded the Gold Medal of the Royal Philharmonic Society of London.
Emil von Sauer was married twice. Angelica Morales (Sauer), his second wife, carried on his legacy in teaching. Sauer had two sons with Morales — Julio and Franz.
He died in Vienna, Austria on 27 April 1942, aged 79.
Sauer’s playing was elegant and polished, aristocratic, refined and beautiful. He possessed a great dignity and taste that infused all his recordings. His first discs were made in Spain around 1923 for Regal and include Liszt’s Hungarian Rhapsody No. 12. When he had played this work to Liszt at their first meeting, the composer was delighted and Sauer received a kiss on the forehead. An abridged Carnaval Op. 9 of Schumann gives us the rare opportunity of hearing Sauer in an extended work, whilst his exquisite tone quality is heard in Liszt’s transcription of Mendelssohn’s Auf Flügeln des Gesanges. Recordings made for the German Vox company around 1925 are again all of the highest quality, particularly Liszt’s Hungarian Rhapsody No. 15. The extraordinary fact is that not only did Sauer have the technique to play anything, he retained this technique right to the end of his career; he was already sixty when his first discs were made. If La Campanella of Liszt sounds slow by today’s standards one should remember what Sauer said concerning this: ‘You should have heard how Liszt played Campanella: with what generosity he attacked the octave passages… and with what refinement he played the bell. How different appear to me the Campanellas that I hear today, which always seem to aim at breaking speed records.’ Although evident in the acoustic discs, the electrical Odéon recordings from 1928 allow us for the first time to accurately hear Sauer’s glorious tone. The middle section of Chopin’s Fantaisie-Impromptu Op. 66 is ample evidence of this, whilst Chopin’s Waltz Op. 42 and his own Concert Étude Espenlaub are given exemplary performances. The six sides he made for Pathé around 1930 include his own arrangement of the Scherzo from Mendelssohn’s music for A Midsummer Night’s Dream, and a glorious Chopin Étude Op. 25 No. 7. Between 1938 and 1941 Sauer recorded for Columbia. Both Liszt piano concertos are given stately, noble readings conducted by Weingartner; some Chopin études and a couple of Schubert’s Moments Musicaux are all extremely fine, but the last disc he made in 1941 at the age of seventy-nine is one of the glories of the gramophone. It is of Liszt’s Étude d’exécution transcendante No. 9 Ricordanza. A daunting work to play effectively at any age, Sauer’s lifetime of experience seems distilled into this performance. Poetry, elegance, poise, expression are all here. As the great pianist Josef Hofmann once said, ‘Sauer was a truly great virtuoso.’
Available here : https://www.marstonrecords.com/products/sauer
- published: 04 Nov 2019
- views: 2562
28:16
[Emil von Sauer] Piano Concerto No.2 in C Minor (Score-Video)
The concerto has 4 parts:
I. Moderato lamentoso - Animato - Allegretto - Allegro moderato assai - Moderato - Tempo I - attacca:
II. Vivacissimo - attacca:
III. ...
The concerto has 4 parts:
I. Moderato lamentoso - Animato - Allegretto - Allegro moderato assai - Moderato - Tempo I - attacca:
II. Vivacissimo - attacca:
III. Adagio - Andante - Molto moderato - attacca:
IV. Allegro deciso, assai moderato
Performers:
Angelica von Sauer-Morales, piano
Vienna Symphony / Robert Heger
ORF, 1953
Score from IMSLP
Audio from https://www.youtube.com/watch?v=jOksnhlBL30
——————
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.
https://wn.com/Emil_Von_Sauer_Piano_Concerto_No.2_In_C_Minor_(Score_Video)
The concerto has 4 parts:
I. Moderato lamentoso - Animato - Allegretto - Allegro moderato assai - Moderato - Tempo I - attacca:
II. Vivacissimo - attacca:
III. Adagio - Andante - Molto moderato - attacca:
IV. Allegro deciso, assai moderato
Performers:
Angelica von Sauer-Morales, piano
Vienna Symphony / Robert Heger
ORF, 1953
Score from IMSLP
Audio from https://www.youtube.com/watch?v=jOksnhlBL30
——————
I do not own neither the score, nor the recordings used in this video. This is only for educational purposes. If you have any complaints regarding copyright issues, please write to me directly at asorabji20(at)gmail(dot)com before submitting a report to YouTube and I will remove the video as soon as possible.
- published: 12 May 2021
- views: 2275
30:31
Emil Von Sauer plays Schumann: Piano Concerto in A minor, Op.54 (live in Amsterdam 1940)
Legendary live performance on 10th October 1940 in Amsterdam. Emil Von Sauer (1862-1942) plays Schumann: Piano Concerto in A minor, Op.54 with the Amsterdam Con...
Legendary live performance on 10th October 1940 in Amsterdam. Emil Von Sauer (1862-1942) plays Schumann: Piano Concerto in A minor, Op.54 with the Amsterdam Concertgebouw Orchestra conducted by Willem Mengelberg. Taken from a private 33 rpm of OPUS-78.
シューマン:ピアノ協奏曲 イ短調 作品54
エミール・フォン・ザウアー (p)
ウィレム・メンゲルベルク指揮
アムステルダム・コンセルトヘボウ管弦楽団
1940年10月10日、アムステルダムでのライブ
米Opus Records OPUS-78より収録
This channel is not participating in nor earning any money from the YouTube Partner program. If you are kindly willing to help me to keep this channel going on, you can buy me a cup of coffee at:
https://www.paypal.me/pppatmidnight
このチャンネルはYouTubeパートナー・プログラムに参加しておらず、同プログラムに基づく広告収入を一切得ていません。コーヒー一杯分のご厚意で、チャンネル主を激励していただければ幸いです。当チャンネルをご支援なさりたい方は、お手数ですが以下のリンクからどうぞ:
https://www.paypal.me/pppatmidnight
https://wn.com/Emil_Von_Sauer_Plays_Schumann_Piano_Concerto_In_A_Minor,_Op.54_(Live_In_Amsterdam_1940)
Legendary live performance on 10th October 1940 in Amsterdam. Emil Von Sauer (1862-1942) plays Schumann: Piano Concerto in A minor, Op.54 with the Amsterdam Concertgebouw Orchestra conducted by Willem Mengelberg. Taken from a private 33 rpm of OPUS-78.
シューマン:ピアノ協奏曲 イ短調 作品54
エミール・フォン・ザウアー (p)
ウィレム・メンゲルベルク指揮
アムステルダム・コンセルトヘボウ管弦楽団
1940年10月10日、アムステルダムでのライブ
米Opus Records OPUS-78より収録
This channel is not participating in nor earning any money from the YouTube Partner program. If you are kindly willing to help me to keep this channel going on, you can buy me a cup of coffee at:
https://www.paypal.me/pppatmidnight
このチャンネルはYouTubeパートナー・プログラムに参加しておらず、同プログラムに基づく広告収入を一切得ていません。コーヒー一杯分のご厚意で、チャンネル主を激励していただければ幸いです。当チャンネルをご支援なさりたい方は、お手数ですが以下のリンクからどうぞ:
https://www.paypal.me/pppatmidnight
- published: 25 Jul 2022
- views: 1183
19:21
Liszt: Piano Concerto no.1, S.124 played by Emil von Sauer
Recorded in 1938, with Emil von Sauer at the piano and the orchestra conducted by Felix Weingartner. Two of Liszt's pupils.
0:00 - 1. Allegro maestoso
5:43 - 2...
Recorded in 1938, with Emil von Sauer at the piano and the orchestra conducted by Felix Weingartner. Two of Liszt's pupils.
0:00 - 1. Allegro maestoso
5:43 - 2. Quasi Adagio
10:01 - 3. Allegretto vivace - Allegro animato
14:33 - 4. Allegro marziale animato
https://wn.com/Liszt_Piano_Concerto_No.1,_S.124_Played_By_Emil_Von_Sauer
Recorded in 1938, with Emil von Sauer at the piano and the orchestra conducted by Felix Weingartner. Two of Liszt's pupils.
0:00 - 1. Allegro maestoso
5:43 - 2. Quasi Adagio
10:01 - 3. Allegretto vivace - Allegro animato
14:33 - 4. Allegro marziale animato
- published: 17 Jun 2022
- views: 4141