- published: 17 Aug 2008
- views: 4688737
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Vittorio Monti (6 January 1868 – 20 June 1922) was an Italian composer, violinist, mandolinist and conductor. His most famous work is his Csárdás, written around 1904 and played by almost every gypsy orchestra.
Monti was born in Naples, where he studied violin and composition at the Conservatorio di San Pietro a Majella. Around 1900 he received an assignment as the conductor for the Lamoureux Orchestra in Paris, where he wrote several ballets and operettas, for example, Noël de Pierrot. He also wrote a method for mandolin Petite Méthode pour Mandoline, 98049, in which he included some of his own works, Perle Brillante, Dans Una Gondola, and Au Petit Jour. There were also works by F. Paolo Tosti.
Die Fledermaus (The Bat) is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée.
The original source for Die Fledermaus is Das Gefängnis (The Prison), a farce by German playwright Julius Roderich Benedix (1811–1873). Another source is the French vaudeville play Le Réveillon, by Henri Meilhac and Ludovic Halévy, which was first translated by Karl Haffner into a non-musical play to be produced in Vienna. However, the peculiarly French custom of the réveillon (a New Year's Eve supper party) caused problems, which were solved by the decision to adapt the play as a libretto for Johann Strauss, with the réveillon replaced by a Viennese ball. At this point Haffner's translation was handed over for adaptation to Richard Genée, who subsequently claimed not only that he had made a fresh translation from scratch but that he had never even met Haffner.
The operetta premièred on 5 April 1874 at the Theater an der Wien in Vienna and has been part of the regular repertoire ever since:
Die Fledermaus is a 1923 German silent film directed by Max Mack and starring Eva May, Lya De Putti and Harry Liedtke. It is an adaptation of the operetta Die Fledermaus by Johann Strauss II and Richard Genée.
The film's sets were designed by the art director Ernst Stern .
Die Fledermaus is a 1962 Austrian musical film directed by Géza von Cziffra and starring Peter Alexander, Marianne Koch and Marika Rökk. It is an adaptation of the operetta Die Fledermaus by Johann Strauss II and Richard Genée.
Discuss/review/recommend the work at https://classicalmusiconly.com/work/johann-strauss-ii/die-fledermaus-x16j Title : Johann Strauss II - Die Fledermaus Overture From Wikipedia, Die Fledermaus (in English: The Bat;' in French: La Chauve-souris') is an operetta composed by Johann Strauss II to a German libretto by Carl Haffner and Richard Genée. The original source for Die Fledermaus is a farce by German playwright Julius Roderich Benedix (1811--1873), Das Gefängnis (The Prison). Another source is a French vaudeville play, Le réveillon, by Henri Meilhac and Ludovic Halévy. This was first translated by Carl Haffner into a non-musical play to be produced in Vienna. However, the peculiarly French custom of the réveillon (a midnight supper party) caused problems, which were solved by the de...
Music: Johann Strauss II Libretto: Karl Haffner and Richard Genée Conductor: Karl Böhm Director: Otto Schenk Sets: Jan Schulbach Costumes: Barbara Bilabel Wiener Staatsopernchor Wiener Philharmoniker Rosalinde: Gundula Janowitz Gabriel von Eisenstein: Eberhardt Wächter Frank: Erich Kunz Prince Orlofsky: Wolfgang Windgassen Alfred: Waldemar Kmentt Dr. Falke: Heinz Holk Dr. Blind: Erich Kuchar Adele: Renate Holm Frosch: Otto Schenk Ida: Sylvia Lukan
From the Heldenplatz in Vienna, 29. May 1999 Watch the complete concert: https://goo.gl/HgcXVG Vienna Philharmonic Orchestra (Wiener Philharmoniker) Zubin Mehta - conductor Johann Strauss II - Overture "Die Fledermaus" Subscribe to EuroArts: https://goo.gl/jrui3M Follow us on Facebook: https://www.facebook.com/EuroArtsMusic Johann Strauss II (October 25, 1825 – June 3, 1899), also known as Johann Strauss, Jr., the Younger, the Son (German: Sohn), Johann Baptist Strauss, was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely then responsible for the popularity of the waltz...
Hellsing Ultimate Soundtrack Black Dog
Johann Strauss II: "Die Fledermaus" Overture (with Score) Composed: 1874 New Year's Concert in Vienna 1987 Conductor: Herbert von Karajan Orchestra: Wiener Philharmoniker There's nothing like a good trailer to tell you what's coming up. The overture to Die Fledermaus tempts the listener with sweet melody, bouncy rhythms, and thrilling scoring that hints at the mistaken identity, gala ball, and humorous plot twists that are to come. In 1873, Viennese theater owners were looking for an alternative to imported Offenbach, and perhaps were also trying to distract the public from the city's economic depression. The director of the Theater an der Wien purchased the rights to the Parisian vaudeville Le Réveillon by Henri Meilhac and Ludovic Halévy. He eventually gave the work to the theater's co...
The most brilliant of Austrian operettas takes us to the outskirts of romantic Old Vienna. It’s New Year Eve and we are in the company of Caroline, who is determined to teach her philandering husband Gaillardin a lesson, even while she is being pursued by her former beau, the operatic tenor Alfred. At the centre of the action is the extremely wealthy, eternally bored Prince Orlofsky, whose lavish masked ball brings everything to a most delicious boil. But what if the whole plot has been a cunning plan masterminded by someone just to get back at Eisenstein? Die Fledermaus, Johann Strauss II’s comic operetta in three acts which premiered in 1874, has become a synonym of the operetta genre. In only six years, the operetta was staged in more than 170 theatres in the German-speaking regions an...
Bernd Weikl (Bariton) als Gabriel von Eisenstein (eine Tenor-Partie!) in einer Inszenierung von Otto Schenk, 1980 Mit Lucia Popp (Rosalinde), Erich Kunz (Frank), Brigitte Fassbänder (Prinz Orlofsky), Josef Hopferwieser (Alfred), Walter Berry (Dr. Falke), Edita Gruberova (Adele) und Helmut Lohner (Frosch) Chor der Wiener Staatsoper unter Norbert Ballatsch Orchester der Wiener Staatsoper, Dirigent: Theodor Guschlbauer © 1980 Arthaus Musik, ORF, Wiener Staatsoper
Johann Strauß: Fledermaus – Ouvertüre ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙ DaYe Lin, Dirigent ∙ 6. Internationaler Dirigentenwettbewerb Sir Georg Solti ∙ Finale: 3. Kandidat (1. Preis) Alte Oper Frankfurt, 23. September 2012 ∙ Website: http://www.hr-sinfonieorchester.de Facebook: http://www.facebook.com/hrsinfonieorchester ∙ http://www.dirigentenwettbewerb-solti.de
The Met's new English-language production of Johann Strauss's "Die Fledermaus," directed by Jeremy Sams and featuring new dialogue by Douglas Carter Beane, runs through February 22.
Vittorio Monti (6 January 1868 – 20 June 1922) was an Italian composer, violinist, mandolinist and conductor. His most famous work is his Csárdás, written around 1904 and played by almost every gypsy orchestra.
Monti was born in Naples, where he studied violin and composition at the Conservatorio di San Pietro a Majella. Around 1900 he received an assignment as the conductor for the Lamoureux Orchestra in Paris, where he wrote several ballets and operettas, for example, Noël de Pierrot. He also wrote a method for mandolin Petite Méthode pour Mandoline, 98049, in which he included some of his own works, Perle Brillante, Dans Una Gondola, and Au Petit Jour. There were also works by F. Paolo Tosti.