- published: 01 Oct 2010
- views: 395652
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Aretha Louise Franklin (born March 25, 1942) is an American singer and musician. Franklin began her career singing gospel at her father, minister C. L. Franklin's church as a child. In 1960, at the age of 18, Franklin embarked on a secular career, recording for Columbia Records but only achieving modest success. Following her signing to Atlantic Records in 1967, Franklin achieved commercial acclaim and success with songs such as "Respect", "(You Make Me Feel Like) A Natural Woman" and "Think". These hits and more helped her to gain the title The Queen of Soul by the end of the 1960s decade.
Franklin eventually recorded a total of 112 charted singles on Billboard, including 77 Hot 100 entries, 17 top ten pop singles, 100 R&B entries and twenty number-one R&B singles, becoming the most charted female artist in the chart's history. Franklin also recorded acclaimed albums such as I Never Loved a Man the Way I Love You, Lady Soul, Young, Gifted & Black and Amazing Grace before experiencing problems with her record company by the mid-1970s. After her father was shot in 1979, Franklin left Atlantic and signed with Arista Records, finding success with her part in the film, The Blues Brothers and with the albums, Jump to It and Who's Zoomin' Who?. In 1998, Franklin won international acclaim for singing the opera aria, "Nessun Dorma", at the Grammys of that year replacing Luciano Pavarotti. Later that same year, she scored her final Top 40 recording with "A Rose Is Still a Rose". Franklin's other popular and well known hits include, "Rock Steady", "Something He Can Feel" (from the soundtrack to the 1976 film Sparkle), "Jump to It", "Freeway of Love", "Who's Zoomin' Who", "Sisters Are Doin' It for Themselves", "I Knew You Were Waiting (For Me)" (with George Michael), "It Isn't, It Wasn't, It Ain't Never Gonna Be" (with Whitney Houston) and a remake of The Rolling Stones song "Jumpin' Jack Flash".
Eleanor Rigby is a song by the Beatles, released on the 1966 album Revolver and as a 45 rpm single. It was written by Paul McCartney, and credited to Lennon–McCartney.
The song continued the transformation of the Beatles from a mainly rock and roll / pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and striking lyrics about loneliness, "Eleanor Rigby" broke sharply with popular music conventions, both musically and lyrically.Richie Unterberger of Allmusic cites the band's "singing about the neglected concerns and fates of the elderly" on the song as "just one example of why the Beatles' appeal reached so far beyond the traditional rock audience".
Paul McCartney came up with the melody of "Eleanor Rigby" as he experimented with his piano. However, the original name of the protagonist that he chose was not Eleanor Rigby but Miss Daisy Hawkins. The singer-composer Donovan reported that he heard McCartney play it to him before it was finished, with completely different lyrics. In 1966, McCartney recalled how he got the idea for his song:
Eleanor Rigby is a 2004 novel by Douglas Coupland, about a lonely woman at ages 36 and 42. The novel is written as a first-person narrative by the main character, Liz Dunn.
The novel centres on changes to Liz's life when someone from her past unexpectedly re-enters her life. It is written in a light, often comic, tone, but resonates on many deeper issues, including loneliness, family, religious visions and multiple sclerosis.
Two distinct plot movements are separated by a break in the narrative flow. The first part of the novel involves two retellings: the story of Liz Dunn’s trip to Europe and her pregnancy, and the story of the re-emergence into her life of her child, Jeremy, who is dying of multiple sclerosis.
As a teenager, Liz goes on a trip to Europe, her one big expressive moment. On this trip, while drunk, she loses her virginity in Italy to a man she cannot remember. From this experience, she becomes pregnant with Jeremy, who is put up for adoption, and goes in and out of foster families for much of his young life.
Eleanor Rigby is a statue in Stanley Street, Liverpool, England, designed and made by the entertainer Tommy Steele. It is based on the subject of The Beatles' song Eleanor Rigby, which is credited to the Lennon–McCartney partnership.
When Tommy Steele was performing in a show in Liverpool in 1981, he made an offer to Liverpool City Council to create a sculpture as a tribute to the Beatles. His fee for the commission would be three pence. The offer was accepted by the Council, as it would be expected to increase the tourist trade of the city, and they made a donation of £4,000 towards its cost. The statue took nine months to make, and it was unveiled by Tommy Steele on 3 December 1982.
The statue consists of a bronze figure on a stone bench. The bronze figure is 128 cm high, 120 cm wide, and 96 cm deep. It depicts a seated woman with a handbag on her lap, a shopping bag on her right, and a copy of the newspaper the Liverpool Echo on her left. Poking from the shopping bag is a milk bottle, and on the newspaper is a sparrow and a piece of bread. The woman is looking down at the sparrow.
Provided to YouTube by Rhino Atlantic Eleanor Rigby · Aretha Franklin 30 Greatest Hits ℗ 1970 Atlantic Recording Corp. Piano, Vocals: Aretha Franklin Producer: Arif Mardin Electric Piano: Barry Beckett Guitar: Eddie Hinton Bass Guitar: Jerry Jemmott Guitar: Jerry Weaver Producer: Jerry Wexler Guitar: Jimmy Johnson Tenor Saxophone: King Curtis Drums: Roger Hawkins Backing Vocals: The Sweet Inspirations Producer: Tom Dowd Writer: John Lennon Writer: Paul McCartney Auto-generated by YouTube.
Aretha Franklin - Eleanor Rigby Recorded Live: 3/7/1971 - Fillmore West - San Francisco, CA More Aretha Franklin at Music Vault: http://www.musicvault.com Subscribe to Music Vault on YouTube: http://goo.gl/DUzpUF
Abonnez-vous http://bit.ly/inachansons 11ème Festival international de jazz à Antibes, ORTF : 01/08/1970 Sur la scène du 11ème Festival Jazz d' Antibes Juan-les-Pins en 1970, Aretha FRANKLIN, au piano, chante "Eleanor Rigby" en réponse à la chanson homonyme de John Lennon et Paul McCartney. Elle est accompagnée d'un orchestre et de trois choristes. Images d'archive INA Institut National de l'Audiovisuel http://www.ina.fr
cover of the beatles
Backing band: King Curtis & the Kingpins with the incredible Bernard Purdie on drums! No copyright infringement intended - buy it!
visit www.soulyears.com for more great soul videos
Provided to YouTube by Rhino Atlantic Eleanor Rigby (Live at Fillmore West, San Francisco, February 5, 1971) · Aretha Franklin Aretha Live at Fillmore West ℗ 1971 Atlantic Recording Corp. Vocals: Aretha Franklin Arranger: Arif Mardin Piano: Barry Beckett Drums: Bernard Purdie Organ: Billy Preston Vocals: Brenda Bryant Guitar: Cornell Dupree Guitar: David Hood Guitar: Eddie Hinton Guitar: Jerry Jemmott Producer: Jerry Wexler Guitar: Jimmy Johnson Saxophone: King Curtis Vocals: Margaret Branch Brass Ensemble: Memphis Horns Congas: Pancho Morales Vocals: Pat Smith Drums: Roger Hawkins Vocals: The Sweet Inspirations Piano: Truman Thomas Writer: John Lennon Writer: Paul McCartney Auto-generated by YouTube.
Aretha Louise Franklin (born March 25, 1942) is an American singer and musician. Franklin began her career singing gospel at her father, minister C. L. Franklin's church as a child. In 1960, at the age of 18, Franklin embarked on a secular career, recording for Columbia Records but only achieving modest success. Following her signing to Atlantic Records in 1967, Franklin achieved commercial acclaim and success with songs such as "Respect", "(You Make Me Feel Like) A Natural Woman" and "Think". These hits and more helped her to gain the title The Queen of Soul by the end of the 1960s decade.
Franklin eventually recorded a total of 112 charted singles on Billboard, including 77 Hot 100 entries, 17 top ten pop singles, 100 R&B entries and twenty number-one R&B singles, becoming the most charted female artist in the chart's history. Franklin also recorded acclaimed albums such as I Never Loved a Man the Way I Love You, Lady Soul, Young, Gifted & Black and Amazing Grace before experiencing problems with her record company by the mid-1970s. After her father was shot in 1979, Franklin left Atlantic and signed with Arista Records, finding success with her part in the film, The Blues Brothers and with the albums, Jump to It and Who's Zoomin' Who?. In 1998, Franklin won international acclaim for singing the opera aria, "Nessun Dorma", at the Grammys of that year replacing Luciano Pavarotti. Later that same year, she scored her final Top 40 recording with "A Rose Is Still a Rose". Franklin's other popular and well known hits include, "Rock Steady", "Something He Can Feel" (from the soundtrack to the 1976 film Sparkle), "Jump to It", "Freeway of Love", "Who's Zoomin' Who", "Sisters Are Doin' It for Themselves", "I Knew You Were Waiting (For Me)" (with George Michael), "It Isn't, It Wasn't, It Ain't Never Gonna Be" (with Whitney Houston) and a remake of The Rolling Stones song "Jumpin' Jack Flash".
I talked to you today,
we've loved each other
For so long
in that special way
And if circumstances
should keep us apart
I just want to you to know
That you will remain forever
here in my heart
Sweet
Sweet bitter love
Sweet
Sweet bitter love
The taste
still lingers
Going through
my helpless
fingers
You slipped away
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
What joy you told me
What pain you've
brought me
So sure is day
You slipped away
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
My magic dreams
Have lost
their spells
And that was lost
There's an
empty shell
Sweet bitter love
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
What have you awaken
And then forsaken
A trusting
heart like mine
Ooh like mine
Sweet bitter love
Sweet bitter love
In the middle
of the night
I want your
sweet sweet
sweet
Sweet bitter love
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
Sweet
Sweet bitter love
You slipped away
Sweet
Sweet bitter love
Sweet bitter love
Sweet