- published: 30 Jul 2018
- views: 13893
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); var par = el.closest('.playlist_scrollarea'); par.scrollTop(el.offset().top-par.height()/2); } var updateVolumeState = function(){ if(noSoundMode){ if(noSoundMode == 'turn-on'){ clog("Sound is on, vsid="+vp.vsid); vp.setVolumeUnMute(); noSoundMode = false; }else{ clog("Sound is off, vsid="+vp.vsid); vp.setVolumeMute(); noSoundMode = 'turn-on'; } } } var playQueueUpdate = function(){ var playPosition = playQueue[playQueuePosition]; vp.playFromPlaylist(playPosition.video); scrollToPlaylistPosition(vp); playShouldStart = playPosition.start; playShouldStop = playPosition.stop; }; var playQueueAdvancePosition = function(){ clog("Advancing play position..."); playQueuePosition ++; while(playQueuePosition < playQueue.length && !playQueue[playQueuePosition].video){ playQueuePosition ++; } if(playQueuePosition < playQueue.length){ playQueueUpdate(); }else if(vp.getReplayCurrent()){ playQueuePosition = 0; playQueueUpdate(); vp.seekTo(playShouldStart); vp.playVideo(); }else{ vp.pauseVideo(); playShouldStop = null; playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } }else if(area){ var sel = findMatchingVideo(vp, area); if(sel){ vp.playFromPlaylist(sel); playShouldStart = 0; parsed = true; } } if(fsonload || replayMode){ playShouldStart = 0; } if(document.location.search.match('at=|queue=')){ var opts = document.location.search.replace(/^\?/,'').split(/&/g); for(var o in opts){ if(opts[o].match(/^at=(\d+:)?(\d+:)?\d+$/)){ playShouldStart = parsePosition(opts[o].substr(3)) } if(opts[o].match(/^queue=/)){ playQueue = parseList(opts[o].substr(6)); if(playQueue){ playQueuePosition = 0; playQueueUpdate(); } } } } if(matchPosition(parts[1])){ playShouldStart = parsePosition(parts[1]); parsed = true; } if(matchAction(parts[1])){ var action = parseAction(vp, area+'/'+parts[1]); playShouldStart = action.start; playShouldStop = action.stop; parsed = true; } if(playShouldStart !== null && !playQueue.length){ playQueue.push({ video: vp.getCurrentVideo(), start: playShouldStart, stop: playShouldStop }); } if(playShouldStart != null){ setInterval(function(){ if(playShouldStop && vp.currentPlayer && vp.currentPlayer.getCurrentTime() > playShouldStop){ playShouldStop = null; if(vp.getCurrentVideo() == playQueue[playQueuePosition].video){ playQueueAdvancePosition(); }else{ playShouldStart = null; } } }, 500); vp.playerContainer.bind('videoplayer.player.statechange', function(e, state){ if(state == 'ended'){ // advance to the next video playQueueAdvancePosition(); } }); vp.playerContainer.bind('videoplayer.player.readychange', function(e, state){ if(state){ updateVolumeState(); if(playShouldStart !== null){ vp.seekTo(playShouldStart); playShouldStart = null; }else{ playShouldStop = null; // someone started other video, stop playing from playQueue } } if(fsonload) { triggerFullscreen(playerId); fsonload = false; } }); } } else if(tab.match(/^wiki\d+$/)){ if(firstTimeActivate){ load_wiki($('#'+tab), function(){ if(area){ var areaNode = $('#'+area); if(areaNode.length>0){ $('html, body').scrollTop(areaNode.offset().top + 10); return true; } } }); } } return parsed; }) window.activateTab = ensure(function(tab, area){ window.activeArea = null; if(tab == 'import_videos'){ if(area){ import_videos(area); }else{ start_import(); } return true; } if(tab == 'chat'){ update_chat_position($('.chat').eq(0)); window.activeArea = 'chat'; jQuery('.tabtrigger').offscreentabs('activateTab', 'chat'); return true; } if(tab in rev_names){ tab = rev_names[tab]; } if(tab.match(':')){ return false; } var sup = $('ul li a[id=#'+tab+']'); if(sup && sup.length>0){ window.activeArea = area; sup.first().click(); if(!window.activateTabArea(tab, area)){ window.activeArea = null; } window.activeArea = null; return true; }else{ var have_tabs = $('#playlist_menu li').length; if(tab.match(/^playlists?\d+$/)){ var to_add = +tab.substring(8).replace(/^s/,'')-have_tabs; if(to_add>0 && have_tabs){ add_more_videos(to_add); return true; } } } return false; }); window.currentPath = ensure(function(){ return window.lastHistory.replace(basepath, '').split('?')[0]; }); window.main_tab = window.main_tab || 'videos'; window.addHistory = ensure(function(path){ if(window.console && console.log) console.log("Adding to history: "+path); if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
El cóndor pasa is a Peruvian zarzuela (musical play) whose music was composed by Peruvian songwriter Daniel Alomía Robles in 1913 and whose script was written by Julio de La Paz (pseudonym of the Limenian dramatist Julio Baudouin). The piano arrangement of this play's most famous melody was legally registered on May 3, 1933, by The Edward B. Marks Music Corp. in the Library of U.S.A. Congress under the number 9643. This zarzuela is written in prose and consists of one musical play and two acts. In July 2013, the Colectivo Cultural Centenario El Cóndor Pasa (cultural association) re-edited the original script which was lost for a period of time, together with a CD containing the recorded dialogues and 7 musical pieces. The music from the original score written by the author was reconstructed by musicologist Luis Salazar Mejía with the collaboration of musicians Daniel Dorival and Claude Ferrier, and it was re-released on November 14, 15 and 16, 2013 at the Teatro UNI in Lima to celebrate its first centenary. These works (including the re-release of the zarzuela) were possible thanks to the efforts of musicologist Luis Salazar Mejía and cultural promoter Mario Cerrón Fetta (members of the above-mentioned cultural association), who did not received any public nor private support. This zarzuela included the famous eponymous melody based on the traditional Andean music of Peru, where it was declared National Cultural Heritage in 2004. It was estimated that there are more than 400 versions and 300 lyrics around the world. The parade scene doesn’t have original lyrics, all of its existing lyrics should be considered apocryphal in every language. This song is considered the second national anthem of Peru, as it identifies Peruvians worldwide.
El Cóndor Pasa can refer to:
El Cóndor Pasa (pronounced: [el ˈkondoɾ ˈpasa], Spanish for "The Condor passes") is an orchestral musical piece from the zarzuela El Cóndor Pasa by the Peruvian composer Daniel Alomía Robles, written in 1913 and based on traditional Andean folk tunes. Since then, it has been estimated that around the world, more than 4000 versions of the melody have been produced, along with 300 sets of lyrics. In 2004, Peru declared this song as part of the national cultural heritage. This song is now considered the second national anthem of Peru, with which Peruvians worldwide identify.
It is the best-known Peruvian song to anglo-centric radio play due to a 1970 cover by Simon & Garfunkel on their Bridge over Troubled Water album. Their version is called "El Condor Pasa (If I Could)".
Coordinates: 10°S 76°W / 10°S 76°W / -10; -76
Peru (i/pəˈruː/; Spanish: Perú [peˈɾu]; Quechua: Piruw [pɪɾʊw];Aymara: Piruw [pɪɾʊw]), officially the Republic of Peru (Spanish: República del Perú ), is a country in western South America. It is bordered in the north by Ecuador and Colombia, in the east by Brazil, in the southeast by Bolivia, in the south by Chile, and in the west by the Pacific Ocean. Peru is an extremely biodiverse country with habitats ranging from the arid plains of the Pacific coastal region in the west to the peaks of the Andes mountains vertically extending from the north to the southeast of the country to the tropical Amazon Basin rainforest in the east with the Amazon river.
Peruvian territory was home to ancient cultures spanning from the Norte Chico civilization in Caral, one of the oldest in the world, to the Inca Empire, the largest state in Pre-Columbian America. The Spanish Empire conquered the region in the 16th century and established a Viceroyalty with its capital in Lima, which included most of its South American colonies. Ideas of political autonomy later spread throughout Spanish America and Peru gained its independence, which was formally proclaimed in 1821. After the battle of Ayacucho, three years after proclamation, Peru ensured its independence. After achieving independence, the country remained in recession and kept a low military profile until an economic rise based on the extraction of raw and maritime materials struck the country, which ended shortly before the war of the Pacific. Subsequently, the country has undergone changes in government from oligarchic to democratic systems. Peru has gone through periods of political unrest and internal conflict as well as periods of stability and economic upswing.
Peruvian wine is wine made in the South American country of Peru. Peruvian winemaking dates back to the Spanish colonization of the region in the 16th century.
Peru shares a similar climate with wine-producing country Chile, which is favourable for producing wine. In 2008, there were some 14,000 hectares (35,000 acres) of grape plantations in Peru, including table grapes, and some 610,000 hectolitres (13,000,000 imp gal; 16,000,000 US gal) of wine was produced, with an increasing trend in both plantations and wine production. Most vineyards are located on the central coast, around Pisco and Ica, where most of Peru's winemaking and distillation takes place.
Grape varieties cultivated include Albillo, Alicante Bouschet, Barbera, Cabernet Sauvignon, Grenache, Malbec, Moscatel, Sauvignon blanc and Torontel.
The first grapevines were brought to Peru shortly after its conquest by Spain. Spanish chroniclers from the time note that the first vinification in South America took place in the hacienda Marcahuasi of Cuzco. However, the largest and most prominent vineyards of the 16th and 17th century Americas were established in the Ica valley of south-central Peru. In the 1540s, Bartolomé de Terrazas and Francisco de Carabantes began vineyards in Peru. The latter established vineyards in Ica, which Spaniards from Andalucia and Extremadura used to introduce grapevines into Chile.
Perú is a village and rural locality (municipality) in La Pampa Province in Argentina.
Coordinates: 37°38′S 64°09′W / 37.633°S 64.150°W / -37.633; -64.150
Filmación de la reposición histórica del boceto dramático peruano de Julio Baudouin, con música de Daniel Alomía Robles. Ésta es la primera versión editada, hay otra con mejor iluminación, he puesto las dos para que escojan cuál ver.Reestreno realizado los días 14, 15 y 16 de Noviembre en el Teatro de la UNI-Lima-Perú. Cien años después se puede ver la obra completa. Su primera representación se produjo el 19 de Diciembre de 1913, en el Teatro Mazzi de la ciudad de Lima-Perú. Esta reposición ha sido posible gracias al esfuerzo del Musicólogo Luis Salazar Mejía, quien encontró el libreto y reconstruyó la música,y los aportes de los Maestros Daniel Dorival y Claude Ferrier. Martina Potocarrero como María, Reynaldo Arenas como Higinio, Percy Pinto Ávila como Frank y los actores de Pucayacu Ag...
Filmación de la reposición histórica del boceto dramático peruano de Julio Baudouin, con música de Daniel Alomía Robles. Ésta es la segunda versión mejorada, con otras tomas y mejor iluminación, también se encuentra colgada la primera versión; he puesto las dos para que escojan cuál ver.Reestreno realizado los días 14, 15 y 16 de Noviembre en el Teatro de la UNI-Lima-Perú. Cien años después se puede ver la obra completa. Su primera representación se produjo el 19 de Diciembre de 1913, en el Teatro Mazzi de la ciudad de Lima-Perú. Esta reposición ha sido posible gracias al esfuerzo del Musicólogo Luis Salazar Mejía, quien encontró el libreto y reconstruyó la música,y los aportes de los Maestros Daniel Dorival y Claude Ferrier. Martina Potocarrero como María, Reynaldo Arenas como Higinio, Pe...
Tema musical "El cóndor pasa" basado en el Preludio, pasacalle y cachua de la zarzuela de 1913 "El cóndor pasa" (original de Julio Baudouin, con música de Daniel Alomía Robles). Ensemble Achalay Grabación realizada en París en 1958. Imagen del vídeo: Fotografía del compositor Daniel A. Robles en prensa de principios del siglo XX, bandera de Perú y fotografía del disco de 1958 del Ensemble Achalay. Para escuchar la versión original, de la zarzuela: https://www.youtube.com/watch?v=EaZZ26ivEdw También nos puedes seguir: En Facebook: https://www.facebook.com/zarzuelaoro En Instagram: https://www.instagram.com/zarzuelaoro
El Condor Pasa, zarzuela recopilada en 1913 por Daniel Alomia Robles https://youtu.be/nx6NI4_jOTI ( La obra incluye siete piezas musicales, cuatro de ellas cantadas y tres instrumentales. Las melodías más conocidas corresponden a las dos instrumentales del cuadro segundo, interpretadas en su primera escena:la cachua (danza similar al huayno) del baile de bodas, y un pasacalle que sigue tras la plegaria a la Virgen. ). https://www.facebook.com/sumacpacha ............................................... El Condor Pasa belle mélodie des Andes. Interpretée par Rodolfo De La Cruz "El Zurdo" El Condor Pasa - beautiful song of the Andes. Sumac Pacha : Terre de toute Beauté, animation musicale au restaurant pub "Au Bureau" (Alès - France) Alès août 2009 Languedoc-Roussillon France. Nous remercions...
Después de cien años y tras una ardua investigación de parte del musicólogo Luis Salazar Mejía y la colaboración de Mario Cerrón Fetta, se pudo rescatar la verdad sobre la historia de "El Cóndor Pasa"..., cuya música (dos fragmentos :pasacalle y kashua), obra de Daniel Alomía Robles, es la más conocida a nivel mundial e identifica al Perú. La reconstrucción de la música estuvo a cargo de los maestros Luis Salazar Mejía, Daniel Dorival y Claude Ferrier. El libreto (escrito por Julio Baudouin) estuvo perdido mucho tiempo y fue encontrado por el maestro Salazar. El 16 de Julio del 2013 se presentó el libreto reeditado, acompañado de un CD donde están grabados los diálogos y las 7 partes musicales. La zarzuela completa, en su versión original fue reestrenada el 14,15 y 16 de Noviembre del año ...
El Cóndor Pasa (pronounced: [el ˈkondoɾ ˈpasa], Spanish for "The Condor Passes") is an orchestral musical piece from the zarzuela El Cóndor Pasa by the Peruvian composer Daniel Alomía Robles, written in 1913 and based on traditional Andean folk tunes. In 2004, Peru declared this song as part of the national cultural heritage. The flying condors are filmed in the "El Cañón del Colca" (The original video by André Kamer: https://www.youtube.com/watch?v=PFYdWDc8W30 ). It is a canyon of the Colca River in southern Peru, located about 100 miles (160 kilometers) northwest of Arequipa. It is Peru's third most-visited tourist destination with about 120,000 visitors annually. With a depth of 13,650 ft (4,160 m), it is more than twice as deep as the Grand Canyon in the United States. The Colca Vall...
Music video by Leo Rojas performing El Condor Pasa. (C) 2012 Sony Music Entertainment Germany GmbH Follow Leo Rojas Website: https://www.leorojasofficial.com Facebook: https://www.facebook.com/officialLeoRojas Twitter: https://twitter.com/leorojasoff Instagram: https://www.instagram.com/officialleorojas Listen to Leo Rojas iTunes: https://itunes.apple.com/de/artist/leo-rojas/id489568815?l=en Spotify: https://open.spotify.com/artist/3jVoRoIq6q8cJcHCIOhQvO"
You can also find lyrics in the description. No Copyright Infringement Intended - I do not own the sound track used in this video. No profit will be made whatsoever. All rights to the sound track belongs to its respectful owners. This video was made for educational purposes. I'd rather be a sparrow than a snail. Yes I would, If I could, I surely would. I'd rather be a hammer than a nail. Yes I would, If I only could, I surely would. CHORUS Away, I'd rather sail away Like a swan that's here and gone A man gets tied up to the ground He gives the world Its saddest sound, Its saddest sound. I'd rather be a forest than a street. Yes I would. If I could, I surely woud. I'd rather feel the earth beneath my feet, Yes I would. If I only could, I surely would.
Support The Channel - https://www.buymeacoffee.com/YoungPilgrim
“El Condor Pasa (If I Could)” by Simon & Garfunkel Listen to Simon & Garfunkel: https://SimonAndGarfunkel.lnk.to/listenYD Subscribe to the official Simon & Garfunkel YouTube Channel: https://SimonAndGarfunkel.lnk.to/subscribeYD Follow Simon & Garfunkel: Facebook: https://SimonAndGarfunkel.lnk.to/followFI Website: https://SimonAndGarfunkel.lnk.to/followWI YouTube: https://SimonAndGarfunkel.lnk.to/subscribeYD Spotify: https://SimonAndGarfunkel.lnk.to/followSI Lyrics: I'd rather be a sparrow than a snail Yes I would, if I could, I surely would I'd rather be a hammer than a nail Yes I would, if I only could, I surely would Away, I'd rather sail away Like a swan that's here and gone A man gets tied up to the ground He gives the world its saddest sound Its saddest sound #SimonAndGarfunkel...
#ElCondorPasa #OrchestraEldorado #panflute Live concert of EL DORADO orchestra 2015. El Cóndor Pasa This song is already more than hundred years old!!! It was written by Peruvian composer Daniel Robles in 1913, based on traditional folk melodies of the Andes inhabitants. In 2004, this song has been recognized as a national treasure and cultural heritage of Peru. "Flight of the Condor" has been translated into different languages, and presents in the repertoire of various bands and artists. EL DORADO Orchestra, as true sons of nation, is not exception and presents own vision of this great song. We have put in it a part of our soul, and hope you will enjoy its new powerful sound !!! ❇️Subscribe Here: https://www.youtube.com/c/ElDoradochannel?sub_confirmation=1 ⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯...
#lapsteel #elcondorpasa #simonandgarfunkel #leorojas #folksong #cover "El Cóndor Pasa" (pronounced [el ˈkondoɾ pasa], Spanish for "The Condor Passes") is an orchestral musical piece from the zarzuela El Cóndor Pasa by the Peruvian composer Daniel Alomía Robles, written in 1913 and based on traditional Andean music, specifically folk music from Peru. This traditional folk song from Peru became an international hit in the 1970s, with a little help from US folk-rock duo Simon and Garfunkel. More history about this song : https://theculturetrip.com/south-america/peru/articles/the-history-behind-el-condor-pasa/ Instagram : https://instagram.com/danzguero Email : [email protected]
https://www.youtube.com/watch?v=rYFnCbWeyTI Thanks for watching and comments! ♥ All the best!
Another version of El Condor Pasa (Andean song) popularized by Simon & Simon Garfunkel in 1970 "If I could" is the best-known Peruvian song from the zarzuela El Cóndor Pasa composed by Daniel Alomía Robles. "The best ever live version with flute" expressed in this musical interpretation by Peruvian musician Alexandro Querevalú with a native Indian flute called Quena is felt deep within the soul. You can support me here: Promenade Live: https://geni.us/gz45D The Best I: https://amzn.to/2UtbKx5 The Best II: https://amzn.to/3dcjSL4 The Best III: https://amzn.to/2WxuAG1 Indian Age: https://amzn.to/3doQaCX Heart Beat: https://amzn.to/2QzDNtM Instrumental: https://amzn.to/2Qzt6qW Colors of the Rainbow: https://amzn.to/2WyXlSM Buy my flutes here: https://bit.ly/3n5dOIm mp3 http://bit.ly/2vTAML0...
El cóndor pasa is a Peruvian zarzuela (musical play) whose music was composed by Peruvian songwriter Daniel Alomía Robles in 1913 and whose script was written by Julio de La Paz (pseudonym of the Limenian dramatist Julio Baudouin). The piano arrangement of this play's most famous melody was legally registered on May 3, 1933, by The Edward B. Marks Music Corp. in the Library of U.S.A. Congress under the number 9643. This zarzuela is written in prose and consists of one musical play and two acts. In July 2013, the Colectivo Cultural Centenario El Cóndor Pasa (cultural association) re-edited the original script which was lost for a period of time, together with a CD containing the recorded dialogues and 7 musical pieces. The music from the original score written by the author was reconstructed by musicologist Luis Salazar Mejía with the collaboration of musicians Daniel Dorival and Claude Ferrier, and it was re-released on November 14, 15 and 16, 2013 at the Teatro UNI in Lima to celebrate its first centenary. These works (including the re-release of the zarzuela) were possible thanks to the efforts of musicologist Luis Salazar Mejía and cultural promoter Mario Cerrón Fetta (members of the above-mentioned cultural association), who did not received any public nor private support. This zarzuela included the famous eponymous melody based on the traditional Andean music of Peru, where it was declared National Cultural Heritage in 2004. It was estimated that there are more than 400 versions and 300 lyrics around the world. The parade scene doesn’t have original lyrics, all of its existing lyrics should be considered apocryphal in every language. This song is considered the second national anthem of Peru, as it identifies Peruvians worldwide.
I'd rather be a sparrow than a snail.
Yes I would.
If I could,
I surely would.
I'd rather be a hammer than a nail.
Yes I would.
If I could,
I surely would.
CHORUS
Away, I'd rather sail away
Like a swan that's here and gone
A man grows older every day
It gives the world
Its saddest sound,
Its saddest sound.
I'd rather be a forest than a street.
Yes I would.
If I could,
I surely would.
I'd rather feel the earth beneath my feet,
Yes I would.
If I could,
I surely would.
CHORUS